Quantcast

Trace by Eric Pankey

Book Source: Purchased at Novel Places
Paperback, 68 pgs
I am an Affiliate of Amazon.com

Trace by Eric Pankey, published by Milkweed Editions on 100 percent post-consumer waste paper, is a melancholy collection of poems that explores faith and the vacillation between believing and not.  Combining science and philosophy with observations of nature, Pankey examines the impact of life upon life, memory, and the other.  “If all matter is constant, what can one add to creation?”, the narrator of “A Line Made While Walking” asks.  What are these lines that we draw between our past and present, God and ourselves, and even between one another — are they not just arbitrary demarcations.  Like in “Out-of-the-Body,” the narrator watches the river otter and wonders if the animal is at play or working and whether even such distinctions enter into his thoughts while he’s busily breaking up the ice.  And if the otter does not make these distinctions, why do we, especially when we lie awake at night.  If only we could watch ourselves from outside of ourselves, what would we see?

Pankey’s preoccupation with death and its ultimate push to think about faith in something greater than ourselves permeates each and every poem in the collection, though some more intensely than others.  “All of winter, like a suppressed yawn, wells up inside me” is just one line from “Cogitatio Mortis” or I think of death (a rough Latin-to-English translation).  Death is never far from us or our thoughts, especially in today’s media hyped up world in which news from across the globe reaches us in seconds and wars continue to break out across the world.

Edge of Things

I wait at the twilit edge of things,
A dry spell spilling over into drought,

The slippages of shadow silting in,
The interchange of dusk to duskier,
The half-dark turning half-again as dark.

There:  night enough to call it a good night.

I wait for the resurrection, but wake to morning:
Mist lifting off the river.
Ladders in the orchard trees although the picking's done.

There are moments of hope in the collection, as Pankey’s poems discuss the death of the body, but not the soul. In “The Place of Skulls,” the narrator talks about the millstones and the hauling down of the bodies, but that the tree continues living and bearing fruit. Whether this is a poem about reincarnation, the absorption of the soul into the tree, or the mere image of saplings that have grown up and bear their own fruit after the sire has passed on does not matter because there is hope that life never just stops.  Faith is at the edges of these poems and underneath them, but on the surface, there is death, loss, and memories of all that has passed, even if those memories are faded and carry different emotional context than they did in the moment of creating them.

Trace by Eric Pankey is a collection focused on faith and passing on and what one wishes to leave behind, compared to what is actually left behind.  It is about the struggle to continue to get up every day and face it head on, even if death is closer than ever.

About the Poet:

Eric Pankey is the author of nine collections of poetry. TRACE, published by Milkweed Editions this year is the most recent. Two new collections, DISMANTLING THE ANGEL, and CROW-WORK are forthcoming. He is the Heritage Chair in Writing at George Mason University.

He’ll be at the May Gaithersburg Book Festival for “Poetry in the Afternoon” moderated by me!

 

 

This is my 21st book for the Dive Into Poetry Challenge 2013.

 

 

This is my 32nd book for the 2013 New Authors Challenge.

Maya’s Notebook by Isabel Allende

Book Source: HarperCollins and TLC Book Tours
Hardcover: 400 pgs
I am an Affiliate of Amazon.com

Maya’s Notebook by Isabel Allende is written in a notebook form without chapter breakdowns and is not a linear narrative.  Maya Vidal is a very troubled youth when tragedy strikes her very unconventional family of her pilot father who is rarely home, her grandparents Nidia and Popo, her absent mother Marta Otter, and the family friend Mike O’Kelly.  The novel is a departure from Allende’s typical historical fiction novels, but do not expect history to be absent from this coming-of-age novel — the takeover of Chile by Pinochet is present in the background, hanging over the Vidal family like a hazy cloud.  From her nose ring and tattoos to her goth clothes, Maya and her vampire friends set out on a path of self-destruction as a way to rebel against their family lives that they claim are very distasteful and harmful.  However, unlike Debbie and Sarah, Maya’s life is far from abusive and emotionally vacant, though it has changed significantly.

“I love some of the island’s customs, like truco, but there are others that bug me.  If a chucao, a tiny loudmouthed bird, chirps to the left of me, it’s bad luck, so I should take off a piece of clothing and put it back on inside out before going any farther; if I’m walking at night, I’m supposed to carry a clean knife and salt, because if I cross paths with a black dog with one ear lopped off, that’s a brujo, and in order to get away I have to trace a cross in the air with the knife and scatter salt.”  (Page 47 ARC)

Allende is a novelist that handles details with aplomb, weaving them in the disjointed narrative at just the right time, leading readers on an emotional journey that evokes not only frustration at Maya’s behavior, but also one of sympathy and sadness for the losses she feels.  She needs to hit rock bottom in order to climb up and rebuild her life, even though she falls off a high cliff into the abyss of drug dealers, mafia criminals, and the sex trade.  Allende does not sugarcoat anything that Maya experiences in her rehab stints or her escapes and drop off the map inside Las Vegas.  Unwittingly or willfully blind, Maya stumbles into a crime ring that is bigger than she ever thought it could be and it puts her life and the lives of her loved ones in danger as she never could have imagined. However, the end game with the conspiracy feels a bit contrived.

Maya’s past is never far behind, even as her life spirals out of control, chirping behind her ear at every turn.  Running is the only way she knows how to deal with her emotions, and its the way her family has dealt with the harsh struggles of their lives since the time of Pinochet. The ties that bind this family are stronger than ever, even as dynamics change between them and secrets of the past are uncovered. Love is the strongest tie, but fear also can be a great motivator as the walls close in. Maya’s Notebook by Isabel Allende is a modern marvel that will make a lasting impression on readers as a headstrong girl becomes unmoored and is forced to not only confront her own demons but the ghosts of the past.

About the Author:

Born in Peru and raised in Chile, Isabel Allende is the author of many bestselling novels, including, most recently, Island Beneath the SeaInes of My Soul, Zorro, Portrait in Sepia, and Daughter of Fortune. She has also written a collection of stories; three memoirs, The Sum of Our Days, My Invented Country, and Paula; and a trilogy of young adult novels. Her books have been translated into more than 27 languages and have become bestsellers across four continents. In 2004 she was inducted into the American Academy of Arts and Letters. Allende lives in California.  Find out more about Allende, her books, and her foundation at www.isabelallende.com, and connect with her on Facebook.

The Klipfish Code by Mary Casanova

The Klipfish Code by Mary Casanova is a young adult novel set during World War II when Norway was occupied by the Nazis for five years.  Rather than acquiesce to all of the Nazis demands and become indoctrinated, many of them showed their solidarity in small ways, including wearing paperclips on their clothes and not speaking to those in the community who turned into Nazi informers.

Marit is a young girl of ten when the first bombs fall on Norway, which has become a pawn in the war as the Germans seek to control the ports and the British seek to do the same.  Her parents are eager to join the Resistance and help the British as best they can — her father’s knowledge of bridges and roads and her mother’s ability to speak English — but it forces them to break up the family and send their children to Godøy Island to live with their grandfather Bestefar and their aunt Ingeborg.  While Marit and her brother Lars have spent summers there, Marit does not get along well with her grandfather who she finds favors her brother.

“She couldn’t believe he was actually speaking to her.  She didn’t know if he wanted an answer or not, but she gathered her courage.  ‘But Bestefar, if no one fights back, the Germans will be here forever!'” (page 41)

Casanova’s story is based in fact, which can be found in the notes at the back of the book, and her characters are believable as young children caught in a war they do not understand.  Marit struggles with her morals as she’s forced by her peers to not speak to her friend Olaf in school because his parents turned in a Norwegian to the Nazis.  While Marit is brave at the beginning of the occupation, she falters as any young child would in the face of oppression and danger, and she must come to terms with her own convictions and if they are worth the price she and her family might pay.

Unlike other suspenseful young adult novels in which children are the main protagonists and the most important actors in the plot, Casanova has stuck to the real world dynamics of the world in which children do not know everything and are not the main actors.  Marit demonstrates fear as she strives to deliver the klipfish code and when she encounters the Germans up close.  The Klipfish Code by Mary Casanova is a realistic account of Norway’s struggles during the Nazi occupation without being too graphic about the violence that came with that regime.

About the Author:

Mary Casanova is an award-winning children’s author of novels and picture books. Many of her books stem from her life on the Minnesota-Canadian border; yet some of her stories have taken her as far away as France, Norway, and Belize for research. Whatever the setting for her books, Casanova writes stories that matter–and stories that kids can’t put down.

Her book awards include: American Library Association “Notable,” Aesop Accolades by the American Folklore Society, Parents’ Choice “Gold” Award, Booklist Editor Choice, and two Minnesota Book Awards. Her books frequently land on state children’s choice book master lists across the country. “The greatest reward for me,” Casanova states, “is when a young reader tells me she or he loves one of my books. For me, it’s all about communicating writer-to-reader through a character and story.”

This is my 31st book for the 2013 New Authors Challenge.

Mailbox Monday #220

Mailbox Monday (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. May’s host is 4 the LOVE of BOOKS.

The meme allows bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received for review:

1.  The Neruda Case by Roberto Ampuero for review from Penguin.

Roberto Ampuero’s novels starring the wonderfully roguish Cayetano Brulé are an international sensation. In The Neruda Case, readers are introduced to Cayetano as he takes on his first case as a private eye. Set against the fraught political world of pre-Pinochet Chile, Castro’s Cuba, and perilous behind-the-Wall East Berlin, this mystery spans countries, cultures, and political ideas, and features one of literature’s most beloved figures—Pablo Neruda.

Cayetano meets the poet at a party in Chile in the 1970s. The dying Neruda recruits Cayetano to help him solve the last great mystery of his life. As Cayetano fumbles around his first case, finding it hard to embrace the new inspector identity foisted upon him, he begins to learn more about Neruda’s hidden agenda. Neruda sends him on a whirlwind expedition around the world, ending back in Chile, where Pinochet’s coup plays out against the final revelations of their journey.

2.  Our Held Animal Breath by Kathryn Kirkpatrick for review for TLC Book Tours.

Our Held Animal Breath is a collection of poems grappling with the failure of human political and social structures to effectively address the dilemmas of our crucial historical moment.  Registering an eco-feminist consciousness, the narrators of these poems expose the intertwined vulnerabilities of women, animals, and the land to masculinist agendas of mastering nature for profit.

Poems in the opening section explore the ways powerful elites compromise the habitats of human and non-human animals alike.  The lives of tethered foxes, bewildered squirrels, displaced buffalo, and factory-farmed turkeys echo the lives of ordinary citizens experiencing degradation and disenfranchisement in the face of climate change, war-mongering, and political corruption.

3.  Marilyn’s Red Diary by E.Z. Friedel, which came unexpectedly from Meryll L. Moss Media that will likely find a new home.

Based on shocking new information, MARILYN’S RED DIARY documents Miss Monroe’s roller-coaster final years, culminating in her murder.The star, yearning to become a mother, suffers several miscarriages. Distraught, she becomes infatuated with the Kennedy’s, only to be brought down by their enemies. Through her renowned psychiatrist, Marilyn’s medical problems, drug use, and cause of death are explained.

In June of 1960, on the urging of psychiatrist Ralph Greenson, Marilyn Monroe begins keeping a diary. The former foster child feels unloved, unfulfilled, and unappreciated. Professionally, she wants to be considered a serious dramatic actress. Her husband, honored playwright Arthur Miller. has penned THE MISFITS script for her next project. Emotionally, she fervently hopes for a child to begin her family. Despite several pregnancies, Marilyn has been unable to carry to term. She blames her supportive older partner and her own severe gynecological scarring. Extremely promiscuous, she remains hopelessly in love with John Kennedy, the dashing Senator who is beginning his presidential campaign. After a decade long affair, they are once again hot and heavy.

4.  The Cinnamon Peeler by Michael Ondaatje, which I got at the library sale.

Michael Ondaatje’s new selected poems, The Cinnamon Peeler, brings together poems written between 1963 and 1990, including work from his most recent collection, Secular Love. These poems bear witness to the extraordinary gifts that have won high praise for this truly original poet and novelist.

5. Letters from Skye by Jessica Brockmole from the publisher for a TLC Book Tour.

A sweeping story told in letters, spanning two continents and two world wars, Jessica Brockmole’s atmospheric debut novel captures the indelible ways that people fall in love, and celebrates the power of the written word to stir the heart.   March 1912: Twenty-four-year-old Elspeth Dunn, a published poet, has never seen the world beyond her home on Scotland’s remote Isle of Skye. So she is astonished when her first fan letter arrives, from a college student, David Graham, in far-away America. As the two strike up a correspondence—sharing their favorite books, wildest hopes, and deepest secrets—their exchanges blossom into friendship, and eventually into love.

But as World War I engulfs Europe and David volunteers as an ambulance driver on the Western front, Elspeth can only wait for him on Skye, hoping he’ll survive.   June 1940: At the start of World War II, Elspeth’s daughter, Margaret, has fallen for a pilot in the Royal Air Force. Her mother warns her against seeking love in wartime, an admonition Margaret doesn’t understand. Then, after a bomb rocks Elspeth’s house, and letters that were hidden in a wall come raining down, Elspeth disappears. Only a single letter remains as a clue to Elspeth’s whereabouts. As Margaret sets out to discover where her mother has gone, she must also face the truth of what happened to her family long ago.

What did you receive?

201st Virtual Poetry Circle

Welcome to the 201st Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2013 Dive Into Poetry Challenge because its simple; you only need to read 1 book of poetry. Check out the stops on the 2013 National Poetry Month Blog Tour and the 2012 National Poetry Month Blog Tour.

Today’s poem is from Seth Abramson’s Thievery:

Things Unso (page 18)

If the wind takes the house
it will be someone else's
soon enough, and they too
will find it cold.  What breaks
breaks open.  After a house
one finds oneself in a wood,
and after too long in a wood
one finds oneself sullen
in heaven.  Someone else lies
in my bed now so I can't sleep
any better than they do.
To be lost is to be connected
interminably.
When they turn in my bed
the whole house turns, and I 
turn, and the wind is emptied
through my own and theirs
and through a common door
to some place I do not know.
If things fall far enough apart,
they are all equally gone.

What do you think?

Seduction by M.J. Rose

Seduction by M.J. Rose shifts from the present day to the 1850s as Jac E’Toile uncovers more of her family and Malachai’s secrets, as well as the connections to seances, the Druids, and reincarnation.  Memories and past lives cricle in on themselves revealing bit by bit how entwined Jac’s life is with Theo Gaspard, the man who invites her to the Isle of Jersey to research the island’s Celtic roots.  In the process, readers see a side of Victor Hugo they may not have heard of before, a side that has been documented in his own notations.  Like the other books in Rose’s reincarnationist series, Seduction can be read as a stand alone novel, though some readers may want to read The Book of Lost Fragrances (my review) first.

“They climbed the wrought-iron circular spiral. Its steps were narrow and turned on themselves sharply, making them hard to navigate and easy to fall down, Jac thought. The upper balcony hung over the fist floor. From the slightly different scent, Jac knew there was a concentration of older volumes up here.” (page 153 ARC)

Rose weaves mystery with romance, history, and elements of spiritualism.  Hugo and the Gaspard family become obsessed with loss and overly consumed to the point where they are nearly willing to make a deal with the devil to bring back those they love.  Jac and Malachai have known each other since she was a teenager, and while he continues to obsess over the search for the 12 memory tools, Jac continues to hold him in esteem until events shake her faith in him.  However, Seduction is less about the search for memory tools and more about uncovering the past and past lives.  Each of these characters is seduced, either by their grief or their fear, and in the end, their triggers may be different but their obsessions threaten to take them over.

“To be a decent writer you must have both empathy and imagination.  While these attributes aid your art, they can plague your soul.  You don’t simply suffer your own sadness, experience your own longing and worry about your own wife and children, you are burdened with experiencing the emotional states of multitudes of others you don’t know.”  (page 80 ARC)

While the narrative slips between Jac’s story and that of Victor Hugo, as well as a period during the time of the Druids, these stories could have easily stood on their own had it not been for the reincarnation connection threading through the entire novel.  In many ways, the connection to Hugo could have been explored without the Druid connection, but Rose’s story arc carries a deeper sense of connection between her characters.  In addition to reincarnation and seances, the narrative has elements of the Gothic, with the dark brooding sea and the mysterious disappearances of young girls, intertwined with the treasure hunt for Victor Hugo’s journal.  Rose’s narrative is like the faint scents of perfume winding their way into the nasal cavity from a distance, only to strengthen as the tantalizing aroma beckons the reader further on the journey to the source.  Seduction by M.J. Rose is a novel full of mystery that only unravels with time and patience as Jac journeys outside her comfort zone to embrace her talents as a perfumer and a reincarnated soul.

I, for one, cannot wait to see what Rose has in store for the next installment in this series, though I’m not ready to say goodbye to Jac.

About the Author:

M.J. Rose is the international best selling author of eleven novels and two non-fiction books on marketing. Her fiction and non-fiction has appeared in many magazines and reviews including Oprah Magazine. She has been featured in the New York Times, Newsweek, Time, USA Today and on the Today Show, and NPR radio. Rose graduated from Syracuse University, spent the ’80s in advertising, has a commercial in the Museum of Modern Art in NYC and since 2005 has run the first marketing company for authors – Authorbuzz.com. The television series PAST LIFE, was based on Rose’s novels in the Renincarnationist series. She is one of the founding board members of International Thriller Writers and runs the blog- Buzz, Balls & Hype. She is also the co-founder of Peroozal.com and BookTrib.com.

Rose lives in CT with her husband the musician and composer, Doug Scofield, and their very spoiled and often photographed dog, Winka.

For more information on M.J. Rose and her novels, please visit her WEBSITE. You can also find her on Facebook.

Also Reviewed:

The Hypnotist by M.J. Rose
The Memorist by M.J. Rose
The Book of Lost Fragrances by M.J. Rose

The Fact of the Matter by Sally Keith

The Fact of the Matter by Sally Keith, published by Milkweed Editions on 100 percent post-consumer waste paper and who will be at the 2013 Gaithersburg Book Festival) allows nature to run rampant through the poems, lifting up the reader and at the same time opening the door to reality.  While we strive to compartmentalize our lives to the before, during, and after of pivotal moments, the reality is that these moments are not separate and cannot be separated.  This analytical approach to our very journeys runs contrary to the emotional and experiential ways in which we live.  The struggle between the logical part of the brain and the emotional part can be seen in every poem, but it is particularly pronounced in the poems “Providence,” “Knot,” and “Crane.”

Keith’s use of nature elements, especially wind, provide readers with not only emotional cues to the state of things, but also paints vivid landscapes that evoke emotional responses.  In each poem, there is a longing for the past and what was, but it is not so overwhelming that the present moment nor the emotional memory of the past is lost.  While facts play a key role in grounding some of these poems, behind the scenes Keith weaves a narrative that haunts each poem with a depth of emotion and progression toward the realization of one’s own mortality and its nearness at all times.  “What is Nothing But a Picture,” is a prime example of this technique as the narrator paints a mural of seascapes and battles in the past, while examining the past, present, and end.  Like with many artists, there is a restless to the narrative, and this restlessness becomes overwhelming by the end of the poem when “The dogs’ hot breath hits in gusts./Clouds thicken.  Clouds splice/down far-off mountainsides no one sees./The surface of the ocean is heavy./The surface is a ruin that breathes./”  (pages 27-42)

For Example (page 52)

The pale undersides of sycamore leaves, knocking
at seed pods hanging in brown bunches

so that they helicopter down.
Slag heap, mad slack, taut song:

Which morning am I making up now?
Somewhere wild animals are seeking cool hollows

in which to lay themselves down.
A wall of cotton disperses in the wind.

Keith references the great battles and losses of Achilles and Hector on more than one occasion, and it would seem that these references point to a kinship between these heroes and the people of today, although the losses may not achieve the same legendary magnitude.  The Fact of the Matter by Sally Keith explores not only the facts of matter, but also the emotional ties that bind us and the art that is born out of those experiences, which can never truly capture those moments in the same way that they were lived — a kind of existential examination of grief and mortality.

About the Poet:

Sally Keith is the author of two previous collections of poetry: Design, winner of the 2000 Colorado Prize for Poetry, and Dwelling Song, winner of the University of Georgia’s Contemporary Poetry Series competition. Her poems have appeared in Colorado Review, A Public Space, Gulf Coast, New England Review, and elsewhere. Keith teaches at George Mason University and lives in Washington, DC.

This is my 20th book for the Dive Into Poetry Challenge 2013.

 

 

This is my 30th book for the 2013 New Authors Challenge.

 

 

 

She’ll be at the May Gaithersburg Book Festival for “Poetry in the Afternoon” moderated by me!

Unexplained Fevers by Jeannine Hall Gailey

Unexplained Fevers by Jeannine Hall Gailey builds on the poet’s exploration of popular myths and legends centered on women, only unlike Becoming the Villainess (my review) where the characters become vengeful, these characters are striking out for parts unknown, examining their legends, and telling the real tales behind the fairy magic.  From Jack and Jill who vowed to stay together against all odds who find themselves in Ohio to Alice in Wonderland who merely gets lost in a coat closet, Gailey is poking fun at the fantasies that rely on women being beautiful and little else to prove their worth.  These heroines are set free, and outside the confines of their tales, they are able to contemplate their past choices and their futures in ways they never though possible.

She Had Unexplained Fevers (page 3)

some nights she just wasn't
herself, skin pale and damp as a child's
they lay her in a glass coffin
told me there was something in her throat
and I said yes we've all swallowed a lot of crap
choked down broken promises like apple.

In looking at these tales, Gailey is not only calling into question their validity but also their impact on the generations that have read them. Are women supposed to be only beautiful and only want that prince to come rescue them? And by the end of the collection, the poet asks readers to think about how much has changed even in the modern world. May be there are few princes with castles and white steeds, but don’t they have other “enticements” like good paying jobs and the house in the suburbs that women continue to gravitate towards as safe and what they should want from their lives?

Like “Alice, Through the Looking Glass,” there are poems that are more universal and do not stick as closely to the stories as some other poems do, and in these poems, Gailey raises questions about body image and the prevalence of women in advertising to not only sell products, but also to sell an idea of what beauty is and should be for every woman. The narrator in “Alice” asks, “What am I doing here in this white room/with no smell but dust and soap//” Meanwhile, Snow White asks the reader in “I Like the Quiet: Snow White” to get her out of our own looking glasses — break free from the need for a certain appearance — readers would see their true selves and who each of us really is and how we matter without the constant need to live up to a beauty standard. Snow White is just like all of us, wanting to spend time alone, wanting space to decide the course of our lives, wanting not to rush into a marriage even with a prince, and all the trappings and decisions we make in our lives.

Unexplained Fevers by Jeannine Hall Gailey easily parallels the myths and stories we’ve read and memorized as children with the current modern lives we lead.  Though lest you think all of the poem narrators are female, there are male narrators, including one knight who did not get the fairytale ending he was expecting.  In this way, Gailey is calling into question the fantasies that men are fed as children as well; must they be rescuers and be the strongest and bravest to get the girl?  A phenomenal collection from beginning to end — one that has a permanent place in my library, right next to her others.

About the Poet:

Jeannine Hall Gailey is the Poet Laureate of Redmond, WA and the author of Becoming the Villainess, She Returns to the Floating World, and Unexplained Fevers, available spring of 2013. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily, and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, The Iowa Review, and Prairie Schooner. She teaches part-time at National University.

This is my 19th book for the Dive Into Poetry Challenge 2013.

The Collected Poems of Marcel Proust edited by Harold Augenbraum

The Collected Poems of Marcel Proust edited by Harold Augenbraum includes not only the original French alongside the English translations of the poems, but also detailed notes on the various references and historical context for each of the poems at the end of the collection. As an interesting addition, there are a few of the original drawings that Proust sent along with the poems in his correspondence.  Proust is generally known for his prose, and most people don’t know that he wrote poems.  (While I’ve read some of his poems before, I have not read his prose.  I’m a bit out of the norm.)  “The poems were composed from when Proust was seventeen to when he was fifty,” says the introduction on page xvi.  That’s a long period of time, and there are a great many poems.  How many of these poems were written down in one moment or revised is unclear, but some of these poems clearly were further along in the process.

Proust’s poems range from witty to plainspoken and sarcastic.  Some of his poems about love border on the edge of passion and hatred, and there are moments in certain poems that may remind readers of the great Romantic poet Percy Bysshe Shelley.  Proust’s poems celebrate not only art, but also music, language, and friendship — even those relationships that sour.  Many of these poems were untitled.

Poem 9 (page 27)

Madame, it's possible that I have forgotten
Your divine and birdlike profile,
That I have pushed past my own madness
Like one jumping through a hoop,
But always still your eyes will shine
Like bright chandeliers on the ceiling of my mind.

His poems are playful and cutting at the same time, and his grasp of language and all its capabilities is astounding. Readers will wonder about the subjects that are not clearly named, but at the same imagine their own obsession or loved one in their stead. Even without knowing the subject of poem 9, the reader can gather that the woman once held an esteemed place in the poet’s heart, but has now fallen into disgrace in his eyes. And yet, even though the love affair has gone downhill, she still is remembered fondly but will remain in the past.

From the traditional forms of sonnet to the less-than-traditional prose-like poetry in the collection, readers will get a sense of Proust’s evolution as a writer and his experiences as he saw them. The Collected Poems of Marcel Proust edited by Harold Augenbraum has a lot to offer readers, and while it is not necessary to read the French, those who can will have a richer experience.

About the Poet/Author:

Valentin Louis Georges Eugène Marcel Proust was a French novelist, critic, and essayist best known for his monumental novel In Search of Lost Time. It was published in seven parts between 1913 and 1927.

This is my 18th book for the Dive Into Poetry Challenge 2013.

 

 

This is my 29th book for the 2013 New Authors Challenge.

Mailbox Monday #219

Even though my Mailbox Mondays have been on hiatus for the most part this month, I wanted to share all the books I’ve received, some of which already were reviewed.

Mailbox Monday (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. May’s host is 4 the LOVE of BOOKS.

The meme allows bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received for review:

1.  Let’s Explore Diabetes With Owls by David Sedaris, which came unexpectedly from Little & Brown and may be passed along to someone else.

From the unique perspective of David Sedaris comes a new book of essays taking his readers on a bizarre and stimulating world tour. From the perils of French dentistry to the eating habits of the Australian kookaburra, from the squat-style toilets of Beijing to the particular wilderness of a North Carolina Costco, we learn about the absurdity and delight of a curious traveler’s experiences. Whether railing against the habits of litterers in the English countryside or marveling over a disembodied human arm in a taxidermist’s shop, Sedaris takes us on side-splitting adventures that are not to be forgotten.

2.  Pain, Parties, Work by Elizabeth Winder for review with TLC Book Tours.

In May of 1953, a twenty-one-year-old Plath arrived in New York City, the guest editor of Mademoiselle’s annual College Issue. She lived at the Barbizon Hotel, attended the ballet, went to a Yankee game, and danced at the West Side Tennis Club. She was supposed to be having the time of her life. But what would follow was, in Plath’s words, twenty-six days of pain, parties, and work, that ultimately changed the course of her life.

 

3.  Three-Ring Rascals: The Show Must Go On! by Kate Klise and illustrated by M. Sarah Klise from Anna.

Ladies and gentlemen! Boys and girls!

Step right up and hear the amazing tale of Sir Sidney’s Circus.

Listen to how Sir Sidney, a kindly old circus owner, needed a rest.

Read and weep when Sir Sidney leaves the circus in the hands of a big mean baddie.

Shriek with terror as Barnabas Brambles cracks his whip at Elsa the elephant.

Cry in horror when Mr. Brambles tries to sell Leo the lion to a zoo.

Hide your eyes as the Famous Flying Banana Brothers perform death-defying feats to get the circus train to the show on time!

Can they do it? Will they make it? They better, because THE SHOW MUST GO ON!

Black and white line drawings throughout.

4.  The Gods of Heavenly Punishment by Jennifer Cody Epstein for review with TLC Book Tours (2 copies — one will be passed on to someone).

In this evocative and thrilling epic novel, fifteen-year-old Yoshi Kobayashi, child of Japan’s New Empire, daughter of an ardent expansionist and a mother with a haunting past, is on her way home on a March night when American bombers shower her city with napalm—an attack that leaves one hundred thousand dead within hours and half the city in ashen ruins. In the days that follow, Yoshi’s old life will blur beyond recognition, leading her to a new world marked by destruction and shaped by those considered the enemy: Cam, a downed bomber pilot taken prisoner by the Imperial Japanese Army; Anton, a gifted architect who helped modernize Tokyo’s prewar skyline but is now charged with destroying it; and Billy, an Occupation soldier who arrives in the blackened city with a dark secret of his own. Directly or indirectly, each will shape Yoshi’s journey as she seeks safety, love, and redemption.

5.  Emily & Herman by John J. Healey, which I received for review from Arcade Publishing.

The manuscript of this novel was discovered by John J. Healey in a box left by his grandfather, Professor Vincent P. Healey, after his death. This engaging work of fiction is a romantic account in which four iconic figures of American Letters play a leading role.

In the summer of 1851 Herman Melville was finishing Moby Dick on his family farm in the Berkshire Hills of western Massachusetts. Surrounded by his mother, sisters and pregnant wife, it was a calm and productive season until his neighbor Nathaniel Hawthorne lured him to Amherst. There they met twenty-year-old Emily Dickinson and her brother Austin. On a whim the two distinguished authors invited the Dickinson siblings to accompany them on a trip to Boston and New York. In Manhattan they met journalist Walt Whitman and William Johnson, a runaway slave, and it was there, despite their efforts to control it, that Emily and Herman fell in love.

This, for the first time, is their story.

6.  Why Photographers Commit Suicide by Mary McCray from the poet for review.

Why Photographers Commit Suicide explores, in small narratives and lyrical poems, the American idea of Manifest Destiny, particularly as it relates to the next frontier—space exploration. Mary McCray examines the scientific, psychological and spiritual frontiers enmeshed in our very human longing for space, including our dream of a space station on Mars. These poems survey what we gain and what we lose as we progress towards tomorrow, and how we can begin to understand the universal melancholy we seem to cherish for what we leave behind, the lives we have already lived. McCray unearths our feelings about what it means to move ahead and stake out new territory, and what it means to be home.

7.  The Fact of the Matter by Sally Keith, which I purchased from Novel Places.

Moving from the mundane to the profound, first through observation of fact and matter, then shifting perspective, engaging a deeper sense of self, these poems re-imagine things great and small, making us care deeply about the world around us. In this cultivated and intricately crafted collection, Sally Keith shows the self as a crucible of force—that which compels us to exert ourselves upon the world, and meanwhile renders us vulnerable to it. Force by which a line unfurls—as in Robert Smithson’s colossal Spiral Jetty—or leads with forward motion—a train hurdling along the west-reaching railroad; Edweard Muybridge’s photographic reels charting animal and human locomotion. With poems remarkable in their clarity, captivating in their matter-of-factness, Keith examines the impossible and inevitable privacy of being a person in the world, meanwhile negotiating an inexorable pull toward the places we call home—one we alternately try and fail to resist.

8.  Trace by Eric Pankey, which I purchased from Novel Places.

His arresting ninth collection of poems, Eric Pankey’s Trace locates itself at a threshold between faith and doubt—between the visible and the invisible, the say-able and the ineffable, the physical and the metaphysical. Also a map of the poet’s journey into a deep depression, these poems confront one man’s struggle to overcome depression’s smothering weight and presence. And with remarkable clarity and complexity, Trace charts the poet’s attempt to be inspired, to breathe again, to give breath and life to words. Ever solemn, ever existential, Pankey’s poems find us at our most vulnerable, the moment when we as humans—believers and nonbelievers alike—must ultimately pause to question the uncertain fate of our souls.

9.  Miss Plastique by Lynn Levin, which I received from the poet for review.

Miss Plastique, the fourth full-length poetry collection by Lynn Levin, invites the reader into a world of female bravado in which Miss Plastique and her many selves rant, fret, joke, fall in love, dress up, and do their hair. Poems in this collection first appeared in Boulevard, Artful Dodge, Hunger Mountain, Connecticut Review, Knockout, Nerve Cowboy, and other places. Lynn Levin, a poet known for her eclecticism, humor, and range of poetic styles, is the author of the previous poetry collections Fair Creatures of an Hour, a Next Generation Indie Book Awards finalist in poetry; Imaginarium, a finalist for ForeWord Magazine’s Book of the Year Award; and A Few Questions about Paradise (all from Loonfeather Press). Her craft of poetry book, Poems for the Writing: Prompts for Poets (with Valerie Fox) is forthcoming from Texture Press in 2013. Lynn Levin is also a writer and literary translator. She has received nine Pushcart Prize nominations, two grants from the Leeway Foundation, and Garrison Keillor has read her work on his radio show The Writer’s Almanac. Born in St. Louis, Missouri, Levin has lived in the Philadelphia area since 1980. She is the 1999 Bucks County, Pa. poet laureate and currently teaches at Drexel University and the University of Pennsylvania. Advance praise for Miss Plastique: Miss Plastique is a busy girl: giving it to her enemy in stiletto heels, giving it up to an Elvis impersonator, thumbing a ride across Texas. She has turned from the mirror and can’t look back. She’s sexy and seductive and refuses to be pinned down; she’s silk so fluid you could drink her-read her instead, but watch she doesn’t explode in your hands. -Meg Kearney, author of Home By Now

10. Dr. Radway’s Sarsaparilla Resolvent by Beth Kephart, illustrated by William Sulit, a surprise from my dear author friend.

Flavored by the oddities of historic personalities and facts, Dr. Radway’s Sarsaparilla Resolvent is set in Bush Hill, Philadelphia, 1871—home to the Baldwin Locomotive Works and a massive, gothic prison. Acclaimed writer Beth Kephart captures the rhythms and smells of an extraordinary era as William Quinn and his Ma, Essie, grapple with life among terrible accidents, miraculous escapes, and shams masquerading as truth.

11.  Antonia Lively Breaks the Silence by David Samuel Levinson, unexpectedly from the publisher Algonquin.

Catherine Strayed is living a quiet, un-
remarkable life in a secluded college town following the mysterious death of her husband, a promising writer whose death may have been an accident, a suicide, or perhaps even a murder. When her former mentor (and onetime lover)—a powerful critic who singlehandedly destroyed her late husband’s chance for success—takes a teaching job at the college, Catherine’s world threatens to collapse. For with him has come his latest protégé, an exotic young woman named Antonia Lively. Antonia’s debut  novel has become a literary sensation—but it is, in fact, an almost factual retelling of 
a terrible crime that she relates without 
any concern for the impact its publication will have on the lives of those involved.  As Antonia insinuates herself into Catherine’s life, mysterious and frightening things start to happen, because unbeknownst to Catherine, the younger woman intends to plunder her own dark, regrettable past—and the unsolved death of her husband—for her next literary triumph.

12. Beautiful Decay by Sylvia Lewis, which came unexpectedly from Running Press, though may be appropriate for some near-teenager I know….

Things have a way of falling apart around Ellie Miller. Literally. With a touch that rots, she keeps everyone at a distance—for others’ safety as much as her own comfort.

When newcomer Nate MacPherson makes it his mission to get close to Ellie, she does her best to steer clear. But as Nate reveals an unusual ability of his own, Ellie recognizes a kindred spirit who could accept her for who she is . . . if she lets him.

As family secrets unravel, Ellie will have to discover the beauty within her reach in order to save the ones she loves.

13.  The Look of Love by Bella Andre from Meryl Moss Media unexpectedly — this will likely be passed on to someone else.

Chloe Peterson has vowed never to make the mistake of trusting a man again. Her reasons are as vivid as the bruises on her cheek. So when her car skids off a wet country road straight into a ditch, she’s convinced the gorgeous guy who rescues her must be too good to be true.

As a successful international photographer, Chase Sullivan has his pick of beautiful women. He’s satisfied with his life—until he finds Chloe and her totaled car on the side of the road in Napa Valley.

With every loving look—and every sinfully sweet caress—the attraction between them sizzles, and Chloe can’t help but wonder if she’s met the man who may be the exception to her rule….

14.  A Half Forgotten Song by Katherine Webb from HarperCollins for review.

In Half Forgotten Song, fourteen-year-old Mitzy Hatcher’s lonely life on the wild Dorset coast is changed forever when renowned artist Charles Aubrey arrives to summer there with his exotic mistress and daughters.  Mitzy develops a bond with the Aubrey household, gradually becoming Charles’s muse. Over the next three summers, a powerful love is kindled in her that grows from childish infatuation to something far more complex.  Years later, a young man in an art gallery looks at a hastily drawn portrait and wonders at its intensity. The questions he asks lead him to a Dorset village and to the truth about those fevered summers in the 1930s.

15.  The Keeper of Secrets by Julie Thomas from HarperCollins/William Morrow for review.

Beautiful and mysterious, The Keeper of Secrets by Julie Thomas follows a priceless violin across generations—from WWII to Stalinist Russia to the gilded international concert halls of today—and reveals the loss, love, and secrets of the families who owned it.   In 1939 Berlin, 14-year-old Simon Horowitz’s world is stirred by his father’s 1742 Guarneri del Gesu violin. When Nazis march across Europe and Simon is sent to Dachau, he finds unexpected kindness, and a chance to live.   In the present day, orchestra conductor Rafael Gomez finds himself inspired by Daniel Horowitz, a 14-year-old violin virtuoso who refuses to play. When Rafael learns that the boy’s family once owned a precious violin believed to have been lost forever, Rafael seizes the power of history and discovers a family story like no other.

What did you receive?

200th Virtual Poetry Circle

Welcome to the 200th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2013 Dive Into Poetry Challenge because its simple; you only need to read 1 book of poetry. Please sign up to be a stop on the 2013 National Poetry Month Blog Tour and visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Mary McCray’s Why Photographers Commit Suicide:

Starbaby

When I was a baby, my mother called me her Martian child.
Now at sixteen, she calls me her starbaby, in the evening hours
when she thinks I'm too tired to hear and the nurses,
breaking for a smoke, snicker in the garage.
But I don't believe in highway abductions
or starship inseminations.  So what can they tell me
about who my father is, from where my alienation comes.
I have such a desire to overcome this life.
But I'm not good at it.  Immune to nothing,
my body has taken the path of least resistance
and my lungs argue breathing.

My mother calls me her starbaby
as if trying to remind me of my kind
of half-breed quality.  But I don't believe
in sudden memory recovery, like some circuit
fully convalesced:

             My father in curious landscapes, fire-blizzard outside
             hands on the strings of low-gravity swing,
             scratching his sandy face, long fingers, an ovalesque
             mouth blowing smoke, blue ceiling, six
             shadows at the door, he's trying to tell me
             something, maybe wisdom, maybe recognition --
             tugging on a smooth sleeve

What can she tell me about who my father is,
about what maneuvers he has made on my behalf:
what little alms of life, like pieces of himself
he may have left behind? Maybe his good intentions
were lost, peeled-off in space, over the barricades
he would have had to cross to reach me.

I can imagine his eyes appearing and disappearing
beyond the shadows of my bed, the missing years --
all back over my shoulder, these bones of his
holding up my body.

How did we come to be me?

In dusk -- when I am alone, lost reclining
in the solemn relief of a back-porch rocker,
I'll clear my throat and the night sounds will quiet
as if listening to what I'm about to say.

Beyond the trellis, some unidentifiable presence
will speak out to my future, my possibilities.
But in the end, I'm never up to the journey,
and the nurses resume their gossiping
and I wonder who was there, caught up in the door
as I was breaking down.

When I stop breathing,
who will be there with the key?

What do you think?

Winter’s End by Jean-Claude Mourlevat, translated by Anthea Bell

Winter’s End by Jean-Claude Mourlevat, translated by Anthea Bell, is a dystopian young adult novel set some time after a civil war has torn apart an unnamed nation.  If any of this sounds familiar, it should — Hunger Games — and like Suzanne Collins’ book, kids and adults are required to fight in an Arena, though more in gladiator style with swords.  And the similarities do not end there, but there are differences between this world and Collins’ world, with the Hunger Games capital seemingly more dangerous and the world of the districts more stark.

Mourlevat spends a great deal of time on the boarding school and building the characters of Milena and Helen.  These young girls are taken to a boarding school at the edge of the world, where they must memorize and follow 20 rules to stay out of the SKY, which isn’t the sky at all.  During the year, they have three opportunities to meet in the village with their consolers, who basically provide the children comfort and guidance.  The girls’ adventures begin on one such trip they meet two boys, Milos and Bartolomeo.

“The Sky did not deserve its name.  Far from being high in the air above, the detention cell was underneath the cellars.  You reached it from the refectory, down a long, spiral staircase with cold water dripping from the steps.  The cell measured about seven by ten feet.  The walls and floor smelled musty, earthy.  When the door closed behind you, all you could do was grope your way over to the wooden bed, sit or lie on it, and wait.  You were alone in the darkness and silence for hours.”  (page 7)

In the back of the book, the author mentions that the story is based upon the life of Kathleen Mary Ferrier, an English contralto singer.  In some ways the recruitment of Ferrier during WWII is similar to Milena’s mother’s story, but in other ways they are vastly different.  There is a resistance in Winter’s End, but it remains very mysterious to the very end when the network begins to take action against the Phalange.  While the oppressors show no compassion for those different than themselves and shoot down unarmed individuals or send dog-like men against the innocent, the Phalange remain mysterious — their origins, their motivations, and the history with the oppressed.  In many ways, the actions against Milena’s mother and Bart’s father seemed more related to a broken-hearted man, than an over-arching battle between the Phalange and the resistance.

Winter’s End is a thrill ride in the latter half of the book, and it will definitely keep the attention of younger readers.  It’s also aptly named, as the sun seems to be shining more brightly by the end of the novel, though an epilogue about Helen’s consoler and her son was not necessarily needed and seemed like it was tacked on as an afterthought.  Overall a satisfying read, but not near the caliber of other books in this category.

About the Author:

Jean-Claude Mourlevat once wrote and directed burlesque shows for adults and children, which were performed for more than ten years in France and abroad. The author of several children’s books, he lives in a house overhanging the River Loire, near Saint-Etienne, France.

About the Translator:

Anthea Bell OBE is an English translator who has translated numerous literary works, especially children’s literature, from French, German, Danish and Polish to English.

This is my  28th book for the 2013 New Authors Challenge.

Here’s What the Book Club Thought:

Overall, most of us enjoyed the writing in this YA book the most, and there was a great many symbols of French culture, particularly the power of music and symbols to a revolution.  The young lady in the group who selected the book did not like Milena as much because she was too perfect, while another member said she was more like a symbol than a character — harkening to the symbol of the revolution bit that the author seemed to be striving for.  Two or three members were saddened by events that killed off one particular character who had become a favorite, and another member pointed out how there was a lot of build up in the book about the revolution but little action.  One member wanted more of that action, and I think most agreed that the end of the book seemed rushed.  Overall, it was just an OK read for most of the group, with the youngest member planning to give it four stars.