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River House by Sally Keith

Source: Milkweed Editions
Paperback, 96 pgs.
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River House: Poems by Sally Keith is a collection where absence becomes palpable, and it is clear that this is a very personal collection as the narrator’s focal point is the loss of a mother.  Keith lost her mother and this collection will speak to those who are dealing with the depths of grief, or in fact, not dealing with it well.  Grief is one of the most devastating emotions, and it can take months and years to deal with, particularly if the loss is one so central to one’s identity and world.  The river house is a place the family vacationed with their mother, and it’s a place that even being shared with others would not have the same meaning because it was a place filled with the mother who is no longer living.

From 5.

That spring I was in France my mother spent alone
At the house on the river caring for her father who was dying.

At high tide the road in is swallowed, making the house an island.
Hard to describe, but the walls are thin, it isn’t easy getting through storms.

Grief is indeed a storm, with waves of anguish and loss hitting a person at varying intervals, leaving them awash in a sea that is unpredictable and hard to navigate, keeping one’s head up. Within the grief, the narrator is attending workshops and going through the day-to-day of a life without her mother. In “6.,” the poem speaks of life as a journey of “being in another,” and the narrator speaks to Inma about loss, and Inma’s response is that “life is not sad,” leaving the narrator to “feel the effort in her turning.” That effort is twofold, the effort of providing advice Inma knows not to be entirely true and the effort of hiding the grief that can still overwhelm her, even long after the loss has occurred.

Keith’s poems have a powerful quiet, a storm that lies beneath the surface, much like the storm many of us can sense beneath a person’s facade at funerals and wakes — like there is one word that could trigger the worst of it to burst forth in an uncontrollable torrent. In “17.,” the narrator views a collage sent from Inma, pondering how different it is to look at the storm of images, a near disarray made beautiful with life. In many ways, it is the nearest imitation of life that there can be, unlike a single photo or poem that depicts a paused moment of motion.

From 31.

“Between the way things used to be and the way
they were now was a void that couldn’t be crossed.”

River House: Poems by Sally Keith pays homage to the past and recognizes that life continues on past the traumatic moments of our lives. It doesn’t mean that those lives did not matter, it just means that how they mattered is not as visually present as it used to be.

Rating: Cinquain

About the Poet:

Sally Keith is the author of two previous collections of poetry: Design, winner of the 2000 Colorado Prize for Poetry, and Dwelling Song, winner of the University of Georgia’s Contemporary Poetry Series competition. Her poems have appeared in Colorado Review, A Public Space, Gulf Coast, New England Review, and elsewhere. Keith teaches at George Mason University and lives in Washington, DC.

 

 

Mailbox Monday #322

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links.  Leave yours too.

Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what I received:

1.  Making Your Mind Up by Jill Mansell, my Christmas present has finally arrived!

Lottie Carlyle isn’t looking for love when she meets her new boss, Tyler Klein. Living in a beautiful cottage with her two kids in a idyllic village in the heart of the Cotswolds, she’s happy enough with her lot. Tyler’s perfect for Lottie and she quickly falls for him, but her children do not approve.

2.  Citizen: An American Lyric by Claudia Rankine, my second Christmas present has finally arrived!

Claudia Rankine’s bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time. The accumulative stresses come to bear on a person’s ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named “post-race” society.

3.  Earth Joy Writing by Cassie Premo Steele, Ph.D. from Ashland Creek Press for review.

Earth Joy Writing is a writer’s guide to reconnecting to the earth. In chapters divided by seasons and months of the year, this book will guide you through reflections, exercises, meditations, and journaling prompts—all designed to help you connect more deeply with yourself, others, and your natural surroundings.

Weaving together poetry, stories, and cultural wisdom, Earth Joy Writing invites us to consider our connection to the earth and offers hands-on exercises that will help us meaningfully reconnect with our creative selves and with the planet we all share.

“Earth Joy Writing is about finding joy when we align our creative practices with natural principles. It is about living in harmony with our deepest selves and the natural world. It is about committing to a mindfully creative life in collaboration with nature and, in the process, healing both ourselves and the earth.” — Cassie Premo Steele

4. The Unexpected Consequences of Love by Jill Mansell my final Christmas gift.

Sophie Wells is a successful photographer with a focus on putting the past firmly behind her. When Josh Strachan returns to the seaside town of Cornwall from the States to run his family’s hotel, he can’t understand why the fun, sexy girl has zero interest in letting him-or any man for that matter-into her life. He also can’t understand how he’s been duped into employing Sophie’s impulsive friend Tula, whose crush on him is decidedly unrequited. Both girls remain mum about the reasons behind Sophie’s indifference to love. But that doesn’t mean Josh is going to quit trying…

5.  River House by Sally Keith from Milkweed Editions.

These are poems of absence. Written in the wake of the loss of her mother, River House follows Sally Keith as she makes her way through the depths of grief, navigating a world newly transfigured. Incorporating her travels abroad, her experience studying the neutral mask technique developed by Jacques Lecoq, and her return to the river house she and her mother often visited, the poet assembles a guide to survival in the face of seemingly insurmountable pain. Even in the dark, Keith finds the ways we can be “filled with this unexpected feeling of living.”

What did you receive?

Mailbox Monday #304

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links.  Leave yours too.

Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what I received:

1.  Revival by Stephen King for Christmas from my parents.

In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs. Jacobs; the women and girls feel the same about Reverend Jacobs — including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.

2.  One Thing Stolen by Beth Kephart, a happy surprise!

Set in Florence, Italy, One Thing Stolen follows Nadia Cara as she mysteriously begins to change. She’s become a thief, she has secrets she can’t tell, and when she tries to speak, the words seem far away.

 

3.  Wet by Toni Stern from Saichek Publicity for review.

Toni Stern enjoyed a highly productive collaboration with the singer-songwriter Carole King. Stern wrote the lyrics for several of King’s songs, most notably “It’s Too Late” for the album Tapestry. Now, through the expansive medium of poetry, she continues her spirited exploration of contemporary life.

4.  Paradise Drive by Rebecca Foust from the author for review.

5.  River House by Sally Keith from Milkweed Editions for review.

These are poems of absence. Written in the wake of the loss of her mother, River House follows Sally Keith as she makes her way through the depths of grief, navigating a world newly transfigured. Incorporating her travels abroad, her experience studying the neutral mask technique developed by Jacques Lecoq, and her return to the river house she and her mother often visited, the poet assembles a guide to survival in the face of seemingly insurmountable pain. Even in the dark, Keith finds the ways we can be “filled with this unexpected feeling of living.”

6. The Red List by Stephen Cushman from Louisiana State University Press for review.

The “red list” of Stephen Cushman’s new volume of poetry is the endangered species register, and the book begins and ends with the bald eagle, a bird that bounded back from the verge of extinction. The volume marks the inevitability of such changes, from danger to safety, from certainty to uncertainty, from joy to sadness and back again. In a single poem that advances through wordplay and association, Cushman meditates on subjects as vast as the earth’s fragile ecosystem and as small as the poet’s own deflated fantasy of self-importance: “There aren’t any jobs for more Jeremiahs.” Simultaneously teasing the present and eulogizing what has been lost, Cushman speaks like a Shakespearean jester, freely and foolishly, but with penetrating insight.

7.  The Heroes’ Welcome by Louisa Young from Harper for review.

The Heroes’ Welcome is the incandescent sequel to the bestselling R&J pick My Dear, I Wanted to Tell You. Its evocation of a time deeply wounded by the pain of WW1 will capture and beguile readers fresh to Louisa Young’s wonderful writing, and those previously enthralled by the stories of Nadine and Riley, Rose, Peter and Julia.

 

 

8.  Intermezzo: A Pride & Prejudice Variation by Abigail Reynolds from the author.

“Intermezzo” is a short story and is available in an expanded version along with 4 other short stories in A Pemberley Medley by Abigail Reynolds.

 

 

9. A Sudden Light by Garth Stein from Anna and her family.

When a boy tries to save his parents’ marriage, he uncovers a legacy of family secrets in a coming-of-age ghost story by the author of the internationally bestselling phenomenon, The Art of Racing in the Rain.

In the summer of 1990, fourteen-year-old Trevor Riddell gets his first glimpse of Riddell House. Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.

What did you receive?

205th Virtual Poetry Circle

Welcome to the 205th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2013 Dive Into Poetry Challenge because its simple; you only need to read 1 book of poetry. Check out the stops on the 2013 National Poetry Month Blog Tour and the 2012 National Poetry Month Blog Tour.

Today’s poem is from Sally Keith from The Fact of the Matter (my review):

Providence (page 3)

The restaurant owner opened the doors
to let in the smell from the sea
which stuck on the breeze.  On the table,
a white linen, a low candle, a tiger lily bouquet.
The specials chalked in cursive we read
from a slate, while the waiter, starched shirt
and folded apron, explained them and we ordered,
at first, a carafe of a thinner than usual pale colored wine.
My mother sat across from me.
She did not lean into her elbow on the table, did not
slide her weight up her arm to make a leading shoulder.
The light in her eyes was first a pool, then a line.
Outside the skiffs in exit sailed toward us.
On the corner a crushed Diet Coke can.
What she then told me, I remember.
Salt was exploding all over the sea.

What do you think?

2013 Gaithersburg Book Festival

Tomorrow between 10 a.m. and 6 p.m., the fourth annual Gaithersburg Book Festival will offer authors, poets, and activities for kids.

Among the authors I’m looking forward to are these:

And those poets on the Poetry in the Afternoon Panel, I’m moderating are:

I hope that if you are in the area, you’ll stop by the panel or at least see some great authors.  This is always a great family event and shares the love of books.

The Fact of the Matter by Sally Keith

The Fact of the Matter by Sally Keith, published by Milkweed Editions on 100 percent post-consumer waste paper and who will be at the 2013 Gaithersburg Book Festival) allows nature to run rampant through the poems, lifting up the reader and at the same time opening the door to reality.  While we strive to compartmentalize our lives to the before, during, and after of pivotal moments, the reality is that these moments are not separate and cannot be separated.  This analytical approach to our very journeys runs contrary to the emotional and experiential ways in which we live.  The struggle between the logical part of the brain and the emotional part can be seen in every poem, but it is particularly pronounced in the poems “Providence,” “Knot,” and “Crane.”

Keith’s use of nature elements, especially wind, provide readers with not only emotional cues to the state of things, but also paints vivid landscapes that evoke emotional responses.  In each poem, there is a longing for the past and what was, but it is not so overwhelming that the present moment nor the emotional memory of the past is lost.  While facts play a key role in grounding some of these poems, behind the scenes Keith weaves a narrative that haunts each poem with a depth of emotion and progression toward the realization of one’s own mortality and its nearness at all times.  “What is Nothing But a Picture,” is a prime example of this technique as the narrator paints a mural of seascapes and battles in the past, while examining the past, present, and end.  Like with many artists, there is a restless to the narrative, and this restlessness becomes overwhelming by the end of the poem when “The dogs’ hot breath hits in gusts./Clouds thicken.  Clouds splice/down far-off mountainsides no one sees./The surface of the ocean is heavy./The surface is a ruin that breathes./”  (pages 27-42)

For Example (page 52)

The pale undersides of sycamore leaves, knocking
at seed pods hanging in brown bunches

so that they helicopter down.
Slag heap, mad slack, taut song:

Which morning am I making up now?
Somewhere wild animals are seeking cool hollows

in which to lay themselves down.
A wall of cotton disperses in the wind.

Keith references the great battles and losses of Achilles and Hector on more than one occasion, and it would seem that these references point to a kinship between these heroes and the people of today, although the losses may not achieve the same legendary magnitude.  The Fact of the Matter by Sally Keith explores not only the facts of matter, but also the emotional ties that bind us and the art that is born out of those experiences, which can never truly capture those moments in the same way that they were lived — a kind of existential examination of grief and mortality.

About the Poet:

Sally Keith is the author of two previous collections of poetry: Design, winner of the 2000 Colorado Prize for Poetry, and Dwelling Song, winner of the University of Georgia’s Contemporary Poetry Series competition. Her poems have appeared in Colorado Review, A Public Space, Gulf Coast, New England Review, and elsewhere. Keith teaches at George Mason University and lives in Washington, DC.

This is my 20th book for the Dive Into Poetry Challenge 2013.

 

 

This is my 30th book for the 2013 New Authors Challenge.

 

 

 

She’ll be at the May Gaithersburg Book Festival for “Poetry in the Afternoon” moderated by me!

Mailbox Monday #219

Even though my Mailbox Mondays have been on hiatus for the most part this month, I wanted to share all the books I’ve received, some of which already were reviewed.

Mailbox Monday (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. May’s host is 4 the LOVE of BOOKS.

The meme allows bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received for review:

1.  Let’s Explore Diabetes With Owls by David Sedaris, which came unexpectedly from Little & Brown and may be passed along to someone else.

From the unique perspective of David Sedaris comes a new book of essays taking his readers on a bizarre and stimulating world tour. From the perils of French dentistry to the eating habits of the Australian kookaburra, from the squat-style toilets of Beijing to the particular wilderness of a North Carolina Costco, we learn about the absurdity and delight of a curious traveler’s experiences. Whether railing against the habits of litterers in the English countryside or marveling over a disembodied human arm in a taxidermist’s shop, Sedaris takes us on side-splitting adventures that are not to be forgotten.

2.  Pain, Parties, Work by Elizabeth Winder for review with TLC Book Tours.

In May of 1953, a twenty-one-year-old Plath arrived in New York City, the guest editor of Mademoiselle’s annual College Issue. She lived at the Barbizon Hotel, attended the ballet, went to a Yankee game, and danced at the West Side Tennis Club. She was supposed to be having the time of her life. But what would follow was, in Plath’s words, twenty-six days of pain, parties, and work, that ultimately changed the course of her life.

 

3.  Three-Ring Rascals: The Show Must Go On! by Kate Klise and illustrated by M. Sarah Klise from Anna.

Ladies and gentlemen! Boys and girls!

Step right up and hear the amazing tale of Sir Sidney’s Circus.

Listen to how Sir Sidney, a kindly old circus owner, needed a rest.

Read and weep when Sir Sidney leaves the circus in the hands of a big mean baddie.

Shriek with terror as Barnabas Brambles cracks his whip at Elsa the elephant.

Cry in horror when Mr. Brambles tries to sell Leo the lion to a zoo.

Hide your eyes as the Famous Flying Banana Brothers perform death-defying feats to get the circus train to the show on time!

Can they do it? Will they make it? They better, because THE SHOW MUST GO ON!

Black and white line drawings throughout.

4.  The Gods of Heavenly Punishment by Jennifer Cody Epstein for review with TLC Book Tours (2 copies — one will be passed on to someone).

In this evocative and thrilling epic novel, fifteen-year-old Yoshi Kobayashi, child of Japan’s New Empire, daughter of an ardent expansionist and a mother with a haunting past, is on her way home on a March night when American bombers shower her city with napalm—an attack that leaves one hundred thousand dead within hours and half the city in ashen ruins. In the days that follow, Yoshi’s old life will blur beyond recognition, leading her to a new world marked by destruction and shaped by those considered the enemy: Cam, a downed bomber pilot taken prisoner by the Imperial Japanese Army; Anton, a gifted architect who helped modernize Tokyo’s prewar skyline but is now charged with destroying it; and Billy, an Occupation soldier who arrives in the blackened city with a dark secret of his own. Directly or indirectly, each will shape Yoshi’s journey as she seeks safety, love, and redemption.

5.  Emily & Herman by John J. Healey, which I received for review from Arcade Publishing.

The manuscript of this novel was discovered by John J. Healey in a box left by his grandfather, Professor Vincent P. Healey, after his death. This engaging work of fiction is a romantic account in which four iconic figures of American Letters play a leading role.

In the summer of 1851 Herman Melville was finishing Moby Dick on his family farm in the Berkshire Hills of western Massachusetts. Surrounded by his mother, sisters and pregnant wife, it was a calm and productive season until his neighbor Nathaniel Hawthorne lured him to Amherst. There they met twenty-year-old Emily Dickinson and her brother Austin. On a whim the two distinguished authors invited the Dickinson siblings to accompany them on a trip to Boston and New York. In Manhattan they met journalist Walt Whitman and William Johnson, a runaway slave, and it was there, despite their efforts to control it, that Emily and Herman fell in love.

This, for the first time, is their story.

6.  Why Photographers Commit Suicide by Mary McCray from the poet for review.

Why Photographers Commit Suicide explores, in small narratives and lyrical poems, the American idea of Manifest Destiny, particularly as it relates to the next frontier—space exploration. Mary McCray examines the scientific, psychological and spiritual frontiers enmeshed in our very human longing for space, including our dream of a space station on Mars. These poems survey what we gain and what we lose as we progress towards tomorrow, and how we can begin to understand the universal melancholy we seem to cherish for what we leave behind, the lives we have already lived. McCray unearths our feelings about what it means to move ahead and stake out new territory, and what it means to be home.

7.  The Fact of the Matter by Sally Keith, which I purchased from Novel Places.

Moving from the mundane to the profound, first through observation of fact and matter, then shifting perspective, engaging a deeper sense of self, these poems re-imagine things great and small, making us care deeply about the world around us. In this cultivated and intricately crafted collection, Sally Keith shows the self as a crucible of force—that which compels us to exert ourselves upon the world, and meanwhile renders us vulnerable to it. Force by which a line unfurls—as in Robert Smithson’s colossal Spiral Jetty—or leads with forward motion—a train hurdling along the west-reaching railroad; Edweard Muybridge’s photographic reels charting animal and human locomotion. With poems remarkable in their clarity, captivating in their matter-of-factness, Keith examines the impossible and inevitable privacy of being a person in the world, meanwhile negotiating an inexorable pull toward the places we call home—one we alternately try and fail to resist.

8.  Trace by Eric Pankey, which I purchased from Novel Places.

His arresting ninth collection of poems, Eric Pankey’s Trace locates itself at a threshold between faith and doubt—between the visible and the invisible, the say-able and the ineffable, the physical and the metaphysical. Also a map of the poet’s journey into a deep depression, these poems confront one man’s struggle to overcome depression’s smothering weight and presence. And with remarkable clarity and complexity, Trace charts the poet’s attempt to be inspired, to breathe again, to give breath and life to words. Ever solemn, ever existential, Pankey’s poems find us at our most vulnerable, the moment when we as humans—believers and nonbelievers alike—must ultimately pause to question the uncertain fate of our souls.

9.  Miss Plastique by Lynn Levin, which I received from the poet for review.

Miss Plastique, the fourth full-length poetry collection by Lynn Levin, invites the reader into a world of female bravado in which Miss Plastique and her many selves rant, fret, joke, fall in love, dress up, and do their hair. Poems in this collection first appeared in Boulevard, Artful Dodge, Hunger Mountain, Connecticut Review, Knockout, Nerve Cowboy, and other places. Lynn Levin, a poet known for her eclecticism, humor, and range of poetic styles, is the author of the previous poetry collections Fair Creatures of an Hour, a Next Generation Indie Book Awards finalist in poetry; Imaginarium, a finalist for ForeWord Magazine’s Book of the Year Award; and A Few Questions about Paradise (all from Loonfeather Press). Her craft of poetry book, Poems for the Writing: Prompts for Poets (with Valerie Fox) is forthcoming from Texture Press in 2013. Lynn Levin is also a writer and literary translator. She has received nine Pushcart Prize nominations, two grants from the Leeway Foundation, and Garrison Keillor has read her work on his radio show The Writer’s Almanac. Born in St. Louis, Missouri, Levin has lived in the Philadelphia area since 1980. She is the 1999 Bucks County, Pa. poet laureate and currently teaches at Drexel University and the University of Pennsylvania. Advance praise for Miss Plastique: Miss Plastique is a busy girl: giving it to her enemy in stiletto heels, giving it up to an Elvis impersonator, thumbing a ride across Texas. She has turned from the mirror and can’t look back. She’s sexy and seductive and refuses to be pinned down; she’s silk so fluid you could drink her-read her instead, but watch she doesn’t explode in your hands. -Meg Kearney, author of Home By Now

10. Dr. Radway’s Sarsaparilla Resolvent by Beth Kephart, illustrated by William Sulit, a surprise from my dear author friend.

Flavored by the oddities of historic personalities and facts, Dr. Radway’s Sarsaparilla Resolvent is set in Bush Hill, Philadelphia, 1871—home to the Baldwin Locomotive Works and a massive, gothic prison. Acclaimed writer Beth Kephart captures the rhythms and smells of an extraordinary era as William Quinn and his Ma, Essie, grapple with life among terrible accidents, miraculous escapes, and shams masquerading as truth.

11.  Antonia Lively Breaks the Silence by David Samuel Levinson, unexpectedly from the publisher Algonquin.

Catherine Strayed is living a quiet, un-
remarkable life in a secluded college town following the mysterious death of her husband, a promising writer whose death may have been an accident, a suicide, or perhaps even a murder. When her former mentor (and onetime lover)—a powerful critic who singlehandedly destroyed her late husband’s chance for success—takes a teaching job at the college, Catherine’s world threatens to collapse. For with him has come his latest protégé, an exotic young woman named Antonia Lively. Antonia’s debut  novel has become a literary sensation—but it is, in fact, an almost factual retelling of 
a terrible crime that she relates without 
any concern for the impact its publication will have on the lives of those involved.  As Antonia insinuates herself into Catherine’s life, mysterious and frightening things start to happen, because unbeknownst to Catherine, the younger woman intends to plunder her own dark, regrettable past—and the unsolved death of her husband—for her next literary triumph.

12. Beautiful Decay by Sylvia Lewis, which came unexpectedly from Running Press, though may be appropriate for some near-teenager I know….

Things have a way of falling apart around Ellie Miller. Literally. With a touch that rots, she keeps everyone at a distance—for others’ safety as much as her own comfort.

When newcomer Nate MacPherson makes it his mission to get close to Ellie, she does her best to steer clear. But as Nate reveals an unusual ability of his own, Ellie recognizes a kindred spirit who could accept her for who she is . . . if she lets him.

As family secrets unravel, Ellie will have to discover the beauty within her reach in order to save the ones she loves.

13.  The Look of Love by Bella Andre from Meryl Moss Media unexpectedly — this will likely be passed on to someone else.

Chloe Peterson has vowed never to make the mistake of trusting a man again. Her reasons are as vivid as the bruises on her cheek. So when her car skids off a wet country road straight into a ditch, she’s convinced the gorgeous guy who rescues her must be too good to be true.

As a successful international photographer, Chase Sullivan has his pick of beautiful women. He’s satisfied with his life—until he finds Chloe and her totaled car on the side of the road in Napa Valley.

With every loving look—and every sinfully sweet caress—the attraction between them sizzles, and Chloe can’t help but wonder if she’s met the man who may be the exception to her rule….

14.  A Half Forgotten Song by Katherine Webb from HarperCollins for review.

In Half Forgotten Song, fourteen-year-old Mitzy Hatcher’s lonely life on the wild Dorset coast is changed forever when renowned artist Charles Aubrey arrives to summer there with his exotic mistress and daughters.  Mitzy develops a bond with the Aubrey household, gradually becoming Charles’s muse. Over the next three summers, a powerful love is kindled in her that grows from childish infatuation to something far more complex.  Years later, a young man in an art gallery looks at a hastily drawn portrait and wonders at its intensity. The questions he asks lead him to a Dorset village and to the truth about those fevered summers in the 1930s.

15.  The Keeper of Secrets by Julie Thomas from HarperCollins/William Morrow for review.

Beautiful and mysterious, The Keeper of Secrets by Julie Thomas follows a priceless violin across generations—from WWII to Stalinist Russia to the gilded international concert halls of today—and reveals the loss, love, and secrets of the families who owned it.   In 1939 Berlin, 14-year-old Simon Horowitz’s world is stirred by his father’s 1742 Guarneri del Gesu violin. When Nazis march across Europe and Simon is sent to Dachau, he finds unexpected kindness, and a chance to live.   In the present day, orchestra conductor Rafael Gomez finds himself inspired by Daniel Horowitz, a 14-year-old violin virtuoso who refuses to play. When Rafael learns that the boy’s family once owned a precious violin believed to have been lost forever, Rafael seizes the power of history and discovers a family story like no other.

What did you receive?