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Mailbox Monday #219

Even though my Mailbox Mondays have been on hiatus for the most part this month, I wanted to share all the books I’ve received, some of which already were reviewed.

Mailbox Monday (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. May’s host is 4 the LOVE of BOOKS.

The meme allows bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received for review:

1.  Let’s Explore Diabetes With Owls by David Sedaris, which came unexpectedly from Little & Brown and may be passed along to someone else.

From the unique perspective of David Sedaris comes a new book of essays taking his readers on a bizarre and stimulating world tour. From the perils of French dentistry to the eating habits of the Australian kookaburra, from the squat-style toilets of Beijing to the particular wilderness of a North Carolina Costco, we learn about the absurdity and delight of a curious traveler’s experiences. Whether railing against the habits of litterers in the English countryside or marveling over a disembodied human arm in a taxidermist’s shop, Sedaris takes us on side-splitting adventures that are not to be forgotten.

2.  Pain, Parties, Work by Elizabeth Winder for review with TLC Book Tours.

In May of 1953, a twenty-one-year-old Plath arrived in New York City, the guest editor of Mademoiselle’s annual College Issue. She lived at the Barbizon Hotel, attended the ballet, went to a Yankee game, and danced at the West Side Tennis Club. She was supposed to be having the time of her life. But what would follow was, in Plath’s words, twenty-six days of pain, parties, and work, that ultimately changed the course of her life.

 

3.  Three-Ring Rascals: The Show Must Go On! by Kate Klise and illustrated by M. Sarah Klise from Anna.

Ladies and gentlemen! Boys and girls!

Step right up and hear the amazing tale of Sir Sidney’s Circus.

Listen to how Sir Sidney, a kindly old circus owner, needed a rest.

Read and weep when Sir Sidney leaves the circus in the hands of a big mean baddie.

Shriek with terror as Barnabas Brambles cracks his whip at Elsa the elephant.

Cry in horror when Mr. Brambles tries to sell Leo the lion to a zoo.

Hide your eyes as the Famous Flying Banana Brothers perform death-defying feats to get the circus train to the show on time!

Can they do it? Will they make it? They better, because THE SHOW MUST GO ON!

Black and white line drawings throughout.

4.  The Gods of Heavenly Punishment by Jennifer Cody Epstein for review with TLC Book Tours (2 copies — one will be passed on to someone).

In this evocative and thrilling epic novel, fifteen-year-old Yoshi Kobayashi, child of Japan’s New Empire, daughter of an ardent expansionist and a mother with a haunting past, is on her way home on a March night when American bombers shower her city with napalm—an attack that leaves one hundred thousand dead within hours and half the city in ashen ruins. In the days that follow, Yoshi’s old life will blur beyond recognition, leading her to a new world marked by destruction and shaped by those considered the enemy: Cam, a downed bomber pilot taken prisoner by the Imperial Japanese Army; Anton, a gifted architect who helped modernize Tokyo’s prewar skyline but is now charged with destroying it; and Billy, an Occupation soldier who arrives in the blackened city with a dark secret of his own. Directly or indirectly, each will shape Yoshi’s journey as she seeks safety, love, and redemption.

5.  Emily & Herman by John J. Healey, which I received for review from Arcade Publishing.

The manuscript of this novel was discovered by John J. Healey in a box left by his grandfather, Professor Vincent P. Healey, after his death. This engaging work of fiction is a romantic account in which four iconic figures of American Letters play a leading role.

In the summer of 1851 Herman Melville was finishing Moby Dick on his family farm in the Berkshire Hills of western Massachusetts. Surrounded by his mother, sisters and pregnant wife, it was a calm and productive season until his neighbor Nathaniel Hawthorne lured him to Amherst. There they met twenty-year-old Emily Dickinson and her brother Austin. On a whim the two distinguished authors invited the Dickinson siblings to accompany them on a trip to Boston and New York. In Manhattan they met journalist Walt Whitman and William Johnson, a runaway slave, and it was there, despite their efforts to control it, that Emily and Herman fell in love.

This, for the first time, is their story.

6.  Why Photographers Commit Suicide by Mary McCray from the poet for review.

Why Photographers Commit Suicide explores, in small narratives and lyrical poems, the American idea of Manifest Destiny, particularly as it relates to the next frontier—space exploration. Mary McCray examines the scientific, psychological and spiritual frontiers enmeshed in our very human longing for space, including our dream of a space station on Mars. These poems survey what we gain and what we lose as we progress towards tomorrow, and how we can begin to understand the universal melancholy we seem to cherish for what we leave behind, the lives we have already lived. McCray unearths our feelings about what it means to move ahead and stake out new territory, and what it means to be home.

7.  The Fact of the Matter by Sally Keith, which I purchased from Novel Places.

Moving from the mundane to the profound, first through observation of fact and matter, then shifting perspective, engaging a deeper sense of self, these poems re-imagine things great and small, making us care deeply about the world around us. In this cultivated and intricately crafted collection, Sally Keith shows the self as a crucible of force—that which compels us to exert ourselves upon the world, and meanwhile renders us vulnerable to it. Force by which a line unfurls—as in Robert Smithson’s colossal Spiral Jetty—or leads with forward motion—a train hurdling along the west-reaching railroad; Edweard Muybridge’s photographic reels charting animal and human locomotion. With poems remarkable in their clarity, captivating in their matter-of-factness, Keith examines the impossible and inevitable privacy of being a person in the world, meanwhile negotiating an inexorable pull toward the places we call home—one we alternately try and fail to resist.

8.  Trace by Eric Pankey, which I purchased from Novel Places.

His arresting ninth collection of poems, Eric Pankey’s Trace locates itself at a threshold between faith and doubt—between the visible and the invisible, the say-able and the ineffable, the physical and the metaphysical. Also a map of the poet’s journey into a deep depression, these poems confront one man’s struggle to overcome depression’s smothering weight and presence. And with remarkable clarity and complexity, Trace charts the poet’s attempt to be inspired, to breathe again, to give breath and life to words. Ever solemn, ever existential, Pankey’s poems find us at our most vulnerable, the moment when we as humans—believers and nonbelievers alike—must ultimately pause to question the uncertain fate of our souls.

9.  Miss Plastique by Lynn Levin, which I received from the poet for review.

Miss Plastique, the fourth full-length poetry collection by Lynn Levin, invites the reader into a world of female bravado in which Miss Plastique and her many selves rant, fret, joke, fall in love, dress up, and do their hair. Poems in this collection first appeared in Boulevard, Artful Dodge, Hunger Mountain, Connecticut Review, Knockout, Nerve Cowboy, and other places. Lynn Levin, a poet known for her eclecticism, humor, and range of poetic styles, is the author of the previous poetry collections Fair Creatures of an Hour, a Next Generation Indie Book Awards finalist in poetry; Imaginarium, a finalist for ForeWord Magazine’s Book of the Year Award; and A Few Questions about Paradise (all from Loonfeather Press). Her craft of poetry book, Poems for the Writing: Prompts for Poets (with Valerie Fox) is forthcoming from Texture Press in 2013. Lynn Levin is also a writer and literary translator. She has received nine Pushcart Prize nominations, two grants from the Leeway Foundation, and Garrison Keillor has read her work on his radio show The Writer’s Almanac. Born in St. Louis, Missouri, Levin has lived in the Philadelphia area since 1980. She is the 1999 Bucks County, Pa. poet laureate and currently teaches at Drexel University and the University of Pennsylvania. Advance praise for Miss Plastique: Miss Plastique is a busy girl: giving it to her enemy in stiletto heels, giving it up to an Elvis impersonator, thumbing a ride across Texas. She has turned from the mirror and can’t look back. She’s sexy and seductive and refuses to be pinned down; she’s silk so fluid you could drink her-read her instead, but watch she doesn’t explode in your hands. -Meg Kearney, author of Home By Now

10. Dr. Radway’s Sarsaparilla Resolvent by Beth Kephart, illustrated by William Sulit, a surprise from my dear author friend.

Flavored by the oddities of historic personalities and facts, Dr. Radway’s Sarsaparilla Resolvent is set in Bush Hill, Philadelphia, 1871—home to the Baldwin Locomotive Works and a massive, gothic prison. Acclaimed writer Beth Kephart captures the rhythms and smells of an extraordinary era as William Quinn and his Ma, Essie, grapple with life among terrible accidents, miraculous escapes, and shams masquerading as truth.

11.  Antonia Lively Breaks the Silence by David Samuel Levinson, unexpectedly from the publisher Algonquin.

Catherine Strayed is living a quiet, un-
remarkable life in a secluded college town following the mysterious death of her husband, a promising writer whose death may have been an accident, a suicide, or perhaps even a murder. When her former mentor (and onetime lover)—a powerful critic who singlehandedly destroyed her late husband’s chance for success—takes a teaching job at the college, Catherine’s world threatens to collapse. For with him has come his latest protégé, an exotic young woman named Antonia Lively. Antonia’s debut  novel has become a literary sensation—but it is, in fact, an almost factual retelling of 
a terrible crime that she relates without 
any concern for the impact its publication will have on the lives of those involved.  As Antonia insinuates herself into Catherine’s life, mysterious and frightening things start to happen, because unbeknownst to Catherine, the younger woman intends to plunder her own dark, regrettable past—and the unsolved death of her husband—for her next literary triumph.

12. Beautiful Decay by Sylvia Lewis, which came unexpectedly from Running Press, though may be appropriate for some near-teenager I know….

Things have a way of falling apart around Ellie Miller. Literally. With a touch that rots, she keeps everyone at a distance—for others’ safety as much as her own comfort.

When newcomer Nate MacPherson makes it his mission to get close to Ellie, she does her best to steer clear. But as Nate reveals an unusual ability of his own, Ellie recognizes a kindred spirit who could accept her for who she is . . . if she lets him.

As family secrets unravel, Ellie will have to discover the beauty within her reach in order to save the ones she loves.

13.  The Look of Love by Bella Andre from Meryl Moss Media unexpectedly — this will likely be passed on to someone else.

Chloe Peterson has vowed never to make the mistake of trusting a man again. Her reasons are as vivid as the bruises on her cheek. So when her car skids off a wet country road straight into a ditch, she’s convinced the gorgeous guy who rescues her must be too good to be true.

As a successful international photographer, Chase Sullivan has his pick of beautiful women. He’s satisfied with his life—until he finds Chloe and her totaled car on the side of the road in Napa Valley.

With every loving look—and every sinfully sweet caress—the attraction between them sizzles, and Chloe can’t help but wonder if she’s met the man who may be the exception to her rule….

14.  A Half Forgotten Song by Katherine Webb from HarperCollins for review.

In Half Forgotten Song, fourteen-year-old Mitzy Hatcher’s lonely life on the wild Dorset coast is changed forever when renowned artist Charles Aubrey arrives to summer there with his exotic mistress and daughters.  Mitzy develops a bond with the Aubrey household, gradually becoming Charles’s muse. Over the next three summers, a powerful love is kindled in her that grows from childish infatuation to something far more complex.  Years later, a young man in an art gallery looks at a hastily drawn portrait and wonders at its intensity. The questions he asks lead him to a Dorset village and to the truth about those fevered summers in the 1930s.

15.  The Keeper of Secrets by Julie Thomas from HarperCollins/William Morrow for review.

Beautiful and mysterious, The Keeper of Secrets by Julie Thomas follows a priceless violin across generations—from WWII to Stalinist Russia to the gilded international concert halls of today—and reveals the loss, love, and secrets of the families who owned it.   In 1939 Berlin, 14-year-old Simon Horowitz’s world is stirred by his father’s 1742 Guarneri del Gesu violin. When Nazis march across Europe and Simon is sent to Dachau, he finds unexpected kindness, and a chance to live.   In the present day, orchestra conductor Rafael Gomez finds himself inspired by Daniel Horowitz, a 14-year-old violin virtuoso who refuses to play. When Rafael learns that the boy’s family once owned a precious violin believed to have been lost forever, Rafael seizes the power of history and discovers a family story like no other.

What did you receive?

200th Virtual Poetry Circle

Welcome to the 200th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2013 Dive Into Poetry Challenge because its simple; you only need to read 1 book of poetry. Please sign up to be a stop on the 2013 National Poetry Month Blog Tour and visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Mary McCray’s Why Photographers Commit Suicide:

Starbaby

When I was a baby, my mother called me her Martian child.
Now at sixteen, she calls me her starbaby, in the evening hours
when she thinks I'm too tired to hear and the nurses,
breaking for a smoke, snicker in the garage.
But I don't believe in highway abductions
or starship inseminations.  So what can they tell me
about who my father is, from where my alienation comes.
I have such a desire to overcome this life.
But I'm not good at it.  Immune to nothing,
my body has taken the path of least resistance
and my lungs argue breathing.

My mother calls me her starbaby
as if trying to remind me of my kind
of half-breed quality.  But I don't believe
in sudden memory recovery, like some circuit
fully convalesced:

             My father in curious landscapes, fire-blizzard outside
             hands on the strings of low-gravity swing,
             scratching his sandy face, long fingers, an ovalesque
             mouth blowing smoke, blue ceiling, six
             shadows at the door, he's trying to tell me
             something, maybe wisdom, maybe recognition --
             tugging on a smooth sleeve

What can she tell me about who my father is,
about what maneuvers he has made on my behalf:
what little alms of life, like pieces of himself
he may have left behind? Maybe his good intentions
were lost, peeled-off in space, over the barricades
he would have had to cross to reach me.

I can imagine his eyes appearing and disappearing
beyond the shadows of my bed, the missing years --
all back over my shoulder, these bones of his
holding up my body.

How did we come to be me?

In dusk -- when I am alone, lost reclining
in the solemn relief of a back-porch rocker,
I'll clear my throat and the night sounds will quiet
as if listening to what I'm about to say.

Beyond the trellis, some unidentifiable presence
will speak out to my future, my possibilities.
But in the end, I'm never up to the journey,
and the nurses resume their gossiping
and I wonder who was there, caught up in the door
as I was breaking down.

When I stop breathing,
who will be there with the key?

What do you think?

Why Photographers Commit Suicide by Mary McCray

Why Photographers Commit Suicide by Mary McCray, illustrated by Emil Villavincencio and published by Termentina Books, is a collection of science fiction poetry — yes, you head that right!  These poems mesh not only the exploration of space with the modern world here on Earth, but they also harken to older themes of Manifest Destiny dating back to America’s youngest roots as a nation.  It’s a collection about the opportunities space exploration can represent, which is highly ironic given the government’s recent decision to shut down the manned shuttle program.

From "Helga Post-Orbit" (page 52)

No, it's not the sentimental, leftover space

that matters as much as the idea of Helga, open-eyed
and drifting, somewhere out of the room.
Or this mortal part of me -- lost in a raw,
everlasting free-fall of disconnected, disordered love,

knowing I'll uncover Martians, (Martians!),
the impossible mysteries of Mars,
before I'll ever know
where Helga has gone.

McCray’s poems are fantastical, opening up a solar system to the reader that delves into questions of existence and the hereafter, but also the never-ending search for more.  She explores space, Mars, and even artificial intelligence.  There are some beautiful moment of motion, like in “All of a Sudden,” where the narrator awakens:  “Last night, a woman in a hospital smock laid her fingers/on the shiny bells and, mouth over face,/blew tornadoes into the water-pale toes./Then, eyes shut and palms summoning,/my child asked me if I knew who I was./And I said, yes, I am the speed at which/particles collide.//”  For the most part, these poems draw comparisons between the society we create here on Earth and its focus on the material, and how any society on another planet would likely be more of the same.  As we seek to comfort ourselves in the unfamiliar by bringing along the unfamiliar — even to the detriment of animals brought along in the rocket.

McCray paints extraordinary pictures with her words, but the accompanying drawings from Emil Villavincencio do not add very much to the overall collection, though they are well crafted and seem to be mostly pencil renditions.  Beyond the poems about space and exploration, there are more personal poems about alienation from family members, the beauty of poetry as a reflection of space, and the amazing experience of “Sex in Zero Gravity”:  “astronaut, astronaut –/kiss me with your incomplete sentences/and your raw relativity,/run your fingers like lasers,/escape velocity through my motor heart,/the acceleration thrust/of your deep-space Cadillac cruising/my jelly-fish tremors,/touching the swirling hurricane/that is the red G-Spot of Jupiter/”  There has never been such a beautiful references to spaceships taking off and hurricanes on foreign planets in poetry to describe a sexual encounter.

Why Photographers Commit Suicide by Mary McCray is imaginative and one of the best written science fiction collections of poetry out there, and it will have readers questioning their place in the world and the need to explore more.  Like the poet points out in the title poem, we leave a bit of ourselves in the world around us, and we should be mindful of our impact.

About the Poet:

Mary McCray is the co-author of St. Lou Haiku, a collection of haiku poetry about St. Louis, Missouri, and Why Photographers Commit Suicide, poems about space exploration and new frontiers.  Visit her Website, visit her on Twitter, and on Facebook.  Also check out her bookshelf on GoodReads.

 

Click on the image below to check out the latest National Poetry Month Blog Tour!

 

This is my 24th book for the 2013 New Authors Challenge.

 

 

This is my 15th book for the Dive Into Poetry Challenge 2013.