Interrobang by Jessica Piazza is mostly a collection of sonnets that explore a series of phobias and obsessions that often cause us to go over the edge or come very close to our own destruction. This inner turmoil is rarely seen by outsiders or if it is, it is ignored. Piazza brings these obsessions and fears into the light to share with us just how constraining they can be, but there is also an undercurrent of letting loose and a rolling with the punches as they come.
From "Lilapsophobia" (pg. 24) ... But flood's not much compared with these cyclonic days. No way to gauge you: wrath or pleasure, unfixed track away or toward. Untoward, you leave no wake.
Imagine that sleep is the quiet that soothes your fears, imagine to that the light is not hope but something that is jarring and humbling. This is how Piazza’s poems pack their punches, lulling the reader into a known world only to shake them awake with a new world view — one that is a little disturbing. “Antephilia” (Love of Ruin) is one of the most phenomenal poems in the collection, exploring the wreck of a dysfunctional relationship with graveyard imagery and more. Piazza has taken the mess and created a love that leaves a lasting impression in its dysfunction without delving too far into the melodrama of these lives.
Meanwhile, “Pediophilia” (Love of Dolls) almost becomes an ode to loss and the filling up of the emptiness where a daughter once was, only to find it full of creepy dolls in an orphanage devoid of joy and life. Piazza’s imagery is haunting and devastating, and readers will have to force themselves to take it all in, rather than turn away. These poems want you to take notice of the darkness, of the mess, of the emptiness so that you can be ready for the collection’s conclusion and it’s minor note of hope and change.
Jessica Piazza is a talented wordsmith who can weave pictures that will sear into readers’ minds. Her poems in Interrobang are going to force you to look into the darkness so long that the bright light is almost to blinding to see.
About the Poet:
Jessica Piazza is the author of three poetry collections: “Interrobang” (Red Hen Press), “This is not a sky” (Black Lawrence Press) and, with Heather Aimee O’Neill, “Obliterations” (Red Hen Press, forthcoming). Originally from Brooklyn, NY, she holds a Ph.D. in Creative Writing and English Literature from the University of Southern California, an M.A. in English Literature /Creative Writing from the University of Texas at Austin and a B.S. in Journalism from Boston University. She is co-founder of Gold Line Press and Bat City Review, and curates the Poetry Has Value blog (a must read), which explores the intersections of poetry, money and worth.