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Where Do You Hang Your Hammock? by Bella Mahaya Carter

Source: FSB Associates
Paperback, 352 pgs.
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Where Do You Hang Your Hammock? by Bella Mahaya Carter is a book focused on not letting rejection and negative thoughts get in the way of your dreams. Carter’s book guides writers through the doubts, negative thoughts, roadblocks, and obstacles of writing and publishing, helping them review their own perspectives and how to change their mindsets.

She begins by talking about her hammock where she daydreamed and thought about her writing, but one day, her neighbor cuts the shade tree down in his yard and the hammock is now not “perfect.” Carter’s thoughts are consumed by the loss of shade and the bright sun, but her husband suggests she moves the hammock to another spot. She’s unwilling to do that, until she realizes that sometimes obstacles pop up when we need to change direction.

“I had traded the powerful peace that I am for the illusion that somebody had taken it,” she says. “You may think, as I did, that someone or something outside you is responsible for your upset. As convincing as this appears, it’s a misconception. Our peace and happiness come from within.”

Our internal demons and thoughts are those that keep us from reaching our dreams, and she urges us to stop being rats on that spinning wheel and get off. We need to release ourselves from the “cage of our own making.” In order to do this, however, you need to know wholeheartedly what you want, especially from your writing. You need to have a clear vision of the writing and its purpose. Without it, agents and external forces can push you in directions that are not a perfect fit for you. While some may provide additional opportunities that you may want to pursue, other opportunities may not be a right fit. The trick is to have a clear vision at the start to recognize those right opportunities.

“We cannot control outside circumstances or thoughts, we can choose how we relate to them.”

Carter does offer some writing advice, but her book is less about craft itself and more about the mindset you need to create freely. She does offer a great deal of insight about choosing agents and publishers and learning what route is best for your writing. Where Do You Hang Your Hammock? by Bella Mahaya Carter is part spiritual journey, part publishing advice, and part writing craft advice.

RATING: Cinquain

About the Author:

Bella Mahaya Carter is a creative writing teacher, empowerment coach, speaker, and author of an award-winning memoir, Raw: My Journey from Anxiety to Joy, and a collection of narrative poems. She has worked with hundreds of writers since 2008 and has degrees in literature, film, and spiritual psychology. Her poetry, essays, fiction, and interviews have appeared in Mind, Body, Green; The Sun; Lilith; Fearless Soul; Writer’s Bone; Women Writers, Women’s Books; Chic Vegan; Bad Yogi Magazine; Jane Friedman’s blog; Pick The Brain; the Spiritual Medial Blog; Literary Mama, several anthologies’ and elsewhere.

Frank: Sonnets by Diane Seuss (giveaway)

Source: Graywolf Press
Paperback, 152 pgs.
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Frank: Sonnets by Diane Seuss is a collection that, at times, tried my patience with its contradictions. But isn’t that what life is — a bucket of contradictions? She says in one of her opening sonnets: “The problem with sweetness is death. The problem/with everything is death. There really is no other problem/” Death is a final stop, and it toys with many of us, taking our friends or family too soon, putting us in situations where death could take us but doesn’t, and it looms in the close distance for us to get there.

Seuss pulls no punches in this collection and remains forthright in her depictions of giving birth, aging, abortion, abandonment by a drug-addicted son, and so much more. Aging is a central theme, even when she speaks of her childhood self. Poetic subjects waste away with AIDS, fade into the distance of space or recollection, or remain behind the larger death that pierces the happiness or contentment she seeks. She explores the falseness of faith in Catholicism, the nationalistic scourge that America finds itself consumed by, and the undercurrent of poverty and it’s traumatic scars. She sees the “undershirt” of it all.

“We all have our trauma nadir,” is the sonnet that guts us. We are her and she us. We all have trauma; we are told to lock it away (get over it); but what place is big enough to hold all of that trauma away so that it will no longer affect us? She adds in a later sonnet, “I can’t live up to normal.” Isn’t normal a fallacy? What exactly is normal and how can you be expected to achieve it when no one knows what it is? Despite these dark topics, it is clear that to live is to live with “sharp things.” Without these traumas and disappointments, where would we be?

Frank: Sonnets by Diane Seuss is a winding trail of darkness that teaches readers about the beauty in that darkness. It is an exercise in owning our own disappointments and traumas and learning how to let them go and move forward with our lives. It is a tough medicine to take, but Seuss is confident that we can take it or nearly die trying.

RATING: Quatrain

To Enter the giveaway: Leave a comment with your email address by June 30. Must be age 18+ and have a U.S. postal address.

Man on Terrace with Wine by Miles David Moore

Source: GBF
Paperback, 90 pgs.
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Man on Terrace with Wine by Miles David Moore reads like the title sounds — a selection of poetic ruminations on life. But these poems are never far from humor or pop culture. Moore has several poems that will make readers stop for a moment to consider — what would it be like if Elvis were in heaven and Hitler was in hell? There are complex emotions explored and the section titles should give you some inclination of what is on the mind of the man sitting on that terrace with win — “It Serves You Right,” “There’s No Crying in Baseball,” and “To Live Completely and a Thousandfold.”

In the first section, Moore’s poems reflect on the idea of “perception,” like what we perceive to be true. A prime example of this is in “A Taste to Die For,” after a quote about Americans’ love for soda and Afghanis love for death. The poem deftly points out, “The man who took aim at you thinks he knows/the things he loves, and the things you love.//” But reading to the end of the poem, it is clear that neither side really knows or understands the other — there is a significant breakdown of communication in favor of perception. In “The Good Fight,” Moore again tackles perception in a reflective piece regarding WWII. The soldier is brave and strong, but in the present, the soldier must relearn how to lace shoes, walk with a cane, and more. “The sky is hazy above you,/a fog of dreams and memories./The decades are your backpack now./” and the soldier must not “look down” or “slip” but for a far different reason today than on the battlefield.

In the second and final section, Moore shifts away from perception into reality — the reality of hurricanes, pop culture (as real as that can be), and so much more. One of my favorite images in these sections comes from “Grandma and the Hurricane” (pg. 41), “The wind is so strong that it blows the constellations around in the sky. Never losing their shape, they are cookie cutters tumbling against each other.” But even in these reality-based poems, there is a nod to the idea of perception — like in “Tom Hanks Was Right,” where the narrator is found thinking about the past and what should have been said and then the narrator is talking to themselves in public. Haven’t we all caught ourselves doing that these COVID days?

Man on Terrace with Wine by Miles David Moore invites readers to be entertained, contemplative, and enjoy life as it comes. This collection is by turns witty and serious, but Moore continues to ask his readers to perceive reality in a way that not only brings joy but also satisfaction. Holding onto reality with a singular perspective can not only be boring, but also limiting.

Rating: Quatrain

About the Poet:

Miles David Moore is a Washington reporter for Crain Communications, Inc. He is founder and host of the Iota Poetry Reading Series in Arlington, VA, a member of the Board of Directors of The Word Works, Inc., and administrator of The Word Works Washington Prize. He is the author of three books of poetry: The Bears of Paris (The Word Works Capital Collection, 1995); Buddha Isn’t Laughing (Argonne Hotel Press, 1999); and Rollercoaster (The Word Works Capital Collection, 2004). With Karren LaLonde Alenier and Hilary Tham, he co-edited Winners: A Retrospective of the Washington Prize, published in 1999 by The Word Works. Fatslug Unbound, a CD of Moore’s poetry read by himself and 14 other poets, was realeased in 2000 by Minimus Productions. His review/essays on the poet John Haines have appeared in The Wilderness of Vision (Story Line Press, 1996) and A Gradual Twilight (CavanKerry Press, 2003).

Check out his appearance with Naomi Thiers and Jane Schapiro at Gaithersburg Book Festival:

The Break-Up Book Club by Wendy Wax

Source: Publisher
Paperback, 384 pgs.
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The Break-Up Book Club by Wendy Wax explores the unexpected friendships of a local book club in Atlanta at Between the Covers bookstore. This is an unusual book club where the members have a wide-range of backgrounds and experiences. Former tennis star Jazmine, empty-nester Judith, young assistant Erin, and bookstore assistant Sara are just four members of this eclectic book club that also has an EMT named Chaz, bookstore owner Annell, a budding fashion designer named Carlotta, and Meena, Judith’s best friend.

“It’s enough to make me wonder whether any of the things we think we know about each other are true.”

At the heart of the book is friendship, especially unexpected friendship, but this novel has a more solemn tone to it than some of Wax’s other, more light-hearted books. These women have experienced significant losses and hard times, and many of their secrets are kept close to the vest. While these women meet for book club to unwind and discuss books, the book club itself isn’t the main focus of the book, so much as the development of the characters. Jazmine is a single mother and a sports agent at a local boutique firm, but she’s haunted by the past, which keeps her closed off, ambitious, and focused on protecting her daughter. Judith is an older married woman whose husband seems even more distant, leaving her wondering what’s the next chapter for them until something tragic happens. Sara is the most blindsided of the four women when she discovers a heavy secret her husband has been hiding. Erin, on the other hand, is a young engaged woman who’s loss is for the best in many ways and allows her to blossom into a stronger version of herself.

“It’s strange how you can know people for so long yet only uncover slivers of who they really are and what they’ve been through.”

Wax explores the boundaries of friendship within this book club. Many readers have joined book clubs and have found friendship, fun, and wine, but would you call of the people in your book club a friend? Do you share personal experiences, talk about your heartaches, and delve deeper than the pages of the book to create lasting relationships outside of the book club? These are the questions that Wax explores in her novel, and while I love her lighter, beach reads, it is clear to me that these characters have depth — more so than her other characters — and that the sorrow in these pages is born of real experience.

My only complaint would be that the online dating mystery is wrapped up rather quickly and is too simplified, making it seem like an afterthought or something that was added to make it the book more relevant to today’s dating world. However, The Break-Up Book Club by Wendy Wax is an excellent read that explores friendship and how it can evolve over time as long as you are willing to open yourself up and be vulnerable. Definitely a read you won’t forget.

RATING: Quatrain

About the Author:

Wendy Wax, a former broadcaster, is the author of sixteen novels and two novellas, including My Ex–Best Friend’s WeddingBest Beach EverOne Good ThingSunshine BeachA Week at the LakeWhile We Were Watching Downton AbbeyThe House on Mermaid PointOcean Beach, and Ten Beach Road. The mother of two grown sons, she has left the suburbs of Atlanta for an in-town high-rise, that is eerily similar to the fictional high-rise she created in her 2013 release, While We Were Watching Downton Abbey.

Field Study by Chet’la Sebree

Source: Publisher
Paperback, 176 pgs.
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Field Study by Chet’la Sebree reminds me of those scientific notebooks kept by scientists in the field who are observing animals or others as they take notes. Peppered with quotations from bell hooks and many others, Sebree explores Black female identity and sexual desire. The poem is less like a poem than a list of observations and comments on Black identity and female desire.

Black women and girls face additional burdens of protecting the reputations of black boys and men. -- Tressie McMillan Cottom
My secret ... I'm always angry. -- Bruce Banner
 ___________

And why wouldn't I be?

In addition the female desire and the struggle of Black women who love and are attracted to white men, Sebree voices some of the issues she’s found in the Black community — how the community does not address mental health enough.

In my early twenties, I worked on an epistolary series.
I didn't know I wrote a book-length suicide note.
I titled it And If I Die Before I Wake.
A prayer and a promise.
__________

I'm alive; I'm alive; I'm alive.
Cry it with me.
It doesn't always feel like it, but it's a good thing.

Sebree has created a poetry collection in which mental health is entwined with Black female identity, the racial tensions that women feel from all sides, and the responsibility they have to project a sense that they are indeed whole. “No matter how far I go, there is never enough makeup for the bullet hole.” Field Study by Chet’la Sebree, which publishes in June, worries and rationalizes and assesses herself like a scientist. Her observations are keen and deeply probing, and she doesn’t let up on herself. This is a frank look at one woman’s struggle with desire and identity, but it has universal applications to others in all communities — less judgment and more love. Definitely not your typical, confessional poetry collection — it’s much more.

RATING: Quatrain

Black Girl, Call Home by Jasmine Mans

Source: Publisher
Paperback, 256 pgs.
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Black Girl, Call Home by Jasmine Mans is a collection of poems that explore mother-daughter relationships, identity, and the racism many Blacks face every day. There are so many moments in this collection where your heart will break, just as the relationship between mother-daughter breaks. The narrator of these poems struggles with who she is and how to reconcile that with her mother’s disappointments about that identity.

In “We Host These Variables,” she says, “There’s something I want to honor here. I/ want to honor the silent story, the emotions/unaccompanied by human language. I want to/honor the weight of stillness. I want to/honor the silent ceremony between mother/ and daughter.” In this poem she explores the silence that become tense between mother and daughter because they are mirrors of one another. Later, she says, “I know the/distance between mother and daughter. How/we are many burned bridges, as well as a/wealth of brick and clay, ready to be made/anew from everything unmade of us.”

Mans explores the harsh history facing Blacks — women who get the worst part of it all. Men with the dreams, but the women who bear the burden of those dreams. One of the most powerful poems in this collection that brings this history to the forefront is “Nerf Guns: Christmas 2019 Tulsa” where the past and the burdens of racism are never far away. “The/only way a bullet becomes laughter is when it/plays pretend in its own foam shadow./” In this poem, little boys play with nerf guns and play dead and the narrator was never allowed to until she was grown and playing with her cousins. She realizes the ironies and implications of this game, while her cousins do not. “My father knew death too well to let us mimic it. Or, maybe death mimicked us too well for him to allow it’s ‘pretend’ in his house.” She wraps “herself in/that joy. The joy that nothing spilled of them/but the sound of their own silly.”

Black Girl, Call Home by Jasmine Mans is a journey of identity and learning how to cope with the past to bring oneself into the future. There are truths in this collection that shouldn’t be shied away from, especially for Black men and women. We need these stories to remind us that we can do better. “I know trauma uses silence as a survival mechanism.” Let’s break that cycle and break that silence.

Rating: Cinquain

The Princess Spy by Larry Loftis

Source: Publisher
Hardcover, 384 pgs.
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The Princess Spy by Larry Loftis takes another look at Aline Griffith, a small town girl looking for big adventure and to serve her country. Loftis uses source material from the National Archives, Griffith’s own fictionalized accounts of her time as a spy with the Office of Strategic Services (OSS), and many are source materials to suss out the truth of her time as a spy. Aline was a model who trained to be a spy at The Farm and her own accounts of her exploits are likely to have been embellished because as publishers will do, they want to sell books and car chases, murders, and more sell books. While Aline may have wanted to recount her life honestly, other marketing experts were at play and Loftis strives to piece out what was true from those accounts with secondary sources. I also think some people have a glamorous view of spies and what they do (e.g., James Bond), and the reality is much more mundane and nuanced — it’s about building trust and relationships that can be leveraged for information.

Was Loftis successful in finding the truth? For the most part, he did his best based on what was classified and what isn’t any longer. What I loved about Loftis’ narrative is that it read like historical fiction, and I think with any book based on research there’s a tendency to be too dry in the narrative. Because he chose to narrate it more like a novel, it was easier to eat up the pages and get engrossed in Aline’s story. Her time at The Farm was fascinating, and some may wonder why her family wasn’t in the book and asking about her whereabouts, etc., but I think it’s clear that when you become a spy and have a cover story, the family must accept it as truth and you make sure that they do. Adding those conversations would have bogged down this narrative.

Being part of the OSS coding room in Spain (considered neutral in the war) to send information to the U.S. State Department during WWII is not a glamorous job but no less important than being a spy. She spent much of her career in that room, but she also attended parties, social events, and had a semi-romance with a bullfighter. When she finally became a field agent, it is clear that all those parties and social events she was invited to opened the door for her career because she was in places where she could probe without drawing attention and could overhear conversations that might be of importance with regard to Nazi movements.

Loftis also creates a wider link between espionage and the Spanish bullfights. Like the matador, Aline lures her targets closer to her with the hope that she can evade capture, jail, and death. She’s weaving her spell on the crowd around her and she’s masterfully moving her cape to lure the bulls and create an illusion of a career woman learning about her current home — Spain. It probably helped that she was genuinely captivated by the Spanish culture.

The Princess Spy by Larry Loftis is engaging, thrilling, and insightful, and he provides a great deal of information about the spy business (but I’m not an expert). I do think there are holes and gaps that could be filled, and I would love to know more about her time doing “odd jobs” for the CIA after her marriage and her life in Spain was in full swing, but alas that information is still classified (my guess is it had a lot to do with preventing communism’s spread). Aline Griffith served her country with honesty and dignity, and she enjoyed doing it, even if she was in danger. She clearly was a people person and the relationships she maintained throughout her life are a testament to her personality and care for others. Loftis has humanized a spy who believed her efforts helped the country during WWII, but I’m still curious about some of the characters in her life like Pierre and Ryan (two figures who are much more mysterious — perhaps there’s a fictionalized account of them in Loftis’ future).

RATING: Quatrain

Pink by Sylvie Baumgartel

Source: Publisher
Paperback, 62 pgs.
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Pink by Sylvie Baumgartel is startlingly does not have a pink cover. In fact, it has a gray cover, which perfectly mirrors the gray in the relationships explored — mother-daughter, father-daughter, narrator-art, changes in climate, and more.

The collection opens with “The Washing” in which mothers and daughters wash together — a mother who washes secrets — and it is compared to the “washing” of the Sistine Chapel, in which fig leaves are removed to expose genitals and the windows to the soul are lost. It makes you think about what we wash away when the secrets are cleansed or kept hidden — how awful can the truth be?

We move later in the collection to “Pregnancy” (pg. 9) in which the narrator feels numb but everything is out of sorts as the “Blood that feeds my/Part parasite,/Part god, baby boy.//” is a far cry from how it is portrayed in art. The narrator says, “I wonder if what paintings/Really want is to reproduce./A baby of their own.// With many paintings made famous by men, perhaps the narrator is right because those painters are unable to do so naturally.

The collections call on the color of femininity, love, and kindness stands in juxtaposition to the nearly clinical precision with which Baumgartel examines relationships and art. She even explores the abuse suffered by boys at the hands of priests who believed “they could get away with it/Because the boys couldn’t hear each other/Scream.//” (from “The Mission Bell”, pg. 11-2).

Pink by Sylvie Baumgartel is a stunning poet with stark imagery in each poem that will force readers to reorient themselves and rethink the world around them. Between the grotesque and the use of color, she creates a world in which the narrator needs to break through the morass and the societal norms to be born again.

RATING: Quatrain

Who’s Your Daddy by Arisa White

Source: the poet

Preordered book, 138 pgs.

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Who’s Your Daddy by Arisa White, on tour with Poetic Book Tours, is a poetic memoir in which the poet explores the absence of her father in her life, how it has impacted who she has become, and how she can reconnect with her absent father in adulthood.

“When it came to the conjunction “and” I was illiterate. For it makes you larger, more. Expands into distances beyond my eyes.” (pg. 124)

White articulates deftly the nuanced feelings of a desire to belong and the sense that belonging requires the reconnection with an absent father. While she has others in her life who love and care for her, there are traumas that she faces while her father is absent. But reconnecting with a man ejected from the United States and back to Guyana and who fails to even write a letter or call her is a tall order.

“Am I a site of abandonment?” (pg. 97)

“Guyana is abandonment from my father. I feel the weight of the people in me and I in them, guilt I carry myself alone.” (pg. 108)

The poetic memoir begins at home in the United States, as Arisa grows up in a broken home, a home of harsh realities. These realities are not my own, but this collection creates a palpable reminiscence of sorrow, anger, confusion, absence, and more. Despite these trials and her struggles with connections, she is a strong woman — caring for herself, willing to reach out to someone who abandoned her, and seeking self-care and healing.

What she finds in this journey is a man incapable of giving her a sense of belonging — a man who rambles just to hear himself speak, to make him relevant to those who hear him.

“Breaks my heart along the same fault lines that ache for him.” (pg. 83)

Who’s Your Daddy by Arisa White is a journey into the poet’s past as she reconciles the abandonment of her father and her struggles with connecting to others. The poetic memoir is beautiful and the landscapes within it (emotional and physical) are tumultuous and heartbreaking. White is a deft storyteller, and readers will be emotionally spent by this poetic memoir.

RATING: Cinquain

Follow the rest of the blog tour with #WhosYourDaddyMemoir #ArisaWhite

Photo Credit: Nye’ Lyn Tho

About the Poet:

Arisa White is a Cave Canem fellow and an assistant professor of creative writing at Colby College. She is the author of four books, including the poetry collection You’re the Most Beautiful Thing That Happened, and coauthor of Biddy Mason Speaks Up, winner of the Maine Literary Book Award for Young People’s Literature and the Nautilus Book Award Gold Medal for Middle-Grade Nonfiction. She serves on the board of directors for Foglifter and Nomadic Press. Find her at arisawhite.com.

African American Poetry: 250 Years of Struggle and Song edited by Kevin Young

Source: NetGalley

Ebook, 1170 pgs.

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African American Poetry: 250 Years of Struggle and Song edited by Kevin Young is a compendium like no other, exploring the wide breadth of African American poetry from songs to poems and much more. There are eight sections in this collection and there are the familiar, often anthologized poems we’ve come to know, but there are also the unfamiliar poets who have been obscured by American culture for far too long. The struggle is real and it continues 250 years later, and it will likely continue into the next several decades (I’m being optimistic — I would like to see less struggle sooner).

“For African Americans, the very act of composing poetry proves a form of protest,” says Kevin Young in the introduction. From Phillis Wheatley and Lucy Terry, whose untitled poem “Bars Fight” was first composed orally and shared for generations before being in print, to the present day poets, Young says the collection covers those who experienced bondage first hand, modernist movement, the Harlem Renaissance, the Chicago Renaissance, wartime and postwar poets, Beat poets, political poets, poems about ancestry, and so much more. Young says the collection contains “poems we memorize, pass around, carry in our memory, and literally inscribe in stone.” Folk songs, ballads, and poems that have never been published. You can imagine the treasure trove within these pages.

Normally, I would share excerpts from this collection but I prefer that you discover these for yourself. I want you to journey into the African American Poetry: 250 Years of Struggle and Song edited by Kevin Young on your own without preconceived notions of what you’ll find there. There is so much more than Langston Hughes. This is a collection that should be brought to classrooms as young as elementary schools. These are the poems and truths that need to be taught so that we can learn from the past and move forward as a nation to a brighter future.

RATING: Quatrain

Rational Creatures edited by Christina Boyd

Source: Publisher
Ebook, 486 pgs
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Rational Creatures edited by Christina Boyd is a collection of stories that explore the rational side of Jane Austen’s characters, delving deep into what makes them tick. From Louisa Musgrove who leaps from the Cobb and is severely injured to Hetty Bates, the spinster who chatters away. Sixteen Austen-inspired stories are within the covers of this anthology, and each one will shed light on some of Austen’s most modern thinking characters. But don’t be fooled by the title because this collection also has the romance many Austen readers desire.

Imagine Elinor Dashwood sketching her beloved knowing he belongs to another, pouring her deep passion and melancholy into his visage with such care. “He has found it, she thought, not daring (not wanting) to break the intensity of his gaze. Could he see, in that drawing and in her face, all she wanted of him? What would he do if she were to reach out and touch him — to feel for herself the line of his jaw, the arch of his brow, the fullness of his bottom lip?” (from “Self-Composed” by Christina Morland)

Readers also get a glimpse into Charlotte Lucas and her thoughts on marriage and her longing for a life like her friend Elizabeth Bennet — a life filled with love. We find that Hetty Bates may be more like Elizabeth Bennet than we’d think, having spurned a marriage proposal. Perhaps Ms. Bates is Ms. Bennet’s alter ego, had Mr. Darcy not strove to improve himself and hope she’d accept him. Even Fanny Price, who many see as weak, is brought into a new light in “The Meaning of Wife” by Brooke West. “Edmund did not truly know her at all, choosing only to see the young woman he expected her to be. It struck her as darkly amusing that for years she had longed for Edmund to look upon her with desire but, now that his heart had found his way to her, she could find none of the expected joy.”

Rational Creatures edited by Christina Boyd offers so much in these short stories but at it’s heart is about women who are searching for their own love stories, even if they are ridiculed, hated, and ignored by others. Isn’t love the most redeeming for us all. Each of these characters is given new life by these authors and their stories are as beautifully engaging as the originals written by Jane Austen herself.

Rating: Quatrain

Tapping Out by Nandi Comer

Source: NetGalley
Ebook, 96 pgs.
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Tapping Out by Nandi Comer relies heavily on imagery and language tied to lucha libre, or Mexican freestyle wrestling, as she explores the roles of identity, changes in our identities, and the masks that we often wear when faced with violence, trauma, and other situations. The poems are like the high-flying maneuvers of the wrestlers in lucha libre and many times Comer references the colorful masks of the wrestler-narrators in the poems to explore unsettling realities of migrant and immigrant experience. There are bumps and bruises along the way, and it’s hard to turn away from Comer’s poems. Reality is harsh and she displays it all.

From "Rudo"

I am always undoing the language of my body.
my arms, my hair say
Black. Dark. English only.

From “Tecnico :La Mascara,” “In a year you can go to a mall or grocery store, walk through the dust of a market and everyone will know the bottom lip and callused forehead I have kept so long inside. M’hijo, before I let go of your face, someone will have to rip me apart.” Here the wrestler is concerned about how they will be remembered and how long it will take them to return to regular society because to be unmasked in the ring is career ending. There is a deep exhaustion throughout these poems — whether exhaustion from the identities assumed and being outside of the true self or from the fighting for just a piece of happiness and fleeting joy. But the wrestlers, just like the immigrants and minorities, do not have the option of “tapping out” from their lives. They have no choice but to keep fighting — or face death head on.

Tapping Out by Nandi Comer is a collection of narrative poems that melds the Mexican wrestling world with the realities of immigrants and minorities. It’s match after match, fear around the corner at every turn, and constant exhaustion in fighting to live. To ignore these narratives, is to ignore the humanity of all of us. To ignore the injustices of the world, is to be an ostrich with its head in the sand.

RATING: Quatrain

About the Poet:

NANDI COMER received a joint MFA/MA in Poetry and African American and African Diaspora Studies at Indiana University. She has received fellowships from the Callaloo Creative Writing Workshop, Cave Canem, Vermont Studio Center, and Virginia Center for the Arts. Her poems have appeared in Detroit Anthology (Rust Belt Chic Press, 2014), Blue Shift Journal, Crab Orchard Review, Green Mountains Review, Pluck!, Prairie Schooner, and Southern Indiana Review.