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Her Whole Bright Life by Courtney LeBlanc

April 25, 2023 by Leave a Comment

Source: the Poet
Paperback, 100 pgs.
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Her Whole Bright Life by Courtney LeBlanc is a collection of rolling grief and healing. In the opening poem, “Self-Portrait,” the narrator speaks to the collections of past memories that are part of her being and how they make her feel about herself, but by the end, the living in the moment and in the past, have left her without a sense of who she wishes to be in the future. There’s an unsettled-ness in this poem that sets the tone for the rest of the collection and the roiling emotions that come through each subsequent poem.

In “I Don’t Understand Black Holes No Matter How Many Times Cody Explains Them to Me,” the poet speaks to the immense and unexplainable black hole, noting “For now, I’ll just accept/that black holes exist, that they are closer/than we previously thought, and that they/are a force so powerful, every mistake I ever/made would be swallowed by them.//” Her regrets seem large and able to swallow her hole, which explains why she sees black holes as a potential force that can make those regrets disappear.

Grief takes many forms in this collection. It is not just the slow loss of a vibrant father who dedicated himself to farming and gardening and his daughter, but it’s also the slow losses we don’t see until we lose a parent. We are no longer those children we were, life has shaped us. We’ve become someone else and yet still carry that younger self with us and long for what we see as a simpler existence without regret and loss.

From "Snails and Stars" (pg. 41)

...
Last year, a friend took a bottle of pills and went
to sleep. At his memorial we watched
the slideshow, his smiling face in every frame,
the galaxy of his friends spilling onto the lawn.
We are a constellation of caring, but we were not
enough to save him.
...

Her Whole Bright Life by Courtney LeBlanc is somber and full of life — its funny moments, its sad emotions and grief, and its unexpected gifts. LeBlanc is fast becoming one of my favorite poets. Her turn of phrase, her bravery in the face of deep emotional turmoil, and her ability to connect seemingly unconnected events into a poem that you can find your own story inside. Don’t miss this collection.

Other Reviews:

About the Poet:

Courtney LeBlanc is the author of the full-length collections, “Her Whole Bright Life” (winner of the Jack McCarthy Book Prize, Write Bloody, 2023), “Exquisite Bloody, Beating Heart” (Riot in Your Throat, 2021) and “Beautiful & Full of Monsters” (Vegetarian Alcoholic Press, 2020). She is a Virginia Center for Creative Arts fellow (2022) and the founder and editor-in-chief of Riot in Your Throat, an independent poetry press. She loves nail polish, tattoos and a soy latte each morning.

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Lo: Poems by Melissa Crowe

April 20, 2023 by Leave a Comment

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Paperback, 88 pgs.
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Lo: Poems by Melissa Crowe, 2022 Iowa Poetry Prize winner to be published in May 2023, is an expression of grief, longing, and joy all at once as the young girl growing up within these poems and pages finds that the world is all at once beautiful and ugly. This song echoes throughout the collection from the opening poem, “The Self Says, I Am,” readers will see the whimsical imagination of a young girl surrounded by a rural landscape, but within that landscape blisters and sunburn can form, causing a young girl to learn to be “nimble” and “learned.”

The narrator of “Thrownness” says, “Maybe home is what gets on you and can’t//be shaken loose.” Taking the lighters side of that observation it is clear Crowe’s roots in Maine are still with her in the imagery she chooses, but on the flip side of that, the darkest parts of our childhood lives leave indelible scars. “Remember how every branch/on that same street seemed blessed with fat red berries/your mother said would make you sick and how — always/hungry, cupboards bare — you would not stop tasting them/anyway.” (pg. 5-6)

In many of these early poems, a young girl is yearning and she cannot get enough, even when what she receives is not necessarily the best thing for her. She is loved, but there are parts of her story that include attention, not necessarily love. Part 3 of this collection houses a variety of poem structures that tell a traumatic tale, and each mirrors the emotional state of the narrator. (be advised these can be triggering) “Thank god I thought, burning,/somebody will ask me. Nobody asked me.//Thank god I thought, burning, knowing/for the first time maybe what he’d//done to me, that what he’d done to me was/wrong enough to go to jail for, if you told.//” (“When She Speaks of the Fire,” pg. 30) This is where the reader weeps for this girl. You cannot help but weep. It is because the narrator is speaking directly to the reader, even if it’s framed as spoken to someone else. You are drawn in, you are “watching through a crack as thick as a man’s/fingers what unfolds beyond your power/to undo.”

Lo: Poems by Melissa Crowe is not focused just on the trauma and telling of it; it is the emotional journey of telling it and learning how to navigate the debris and the disappointment with loved ones who were supposed to protect you and didn’t/couldn’t and didn’t want to speak aloud about it even when it is clearly needed for healing. Another not-to-be-missed collection; pre-order it now.

RATING: Cinquain

About the Poet:

Melissa Crowe is a poet, editor, and teacher. She was born in Presque Isle, Maine, but she currently lives with her family by the sea in Wilmington, North Carolina. Crowe is an assistant professor of Creative Writing and Coordinator of the MFA program at UNCW. Her first full-length collection, Dear Terror, Dear Splendor was published by University of Wisconsin Press in 2019, and her second book, Lo, won the Iowa Poetry Prize and is due out from the University of Iowa Press in May 2023.

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In Kind by Maggie Queeney

April 19, 2023 by Leave a Comment

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Paperback, 98 pgs.
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In Kind by Maggie Queeney, 2022 Iowa Poetry Prize winner to be published in May 2023, calls on the goddesses of old to illuminate the struggles of today. She deftly deals with trauma in a way that captures the darkness, the struggle, and the strength to move forward honoring that wound that makes up part of the whole person. In “My Given Name,” “Grit both the middle and the start of it://A bit of sand or shell shard, the hard/Speck of stone or flint or bone or beak—/What cannot be broken back//Into nothing, but offers an ever/Smaller division: this is what made me/What I am: Mar—as in mark, as in wound,//” (pg. 4)

Throughout her poems, transformation is taking place. Everything is unsettled in these poems, and it can be hard to get your bearings, but that’s to be expected given the subject matter (which those who have experienced trauma may want to consider before reading these poems). “We sang ourselves new bodies/the volume of our old hearts/” says the narrator in “Metamorphosis: The Daughters of Minyas Deny Ecstasy, Transform into Bats.”And in “A Charm, A Series of Survivals,” the narrator says, “He wrote his yes into my silence.” (pg. 21) Queeney demonstrates that old myths have something to teach us about punishments meted out to those who fail to conform to society’s expectations. They are unjust and harsh, but they also can become empowering enabling survivors to leverage those punishments as fuel in their own transformations and blossoming.

***(this is a graphic poem)*** Read the title poem, “In Kind,” at underbelly. It’s where I first saw Queeney’s work, and the differences between her draft poem and the final are amazing. Her poem builds from the rapping of the window washers’ ropes against the window, which take on the life of the traumatic memories, and these memories continue to haunt as the time passes and the narrator moves forward in the poem. The poem is not only about the witness and their trauma, but about the trauma of the victim who takes the actions leading to the witness’ trauma. It folds in on itself in a tragic way to remind us that “Nothing, and/no one ever enough.” Nothing could have prevented this tragedy. That’s the most hopeless moment in anyone’s life — knowing nothing you could have done would have saved a person you loved.

In Kind by Maggie Queeney is a deep exploration of trauma and transformation. It never shies away from the harsh realities and emotions of trauma, but it does seek to highlight the wounds can heal and be transformed into something that drives an individual’s healing and purpose. Do not miss this collection; pre-order it now.

RATING: Cinquain

About the Poet:

Maggie Queeney is the author of In Kind, winner of the Iowa Poetry Prize, forthcoming in 2023, and settler (Tupelo Press). She is recipient of the Stanley Kunitz Memorial Prize, the Ruth Stone Scholarship, and two IAP Grants from the City of Chicago. Her poems, stories, and hybrid works have been published widely. She holds an MFA in Creative Writing from Syracuse University.

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Elegies for an Empire by Le Hinton

April 18, 2023 by 1 Comment

Source: the poet
Paperback, 65 pgs.
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***A portion of the purchase price of Hinton’s book ($15) will go to the Lancaster Cleft Palate Clinic.***

Elegies for an Empire by Le Hinton, is a gorgeous collection of poems paying homage to parents, ancestors, and others who came before, while realizing that the foundations and moments the poet leaves behind for children will be similarly in the past, even as they are present. In each step forward, there is an echo of the past, like his opening quote says from Ralph Ellison, “The end is the beginning and lies far ahead.” In the opening poem, “Asking for my Mother,” there’s the echo of a mother’s voice, urging the speaker to not only think on the past as a lesson, but to also employ it in a humble way. There’s a tension between doing something and praying about it, while at the same time, there is the urge to do something, move forward because one is praying about it.

Second Chance (pg. 18)

I carry my family's dreams
into this soil's darkness.

Inside this pod, I hold these hopes:

a fresh garden,
a tender lunar spring,
a faultless reputation.

No one here can sing my past

There is a sense of lament in each of these poems, but carried inside it is a hope that cannot be contained. Rise from the soil to build a garden anew, sit alongside the spirits of your ancestors to learn the past and how to navigate the future. These meditations signal to the reader that the hustle and bustle of our lives needn’t be the only driver of our action or inaction.

Hinton is tackling topics that we see on the news every day, and not all of us live in that reality but are mere observers. The question I come away with is: Why are you sitting idly on your hands and observing when you can take action to make change? Do all Black men have to have internal conversations about death when stopped by police? Is there a way to remedy this issue without more violence? How can we think our way out and take action?

The entire collection is not about darkness, death, and loss. There is love here. “Still Life with Desire,” shows us that even while masked and left with unspoken words, lovers can create something beautiful just as “Beethoven composing/his 9th within the enveloping silence.” (pg. 39) Elegiac song fills the air when so much is lost, but what about the things we’ve gained. “Consider your good fortune to have survived/a virus that has no conscience or taste buds/and disregards the pleasures of a lengthened life//Then peel the skin, slowly, intentionally,/noticing the tiny movement of flesh/beneath your fingers, the initial droplets//of the sweetest of juices.” (pg. 41, “How to Eat a Peach During a Pandemic”).

Elegies for an Empire by Le Hinton reminds everyone about the importance of connection to ourselves, to one another, to our ancestors, and yes, even to our enemies. In “Allies and Ancestors”, the poet says, “we’ll recycle these deaths/over again and again and over.” The energy of us never leaves. We are all still here, still connecting, still influencing.

RATING: Cinquain

About the Poet:

Poet, teacher, Le Hinton, is the author of seven collections including, most recently, Elegies for an Empire (Iris G. Press, 2023). His work has been widely published and can, or will be found in The Best American Poetry 2014, the Baltimore Review, The Skinny Poetry Journal, the Progressive Magazine, Little Patuxent Review, Pleiades, and elsewhere. His poem “Epidemic” won the Baltimore Review’s 2013 Winter Writers Contest and in 2014 it was honored by The Pennsylvania Center for the Book. His poem, “Our Ballpark,” can be found outside Clipper Magazine Stadium in Lancaster, Pennsylvania, incorporated into Derek Parker’s sculpture Common Thread.

He is the founder and co-editor of the poetry journal Fledgling Rag and the founder of Iris G. Press/I. Giraffe Press.

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You Cannot Save Here by Tonee Moll

April 12, 2023 by Leave a Comment

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Paperback, 84 pgs.
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You Cannot Save Here by Tonee Moll, winner of the Washington Writer’s Publishing House‘s 2022 Jean Feldman Poetry Prize, opens with a quote from Ocatvia Butler’s Parable of the Sower, which sets the stage for the whole collection. Moll’s poems are about every day moments that each of us can relate to, such as days in which we have little energy to perform even the simplest tasks or are exasperated with the search for love and acceptance. The collection points to the gradual wearing down of ourselves.

In the first poem, “You Cannot Save Here,” the narrator begins with “the first day of The End,” which sets up readers for the journey through the apocalypse of life. “I don’t do anything just/sit in the dimness of midday/room with unopened blinds” Think about it, would we really know when the end comes? Do we even know when our end is near or that death has come for us? Not usually. This theme of not knowing if it is the end permeates the poems in this collection where the narrator realizes in “If You See Me, Weep” that lyrics about the end of the world and it “being later than you think” have been sung for decades.

Not only is Moll calling us to task about our obsessions with the end of the world and the death of ourselves, but he also is urging us to “be a whole oak enveloped in kind potential.” (“Fruit of the Unenclosed Land”). Through the title poems (yes, multiple poems are titled “You Cannot Save Here”), readers are immersed in the apocalypses that populate our lives. Humans are such dramatic creatures. Moll is meditating on what it means when we’ve past the point of no return and how do we live with where we are. But don’t expect all of these poems to be dark and dreary, because they are far from that.

You Cannot Save Here by Tonee Moll is a light in the darkness, teaching us to see what we have and rejoice in that moment. The collection asks what is our potential and how can we achieve it, despite our apocalyptic perspective.

RATING: Cinquain

About the Author:

Tonee Moll is a queer poet, essayist and educator. Tonee holds an MFA in Creative Writing & Publishing Arts and a Ph.D. in English. They are the author of “Out of Step: A Memoir,” which won the Lambda Literary Award and the Non/Fiction Collection Prize. Their latest book, “You Cannot Save Here,” won the Jean Feldman Poetry Prize from Washington Writers’ Publishing House. They live in Baltimore, and they teach creative writing & literature as an assistant professor of English at Harford Community College.

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Dispatches from Frontier Schools by Sarah Beddow

April 6, 2023 by Leave a Comment

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Paperback, 124 pgs.
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Dispatches From Frontier Schools by Sarah Beddow is an in-depth account of teacher in a poorly funded charter school and the pull of an educator to fulfill their passion in educating children and the tension it comes with when there is little funding, students are hard to reach, and family takes a back seat to her students. In the opening poem, “Dispatch for: [redacted]” the poet says, “I do not want    do not want cannot/stand this world/for them  So I touched/ her and listened.    She did/not dissolve    today but/surely she will/and/if I can   I will be/the nurse who notices   the silent shivering  the silent tears   and brings/an extra blanket//” (pg. 16)

Throughout this collection, readers will experience what it is like inside the classroom, dealing with managers, and caring deeply for students. She wants to reward her most engaged students, but the world seems to conspire against even the simplest rewards – a donut party. There’s a deep sadness in some of these poems. It’s clear the narrator of these poems is dedicated to her students, but teaching itself is hard enough without having to handle the pressures of the administration and compliance with rules. in “Dispatch re: Complaince” “I have / nothing else / to give   no ideas better than these / no students more woke / no donuts / no tears left to cry in the parking lot dawn / no me” (pg. 19)

Beddow tackles guns in school, education compliance, testing, inter-personal relationships between students, teen pregnancy, and how teachers must be involved but not be too involved in students’ lives. From “Dispatch re: Our Scholars” (pg. 55), “To take children of color and   performatively / age them into such series / stuffy  academics Lock them away in / an ivory tower  until they / emerge civil and / obedient  fit to meet the nation’s needs”

Dispatches From Frontier Schools by Sarah Beddow is a deeply moving collection of horror and beauty in educating students in a tumultuous time where students and teachers are under enormous pressures. Beddow is a masterful storyteller; she will have readers crying and thinking deeply about our education system.

RATING: Quatrain

About the Poet:

Sarah Beddow is a poet, wife and mother. She is the author of the book Dispatches from Frontier Schools (Riot in Your Throat) and the chapbook What’s pink & shiny/what’s dark and hard (Porkbelly Press). Her poems and essays have appeared in Bone Bouquet, Menacing Hedge, Entropy, GlitterMOB, and elsewhere. She has degrees in creative writing from Johns Hopkins University and Sarah Lawrence College. After completing her MFA in poetry, she earned an MS in Urban Education from Mercy College and spent nearly a decade teaching high school English. Though she now works in educational publishing, she looks forward to one day returning to the classroom.

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String by Matthew Thorburn

April 5, 2023 by Leave a Comment

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Paperback, 84 pgs.
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String by Matthew Thorburn is a poetry collection that tells a story of a boy living through war and explores the thread of loss and memory with precision. Every moment with this boy is unexpected, and his pain becomes our pain. Through these poems, Thorburn gives us an intimate picture of this teenager’s life from the doctor with the cigarettes on his desk to Rosie, who catches his eye.

While there is memory that delights and makes this boy smile, there are other, darker memories that he cannot forget.

They (pg. 11)

liked to throw things
a man down a well a woman
through a window they

liked to know things
names and dates your hopes
what hurt my hiding place

the combination to Saltzman's
empty safe they liked to 
break things doors bicycles

legs and backs and necks
they liked to take things
money gold rings fingernails

and fathers they had
no need for her none for me
except they were hungry so

hungry and so angry
like shadows they liked to hide
behind my back they liked

to ride behind my eyelids
death was their dark horse
they never stood still.

Thorburn’s images bring the reader into each scene. It is harrowing; it is deeply depressing. But there also is light in the survival. What can survive a Holocaust? What can survive a war? What can survive genocide? Our memories, our connections, our stories. We merely have to share them.

Damaged Animal (pg. 12)

The poor white upright
piano scored with
bullet holes they shot it too

then tipped it off
the balcony mangling Rosie's

silver bicycle forever
after a damaged animal
the white keys broken

teeth in the gutter
where their piss trickled

the black keys like
fingers broken in 
black gloves

String by Matthew Thorburn is achingly beautiful and unforgettable. The story will have you turning the pages as if it were a novel. The imagery is searing and heartbreaking. If you are on the lookout for a narrative poetry collection with a cohesive story, this is one for you. Thorburn is at his best here.

RATING: Cinquain

Other Reviews:

About the Poet:

Matthew Thorburn’s new book of poems is String, published by Louisiana State University Press in March 2023. He’s also the author of seven previous collections, including The Grace of Distance, a finalist for the Paterson Poetry Prize; the book-length poem Dear Almost, honored with the Lascaux Prize in Collected Poetry; and A Green River in Spring, winner of the Coal Hill Review chapbook competition. ​His work has been recognized with a Witter Bynner Fellowship from the Library of Congress, the Mississippi Review Prize, and fellowships from the Bronx and New Jersey arts councils and the Sewanee Writers’ Conference. A native of Michigan and for many years a New Yorker, he lives with his family in small-town New Jersey.

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Above Ground by Clint Smith

March 28, 2023 by 2 Comments

Source: Publisher
Paperback, 128 pgs.
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Above Ground by Clint Smith explores the impact of parenthood on a worldview, and how our historical institutions and personal histories influence their parenting, and how the social and political turmoil can creep into your life.

The collection opens with “All at Once” provides readers an opening sense of overwhelm. Everything is happening simultaneously in different places from the child learning to walk to the wildfires destroying the forest to teachers calling parents about good deeds of students to scientists finding a vaccine to a mother getting the sad news that cancer has returned. All of it is overwhelming in so many ways, much like becoming a parent can be. Isn’t that when the worries start piling up?

Smith’s poems are fundamental and sweet — the anticipation of a child’s birth even across miles and over FaceTime. But they also can call us to the chopping block like in “When People Say ‘We Have Made it Through Worse Before'”: “But there is/no solace in rearranging language to make a different word/tell the same lie. Sometimes the moral arc of the universe//does not bend in a direction that comforts us./ (pg. 12) and in “Roots” where the narrator reminds us: “Your life is only possible because of his ability/to have walked through this country on fire/without turning into ash.” (pg. 25)

“Lines in the Sand” is a poem that should speak to every parent and should tell our policymakers to rethink their actions. I cannot begin to tell you how emotional the lines in the poem are. “Legacy” is another of my favorites. It is just beautiful.

Above Ground by Clint Smith is more than a collection about parenting and parenthood. It’s about the care we should take with all the children, with our Earth, and with our own lives. We should not be idle and we should take our own steps to make things better. We want to stay alive, we must act, not be idle.

RATING: Cinquain

About the Poet:

Clint Smith is a staff writer at The Atlantic. He is the author of the narrative nonfiction book, How the Word Is Passed: A Reckoning With the History of Slavery Across America, which was a #1 New York Times bestseller, winner of the National Book Critics Circle Award for Nonfiction, the Hillman Prize for Book Journalism, the Stowe Prize, the Dayton Literary Peace Prize, and selected by the New York Times as one of the 10 Best Books of 2021. He is also the author of the poetry collection Counting Descent, which won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. His forthcoming poetry collection, Above Ground, will be published March 28, 2023.

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Mount Fuji: 36 Sonnets by Jay Hall Carpenter

March 2, 2023 by

Source: the poet
Paperback, 41 pgs.
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Mount Fuji: 36 Sonnets by Jay Hall Carpenter, a homage to “36 Views of Mount Fuji” by Katsushika Hoskusai, is a collection of sonnets exploring life, death, love, and being an artist.

In the opening sonnet, “Cathedral and Artisan,” the poet reflects on a life as a sculptor at the National Cathedral in D.C., or so it seems, and while the art seems impervious to age, the artist is weary and aging. It is a sonnet in homage to the artist and his work. “Too soon, we souls who built you will be gone,/But through the centuries you’ll sing our song!” There’s a sense of nostalgia in this poem and in the one that follows, but there also is the feeling that what is in the past is okay as part of the past.

As a reader of poetry, I understand the appeal of the sonnet and its familiar rhythms and rhymes, but for me, it feels forced on some occasions in this collection, but not in a way that is jarring or takes you out of the poem. You just get the sense that the poet has had to work hard to create the verse, maybe a little too hard.

The more personal poems work best for me in this collection, though the ones based on art or art work are nice additions to the forms discussed. One of my favorites in the collection is “Last Resort”:

Last Resort (pg. 25)

My lady loves to navigate the planet
While I would vegetate where I was born,
But when she lights the flame to go, I fan it --

And later in the poem:

And here we stew, awash in Pilgrim slime;
Regret is how I mark the passing time.

We can all understand these feelings of regret born of adventure gone astray, and we all feel the passage of time. Sometimes more acutely than we would like. Mount Fuji: 36 Sonnets by Jay Hall Carpenter is collection of sonnets exploring the human condition with an artist’s eye.

RATING: Tercet

Other Reviews:

About the Poet:

Jay Hall Carpenter is an author and artist living in Maryland. His written works include plays, musicals, children’s books, and poetry. For several years he published The ACE Occasionally, a small literary humor magazine. “Dark and Light” is his first collection of poetry.

Carpenter’s career in the visual arts spans forty years and began at the National Cathedral in Washington, D.C., where he designed 520 of the Cathedral’s sculptural embellishments, including gargoyles and angels. His public sculptures, monuments, smaller bronzes, and drawings can be found throughout the United States and at JayHallCarpenter.com.

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Songs in E— by Dan Brady

January 26, 2023 by

Source: Poet
Paperback, 80 pgs.
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Songs in E— by Dan Brady, winner of the Barclay Prize for Poetry, offers reimagined love poems from Elizabeth Barrett Browning and Robert Browning in which Sonnets from the Portuguese and “One Word More” were run through an unreliable internet translator into Portuguese and back into English. The result is playful, anachronistic, and time-bending.

Some of these poems have a deep darkness in them, but by the end they lighten up like you’d expect a love poem.

Meet Cute (pg. 3)

When we met,
it was a year
like candy.
We had a gift
in each hand.
One old. One new.
We bought antiques
but gradually saw
the rips, the sad years,
the melancholy.
Assumptions took hold.
Death, you say.
No E—,
not Death,
the proximity of Heaven.

The truth of a long-term relationship is contained in those antiques, but there’s also that love that transcends all of those flaws.

Young Love (pg. 5)

Our two angels look surprised
as they bump wings in passing.

You, a pageant queen with rips in her dress.
I, a funeral singer under lattice-lights, poor and tired.

Death, the only thing we can agree on.

When reading these transformed poems of the past, they read like modern poems of love that is beginning, love that has endured, and love that is unsure. But there are moments when poems seem to reach from the past into the present and future.

Brady’s efforts to breathe new life into older poems and make them his own is successful in expressing love, even the desire to find it. I’m not a scholar who has memorized Elizabeth Barrett Browning and Robert Browning, expect for the most famous “How Do I Love Thee,” so I can’t tell you which of these poems come from the original. That is until the final poem in the collection, “E—’s Song,” which appears to stay the closest to Robert Browning’s “One More Word.”

Songs in E— by Dan Brady stands on its own as a collection of poems about the many facets of love, even if readers knew nothing about how they came to be. Delightful and contemplative, they bring to life the reality of love and how humans crave it, abuse it, and cherish it all at once.

RATING: Quatrain

About the Poet:

Dan Brady is the author of the poetry collections Strange Children (2018), Subtexts (2022), and Songs in E——, winner of the Barclay Prize for Poetry, from Trnsfr Books (2023), along with two poetry chapbooks. He is the poetry editor of Barrelhouse and lives in Arlington, Virginia with his wife and two kids.

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Hunters Point by Peter Kageyama

January 18, 2023 by

Source: Publicist
Paperback, 370 pgs.
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Hunters Point by Peter Kageyama is a thrilling private investigator-based novel set in San Francisco in post-WWII. Katsuhiro “Kats” Takemoto is a decorated war veteran turned PI who takes on a local case in which shipbuilder and shipyard owners, the Vellos, are being pressured to sell their land to a developer, but what Kats uncovers is unbelievable when it leads to connections with James “Jimmy the Hat” Lanza, a government coverup, and, of course, Beat poets from the City Lights Bookstore.

(you now understand why I was interested in reading this book — WWII, poets…)

Kageyama’s characters are dynamic and deeply rounded, from Kats a Japanese-American who endured internment as a teen before joining the fight in WWII, to the Vello family and its deeply held commitment to art and business.Kats is a man who has been through a great deal and those scars show in how tries to maintain control of his emotions in every way, but Molly might just upend all that control.

The secondary characters of Molly, Shig, and Harry are three-dimensional with their own motivations, secrets, and backstories. The shadowy Sand and Lanza are less fleshed out, but for mobsters and a mystery man, it works. An additional character in this novel is Hunters Point with its bustling businesses and diverse families and workers, and it’s where the mystery is unraveled by Kats and his friends.

“They reminded him of his own father, who taught him about family and the layers of obligation, both On and Giri, the obligations we voluntarily take on and those we inherit. We carry many things, and those things make up our story.” (pg. 43)

Hunters Point by Peter Kageyama reminds me of why I love mystery/thrillers. They have you thinking fast, engaged in the action, delving deeper into the characters’ backgrounds to understand what makes them tick, and before you know it, you’ve come to the end of the mystery. And I suspect we’ll be seeing these characters again.

RATING: Quatrain

About the Author:

Peter Kageyama is the author of For the Love of Cities: The Love Affair Between People and Their Places, the follow ups, Love Where You Live: Creating Emotionally Engaging Places, and The Emotional Infrastructure of Places. In 2021, he released For the Love of Cities REVISITED, a revised and updated version of his award-winning book.

In 2023, his debut novel based on the post-internment life of his parents was released by St. Petersburg Press.

Peter is a Senior Fellow with the Alliance for Innovation, a national network of city leaders, and a special advisor to America In Bloom. He is an internationally sought-after community development consultant and grassroots engagement strategist who speaks about bottom-up community development and the amazing people who are making change happen around the world.

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Love the Dark Days by Ira Mathur

October 27, 2022 by

Source: the author
Paperback, 232 pgs.
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Love the Dark Days by Ira Mathur is a surreal memoir that weaves between a distant past in post-colonial India and ancestral stories and a married woman looking for guidance on writing her own memoir. The narrative digs deep into the past of her ancestry pulling the thread of pain forward into her present. Mathur says in more than one place that she doesn’t feel like she belongs. She’s looking throughout the memoir for her place in the world.

This sense of drift carries readers through the memoir, which reads like a nightmare in places. Her grandmother Burrimummy has fits of anger and sadness, and her rages seem like a woman battling mental illness, though that isn’t outwardly articulated. Shifting from India to Trinidad and other places, Mathur is weaving place with family history, much of it violent and abusive. Whether subject to emotional abuse and dejection or the physical abuse her mother felt as a child at the hands of her own mother, these instances reverberate throughout the female line in the family. These women are damaged and traumatized, but it is unclear if these women  ever sought help or tried to break the cycle.

“When she is angry like this, I don’t know what to feel. I hate it when she thrashes me but am sadder when she doesn’t notice me at all.”

“The servants, sensing my lower status, are careless with me.”

“I’m too dark, too rebellious.”

Mathur’s view of herself is skewed from an early age, and she carries that doubt with her as she matures. She is never good enough. She even says, “Twenty-four years, and in some ways, nothing had changed for me.” But later as she’s seeking to understand this generational violence and neglect, she absolves everyone of responsibility.

“They are like Russian dolls. I understand now. Mummy blames Burrimummy for being unkind. Burrimummy blames Mumma for ill-treating her, and Mumma blames Sadrunissa for thrashing her. They all took out whatever anger they felt over their own lives on their daughters. no one is responsible.”

The sections when Mathur is interacting with poet Sir Derek Walcott are overly long and fawning of a poet whom she admits was accused of harassing women. Her admiration of his poetry is clear, and she does recognize his faults, but if these scenes were meant to tie in with her family’s saga, they did not fit seamlessly into the narrative. They often pulled me out of her story and made me wonder when she would get back to her family. When she does get back to her family, there are still questions that linger about her husband’s behavior, his family’s acceptance/rejection of her, and her relationship with her own children that remain unanswered. Perhaps that’s a future memoir?

In many ways, this memoir is about a woman still coming to terms with her trauma. Intimate, harrowing, and sad, Mathur’s memoir reminds us that “when brutality is normalized, it is passed on, like a legacy, like DNA.” Love the Dark Days by Ira Mathur is most engaging when she speaks about her family and its legacy and its impact on her as a woman and successful journalist.

RATING: Tercet

About the Author:

Ira Mathur is an Indian born Caribbean freelance journalist/writer working in radio, television and print in Trinidad, West Indies. She also is currently a Sunday Guardian columnist and feature writer. Follow her on Instagram, Twitter, and LinkedIn.

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