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Good Bones by Maggie Smith

Source: Purchased
Paperback, 114 pgs.
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Good Bones by Maggie Smith, called “Official Poem of 2016” by Public Radio International, is a gorgeous collection of poems about the transformations that happens in motherhood and how despite the innate need to protect our children, there is no way that mothers can protect children from everything bad in the world. The collection opens with “Weep Up,” in which a young child is crying for the world to awaken — even the birds. This is the reader’s awakening to the life of a mother — connection, a weariness, a protectiveness. In “Sky,” the narrator tries to answer a child’s curiosity about the blueness and expanse of the sky, and in so doing, the narrator envelops us and the child in a comforting embrace: “Think of sky not as blue, not as over,/but as the invisible surround, a soft suit/you wear close to the skin.”

A hawk often glides through the poems, watching the child, guiding the child, and looking out for the child and others as it walks and moves through life. One of my favorite lines is from “The Hawk,” “her notes,//rising easily to him the way an echo/homes to the voice that calls it.//” Smith is a master at describing the indescribable. “Rough Air,” for example, is like “a cat’s tongue/as if the air itself were textured,/as if we could feel its sandpaper/licking our skin.”

One of the most widely shared poem in this collection is “Good Bones”:

Good Bones

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

Imagine how many times as parents we try to tell our children to be nice to others, to give way to others, to see the beauty in the pollution around us, to see the happiness in the darkness, and how to avoid the reality they can see with their own eyes. Are we all realtors, trying to sell them a dump to live in and provide them with false hope that they can change it? This collection is all of the emotions of parenting rolled up into one — the angst, the fear, the worry, the sadness at this is the world they are given, and our desperation to protect them from it.

From At Your Age I Wore a Darkness

several sizes too big. It hung on me
like a mother's dress. Even now,

as we speak, I am stitching
a darkness you'll need to unravel,

unraveling another you'll need
to restitch. What can I give you

that you can keep? Once you asked,
Does the sky stop? It doesn't stop,

it just stops being one thing
and starts being another.

Good Bones by Maggie Smith reminds us that while we are that protective hawk watching our children and protecting them from harm, we also can only watch them from afar as they learn to navigate the world on their own. Inevitably, they will fall … they will skin their knees, but we can provide them with the “good bones” they need to protect themselves and journey through the darkness they will eventually find in their lives.

RATING: Cinquain

About the Poet:

Maggie Smith is the author of three books of poetry: Good Bones (Tupelo Press, 2017); The Well Speaks of Its Own Poison (2015); and Lamp of the Body (Red Hen Press, 2005). Smith is also the author of three prizewinning chapbooks. Her poems are widely published and anthologized, appearing in Best American Poetry, the New York Times, The New Yorker, Tin House, POETRY, The Paris Review, Ploughshares, and elsewhere. In 2016 her poem “Good Bones” went viral internationally and has been translated into nearly a dozen languages. Public Radio International called it “the official poem of 2016.” Her new book, Keep Moving: Notes on Loss, Creativity, and Change, a collection of essays and quotes, is forthcoming in October 2020 from One Signal/Simon & Schuster.

Magnolia Table, Volume 2: A Collection of Recipes for Gathering by Joanna Gaines

Source: Publisher
Hardcover, 352 pgs.
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Magnolia Table (Vol. 2): A Collection of Recipes for Gathering by Joanna Gaines is the second volume of recipes from Gaines, and this one was more thought out and planned than her previous volume, according to the introduction. Her previous volume focused on family favorites that she makes all the time, while this one chronicles her journey to learn about new foods, ingredients, and more. I really loved the substitutions chart because that will help me a great deal when I don’t have certain ingredients. I never know what to substitute. There are some great full-color photos in the book, but given the pandemic, there are some things that I couldn’t do at all, especially recipes requiring yeast (this has been non-existent for months).

The first recipe I tried was for Roasted Rosemary Sweet Potatoes. We had just gotten some delivered from the local farmer’s market, so I was eager to try this recipe. One drawback is that there were not pictures for this recipe, but we assumed that Gaines cut the potatoes into french fry form, which is what we went with. It was pretty easy to follow, though for my family, I would definitely cut back on some of the rosemary and black pepper — several people said it was too spicy (my daughter included). The other thing I found was that 40 minutes was too long at 450 degrees. My over charred some of these fries, so I think next time I’ll just cook them for 30 minutes or keep a closer eye on them. But they still were tasty.

Gaines recommends serving these with Rib Eye Steaks, but we didn’t have any of that. We had meatloaf with beans.

The next recipe I tried was for French Silk Pie, which had some really easy to follow steps. I really enjoyed this recipe and will be making it again, since it was a big hit even if there was a problem with my crust. I think pre-made crust is best for me. This recipe does have a full-color picture that helped me determine if my ingredients were working together as they should.

Everyone ignored the terrible crust and said the pie itself was delicious. I really enjoyed making this one, and I’ll be happy to make it again. I already have plans to try making it with a graham cracker crust.

While I didn’t get to make the pizzas I wanted to because of the lack of yeast, I plan to make those when things are more available in the stores. Some of the recipes in this book, however, we probably won’t make unless my kiddo and mom become more adventurous in their eating. I do want to check out the first volume of recipes in the first book, because I suspect those recipes will be better for my family.

Magnolia Table (Vol. 2): A Collection of Recipes for Gathering by Joanna Gaines is a good cookbook with a ton of information for budding chefs at home. While not everything suited my family’s taste, I’m sure that it will be a big hit with others. I do wish there were more pictures in the cookbook, but that’s because I love full-page photos of food. It helps me see how delicious it will look when I’m done cooking.

RATING: Quatrain

Turn It Up! A Pitch Perfect History of Music That Rocked the World

Source: Publisher
Hardcover, 192 pgs.
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From National Geographic Kids, Turn It Up! A Pitch Perfect History of Music That Rocked the World, is a collection of fun music facts in a condensed format with colorful photographs and more. I enjoyed the parts about sound waves, and rhythm (which I don’t have) and harmony versus melody as a way of introducing music fundamentals to kids. My daughter was amazed that the earliest instrument was 40,000 years ago and was a flute made of bone. She was a bit creeped out by that knowledge, but she did find the other early instruments inside the book interesting. She already knows a little bit about the types of notes, thanks to Yunique Music School.

The most fascinating parts of this book for me were there tidbits about the actual musicians, like how Niccolo Paganini had sold his soul to the Devil in order to play so well every time he appeared before an audience while on the road. I enjoyed learning about Antonin Dvorak, one of my favorite composers, and the influence of America and Native Americans in his work — which makes absolute sense when you listen to his New World Symphony. I also learned something I didn’t know about one of my mom’s favorites, Glenn Miller, who apparently vanished while fighting in WWII. Cab Calloway is a figure I vaguely recall seeing as child and probably on Sesame Street, but I just loved his energy as a kid, and I had no idea that he used cartoon characters as part of his shows.

From National Geographic Kids, Turn It Up! A Pitch Perfect History of Music That Rocked the World, is chock full of information about musical composers, instruments, and the evolution of music, but it also has so much about recent musicians toward the end. It seems like it is heavy on new artists, which is probably because of the younger audience, but it is good to see how these younger artists are being remembered now, rather than years and years into the future.

RATING: Quatrain

Nancy Clancy Super Sleuth by Jane O’Connor, illustrated by Robin Preiss Glasser

Source: Gift
Paperback, 144 pgs.
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Nancy Clancy: Super Sleuth by Jane O’Connor, illustrated by Robin Preiss Glasser, is the first in this chapter book series about a girl who loves Nancy Drew and wants to be a detective just like her. While Drew’s cases take her on scary adventures and the criminals are creepy, Nancy Clancy’s adventures are tamer, often involving classmates and her sister, among others.

Nancy and her best friend, Bree, are amateur detectives and when they overhear Rhonda and Wanda talking about a secret in their year and how one doesn’t want to tell Nancy and the other one does, Nancy and Bree get to sleuthing. They even go through the girls’ backyard looking for clues while Rhonda and Wand are at soccer practice. What my daughter loves about these books is kids working together to solve mysteries (I used to love mysteries, too, as a kid). What I love about this series is the harder words that she has to sound out, like “concentration,” and the sprinkling in of French words that we had a great time using repeatedly after I explained what they meant.

Nancy Clancy Super Sleuth by Jane O’Connor, illustrated by Robin Preiss Glasser, contains more than one mystery to be solved, which keeps the excitement going. I would recommend these early chapter books for other kids who like mysteries.

RATING: Cinquain

Alone with the Stars by David Gillham (audio)

Source: Purchased
Audible, 2+ hrs.
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Alone with the Stars by David R. Gillham, narrated by Hillary Huber and Emily Bauer, is a dual narrative short story about Amelia Earhart’s last flight and her disappearance and Lizzie Friedlander, a young girl who idolizes the flying heroine. This Audible original imagines what Earhart’s last hours might have been like on that flight before she disappeared over the Pacific. Lizzie is eager to be a strong woman, just like her idol — someone her teacher says she can be with a little practice.

The short story illustrates how trailblazing women and others can become role models for the youngest among us. Friedlander was ignored by the coast guard in Florida when she brought them everything she heard over her father’s radio.

Alone with the Stars by David R. Gillham, narrated by Hillary Huber and Emily Bauer, seems like a surface tale, like so much more could be explored. Lizzie’s concluding passages seem like there could be more to come with her story even in her later years. So much more could be explored with Earhart as well, but the short story is engaging.

RATING: Tercet

 

Said Through Glass by Jona Colson

Source: Purchased
Paperback, 84 pgs.
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Said Through Glass by Jona Colson is a keen observance of ordinary life and how we deal with not only grief, but our feelings of “otherness” even among family. There are several poems in an interview style throughout the collection, which I felt disconnected from.The one “interview” style poem I did enjoy and did feel connected to was “House for Sale,” where readers get a sense of a distracted home buyer who has lost his father and is trying to navigate life after.

However, I really loved Colson’s use of language to demonstrate ailments like arthritis and so much more. In “My Mother’s Hands,” the narrator speaks about his mother’s arthritic hands in a way that makes them beautiful: “Now, her fingers turn and twist against themselves,/like stems of wild roses–reaching out/into delicate air.” And in “Retina,” the narrator talks about the darkness of an eye out of sorts and the joy of being able to finally see again: “And the next day: surgery,/to fasten the retina, like wallpaper, back to the frazzled/optic nerve and satisfy its hunger for impulse/and clear astonishment of light.//” There is so much beauty in this collection.

Honey

It pours from a jar, amber and combed
too thick to understand.

It softens the parched skin
rubbed in small fingerfuls.

It soothes the throat
when we stir it into tea.

At breakfast, it sweetens the morning toast
while we talk of summer --

hopeful as a bee toward a tulip
promising pollen.

In part three, we switch gears in a way with a series of ekphrastic poems after a painting from Diego Velazquez called Las Meninas. When I saw this, I wanted a QR Code, like in Jessica Piazza’s latest collection, This Is Not a Sky, but it’s not necessary as this painting was easy to find online. These poems carry a heaviness that makes it easy to visualize the kids/women in this painting, including the Spanish Infanta Margaret Theresa. In the first poem, Theresa is the central figure and her “hoop skirt” is heavy like her heart later in the poem, signifying the weight of obligation she carries. “Heart-heavy, she rises, oiled and/drowsy, surging on, with no anchor,/only a painting of her, here and there./” Colson breathes new life into the Infanta, and the journey is intriguing as it touches on the royal life lightly.

Said Through Glass by Jona Colson speaks and readers must listen, but more than that they must interact with the lines and stanzas on the page — becoming a second observer. Readers will see through this window unique ways to look at the ordinary — from honey to an orange — and examine loss, grief, and change in a way that is not only sad, but beautiful. This beauty ties the collection to its grief to create an arc of healing.

RATING: QUATRAIN

About the Poet:

Jona Colson is an educator and poet. He graduated from Goucher College with a double Bachelor’s degree in English and Spanish and earned his MFA from American University and a Master’s in Literature/Linguistics from George Mason University. His poems have appeared in The Southern Review, Ploughshares, The Massachusetts Review, and elsewhere. In addition to writing his own poetry, he also translates the Spanish language poetry of Miguel Avero from Montevideo, Uruguay. His translations can be found in Prairie Schooner, Tupelo Quarterly, and Palabras Errantes. He has also published several interviews for The Writer’s Chronicle. He is currently Associate Professor at Montgomery College in Maryland where he teaches English as a second language. He lives in Dupont circle area of Washington, DC. Visit his website at jonacolson.com

Other Voices Other Lives by Grace Cavalieri

Source: Purchased at Gaithersburg Book Festival
Paperback, 250 pgs.
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Other Voices Other Lives by Grace Cavalieri (listen to this interview), poet laureate of Maryland, is part of Alan Squire Publishing’s legacy collections and includes a selection of poems and plays, as well as interviews from her The Poet & the Poem public radio series.

I just had to get my hands on this collection when I was at last year’s Gaithersburg Book Festival and I had the honor of greeting her and escorting her about the local festival before her appearance was required on a panel and at the announcement of our 2019 high school poetry contest winners.

Selection from "Work Is My Secret Lover"

Work
takes the palm of my hand to kiss
in the middle of the night
it holds my wrist lightly and feels the pulse
Work is who you'll find with me
when you tiptoe up the stairs
and hear my footsteps through the shadows

I love that her poems take on a personality of their own and many of them are so different, tackling not only the angst of the writer’s life and the love we have for our work (which can take precedence over other things), but also the voices in which she speaks not for others but with them. From Anna Nicole Smith’s to Mary Wollstonecraft’s voice to poems styled after William Carlos Williams, Cavalieri’s imagination brings a new life to these women’s voices. Even the selections from her plays are lyrical and full of whimsy (in a way). Her persona poems imbue the public perceptions of women with a compassionate eye.

If you listen to her interview, at about 5:06, you’ll hear her read “Moderation,” which is my favorite poem from this collection. It’s deeply moving. A moment where a man knows it is time to pass into another world, and he hopes to never inconvenience anyone with his death. This silent man who doesn’t live outside the lines. Cavalieri displays her keen observations about her father and others, but she also observes herself as an outsider, an observer full of emotion. Other Voices Other Lives by Grace Cavalieri is a deeply emotional journey through her work, and it always rings true. I’ll be seeking out her other collections in the future.

Grace Cavalieri needs no introduction in Maryland as our state Poet Laureate, but damn she is smart, observant, kind, and deliciously cognizant of how to imbue others with humanity through her own compassionate lens.

RATING: Quatrain

About the Poet:

Grace Cavalieri is an Italian American writer and host of the radio program The Poet and the Poem, presented by the Library of Congress through National Public Radio. She is the author of numerous collections of poetry, including Poems: New and Selected (1994), Pinecrest Rest Haven (1998), and Greatest Hits, 1975–2000 (2002). Her collection What I Would Do for Love: Poems in the Voice of Mary Wollstonecraft (2004) was awarded the Patterson Poetry Prize; Water on the Sun (2006) won the Bordighera Poetry Prize. Further collections include Anna Nicole: Poems (2008) and Sounds Like Something I Would Say (2010).

I Shimmer Sometimes, Too by Porsha Olayiwola

Source: Purchased
Paperback, 96 pgs
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I Shimmer Sometimes, Too by Porsha Olayiwola, who is Boston’s poet laureate, is a collection of hard truths. I first heard about her from this interview, which is a must listen. Her poems are raw and pull no punches, and they shouldn’t. She’s speaking for a very marginalized group of people in our society – queer black women.

Her opening poem brings to the forefront the rawness of our immigration policies in this country and the damage left behind when her father was sent to his homeland and her mother was left in the United States to raise their children. Olayiwola imagines what life would have been like had her father been able to stay in “Had My Parents Not Been Separated After My Father’s Traffic Stop, Arrest, and Deportation From the United States of America.” This serves as a lens through which her life has unfolded – the discrimination that follows her as a black woman who is queer — and her light amidst all of it. Even in the darkest moments of arrest, her poems shimmer with hope and light.

From "Interlude at a Neighborhood Gas Station: 2001"

the music peeled back the air
as the ivory chrysler swerved and jolted
into a spot behind our parked toyota

From modern subjects of finding and losing love, struggling with mental illness, dealing with discrimination at every turn, Olayiwola has a keen eye and slices through the malarkey of our society and reveals the whole truth of life in America. She tackles history and the present with aplomb. My favorite poem is “Unnamed.” Take a listen as she performs the piece in the video below:

Buy this collection today. I Shimmer Sometimes, Too by Porsha Olayiwola will challenge you, force you to look twice at your own behavior and comments, and move into a future where there is a bit more understanding and empathy for others. In a world where compassion is minimal at best, these are the collections that will have use recollecting our humanity.

RATING: Cinquain

About the Poet:

Porsha Olayiwola is a writer, performer, educator and curator who uses afro-futurism and surrealism to examine historical and current issues in the Black, woman, and queer diasporas. She is an Individual World Poetry Slam Champion and is the current poet laureate for the city of Boston

Seed by Ania Ahlborn (audio)

Source: Purchased
Audible, 6+ hours
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Seed by Ania Ahlborn, narrated by Eric G. Dove, is a creepy story that reminds me of the Exorcist in that there seems to be a demon child running around its pages. Jack Winter and his family live in Louisiana and they are far from rich, but they seem to be a pretty happy family. But following a car accident, something happens to his daughter, Charlie, that brings to the fore echoes of Jack’s past.

“The craziest of them all seem nice and normal and happy until some vital part of their brain fries like bad wiring.”

The narration is great, though there is one point in which he forgets to modify his voice for Jack’s wife but it didn’t deter me from listening to the story. I wanted the story to be creepier, but it definitely wasn’t gory, which is perfect for those who do not like those kinds of horror books. Charlie is creepy, but she really doesn’t become overly creepy until nearly the end of the book, so her change is very gradual and not as dramatic as I would expect from a demon-related story. The interconnection between Charlie’s story and her father’s past, however, gets really juicy.

Seed by Ania Ahlborn, narrated by Eric G. Dove, has elements of a good Stephen King novel like Cujo, but at the same time, it seemed to lack a certain amount of depth. The characters felt flat as I listened and I wanted more from Jack. His motivations to lie at every turn are murky at best, and why he lies seems to be a plot device. I wanted it to be more developed than it was. Charlie is definitely creepy, but her character also seems to act older than her six years even before the takeover. This was a quick read but had some faults.

RATING: Tercet

Being Mrs Darcy by Lucy Marin

Source: Publisher
Kindle, 464 pgs.
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Being Mrs. Darcy by Lucy Marin imagines Elizabeth Bennet coming to the rescue of Georgiana at Ramsgate, but with her impetuous decision to help a young lady she doesn’t know, she sends everything she has ever known at Longbourn spiraling outward away from her. From the moment she meets Mr. Darcy and Georgiana on the street, Elizabeth Bennet finds her world irrevocably changed. Georgiana and Mr. Darcy are wealthy and have a reputation to protect, but Mr. Darcy is not without his merits when he staves off Elizabeth’s ruin because of gossip. From the moment they are betrothed and embark on their married life, Elizabeth is lonely, anxious, and unlike we’ve seen her in Austen’s original work.

“Never again to call myself Miss Elizabeth Bennet. Never again to call Longbourn my home.

The last was not such a hardship, thanks to her father.” (pg. 1)

Readers will fall into Elizabeth’s anxiety. She struggles to learn all she needs to learn to be not only Mr. Darcy’s wife and be in his social circle, but also to navigate the work of a large estate. She’s intelligent and applies herself well in an effort to gain a modicum of acceptance among a family that does not desire her company or want her as Mrs. Darcy just because of her station and lack of fortune. Elizabeth’s strength of character shines through in all that she does in this novel. I loved her, but I also felt such pain alongside her. She was incredibly lonely and those she is supposed to trust with her happiness are at best neglectful of it. She has no true friends and is cut off from not only her family, but her faithful sister, Jane. It brings to life the question of how you can feel alone in a crowded room. Elizabeth feels this most acutely at every turn. It amazed me that she did not break down before she does in the novel.

Marin also provides an alternate look at why Georgiana would be so shy in public and with those outside her family. Perhaps not out of shame, but of something far worse. This side of Georgiana is explored in depth after Ramsgate and Elizabeth’s role in that event merely serves as a reminder of her stupidity. She may be fifteen, but she still has much to learn, and like most petulant children, she takes a long time to overcome her anger and jealousy before she begins to see the error of her ways.

Being Mrs. Darcy by Lucy Marin is a wonderful variation with a forced marriage and a testament to the will of a woman to make things right for the good of everyone, not just herself, despite the obstacles before her. Becoming Mrs. Darcy is so much more than her social transformation, it is her maturing into the woman Mr.Darcy needs to complement him and his maturing into the man who complements her in a life that neither of them initially wanted. Marin is a storyteller who can delve deep into emotional character development and ensure the reader is as wrecked as her characters become.

RATING: Cinquain

About the Author:

Lucy Marin developed a love for reading at a young age and whiled away many hours imagining how stories might continue or what would happen if there was a change in the circumstances faced by the protagonists. After reading her first Austen novel, a life-long ardent admiration was borne. Lucy was introduced to the world of Austen variations after stumbling across one at a used bookstore while on holiday in London. This led to the discovery of the online world of Jane Austen Fan Fiction and, soon after, she picked up her pen and began to
transfer the stories in her head to paper.

Lucy lives in Toronto, Canada surrounded by hundreds of books and a loving family. She teaches environmental studies, loves animals and trees and exploring the world around her. Being Mrs Darcy is Lucy’s first novel. Her second, titled Mr Darcy, A Man with a Plan will be released in summer 2020. Visit her on Facebook, Twitter, and GoodReads.

The Haunted Library by Dori Hillestad Butler, illustrated by Aurore Damant

Source: Purchased
Paperback, 128 pgs.
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The Haunted Library by Dori Hillestad Butler, illustrated by Aurore Damant, opens with Kaz, a young ghost boy who quickly loses his family when their haunt is torn down. As the wind carries him away, he finds himself in an unfamiliar library where a young girl, Claire, notices him. She’s the granddaughter of the librarian but she can see ghosts on her own without them calling attention to themselves. Claire seems to think she’s an amateur detective, and she carries her own notebook around with her in the library and records information about the ghosts she meets. The only problem is that Kaz really doesn’t know anything about the “solid” world and he has trouble being a ghost. Kaz really prefers that people don’t walk through him and he doesn’t like passing through walls.

My daughter and I read this together and she liked the early chase of Kaz throughout the library when he realized Claire could see him. And along they way, they become friends. One thing we wondered about was why Kaz was not as sad as we expected when he learned none of his family was in the library, too. Much of this story was focused on uncovering the mystery of who the ghost in the library was, but by the end, Claire and Kaz have become friends and plan to help him find out where his family has gone.

The Haunted Library by Dori Hillestad Butler, illustrated by Aurore Damant, was a challenging story with unfamiliar words, and while Kaz seemed clueless and relied on Claire to teach him, we enjoyed the mystery. We hope the next installments will have more of Beckett, who also lives in the library, Grandma Karen, and Claire’s parents, and maybe a ghost or two more.

RATING: Quatrain

Such a Fun Age by Kiley Reid (audio)

Source: Purchased
Audible, 9+ hours
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Such a Fun Age by Kiley Reid, narrated by Nicole Lewis, is one of the “it” books of the year because it challenges readers to see interactions from the other person’s point of view. Alix Chamberlain is a wealthy, white, entrepreneur and mother who leaves her chic New York City life for Philadelphia. As she continues to work on her first book and maintain some sense of her successful self in a place she refuses to publicly acknowledge as her new home, she seeks out help with her two-year-old daughter Briar. Emira Tucker is a 25-year-old black woman who is unsure what she wants to do with her life after college — with some serious typing and childcare skills, it seems like she could find a full-time job and get health insurance but something is holding her back.

This book starts off with a bang in a racially charged incident in which a security guard attempts to detain Emira and Briar in a local grocery store near the Chamberlain home. Naturally, this incident is caught on video by a young, white professional who offers to post the incident on the internet to seek out justice. Emira is having none of it and her babysitting job is something she loves and she really cares for Briar. Her main focus is protecting this girl. As we take this journey with Emira and Alix, the interactions between the two are awkward from an objective viewpoint, but on closer inspection, Alix is trying so hard to be her friend, it borders on obsession. There’s nothing really untoward here between Alix and Emira, but the dynamics of this relationship are cringe-worthy in many ways.

Such a Fun Age by Kiley Reid is multi-layered and tension filled, highlighting cultural differences between blacks and whites, especially affluent whites with good intentions. Emira is a smart woman if a bit rudderless and under pressure to find a job and stable insurance. Alix should be a stable and savvy businesswoman, but she acts childish and seems not to have evolved much beyond her high school years. This would be a good book club pick for discussions about race and class. But I really did not like Alix. I found her character absolutely ridiculous and high-schoolish, trying too hard to be cool for her babysitter. Her need for acceptance and friendship from Emira is odd and obsessive. The introduction of her old high school boyfriend further complicates the story, but his character seems to be a foil for Alix’s character. The narrator, however, was a gem, very articulate, and great about differentiating between the characters.

RATING: Quatrain