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Afterland by Mai Der Vang

Source: Purchased
Paperback, 96 pgs.
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Afterland by Mai Der Vang, whom I was lucky enough to hear read at a virtual event for Pedestal Magazine, explores the after effects of the Secret War in Laos, during which the Hmong people became a surrogate army of the CIA. The war and its effort to disrupt traffic on the Ho Chi Minh Trail caused the significant displacement of numerous villagers over a nine year period. Der Vang opens her collection with “Another Heaven,” which sets the stage for her song of the Hmong people: “When funeral recites/The supper gardens of my forefathers,/Cross-stitch from my mother kin,// Then I will come to you/” Der Vang is stepping into the shoes of the Hmong, trying to make sense of a secret war and its consequences.

This initial poem sets the tone for the entire collection, an ethereal, out-of-body reminiscence of a people displaced from their homeland and they must learn to rebuild and grow again. “It’s when the banyan must leave/Relearn to cathedral its roots//” (“Dear Exile, pg. 22) Der Vang’s vision of the world will have readers imaging a world through new eyes. How do you regrow your roots in a new land? Readers will step inside the imagined journey and emotional roller coaster of being displaced. What is this “afterland” — is it a return to the old ways in a new country, the return to an old country, or the adoption of a new country and new ways?

One of my favorites in the collection is “Cipher Song”:

It's come to this. We hide the stories
on our sleeves, patchwork of cotton veins.

Scribe them on carriers for sleeping
babies, weave our ballads to the sash.

Forge paper from our aprons, and our
bodies will be books. Learn the language

of jackets: the way a pleat commands
a line, the way collars unfold as page,

sign our names in thread. The footprint
of an elephant. Snail's shell. Ram's horn.

When the words burn, all that's left is ash.

The poem reminds me of the family stories that are sometimes hidden because relatives aren’t asked or they are unwilling to share them, especially if they are painful. I recalled a time when my grandfather told us tales of the “old country” when he was willing to speak about WWII, but peppering him with questions would shut his mouth and the stories would stop. Der Vang is an archeologist bringing the Hmong back into the light, breathing life into their stories, like the “Phantom Talker” “with creosote mouth//hiding behind/your silent head/in the vermilion portrait.//”

Afterland by Mai Der Vang is full of haunted lines and ghosts, and her poems are beautiful like “a cello slinks/From every strand.//Vineyards ribbon/Inside the intimate air.” (To the Longhorn Hmong, pg. 59) Der Vang circles back to her own ancestral history in the penultimate, title poem. Readers get the sense they are coming full circle.

RATING: Cinquain

About the Poet:

Mai Der Vang is an editorial member of the Hmong American Writers’ Circle. Her poetry has appeared in the New Republic, Poetry, and the Virginia Quarterly Review, and her essays have been published in the New York Times, San Francisco Chronicle, and the Washington Post. Her debut collection, Afterland, received the Walt Whitman Award from the Academy of American Poets. She lives in California.

The Haunted Library: The Secret Room by Dori Hillestad Butler, Illustrated by Aurore Damant

Source: Purchased
Paperback, 128 pgs.
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The Haunted Library: The Secret Room by Dori Hillestad Butler, illustrated by Aurore Damant, is another adventure in which Kaz must use his newly learned ghost skills to help Claire and his friends. Kaz finally learned how to pass through walls without feeling “skizzy” in the last book, but he’s still reluctant to use his skill, until his little brother “Little John” goads him into it. But now he has a new mystery on his hands in Beckett’s secret room inside the library.

There are a bunch of ghostly objects that don’t shrink when Kaz and his friends hold them while shrinking, and they are dying to know why. They also discover a secret envelop that they want to show Claire, but can’t because it won’t pass through the wall. Meanwhile, Claire goes on a class trip and learns a bit of history about the library before it was a library, as well as some family secrets.

My daughter loves this series of books from the mysteries to the funny antics of Kaz, Claire, and now his little brother and his dog. I’m not going to spoil any of the secrets in this one. The Haunted Library: The Secret Room by Dori Hillestad Butler, illustrated by Aurore Damant, is a fun ride and will keep you guessing.

RATING: Cinquain

Owl Diaries: Eva in the Spotlight by Rebecca Elliott

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Paperback, 80 pgs.
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Owl Diaries: Eva in the Spotlight by Rebecca Elliott, which is the 13th book in the series, and thrusts Eva into a new friendship role once again. Eva and Sue tend to clash on things, and when Sue is cast as the lead in Treetop Owlementary’s new play, Snowy White, Eva is disappointed. But she is cast as the mirror and as Sue’s understudy (which was a new word for my daughter to learn) and she gets to help with making costumes.

Eva’s a creative little owl, but she gets disappointed and jealous like other kids. She even finds that telling a white lie to her grandmother weighs heavily on her, but she learns that telling the truth doesn’t mean that her grandmother will love her less. Her grandmother assures her that she’ll love her even if she’s the mirror and not the lead role.

My daughter really loves this series and while most of it is graphics/illustrations and diary entries, she really feels like Eva is a close friend and she gets to see what Eva is thinking and feeling. This is the kind of book that can help kids learn how to process their emotions. There are some words she has a tough time sounding out, but she eventually gets them down pat, as some of those harder words are repeated throughout the book. Teachers could use this series to teach kids larger compound words in a context.

Owl Diaries: Eva in the Spotlight by Rebecca Elliott is another stellar edition to the series, and my daughter will likely continue reading this one. It’s easier for her to read and it’s a good in-between book when I have her read more on-grade-level books in the evenings. This series has been a real winner.

RATING: Quatrain

Other reviews of this series.

The Institute by Stephen King (audio)

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Audiobook, 18+ hrs.
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The Institute by Stephen King, narrated by Santino Fontana, is a really long listen and probably would have went much faster if I had read the print book or ebook, but the audio was enjoyable. Tim Jamieson is a young man on the road, seemingly aimlessly wandering after something tragic happened. He lands in DuPrey, South Carolina, as a night knocker. But his story is put on pause once he gets there and starts talking with the police department and settling into his life. (He’s clearly a plot device)

Shifting the story to the trail to The Institute, we’re introduced to genius boy, Luke Ellis. He is the latest child taken to The Institute, which has a room that looks just like Luke’s, except there is no window. Luke is unclear what has happened and why. He begins wandering the sterile halls where he sees kids like him but who smoke cigarettes and behaving oddly. He vaguely realizes he’s been kidnapped and begins to puzzle out what has happened and what is going on in The Institute. His high intelligence enables him to determine what is going on, but when Avery Dixon comes on the scene, the ball game changes and the scales tip in favor of the kids — the kids with telekinesis and telepathy.

Luke makes friends with those kids in Front Half — Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. But like those before them, they will “graduate” to Back Half where the real work begins. From the sinister Mrs. Sigsby to Trevor Stackhouse, there are men and women pulling the strings of the institute, but there is clearly a larger organization or group of people behind the scenes. Kids are punished and given tokens when they’re good — tokens they can be used for candy, food, cigarettes, and alcohol.

The Institute by Stephen King, narrated by Santino Fontana, is part dig at Trump and the administration and the wide reaching conspiracy theories that have been bandied about for decades about secret government groups controlling the world. The only twist is that King leans on previous work like the clairvoyance and the need to save the future in The Dead Zone and other work. This one seemed too long in places and in need of editing. I think the political commentary about the current administration, though it isn’t much in the greater scheme of things (though some can draw parallels if they look hard enough), could be grating to some looking for an escape.

RATING: Tercet

About the Author:

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes Doctor Sleep and Under the Dome, now a major TV miniseries on CBS. His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Other reviews can be found here.

My Name Is Immigrant by Wang Ping

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Paperback, 128 pgs.
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My Name Is Immigrant by Wang Ping is a collection of immigrant stories and songs of hardship and perseverance in a country that welcomes immigrants so long as they can be used and serve a purpose. Ping’s tales in some cases are like odes to immigrants who lost their lives pursuing their dreams or who were forced to give them up and return to their home countries. Her poems express a range of emotions that immigrants feel from anger and disappointment to shame and sometimes hope. There also are ghosts haunting these pages.

“All we want is a life like others/…Now the tide is rising to our necks/” (from “Cockle Pickers: Xu Yuhua, Liu Qinying)

In “How to Cross the Line,” Ping’s depiction of a border crossing runs readers through a litany of emotions. The patting of pockets as the immigrant approaches customs, the absence of luggage, and the deliberate choice to forgo identification — signaling that their past and their name are no longer theirs. The cry for asylum — a cry of many facing gangs, violence, poverty — is an echo throughout the collection. It is a cry for not only shelter from outside forces and fear, but also a cry for a chance to help themselves achieve their own dreams.

From Calling Ghosts from the Golden Venture (pg. 38-43)

and here we are
hovering around this New Jersey cemetery
our bodies gone
but our souls still hanging
like curtains soaked in rain
our summer clothes so thin!
so thin our dream!

How beautiful and harrowing language can be. These ghosts from a cargo ship bringing labor to America from China, who hang around waiting for their dream to be realized — a dream that died with them. The thinness of the dream — slipped from their grasp. It’s devastating. Ping provides some background stories for these poems, but even without them, these immigrant stories live and breathe. In “The Names You Call Me,” Ping calls out the hypocrisy of the names that immigrants are called, especially by those who actually embody those names. Throughout this poem, she refutes these names and descriptions and she rages against them in the only way she knows — through poetry. “I’m your parents on the road … your children in cages … named or nameless …I’m Truth that defies your lies … I’m Conscience that jolts you awake in a cold sweat … I’m Poetry that sails hope across the sea and desert.” (pg. 68) And from “Immigrant can’t write poetry,” “poetry, born as beast/move best when free, undressed//” (pg. 73)

My Name Is Immigrant by Wang Ping haunts, sings, rages, and breathes. It is more than a collection of immigrant stories and struggles, it is a homage to their lives and it is a commentary on the nation that claims to be the land of the free and the place where dreams can come true for all who enter and live here.

RATING: Cinquain

About the Poet:

Wang Ping was born in Shanghai and grew up in the East China Sea. Loves the body of water, its sound and smell, loves the touch of the muddy beach and golden sand.

Memorial Drive by Natasha Trethewey

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Hardcover, 224 pgs.
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Memorial Drive by Natasha Trethewey is an emotional roller coaster that I read in a couple of days. I’ve read much of Trethewey’s poetry in the past, so I was aware that her memoir would be well written. Growing up the daughter of a white father and a Black mother in the south was hard for her parents, but for the most part, they tried to shelter her from the darkness of bigotry and the still segregated south (Yes, the laws had changed, but attitudes and operations definitely had not). But this memoir is not about the fight for equality so much as a mystery slowly unraveled by Trethewey herself. She’s avoided parts of her past surrounding the murder of her mother by her stepfather. In many ways, the memoir reads like an intimate look at her own unraveling of the past and a stitching of herself into a whole being after splicing herself into the girl she was before she saw the apartment where her mother was slain and the woman she became afterward.

“‘Do you know what it means to have a wound that never heals?'” (Prologue)

“I chose to mark the calendar year just after my mother and I left Mississippi as ending, and the moment of loss — her death — as beginning.” (pg. 51)

Trethewey will take readers on a very emotional journey, and I rarely cry at memoirs. This was a tough read from beginning to end, as Trethewey came to terms with her biracial heritage, the divorce of her parents, and the fateful entrance of her stepfather. When she and her mother move to Atlanta, founded as “Terminus” or the end of the line, their perspectives on the move are very different. A child missing her close-knit family life in Mississippi and her mother reaching for a new life. When Big Joe comes into their lives, there’s an immediate sense of dread and fear as he takes her on long rides on the 285 as punishment (mostly for things she didn’t do). But Trethewey still blames her silence for what happened to her mother, even if it is less pronounced than it must have been years ago. Silence is a conundrum for her. “…I can’t help asking myself whether her death was the price of my inexplicable silence.” (pg. 83) When she returns to Atlanta after fleeing the place, she avoids the past and takes any roads that are not 285.

“The truth, however, was waiting for me in my body and on the map I consulted to navigate my way around: how the outline of 285 bears the shape of an anatomical heart imprinted on the landscape, a wound where Memorial intersects it.” (pg. 86)

Memorial Drive by Natasha Trethewey is a gripping tale of healing and reconciling the past. Trethewey relies not only on her memory but on her mother’s own writing, testimony, and recorded phone conversations. I was emotionally wrecked by this memoir. The love she had as a child from both her parents provided her with the strong foundation she needed to revisit this tragic part of her past and to heal herself (at least I’m hopeful that she’s healing).

RATING: Cinquain

About the Author:

Natasha Trethewey is an American poet who was appointed United States Poet Laureate in 2012 and again in 2013. She won the 2007 Pulitzer Prize in Poetry for her 2006 collection Native Guard, and she is a former Poet Laureate of Mississippi.

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The Migrant States by Indran Amirthanayagam

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Paperback, 96 pgs.
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The Migrant States by Indran Amirthanayagam is part homage to Walt Whitman and homage to the globetrotter seeking a home in any state or country they land in. Whitman was often fond of wandering by foot, and like many other globetrotters or travelers of today who use planes and other means of travel, the happenstance of meeting others on the road was a call to which they heed. Born in Ceylon, a country Amirthanayagam says no longer exists (it is now Sri Lanka), it is clear that Whitman’s journeys spoke to him and helped him hear the muse for these Migrant states. The reader travels with the poet to Texas, Florida, Lima, and many more states, like Whitman in “Starting from Paumanok.”

In the opening poem, “Mind Breathing,” Amirthanayagam says, “I bear witness to these losses//here as my own attempts to speak, in breaths,/shall infuse a poem able still to coagulate, distill,/strain a few thousand disparate disappearances into verse.//” The reader knows that the poet plans to take us on a journey not only to different geographies but to different states of mind/emotion to ensure that these disappearing migrant states live on and breath. Whitman is always with us on the journey, as he’s recalled by the poet and spoken to about the way things have deteriorated environmentally (plastics in the rivers) in “Ode to and from Whitman.”

Through Amirthanayagam’s journey from punk rocker where he built nothing with a band that only wanted to cover other people’s songs to a “holy” man creating a world of poetry in “When I Left Punk and Took Holy Orders,” readers see that like us, he bucked the system, fought against an establishment. Poetry has a rebellious quality to it even as it is quiet and observing. Many of these poems are quietly rebellious in nature, with just one look at “Written in Advance” (my favorite poem in the collection) recalling the vans that take innocents away for expressing themselves and leaving a poem with editors across the land to tell the true tale.

The Migrant States by Indran Amirthanayagam is a journey into a community that is not housed in one place — it spans the whole of the human race. The poet understands that to commune with others, one must be part of the world, observe, and express the truths that are hardest to hear. To change the world, we must be in it. Engage with it. Mingle with others. Learn together and grow before time is up.

RATING: Quatrain

About the Poet:

Poet, essayist, and translator Indran Amirthanayagam was born in Colombo, Ceylon (now Sri Lanka). He was raised in Sri Lanka, London, and Honolulu. Amirthanayagam has authored numerous poetry collections, including The Elephants of Reckoning (1993), Ceylon, R.I.P. (2001), The Splintered Face (2008), Uncivil War (2013), and Coconuts On Mars (2019). He writes, translates, and publishes poetry and essays in English, Spanish, French, Portuguese, and Haitian Creole.

Diary of a Pug: Paws for a Cause by Kyla May

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Paperback, 72 pgs.
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Diary of a Pug: Paws for a Cause by Kyla May is the third book in this delightful diary series for first and second graders. My daughter loves this series, which is why we keep reading them, and any practice she can get is fine by me. In this installment, Baron von Bubbles and Bella discover a lost kitten and they are only able to take care of him for the evening before Bella’s mom tells her she has to bring him to the animal shelter. When they drop off the kitty reality hits hard for both Bella and Bub. They soon realize that animal shelters have money for food and little else to keep these soon-to-be-adopted pets happy. Bella and Bub decide it’s time to help.

What we love about this series is that these characters have big hearts and big ideas. Maybe the first try doesn’t always work successfully, but they continue to try harder and make some headway. They take a step back, reassess, and begin again. Some times they have a little help and a little inspiration from others. But through perseverance, they’re able to find a solution and reach the goal they set out for themselves.

Diary of a Pug: Paws for a Cause by Kyla May has some great illustrations, characters, and thought bubbles. Don’t forget the thought bubbles that show how Bub is truly feeling about a situation. The final page always has some great questions to get the kids thinking about what they just read as well as how they would react in certain situations. It’s a great way for parents and kids to engage with the text and have a conversation.

RATING Quatrain

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The Haunted Library: The Five O’Clock Ghost by Dori Hillestad Butler, illustrated by Aurore Damant

Source: Purchased
Paperback, 114 pgs.
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The Haunted Library: The Five O’Clock Ghost by Dori Hillestad Butler, illustrated by Aurore Damant, is the fourth book in the series in which Claire and Kaz embark on mysteries involving ghosts. This young girl has befriended a ghost, Kaz, who found himself blown away from his family and alone in her grandmother’s library. Following the last book, another student has decided to hire Claire and her detective agency of two, though solids think Claire is the only detective. She heads over to David Jeffrey’s house to investigate with Kaz and Cosmo, Kaz’s dog, safely tucked into her water bottle. We really get a kick out of the ghosts searching the house while Claire is talking to her fellow solids.

Will this ghost who only appears at 5 p.m. come out and reveal himself? Kaz tries his best to uncover the ghost but to no avail, but he is beginning to suspect that an older sister is behind the happenings in the Jeffrey’s house. My daughter loves these because she get to keep on guessing as clues are revealed, and sometimes she gets it right. That wasn’t the case with this mystery, however. But it’s fun to try, right?

We suspect that throughout this series we’ll meet up with more of Kaz’s family, and we have fun guessing which ghost relative we’ll run into next. Beckett, the other ghost who haunts the library, has also become a favorite, as he tries to teach Kaz some new ghost tricks. Kaz is a very reluctant student, and sometimes their interactions are reminiscent of a parent-child relationship. The Haunted Library: The Five O’Clock Ghost by Dori Hillestad Butler, illustrated by Aurore Damant, was a good mystery with an unusual ending that taught my daughter about electromagnetic interference in a simple way. But we’re ready for the next book, we’ve been dying to know what’s in that secret room at the library since the first book.

RATING: Cinquain

Katt vs. Dogg by James Patterson and Chris Grabenstein, illustrated by Anuki Lpez

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Hardcover, 320 pgs.
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Katt vs. Dogg by James Patterson and Chris Grabenstein, illustrated by Anuki Lpez, is set in the world of animals who are civilized, except when it comes to dogs and cats. Dogs and cats are still sworn enemies and whenever they’re near each other, look out. Oscar’s dog family runs into Molly’s cat family on the way to the Western Frontier Park. The size of this book was a bit daunting for my daughter, so she had me read this to her, but I assured her that the text was definitely on her level and she could read it herself. But this book worked as a great motivator in that I would only read to her if she read from her book for a certain amount of time. So as a reward, this book fit the bill because the story was engaging from the beginning with the dogs and cats already fighting before they even got to the park. You can only imagine how much worse it got when Oscar and Molly end up missing in the wilds of the park where the magical creatures — weaselboars, mountain lions, and bears. Luckily, Oscar is a Dogg Scout, which can help them both out of scrapes in the wilderness but only after they decide to call a truce and work together.

My daughter loved the conflict, the silly names, and the fun information about cats and dogs. We loved how these young “kids” navigated the dangers of the woods, and it was nice to see that the wild was a little more nice than expected. Molly and Oscar also learn some valuable lessons about how differences can be an asset, as well as how they can learn to get over past expectations to see their “enemy” in a different light. This is a great story about coming together to solve problems and leveraging the positive qualities of each animal to do that. In the end, this is a fun story about a new friendship against the odds.

In true James Patterson fashion, Katt vs. Dogg by James Patterson and Chris Grabenstein, illustrated by Anuki Lpez, is a page turner. My daughter often asked me to read another chapter, even if we had already read several. She wanted to know what happened next. She is, however, disappointed that this is not a series of books. She really wanted to read another book about Oscar and Molly or even some of the other animals in this newly created world.

RATING: Cinquain

Girls Like Us by Elizabeth Hazen

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Paperback, 72 pgs.
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Girls Like Us by Elizabeth Hazen, which was on tour with Poetic Book Tours, is a map in the darkness like the map the mother reads in “Death Valley” because it outlines the roads women often travel and the bumps along the way that often scar us when the men and others in our lives think they are mere blips on the road of life. Repeated “Devices” often weigh heavily on our psyche — she’s a fox, he’s a dog, she’s a bitch. Hazen says in the opening poem, “We’ve been called so many things we are no,/we startle at the sound of our own names.//” (pg. 3) While our personal experiences may not be the same as those in every poem, the universal nature of being treated as “other” and “not good enough” and “a thing” will resonate with many women and men, minorities, and the disabled. Society has a strange fetish for calling out “other” when they fail to empathize or understand someone who is not neatly defined as “normal” or “one of us.”

There are so many ups and downs to life, most of us are blind to them when we’re young. In “After the Argument,” the narrator asks, “When did this space/around me deepen//into trenches?”(pg. 6) When we finally recognize the extent to which our circumstances have changed, it often leaves us baffled — what choices led us there? when did it become the point of no return? where do we go from that dark moment? how do we pick up again? Hazen’s existential questions are found in each image created and are universal. For this reason, Hazen’s poems will speak volumes to those who listen.

She tackles the big questions of where do we go from the bottom? How do we reconcile all the selves within us when society expects certain things of a gender? How do we move forward and why? Her poems do not hold all of the answers readers may need, but they will offer one look at how to struggle to the surface and move past the self-hate and the society expectations of us without destroying all that we are. “By the time I reach the h, the E/has disappeared//” says the narrator in “Death Valley.” We cannot linger too long in the past. It is carried with us, but it should not define who we become. Let that first letter written in the fog on the window vanish as you move forward, Girls Like Us have nothing to lose by doing so and everything to gain.

RATING: Cinquain

The Cowherd’s Son by Rajiv Mohabir

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Paperback, 84 pgs.
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The Cowherd’s Son by Rajiv Mohabir, winner of the he Kundiman Poetry Prize, crafts a “Body of Myths” that readers will unravel one poem at a time. From the opening poem, which is the title, to the final prayer in “Unwitting Pilgrim,” readers are taken through a literal and spiritual journey that will expend their energy and emotion, laying it bare on the book’s pages. Through sensual and sometimes unexpected violence in word choice, readers must enter a surreal world of juxtaposition and irony. The narrator of these poems explores the familial and religious expectations of his upbringing with the realities of who he is. In “A Body of Myths,” the narrator says, “In Union Square a kiss betrays…/not to a crest of thorns, but to a hail of fists.” There is a war raging.

A Prayer at Nauraat

Mother
       I hold the clay lamp until
my fingers are tongues of flame
that scribe in soot. I am smoke

that's never stopped curling. See
what smolders in the field,
cane, toil, or the corpse of colony.

Reincarnation or renewal begins in the collection as the narrator on this geographical and spiritual journey begins to understand himself and make peace with the expectations he cannot fulfill. “This mask of clay will smash/against the river stones and I will sail/Snow Moon into the pollution of years//” begins the transformation in “Mantra,” as the narrator reminds us that “I was once as you are. Fixed/to a base or brushed in camel hair” to demonstrate that growth can only be accomplished with conscious change. It is a process that requires attention, a discernment for detail and specific change. To fly from our cages like the “macaw” in “Manhattan” we all must take risks. In “Haunting,” readers are reminded that the past cannot be left behind and discarded because we carry the ghosts of it with us, even as we change. These memories and ghosts are here to remind us that more change is coming and that we need to be prepared to move forward again and again.

The Cowherd’s Son by Rajiv Mohabir is a well crafted collection that will require a great deal of meditation (and in my case, research — as I was unfamiliar with some of the stories referred to in the collection), but even without looking up the unfamiliar, Mohabir’s poems evoke strong emotional reactions from the reader. At once they are beautiful and devastating.

RATING: Quatrain

About the Poet:
Rajiv Mohabir’s The Taxidermist’s Cut was Winner of the AWP Intro Journal Award and the 2014 Intro Prize in Poetry from Four Way Books. Recipient of a PEN/Heim Translation Fund Grant, he has also received fellowships from the Voices of Our Nation’s Artist foundation, Kundiman, and the American Institute of Indian Studies language program. He received his MFA in Poetry and Translation from at Queens College, City University of New York, and his PhD in English from the University of Hawai’i, where he teaches poetry and composition