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Seed by Ania Ahlborn (audio)

Source: Purchased
Audible, 6+ hours
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Seed by Ania Ahlborn, narrated by Eric G. Dove, is a creepy story that reminds me of the Exorcist in that there seems to be a demon child running around its pages. Jack Winter and his family live in Louisiana and they are far from rich, but they seem to be a pretty happy family. But following a car accident, something happens to his daughter, Charlie, that brings to the fore echoes of Jack’s past.

“The craziest of them all seem nice and normal and happy until some vital part of their brain fries like bad wiring.”

The narration is great, though there is one point in which he forgets to modify his voice for Jack’s wife but it didn’t deter me from listening to the story. I wanted the story to be creepier, but it definitely wasn’t gory, which is perfect for those who do not like those kinds of horror books. Charlie is creepy, but she really doesn’t become overly creepy until nearly the end of the book, so her change is very gradual and not as dramatic as I would expect from a demon-related story. The interconnection between Charlie’s story and her father’s past, however, gets really juicy.

Seed by Ania Ahlborn, narrated by Eric G. Dove, has elements of a good Stephen King novel like Cujo, but at the same time, it seemed to lack a certain amount of depth. The characters felt flat as I listened and I wanted more from Jack. His motivations to lie at every turn are murky at best, and why he lies seems to be a plot device. I wanted it to be more developed than it was. Charlie is definitely creepy, but her character also seems to act older than her six years even before the takeover. This was a quick read but had some faults.

RATING: Tercet

Being Mrs Darcy by Lucy Marin

Source: Publisher
Kindle, 464 pgs.
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Being Mrs. Darcy by Lucy Marin imagines Elizabeth Bennet coming to the rescue of Georgiana at Ramsgate, but with her impetuous decision to help a young lady she doesn’t know, she sends everything she has ever known at Longbourn spiraling outward away from her. From the moment she meets Mr. Darcy and Georgiana on the street, Elizabeth Bennet finds her world irrevocably changed. Georgiana and Mr. Darcy are wealthy and have a reputation to protect, but Mr. Darcy is not without his merits when he staves off Elizabeth’s ruin because of gossip. From the moment they are betrothed and embark on their married life, Elizabeth is lonely, anxious, and unlike we’ve seen her in Austen’s original work.

“Never again to call myself Miss Elizabeth Bennet. Never again to call Longbourn my home.

The last was not such a hardship, thanks to her father.” (pg. 1)

Readers will fall into Elizabeth’s anxiety. She struggles to learn all she needs to learn to be not only Mr. Darcy’s wife and be in his social circle, but also to navigate the work of a large estate. She’s intelligent and applies herself well in an effort to gain a modicum of acceptance among a family that does not desire her company or want her as Mrs. Darcy just because of her station and lack of fortune. Elizabeth’s strength of character shines through in all that she does in this novel. I loved her, but I also felt such pain alongside her. She was incredibly lonely and those she is supposed to trust with her happiness are at best neglectful of it. She has no true friends and is cut off from not only her family, but her faithful sister, Jane. It brings to life the question of how you can feel alone in a crowded room. Elizabeth feels this most acutely at every turn. It amazed me that she did not break down before she does in the novel.

Marin also provides an alternate look at why Georgiana would be so shy in public and with those outside her family. Perhaps not out of shame, but of something far worse. This side of Georgiana is explored in depth after Ramsgate and Elizabeth’s role in that event merely serves as a reminder of her stupidity. She may be fifteen, but she still has much to learn, and like most petulant children, she takes a long time to overcome her anger and jealousy before she begins to see the error of her ways.

Being Mrs. Darcy by Lucy Marin is a wonderful variation with a forced marriage and a testament to the will of a woman to make things right for the good of everyone, not just herself, despite the obstacles before her. Becoming Mrs. Darcy is so much more than her social transformation, it is her maturing into the woman Mr.Darcy needs to complement him and his maturing into the man who complements her in a life that neither of them initially wanted. Marin is a storyteller who can delve deep into emotional character development and ensure the reader is as wrecked as her characters become.

RATING: Cinquain

About the Author:

Lucy Marin developed a love for reading at a young age and whiled away many hours imagining how stories might continue or what would happen if there was a change in the circumstances faced by the protagonists. After reading her first Austen novel, a life-long ardent admiration was borne. Lucy was introduced to the world of Austen variations after stumbling across one at a used bookstore while on holiday in London. This led to the discovery of the online world of Jane Austen Fan Fiction and, soon after, she picked up her pen and began to
transfer the stories in her head to paper.

Lucy lives in Toronto, Canada surrounded by hundreds of books and a loving family. She teaches environmental studies, loves animals and trees and exploring the world around her. Being Mrs Darcy is Lucy’s first novel. Her second, titled Mr Darcy, A Man with a Plan will be released in summer 2020. Visit her on Facebook, Twitter, and GoodReads.

The Haunted Library by Dori Hillestad Butler, illustrated by Aurore Damant

Source: Purchased
Paperback, 128 pgs.
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The Haunted Library by Dori Hillestad Butler, illustrated by Aurore Damant, opens with Kaz, a young ghost boy who quickly loses his family when their haunt is torn down. As the wind carries him away, he finds himself in an unfamiliar library where a young girl, Claire, notices him. She’s the granddaughter of the librarian but she can see ghosts on her own without them calling attention to themselves. Claire seems to think she’s an amateur detective, and she carries her own notebook around with her in the library and records information about the ghosts she meets. The only problem is that Kaz really doesn’t know anything about the “solid” world and he has trouble being a ghost. Kaz really prefers that people don’t walk through him and he doesn’t like passing through walls.

My daughter and I read this together and she liked the early chase of Kaz throughout the library when he realized Claire could see him. And along they way, they become friends. One thing we wondered about was why Kaz was not as sad as we expected when he learned none of his family was in the library, too. Much of this story was focused on uncovering the mystery of who the ghost in the library was, but by the end, Claire and Kaz have become friends and plan to help him find out where his family has gone.

The Haunted Library by Dori Hillestad Butler, illustrated by Aurore Damant, was a challenging story with unfamiliar words, and while Kaz seemed clueless and relied on Claire to teach him, we enjoyed the mystery. We hope the next installments will have more of Beckett, who also lives in the library, Grandma Karen, and Claire’s parents, and maybe a ghost or two more.

RATING: Quatrain

Such a Fun Age by Kiley Reid (audio)

Source: Purchased
Audible, 9+ hours
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Such a Fun Age by Kiley Reid, narrated by Nicole Lewis, is one of the “it” books of the year because it challenges readers to see interactions from the other person’s point of view. Alix Chamberlain is a wealthy, white, entrepreneur and mother who leaves her chic New York City life for Philadelphia. As she continues to work on her first book and maintain some sense of her successful self in a place she refuses to publicly acknowledge as her new home, she seeks out help with her two-year-old daughter Briar. Emira Tucker is a 25-year-old black woman who is unsure what she wants to do with her life after college — with some serious typing and childcare skills, it seems like she could find a full-time job and get health insurance but something is holding her back.

This book starts off with a bang in a racially charged incident in which a security guard attempts to detain Emira and Briar in a local grocery store near the Chamberlain home. Naturally, this incident is caught on video by a young, white professional who offers to post the incident on the internet to seek out justice. Emira is having none of it and her babysitting job is something she loves and she really cares for Briar. Her main focus is protecting this girl. As we take this journey with Emira and Alix, the interactions between the two are awkward from an objective viewpoint, but on closer inspection, Alix is trying so hard to be her friend, it borders on obsession. There’s nothing really untoward here between Alix and Emira, but the dynamics of this relationship are cringe-worthy in many ways.

Such a Fun Age by Kiley Reid is multi-layered and tension filled, highlighting cultural differences between blacks and whites, especially affluent whites with good intentions. Emira is a smart woman if a bit rudderless and under pressure to find a job and stable insurance. Alix should be a stable and savvy businesswoman, but she acts childish and seems not to have evolved much beyond her high school years. This would be a good book club pick for discussions about race and class. But I really did not like Alix. I found her character absolutely ridiculous and high-schoolish, trying too hard to be cool for her babysitter. Her need for acceptance and friendship from Emira is odd and obsessive. The introduction of her old high school boyfriend further complicates the story, but his character seems to be a foil for Alix’s character. The narrator, however, was a gem, very articulate, and great about differentiating between the characters.

RATING: Quatrain

We Are Displaced by Malala Yousafzai

Source: Purchased
Hardcover, 224 pgs.
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We Are Displaced by Malala Yousafzai is a collection of essays written by women who also fled their homes due to violence, persecution by rebels or government forces, and more. Yousafzai recounts some of her own refugee story as an opener to the collection, but readers will see the parallels of her story and the stories of these women. Many of these women had very strong convictions like Yousafzai either before they were forced to leave their countries or after they had grown up and learned why their families fled their homes.

“I wrote this book because it seems that too many people don’t understand that refugees are ordinary people. All that differentiates them is that they got caught in the middle of a conflict that forced them to leave their homes, their loved ones, and the only lives they had known. They risked so much along the way, and why? Because it is too often a choice between life and death. And as my family did a decade ago, they chose life.” (pg. x1)

It is a sad commentary on an American perspective that cannot see these refugees for who they are — average people with happy lives who have one choice: stay in their homeland and die or leave and live. Many of the women in these essays were just teenagers or younger when they left their homes; some of them left with their parents, while others fled their countries on their own after their parents or families were murdered or died. The essays highlight some of the political and societal upheavals occurring in countries across the world, but they are very light on how these women transitioned to their new lives and how hard it was. Many of the essays felt like surface retellings of their stories, which may be because of language barriers or because these are short essays and not entire memoirs — it’s probably very difficult to talk about and condense these experiences into emotional essays.

We Are Displaced by Malala Yousafzai provides a set of stories that will showcase the struggles other people face in different countries, perhaps encouraging readers to get more involved, but at the very least to be a little more compassionate than they have been. For me, I wanted more emotion from the essayists, and I wanted to learn more about their displacement in many cases (some essays were more detailed on that), and what they were doing now.

RATING: Tercet (3.5)

This Is Not a Sky by Jessica Piazza

Source: Purchased
Paperback, 38 pgs.
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This Is Not a Sky by Jessica Piazza is the first interactive poetry chapbook I’ve ever read that has QR codes that link to famous works of art. Her ekphrastic poems infuse some masterpieces with new life and connects the art viewer and the poetry reader through her poems. Shining a new light on the relationship between reader and writer, painter and museum goer/art aficionado, Piazza is breaking down barriers and asking the audience to imagine alongside the artist, to create their own realities. Interpretation does not have to be confined to the outlines on the canvas or the lines and words chosen by the poet, much is left outside those constructs, leaving wide open spaces in which to venture on our own.

I love the idea of an interactive poetry collection, but in some cases (22%), the QR Code links to the artworks failed to bring up the correct work or went to an error page. However, a quick search found the pieces Piazza used for inspiration, so it wasn’t too much of a burden. I can truly say that you can enjoy these poems without looking at the artwork or being familiar with it.

In “Cafe Terrace at Night” after the Van Gogh painting, Piazza draws from the subdued lantern light the hidden “tipsy” patrons, looming dark figure in the doorway, and the ominous nature of the darkened streets and inebriated passersby. There’s an undercurrent of danger on these streets where patrons are dressed well and enjoying themselves, except for a lone woman who may be concerned about the shadow in the doorway or may be ruminating on some greater loss.

Gun” after Andy Warhol is a stunning poem, each part represents each of the guns portrayed. In this case, I’m happy the QR Code worked because Warhol painted several different gun paintings in his life. In Piazza’s poem, his painting says so much more about gun violence – the smugness of it, the horror, the guilt, the righteousness, and the empty satisfaction of it. This is a multilayered poem that begs you to read it more than once. I think I spent the most time with this poem. It’s one of my favorites in this slim collection. Underneath these layers, you’ll also find hints of verbal, emotion, and all kinds of abuse and the toll it can take on its victims, even so, is gun violence their only satisfactory response?

Adam and Eve” after Chagall, the narrator (who could be Eve) says, “Overtaken by this goneness (his fingers/in mine soft and white, malicious).” There is so much darkness in just these two lines. Waiting for the last bang of the apocalypse is heady business that engulfs Adam and Eve, but even in the middle, she wishes it to end but by ice. The poem not only calls out the differences in Adam and Eve, but the fate of these two having already been decided. There’s a desire for change but it is useless as the end has already happened. We’re taking a look back as the reader and viewer to lives no longer being lived. Is this a call to reassess our own lives now, rather than wait? Perhaps, but that’s your call.

This Is Not a Sky by Jessica Piazza is art unto itself and a must read for those who love painters and some of the most iconic artists of our time. Piazza will have you looking at the art on the museum walls in vastly different ways. She creates vignettes for the players and for those outside the frame.

RATING: Quatrain

Other Reviews:

About the Poet:

Jessica Piazza is the author of two full-length poetry collections from Red Hen Press: “Interrobang” (2013) and, with Heather Aimee O’Neill, “Obliterations” (forthcoming, 2015) as well as the chapbook “This is not a sky” (Black Lawrence Press, 2014). Originally from Brooklyn, NY, she holds a Ph.D. in Creative Writing and English Literature from the University of Southern California, a Master’s degree in English/Creative Writing from the University of Texas at Austin and a B.S. in Journalism from Boston University. She is co-founder of Gold Line Press and Bat City Review and a contributing editor at The Offending Adam. Her poetry has appeared in Agni, Indiana Review, Mid-American Review, Rattle, No Tell Motel, 32 Poems, Forklift, Ohio, National Poetry Review, Pebble Lake Review, Anti- and 42 Opus, among other places.

Isadora Moon Goes Camping by Harriet Muncaster

Source: Purchased
Paperback, 128 pgs.
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Isadora Moon Goes Camping by Harriet Muncaster is a delightful book that stretches the imagination of young early readers in which Isadora Moon, half vampire and half fairy, finds herself nervous about show-and-tell at school. But once she starts telling her class about her summer vacation camping near a beach, she becomes so engrossed in her own tale she and you will nearly forget she’s nervous to speak in front of her classmates.

Isadora’s dad is the glammed-up vampire in the family and his hygiene habits become a bummer for some of the other campers over the summer, and her mom just takes it all in stride, helping him pare down his suitcases for their vacation in the rough. It must be fantastic to have a mom who is a fairy because she can create anything you’d want, but it’s all in the boundaries she sets for Isadora. What my daughter loved was the adventure and the Isadora’s favorite animal, Pink Rabbit. I loved that he was a stuffed bunny who had expressions and ould walk around wherever Isadora did.

This book is a little above where my daughter’s reading level is now, so there were times when she struggled with certain words, but we worked on how to sound those out and what those words meant. It was a good way to stretch her reading skills without losing her interest in the story. We’ll likely be looking for the first two books in this series, since somehow we ended up with only book 3. Starting with this book, however, didn’t seem to be a problem. We didn’t feel like we were missing anything. The cover of our book suggests a lot of color, but most of the illustrations were black and pink. We’re not sure why, but it didn’t detract from the things that mattered in the story. The illustrations did enhance some of the action for us. We also loved the family photo album at the end of their summer camping trip. That was a nice touch.

Isadora Moon Goes Camping by Harriet Muncaster is a wonderful book about learning to take risks outside our comfort zones. I love how adventurous Isadora is and how willing she is to make new friends and go the extra mile for her family. My daughter often wanted to read “just one more chapter” each night, which is a tell-tale sign that she enjoyed the book and loved the characters.

RATING: Cinquain

About the Author:

Harriet Muncaster studied illustration at Norwich University College of the Arts before going on to get an MA in children’s book illustration at the Cambridge School of Art. In creating the art for her first book for children, she was thrilled to have found a good outlet for her lifelong fascination with miniatures. She lives in Hertfordshire, England.

Scattered Clouds by Reuben Jackson

Source: Purchased
Paperback, 130 pgs.
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When you have fate kick your butt and keep you from getting a poetry collection you’ve been eager to read (especially when you want to be at a reading), does that lead you to enjoy the collection even more when you finally get a copy?

This is my question because this was my journey to getting Reuben Jackson’s new collection. But I digress.


Scattered Clouds by Reuben Jackson is like a best hits record, but it’s also a deeply personal look at Washington, D.C., love in all of its incarnations, and the power of music (in this case Jazz). “Fingering the Keys” is a section of previously published poems by Jackson, giving readers some initial flavor of his work as he reflects on his younger years, roadtrips with his father, the harsh realities of being black in America. But as a kid you don’t always understand why you can’t do certain things like stay in that roadside teepee shaped motel in South Carolina. In “on the road,” the narrator speaks about the bargain struck with his dad to stay the night, but then says, “it worked,// so why did he return without/room keys?”

Each of these line breaks and pauses are like an interlude in which the undercurrent of the head in the music of Jackson’s poems comes to the fore full force, knocking the reader off their feet and sending their mind into overdrive. There are many of these “aha” or “Mmmhmmm” moments where readers are like I understand and I see where you are and what’s going on, even in the most innocent of moments. When we’re young and trying to find out who we are and want to be, we experiment, but there are those of us judged more harshly for experimenting outside “the comfort zone.”

a lonely affair

even the most die-hard liberals
have their moments;

like the man wearing the
end apartheid button
who followed me across his bookstore;

Jackson is well aware of the power of word choice when he speaks about the man’s bookstore, knowing full well that though this man is liberal, the narrator is from outside his known community and should be followed. Is he following him because he wants to talk, to share, or simply to monitor, to prevent, to presume? In “a lonely affair,” our narrator continues along his path, lonely as it may be, to ensure revolution does not fizzle out. By being there, out in the world and reading his poems, he’s affecting change.

“sunday brunch” has to be my favorite poem in this collection. The matter-of-fact response and sarcasm is priceless. I refuse to ruin the surprise, but how would you answer “Where do your parents summer?”

The section of “city songs” will transport you D.C. and beyond in ways you don’t expect. Readers are thrown into the deep pit of tragedy and sorrow, of borrowed breaths, and deep loneliness even in urban landscapes. The intimacy of the first section gives way to the wider world — it intrudes upon the intimacy and wrenches away the slightest sense of shelter. We’ve moved into a world where culture bears heavily down on those who do not fit neatly in it. Rather than change the tone, Jackson’s language almost lulls the reader into each situation, letting the reality of them seep under the skin.

“sky blues” is the crescendo of the collection, exploring the beauty of late-in-life love — a mutual respect and passion for the fullness of who we are. In the poems of the “Amir & Khadijah: A Suite,” Jackson becomes lyrical with love, the kind of love that can buoy a spirit in rough tides and become a lift of spirit. It’s Jackson’s song of hope, either for himself or for all of us. His heart is full of love and it is reaching out to us in line after line searching for connection.

Here, too, we find Jackson’s poem for Trayvon Martin as an angel guides the young boy home, away from danger. These final poems nod to the past and the struggles, with a hope for the future. Scattered Clouds by Reuben Jackson is the balm for the sting of “real” American life, laced with a hope that we can overcome, persevere, and take the lessons we’ve learned from those lost to us and apply them to our future selves to create a better tomorrow. It’s the coverage we need away from the storm without forgetting that storms do come.


I cannot urge you enough to buy these collection. Rarely do I outright tell you to buy something, but if you buy one poetry collection this year, let it be this one.


RATING: Cinquain

Two More Days at Netherfield by Heather Moll

Source: Publisher
ebook, 406 pgs.
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Two More Days at Netherfield by Heather Moll finds Elizabeth Bennet and her sister at Netherfield like they were in Jane Austen’s novel, Pride & Prejudice.

While at Netherfield nursing her sister back to health, Elizabeth comes to realize that her first impressions of Mr. Darcy may have been wrong. At the same time, through teasing, she makes him realize that he may have been hasty in his opinion of her. As they continue to be in each other’s company, will they come to realize that they are more alike and complementary to one another than they initially thought?

These two begin to share their love of poetry and intellectual conversation. They start to view one another as friends, even if they do continue to verbally spar. Mr. Wickham arrives on the scene and their friendship, which is blatantly obvious to the scoundrel, hatches a plan.

“She has no beauty! I have twenty thousand pounds!”

Moll’s Elizabeth is outspoken and braver than the Lizzy in Austen’s novel. She makes the first move in some situations where she should be reserved. This, however, is not to say that she diverges too far from Austen’s character. The machinations of Mr. Wickham and Miss Bingley, though not in concert, are even more devious. I love that Moll made Wickham and Bingley more evil than in Austen’s book. Both of these characters know what they want and what their motivations are and they are committed to the last. Watch out Elizabeth and Darcy.

Bingley and Jane find their happiness more quickly but little else has changed, though there is no chance meeting at Hunsford for Darcy and Elizabeth. All of these changes are well done and not missed when Moll’s book unfolds.

Unfortunately, after Darcy and Lizzy get together and past all of their misconceptions and worries, the pace quickens. The novel fast forwards to when they are already married. As these chapters propel the reader into the future of their lives, I felt as though I was missing some great moments of connection between them. Aside from that, Darcy and Lizzy have a balance in their relationship that they hadn’t had before. Two More Days at Netherfield by Heather Moll is a heartwarming novel that brings Darcy and Elizabeth together in a way that makes them partners in all things. Partnerships in love are the best kind.

RATING: Quatrain

About the Author:

Heather Moll is an avid reader of mysteries and biographies with a master’s in
information science. She found Jane Austen later than she should have and made up for lost time by devouring Austen’s letters and unpublished works, joining JASNA, and spending too much time researching the Regency era. She is the author of Two More Days at Netherfield and His Choice of a Wife. She lives with her husband and son and struggles to balance all of the important things, like whether to clean the house or write. Connect with her on Facebook,
Goodreads, Instagram, and Twitter.

GIVEAWAY:

Quills & Quartos Publishing is giving away one ecopy at each blog stop of the Two More Days at Netherfield blog tour. All you need to do to enter the giveaway is comment on this blog post, and Quills & Quartos will randomly choose one random winner after Feb. 21, 2020. So, make sure you join in the conversation!

Horseshoes and Hand Grenades by S.M. Stevens

Source: Author
Paperback, 292 pgs.
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Horseshoes and Hand Grenades by S.M. Stevens is the story of women in the workforce in the 1980s, long before the #MeToo movement began and when women endured workplace harassment and abuse with little recourse other than to quit or change jobs. Shelby Stewart is an intern at a PR firm in Boston where Astrid Ericcson is an up-and-coming account executive who is looking to make it to the top soon. Astrid’s flirty personality is in stark contrast to her cold shoulder she gives her coworkers and is juxtaposed with Shelby’s practical attitude. Both women hail from humble beginnings, but they are both eager to make their own way in the PR world.

Shelby has some demons to work through, and as she ignores them, those memories begin to flit into her consciousness and affect her health. She struggles on the dating scene and can’t figure out why until she finally admits what happened in her past. Meanwhile, Ericcson realizes that her flirty nature may have been interpreted in a way she didn’t intend when her boss comes sniffing around, making innuendos and sexual quid pro quo statements.

These women cannot be in one another’s company, but eventually the ice melts between them and they become a trio with Shelby’s friend Tina — the most well adjusted of the bunch. I liked that these women soon focus on themselves and become a supportive group, but they rely far too heavily on alcohol and dance club, one-night stands until nearly the end.

Horseshoes and Hand Grenades by S.M. Stevens is a look at the effects of sexual harassment in the workplace during the 1980s and how women were stuck with few options — tough it out or move to another company. It also examines the lasting effects of sexual molestation and abuse that occurs too often in the home — forever shaping the worldview of the children it directly impacts. Stevens is a talented storyteller and the book is a page-turner.

RATING: Quatrain

About the Author:

S.M. Stevens began writing fiction during back-to-back health crises. First, she broke her pelvis in three places in a horseback riding fall, and used the recuperation period to write Shannon’s Odyssey, a middle-grade novel for animal-lovers. Soon after, Stevens was diagnosed with ovarian cancer. During her five months of treatment and subsequent recovery spell, she wrote Bit Players, Has-Been Actors and Other Posers for musical theatre-loving teens. Two additional Bit Players novels followed. Horseshoes and Hand Grenades is her first adult book. After watching reactions to the #MeToo movement, she decided it was time for a novel that takes people into the minds of victims so they can understand why many women don’t speak up about their harassment or assault, and why some do. When not writing, she provides marketing and public relations services to solar energy companies. She is from Gorham, Maine, and now lives in Clinton, Mass., and Washington, N.H. She has also lived in Italy and in the U.K., where she was Group Public Affairs Director for National Grid. Visit her Website, Facebook, on Twitter, Instagram, LinkedIn, GoodReads, and on Amazon.

We Love Babies! by Jill Esbaum

Source: Media Masters Publicity
Hardcover, 40 pgs.
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We Love Babies! by Jill Esbaum is an adorable photography spread that will melt your heart with cute little baby animals. Esbaum uses rhyme to pinpoint the different aspects of these babies from webbed toes to wings. There are babies big and small, furry and feathery, and all full-fledged cute.

The book is for kids just learning words and different shapes, but my daughter loves cute baby animals (don’t we all). We would argue that this is a photography book for all ages. The images are crisp and detailed, and some are down right fun to look at. Esbaum’s witty rhymes make the book even more enjoyable for younger children — it’s almost song-like.

We Love Babies! by Jill Esbaum is a great way to introduce young children to the natural world, different species of animals (which are all labeled in the final pages), and words like big and small. These images will make you smile, which is another reason just to have this book around.

RATING: Cinquain

Junie B. Jones and Some Sneaky Peeky Spying by Barbara Park and illustrated by Denise Brunkus

Source: Gift
Paperback, 80 pgs.
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Junie B. Jones and Some Sneaky Peeky Spying by Barbara Park and illustrated by Denise Brunkus is the fourth book in the series and is riddled with actual dialogue that a younger kindergartner would use. Junie B. loves to sneak around and spy on her family but when they explain that she shouldn’t be doing that, she still considers herself a sneaky spy. When she spies on the wrong person, it could spell big trouble.

My daughter had a hard time with some of the misspelled words. But she started to learn to correct them as she read aloud. We like Junie B. and her antics, even if she gets in trouble, but her misspelled words were troublesome, especially for my daughter who continues to struggle with reading. This is a fun series, but I’m not sure we’ll read more of these as part of her nightly practice.

Junie B. Jones and Some Sneaky Peeky Spying by Barbara Park and illustrated by Denise Brunkus is a cute book with a mischievous girl who likes to see the world without anyone knowing she’s there. She just doesn’t understand the concept of privacy.

RATING: Quatrain