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This Is Not a Sky by Jessica Piazza

February 26, 2020 by 1 Comment

Source: Purchased
Paperback, 38 pgs.
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This Is Not a Sky by Jessica Piazza is the first interactive poetry chapbook I’ve ever read that has QR codes that link to famous works of art. Her ekphrastic poems infuse some masterpieces with new life and connects the art viewer and the poetry reader through her poems. Shining a new light on the relationship between reader and writer, painter and museum goer/art aficionado, Piazza is breaking down barriers and asking the audience to imagine alongside the artist, to create their own realities. Interpretation does not have to be confined to the outlines on the canvas or the lines and words chosen by the poet, much is left outside those constructs, leaving wide open spaces in which to venture on our own.

I love the idea of an interactive poetry collection, but in some cases (22%), the QR Code links to the artworks failed to bring up the correct work or went to an error page. However, a quick search found the pieces Piazza used for inspiration, so it wasn’t too much of a burden. I can truly say that you can enjoy these poems without looking at the artwork or being familiar with it.

In “Cafe Terrace at Night” after the Van Gogh painting, Piazza draws from the subdued lantern light the hidden “tipsy” patrons, looming dark figure in the doorway, and the ominous nature of the darkened streets and inebriated passersby. There’s an undercurrent of danger on these streets where patrons are dressed well and enjoying themselves, except for a lone woman who may be concerned about the shadow in the doorway or may be ruminating on some greater loss.

“Gun” after Andy Warhol is a stunning poem, each part represents each of the guns portrayed. In this case, I’m happy the QR Code worked because Warhol painted several different gun paintings in his life. In Piazza’s poem, his painting says so much more about gun violence – the smugness of it, the horror, the guilt, the righteousness, and the empty satisfaction of it. This is a multilayered poem that begs you to read it more than once. I think I spent the most time with this poem. It’s one of my favorites in this slim collection. Underneath these layers, you’ll also find hints of verbal, emotion, and all kinds of abuse and the toll it can take on its victims, even so, is gun violence their only satisfactory response?

“Adam and Eve” after Chagall, the narrator (who could be Eve) says, “Overtaken by this goneness (his fingers/in mine soft and white, malicious).” There is so much darkness in just these two lines. Waiting for the last bang of the apocalypse is heady business that engulfs Adam and Eve, but even in the middle, she wishes it to end but by ice. The poem not only calls out the differences in Adam and Eve, but the fate of these two having already been decided. There’s a desire for change but it is useless as the end has already happened. We’re taking a look back as the reader and viewer to lives no longer being lived. Is this a call to reassess our own lives now, rather than wait? Perhaps, but that’s your call.

This Is Not a Sky by Jessica Piazza is art unto itself and a must read for those who love painters and some of the most iconic artists of our time. Piazza will have you looking at the art on the museum walls in vastly different ways. She creates vignettes for the players and for those outside the frame.

RATING: Quatrain

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About the Poet:

Jessica Piazza is the author of two full-length poetry collections from Red Hen Press: “Interrobang” (2013) and, with Heather Aimee O’Neill, “Obliterations” (forthcoming, 2015) as well as the chapbook “This is not a sky” (Black Lawrence Press, 2014). Originally from Brooklyn, NY, she holds a Ph.D. in Creative Writing and English Literature from the University of Southern California, a Master’s degree in English/Creative Writing from the University of Texas at Austin and a B.S. in Journalism from Boston University. She is co-founder of Gold Line Press and Bat City Review and a contributing editor at The Offending Adam. Her poetry has appeared in Agni, Indiana Review, Mid-American Review, Rattle, No Tell Motel, 32 Poems, Forklift, Ohio, National Poetry Review, Pebble Lake Review, Anti- and 42 Opus, among other places.

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Scattered Clouds by Reuben Jackson

February 13, 2020 by Leave a Comment

Source: Purchased
Paperback, 130 pgs.
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When you have fate kick your butt and keep you from getting a poetry collection you’ve been eager to read (especially when you want to be at a reading), does that lead you to enjoy the collection even more when you finally get a copy?

This is my question because this was my journey to getting Reuben Jackson’s new collection. But I digress.

Scattered Clouds by Reuben Jackson is like a best hits record, but it’s also a deeply personal look at Washington, D.C., love in all of its incarnations, and the power of music (in this case Jazz). “Fingering the Keys” is a section of previously published poems by Jackson, giving readers some initial flavor of his work as he reflects on his younger years, roadtrips with his father, the harsh realities of being black in America. But as a kid you don’t always understand why you can’t do certain things like stay in that roadside teepee shaped motel in South Carolina. In “on the road,” the narrator speaks about the bargain struck with his dad to stay the night, but then says, “it worked,// so why did he return without/room keys?”

Each of these line breaks and pauses are like an interlude in which the undercurrent of the head in the music of Jackson’s poems comes to the fore full force, knocking the reader off their feet and sending their mind into overdrive. There are many of these “aha” or “Mmmhmmm” moments where readers are like I understand and I see where you are and what’s going on, even in the most innocent of moments. When we’re young and trying to find out who we are and want to be, we experiment, but there are those of us judged more harshly for experimenting outside “the comfort zone.”

a lonely affair

even the most die-hard liberals
have their moments;

like the man wearing the
end apartheid button
who followed me across his bookstore;

Jackson is well aware of the power of word choice when he speaks about the man’s bookstore, knowing full well that though this man is liberal, the narrator is from outside his known community and should be followed. Is he following him because he wants to talk, to share, or simply to monitor, to prevent, to presume? In “a lonely affair,” our narrator continues along his path, lonely as it may be, to ensure revolution does not fizzle out. By being there, out in the world and reading his poems, he’s affecting change.

“sunday brunch” has to be my favorite poem in this collection. The matter-of-fact response and sarcasm is priceless. I refuse to ruin the surprise, but how would you answer “Where do your parents summer?”

The section of “city songs” will transport you D.C. and beyond in ways you don’t expect. Readers are thrown into the deep pit of tragedy and sorrow, of borrowed breaths, and deep loneliness even in urban landscapes. The intimacy of the first section gives way to the wider world — it intrudes upon the intimacy and wrenches away the slightest sense of shelter. We’ve moved into a world where culture bears heavily down on those who do not fit neatly in it. Rather than change the tone, Jackson’s language almost lulls the reader into each situation, letting the reality of them seep under the skin.

“sky blues” is the crescendo of the collection, exploring the beauty of late-in-life love — a mutual respect and passion for the fullness of who we are. In the poems of the “Amir & Khadijah: A Suite,” Jackson becomes lyrical with love, the kind of love that can buoy a spirit in rough tides and become a lift of spirit. It’s Jackson’s song of hope, either for himself or for all of us. His heart is full of love and it is reaching out to us in line after line searching for connection.

Here, too, we find Jackson’s poem for Trayvon Martin as an angel guides the young boy home, away from danger. These final poems nod to the past and the struggles, with a hope for the future. Scattered Clouds by Reuben Jackson is the balm for the sting of “real” American life, laced with a hope that we can overcome, persevere, and take the lessons we’ve learned from those lost to us and apply them to our future selves to create a better tomorrow. It’s the coverage we need away from the storm without forgetting that storms do come.

I cannot urge you enough to buy these collection. Rarely do I outright tell you to buy something, but if you buy one poetry collection this year, let it be this one.

RATING: Cinquain

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Christmas Poetry to Inspire by Jean Kay

December 24, 2019 by

Source: Purchased by Bookish Secret Santa
Paperback, 30 pgs.
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Christmas Poetry to Inspire by Jean Kay is a slim collection of poems about the beauty of the Christmas season and the celebrations Christians engage in. Kay speaks about a call for peace not only at Christmas time, but also throughout the entire year. There are a couple of lines that rang bitter in the first poems about changing “merry Christmas” to happy holidays, but overall, I think the poems stayed true to their message of peace and love.

In “Christmas Gatherings,” Kay’s lines speak about the burdens we all sometimes face and how God never burdens us with more than we can handle, but we all wish that we were not burdened with so much. She speaks of how Mother Theresa even felt the same, but this never deterred her from doing the great work she did throughout her life. In “Encouraging Peace,” Kay speaks about the power of peace as a state of mind and how if we encourage it in ourselves and others, it can spread like wildfire — hopefully ending the need for war and strife.

Jean Kay’s Christmas Poetry to Inspire aims to not only spread Christmas cheer, but also speak about the power of peace and our need to spread good will to others. One of my favorites in this collection was “Christmas Music,” in which Kay tells us a story with song titles from the season. Very unique and engaging.

RATING: Tercet

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Skin Memory by John Sibley Williams

December 10, 2019 by

Source: Poet
Paperback, 80 pgs.
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Skin Memory by John Sibley Williams, winner of The Backwaters Press Prize for Poetry, is similar in theme to his other collection, As One Fire Consumes Another, in that there is an exploration of dark tragedy, lost identity, and more, but there are moments of hope and light — a common hopeful dream. “Because skin has a memory all its own and because memory is a language that’s survived its skin,” he says in the title poem drawing parallels between the memories and weights we carry through life with the greater memory we leave behind. He reminds us in “Then We Will Make Our Own Demons” that we tend to tie significance to moments in time that are not as earth shattering as we suspect them to be: “When your name is less an arrow/ … /instead it is a thread dissolving/into a forgotten wound. When all woulds/have hints of birds in them…/”

Williams explores the hurts and sadness of childhood, while speaking about how those moments shape us and our worlds when we internalize them, but how those moments often fade into the background becoming less significant. As the collection moves away from growing up into adulthood, Williams speaks about the moments in which we look back and realize our lives have taken turns we never expected.

In “Poison Oak,” there is the helplessness we all may feel some day, particularly when a child becomes ill and all we can do is rock them in our arms and hope they will recover. “I do know there’s a crying boy/the coarse cradle of my hands/cannot rock into immunity,” he says. But he also explores larger societal issues, like the loss of peers in a hail of bullets in “Killing Lesson.” These poems beg us to look at those “earth shattering” moments of our lives with greater perspective. To review our lives with an empathetic eye toward those around us, who may be carrying heavier burdens, having more tragedy than we ever could.

Skin Memory by John Sibley Williams is an amazing collection that tackles large themes while grounding each moment in real life. A harrowing collection that strives for peace and hope, a journey into the self and outside of it. We have a memory, and there’s a memory of life that surrounds us. When the skin of us is gone, where do those memories go, how do they live on? They live on in the words we share, the stories we tell, and the moments we cherish with others. Connection is the greatest gift of all.

RATING: Cinquain

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The Broken God by Laura Roklicer

October 10, 2019 by

Source: the poet
Paperback, 89 pgs.
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The Broken God by Laura Roklicer is a slim, questioning collection in which trauma and broken pieces are picked up, rearranged, and reassembled into something hopeful and more beautiful. We all make mistakes and feel pain when we lose someone we love, even those who leave us that we know were no good for us. But like many of us, these poems speak to the root of the problem.

In “Cowards,” the narrator asks, “Can you even tell/the good from the bad?/We’re noble for the world,/cowards for ourselves.” (pg. 37) How many times do we speak for others without raising our own voices for our own selves? How many times do we offer advice to others that we don’t even listen to in our own lives?

From "Follow Me" (pg. 73)

Put some more make up on my soul,
Shape me into something my love wouldn't recognise.
Give me something my hatred won't laugh at.

This fear of advocating for ourselves leaves others to do it for us or no one at all to do it. Roklicer looks at these situations from multiple angles — a person who drinks and drinks, a person who molds into the life of another and loses it all — these are the broken gods. The broken people unable to pick themselves up and rearrange into better people. But all is not lost.

The Broken God by Laura Roklicer explores our turmoil — internal and external — as we search for something outside ourselves to make us feel complete. But what we need — the god we seek — is within us all. We only need to reach out and grab hold.

RATING: Tercet

About the Poet:

Laura Roklicer is a 23-year-old freelance writer, scriptwriter, lyricist and a filmmaker, whose educational background is in film production and psychology. She has worked with over a hundred artists worldwide and is a citizen of the world who doesn’t believe in borders that people put up (geographical or mental) and finds her thrill exploring different areas of the world, as well as exploring the cultural differences, individuality, and different worldviews.

She believes the true beauty of nature lays in those differences and the power of subjectivity. Laura is on a mission to contribute to the world change for the better and she hopes to do so through her writing and films. Please view the Book Teaser on Facebook.

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Other Possible Lives by Chrissy Kolaya

September 18, 2019 by

Source: the poet
Paperback, 80 pgs.
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Other Possible Lives by Chrissy Kolaya is an exploration of what if — the nature of the other and what it must be to immerse ourselves in those “other” lives. Would they make us long for our own lives more and appreciate them with grace? Or would an exploration of those lives lead us to make drastic changes in our own? These are just some of the questions that underlie these scenarios, ranging from the troubled house sitters in the opening of the collection to the forlorn lover at the end who is bound to make the same error again.

From "How to Leave Behind" (pg. 15)

She said the way to do it was
to look at a photo of them.
Look at it until their faces
melt away into lines,
until words like brother fall away

and swirl around the shape that's left.
To focus on the mouth,
then the eyes,
then the arms and legs as if they all belonged
to different people.

Kolaya’s poems are rooted in the possible lives we could have and allows us to examine the truth of those lives and the truth in our own lives. Other Possible Lives by Chrissy Kolaya answers our “what if” questions but leaves us with so much more. There’s a greater insight here hearkening back to the adage “the grass is always greener on the other side’ at least from where you are viewing it.

RATING: Quatrain

About the Author:

Chrissy Kolaya is a poet and fiction writer, author of Charmed Particles: a novel and two books of poems: Any Anxious Body and Other Possible Lives (forthcoming fall 2019). Her work has been included in the anthologies New Sudden Fiction (Norton), Fiction on a Stick (Milkweed Editions), and Stone, River, Sky: An Anthology of Georgia Poems, as well as in a number of literary journals.

She has received a Norman Mailer Writers Colony summer scholarship, an Anderson Center for Interdisciplinary Studies fellowship, a Loft Mentor Series Award in Poetry, and grants from the Minnesota State Arts Board, the Lake Region Arts Council, and the University of Minnesota. As one of the co-founders of the Prairie Gate Literary Festival, she worked to develop the literary arts community in rural western Minnesota. She now teaches creative writing at the University of Central Florida.

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Phoenix: Transformation Poems by Jessica Goody

June 11, 2019 by

Source: Purchased
Paperback, 102 pgs.
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Phoenix: Transformation Poems by Jessica Goody offers poems of resilience and transformation, moving beyond tragedy and disappointment to a place of peace and hope. There are times when the readers is left with an ending that has no way forward, and isn’t that the way of relationships. Sometimes they just end, like in “Bitter Tea,” where a a broken relationship cannot be mended with tea.

Or in “Changeling” where it is clear a relationship has ended and while the phone is no longer ringing, the memories of laughter and intense blue eyes are still present. These are the lingering ghosts of our lives — we carry them with us as we move on. While we mourn them, we also realize that they are a part of who we are.

Goody’s poems inspired by art and paintings are vivid and conjure images in readers heads.

From “Blue Landscape” (pg. 37)

(Marc Chagall, “Couple in a Blue Landscape,” 1949)

They lie in the curve of the crescent moon,
a cosmic cradle, a gondola hovering in the sky.
He admires her lapis hair, her bare shoulders

and sodalite skin. A thousand shades of blue flicker,
rendering them luminous and ethereal as mermaids,
blue-green women with bodies as ripe as dark plums.

Her images conjure the feeling of the painting, like the brushstrokes that created it. We are inside the painting, voyeurs just at frame’s edge. While there is beauty, there is also great sadness. The poem, “Memory,” is devastatingly beautiful as a man holds the hands of a woman he loves but who no longer remembers him as her memories have faded … been stolen away. Phoenix: Transformation Poems by Jessica Goody is the embodiment of transformation — it can be beautiful, tragic, sad, and inspiring. Goody’s work is poignant and lasting.

RATING: Quatrain

About the Poet:

Jessica Goody is the award-winning author of Defense Mechanisms: Poems on Life, Love, and Loss (Phosphene Publishing, 2016) and Phoenix: Transformation Poems (CW Books, 2019). Goody’s writing has appeared in over three dozen publications, including The Wallace Stevens Journal, Reader’s Digest, Event Horizon, The Seventh Wave, Third Wednesday, The MacGuffin, Harbinger Asylum and The Maine Review. Jessica is a columnist for SunSations Magazine and the winner of the 2016 Magnets and Ladders Poetry Prize. Follow her on Facebook, Twitter, and Pinterest.

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As One Fire Consumes Another by John Sibley Williams

May 29, 2019 by

Source: the poet
Paperback, 86 pgs.
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As One Fire Consumes Another by John Sibley Williams, winner of the 2018 Orison Poetry Prize, reminds readers that beneath the ash there is enough to rebuild life. Amidst the darkness present in a society tearing itself apart, there are flashes of hope within the flames. Even the cover with its words made of matchsticks is a prime example of the fuel that sets this book afire.

Sundogs (pg. 9)
            For Charlottesville

This isn't how I'm told halos work. 
Two mock suns lighting up the low
horizon, as if competing for grace-
giving, as if at war with each other.
The borders of their brief bodies
converging in one great arc flanking
then eclipsing the real. An imagined
architecture of virtue. A pure white
history. Torchlight flickers & feasts,
flickers & feasts, flickers & feasts. 
Whatever we think they stand for,
the old gods are toppling.

Williams’ words leap off the page just as many of the tragic events in our recent history have from the deaths of immigrant detainees to white power rallies. His collection seeks to tackle some of the biggest fractures in our nation, calling attention to the destruction of our country’s ideals and dreams. “You must have arrived here by/belief, too, searching for something/you could mistake for a life,” says the narrator of “the Detainee Is Granted One Wish.” (pg. 20) It only takes the flick of a match to set it all aflame. The country may seem large and strong, but these poems remind us that it can topple as easily as a house made of matchsticks.

In “No Island Is an Island, & So Forth” (pg. 26), Williams’ narrator reminds us that we cannot cast stones or pass judgment on others without first looking at our own history, our own lives. “When/writing your obituary, make sure to/leave some space for grandfather’s/casual racism.” The poem points to the follies of humanity and its obsession with want. The narrator asks that we look beyond our desires and see how the “want” devastates the world around us and look to be someone better.

As One Fire Consumes Another by John Sibley Williams is a collection that will consume you in fire — a passionate call for change. “My children are learning all wars/begin with belief.” (“Everests,” pg. 38) Let’s break the chain, let’s be better.

RATING: Cinquain

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About the Poet:

John Sibley Williams is the author of As One Fire Consumes Another (Orison Poetry Prize, 2019), Skin Memory (Backwaters Prize, University of Nebraska Press, 2019), Disinheritance, and Controlled Hallucinations. He has also served as editor of two Northwest poetry anthologies, Alive at the Center (Ooligan Press, 2013) and Motionless from the Iron Bridge (barebones books, 2013). A nineteen-time Pushcart nominee, John is the winner of numerous awards, including the Laux/Millar Prize, Wabash Prize, Philip Booth Award, American Literary Review Poetry Contest, Phyllis Smart-Young Prize, The 46er Prize, Nancy D. Hargrove Editors’ Prize, Confrontation Poetry Prize, and Vallum Award for Poetry. He serves as editor of The Inflectionist Review and works as a teacher and literary agent. Previous publishing credits include: Yale Review, Midwest Quarterly, Southern Review, Colorado Review, Sycamore Review, Prairie Schooner, Massachusetts Review, Poet Lore, Saranac Review, Atlanta Review, TriQuarterly, Columbia Poetry Review, Mid-American Review, Poetry Northwest, Third Coast, and various anthologies.

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Nanopedia by Charles Jensen

May 21, 2019 by

Source: Purchased
Paperback, 73 pgs.
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Nanopedia by Charles Jensen is the poetry collection you’ve been waiting for all year — or at least I have. Jensen takes a keen look at the America we live in today and examines its past through a different lens. He picks apart the facade of American life, whether as a gay man looking for love in all the wrong places or the search for identity and place in a social structure that demeans us, as it does with millennials. All of these prose poems taken together demonstrate the fractured nature of American society. Beneath the surface of American bravery and diversity are the fissures brought bigotry, classism, and self-hatred.

“Modern Art” (pg. 19)

Absence is a bomb that detonates inward.

Jensen’s lines and his sort poems are like an explosion that obliterates broad perceptions of America. Americans who search for validation in the acquisition of things, Americans who dislike babies but cannot say so, and so many more will be found in this collection. The poems ask for self-reflection and provide it whether the reader is willing to participate or not. The collection is more than short reference entries about American present and past. It’s a mirror of our foibles and hardships — a reflection of things we want to change but are ultimately so hard to change, making it a doubly frustrating and perhaps unattainable.

A powerful collection in which politics and the political landscape are hovering in the background but never quite rise to the surface of these lives, but it is there, waiting to insert itself in every conversation, every look, every moment to muddy the waters even further.

Nanopedia by Charles Jensen uses prose poems to examine the American life whether at a distance or in its most intimate setting between two lovers. His poems reach into the darkness to reveal a tragic comedy of errors, an American history that continues to write and rewrite itself.

RATING: Cinquain

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An Everyday Thing by Nancy Richardson

May 15, 2019 by

Source: Purchased
Paperback, 57 pgs.
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An Everyday Thing by Nancy Richardson explores what happens in the every day when there is an intersection of politics and society. Many of these based in Ohio or Kent State examine the unimaginable — what happens when guns go off and students are shot or what happens when feelings unexpectedly change and so much more. Richardson’s collection juxtaposes the unthinkable with the idea that it is just an every day thing. It can happen at any time.

The collection’s cover offers the chaotic mess of these events coupled with the symmetry of a square (the intersection) with a focal point in red (is this the blood spilled? or the harm left behind?). Richardson’s verse is peppered with lyrics and notes from trials, and so much more. Providing readers with a lot of food for thought. She explores the nature of Ohio and politics, socioeconomic issues that still create tense relationships, exposing emotional vulnerability. So many links in the chains of these poems. “The words were linked//like small blue train cars, silent, unmoving on their tracks./That’s the trouble with scripts, words chained to one another.//” (from “Transaction” p. 25)

An Everyday Thing by Nancy Richardson is a collection chock full of connections that are begging to be explored. By turns a dark look at the underbelly of America’s history and looks at hopeful moments, Richardson explores blue collar worlds, deep relationships, sadness, and hope that things can change for the better.

RATING: Cinquain

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Patti Smith at the Minetta Lane by Patti Smith (audio)

May 3, 2019 by

Source: Purchased
Audible, 1+ hours
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Patti Smith at the Minetta Lane by Patti Smith is an Audible original that mixes  Smith’s memoirs, poetry, and music into one live performance. In spoken-word style and deadpan tone, Smith takes listeners on a journey into her creative life where they will meet Robert Mapplethorpe, Allen Ginsberg, and so many others. She talks about her early nomad days in New York and the freedom it afforded her, but also the deep hunger for food she couldn’t afford. Working to feed her belly became an early goal.

Her children, Jackson and Jesse Paris Smith, accompany her performance as well, making this a delightful family affair. Even though I’ve read her memoirs, I really loved hearing them spoken aloud in her own words and accompanied by her music. It creates an intimate portrait of the singer and writer. Patti Smith at the Minetta Lane by Patti Smith is a great addition to her memoirs on the shelf and the music in your ears.

RATING: Cinquain

About the Author:

Patti Smith is a writer, performer, and visual artist. She gained recognition in the 1970s for her revolutionary merging of poetry and rock. She has released twelve albums, including Horses, which has been hailed as one of the top one hundred debut albums of all time by Rolling Stone.

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Beautiful Justice by Brooke Axtell

April 26, 2019 by

Source: Publisher
Paperback, 241 pgs.
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“Although approximately one in six women will be sexually assaulted, more than 90 percent of rapists will never spend a day in jail.” (pg. XI)

Beautiful Justice by Brooke Axtell will inspire those who have been abused, trafficked, and left feeling unworthy to rebuild their self-esteem, create their own sacred places, and heal from their abuse. Axtell’s memoir is more than a look at her life and recovery, it is a call to those with similar stories and experiences.

She asks nothing of them but to care for themselves, to rediscover their own worth, and to find a community that can support them in that endeavor. Throughout the memoir, she offers poems she wrote throughout her experiences as a way to speak about the suffering and long road of recovery.

“Beautiful Justice is the art of taking back our lives and reclaiming our worth after abuse. It is a form of Justice that does not depend on what happens to our perpetrators. It is centered on our recovery as a creative process.” (pg. X)

Axtell’s recovery from abuse and trafficking was a long one. But with the help of her parents after a tumultuous time, she had two champions for her self-worth. At one point, her father praises her and reaffirms her as an intelligent young woman, while her mother helps her find places to seek out the help she needs. Even as she succeeds in some areas of her life, she is still battling demons.

“I strive for perfection in every dimension of my life — my dance, my studies, my spiritual path. I want to shine so brightly the shadows cannot consume me.” (pg. 16)

Axtell does not dwell on the horrors she experienced, but on the emotional trauma, the PTSD, and the dark shadows that follow her. Her recovery also provides lessons in how you can fool yourself into believing that all is right with your own world, even when you have not resolved the darkness that follows you. She offers moments of joy, her struggles, and her poetry in an effort to demonstrate the hard road of recovery but also the hope that can be found around you, if you are willing to ask the right questions of yourself. What makes you happy? How can you reclaim your life? How can you rebuild your worth without connecting it to what happens to the perpetrators of your abuse?

We are the untamed.
We are the unashamed.
We are beautiful justice
Just watch us rise. (pg. 143)

In addition to her story, she offers journal prompts in the back to help other survivors get started on their own recoveries, she provides them poems of strength and hope, and she provides mantras they can use to reaffirm their own worth. While she speaks a lot about how her ties to Christianity helped in her recovery, she also cautioned readers on how some doctrine and those who offer it can lead you away from your recovery journey. Axtell says that you need to find your own touchstones and paths to recovery, and many of the answers are within yourself. Self-reflection, self-care, and creativity can help those in recovery blossom and rebuild their lives. Beautiful Justice by Brooke Axtell is a journey of reclaiming self-worth and identity, while manifesting the beauty inside in the form of art and celebrating the value we bury inside.

RATING: Cinquain

About the Poet and Author:

Brooke Axtell is the Founder and Director of She is Rising, a healing community for women and girls overcoming gender violence and sex trafficking. Her work as a human rights activist led her to speak at The 2015 Grammy Awards, The United Nations and the U.S. Institute for Peace.

Her work as a writer, speaker, performing artist and activist has been featured in many media outlets, including the New York Times, LA Times, Rolling Stone, Time Magazine, Wall Street Journal, CNN and The Steve Harvey Show. Brooke is an award-winning poet, singer/songwriter and author of the new memoir, Beautiful Justice: How I Reclaimed My Worth After Human Trafficking and Sexual Abuse.

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