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The World We Found by Thrity Umrigar

August 23, 2012 by

The World We Found by Thrity Umrigar focuses on four women — Laleh, Kavita, Armaiti, and Nishta — who were in college during the 1970s in India and were part of a socialist movement with their male friends Iqbal and Adish.  The students were caught in the midst of a nation’s struggle to improve its government and build a new identity as corruption had plagued the elections process and religious violence against Muslims and Hindus occurred relatively frequently.  In the late 1970s, The Emergency was declared in India, which gave the government extraordinary powers to restrict civil liberties, and led to a number of arrests and violence, among other things.

Laleh, Nishta, Armaiti, and Kavita were idealists looking to create a new world, and with their combined enthusiasm and wide-eyed innocence about a world that they could create for their futures and that of India, they dove headlong into the movement they thought best poised to help them achieve their goals.  However, the realities of social movements intervened, demonstrating the brutality on both sides and those realities forced them to choose the path that would lead them into adulthood.  Looking back on their college years, some of the group is filled with regret at what was not achieved and the friends lost, while others are glad to have had their delusions shattered and the truth revealed.  Umrigar’s characterizations demonstrate the ways in which poignant events in history can leave a lasting impression on idealists, forcing their perceptions to skew so much that they adopt the most radical of views or forcing them to realize that bodily and emotional harm are not endurable.  Although there is one member of the group who followed her ideals and made the tough choices, there are consequences of those hard decisions as well — the loss of friendships, family, and independence.

“Could time really alter things so much? If so, the devil that every religion taught people to fear and loathe was simply the passage of time.”  (page 113 ARC)

Following thirty years of silence, the women are called upon once again to come together, but this time for a friend in America who needs them.  One of them is dying and wishes to seem them all together again, but she cannot travel and they must come to her in America.  Reuniting is never easy, especially when each of them holds guilt about not keeping in touch, secrets from the past, and prejudices born of their not-so-shared history.  The world that each of them found may not be the world that they dreamed they would create together, but it is a world in which they all live now and must learn to either accept or make moves to change for themselves and one another.

“Color.  She was obsessed with color.  There was the read of the Shiraz that Richard had opened the night before.  The burnt orange of the handcrafted cherry table in the hallway.  The glitter of a computer chip, the history of human intelligence shrunk into a capsule.  The muted gold of this leather couch she was napping on.  It made you greedy, intoxicated, made you want to open your mouth and bite into the richness of the world.  It made you want to never leave it, never miss out on a day of this party, this wild carnival ride.”  (page 234 ARC)

Thrity Umrigar not only shares a bit of India’s history with her readers, but she shares some of the religious tensions that pervade Indian society and how it can color the perceptions of people who were once considered friends.  The World We Found is stunning, emotional, and heated in the issues it tackles from religious fanaticism to moral ambiguity and the tenuous bonds between friends and family.  The ties between Laleh, Kavita, Armaiti, and Nishta are unbreakable no matter what tore them apart after college, but the ties between Iqbal and Adish are no less strong, though they seem more complicated by the roles expected of men in their respective religions and Indian society.  Book clubs would have a great deal to discuss after reading this novel and are likely to come away from the discussion with a new perspective on religion and friendship.

About the Author:

Thrity Umrigar is the author of three other novels—The Space Between Us, If Today Be Sweet, and Bombay Time—and the memoir First Darling of the Morning. A journalist for 17 years, she is the winner of the Nieman Fellowship to Harvard University and a 2006 finalist for the PEN/Beyond Margins Award. An associate professor of English at Case Western Reserve University, Umrigar lives in Cleveland.  Please visit her Website.

Also check out my review of The Weight of Heaven.  Enter to win a copy at GoodReads before Sept. 10.

Filed Under: ARC, fiction, Harper Collins, Publishers/Publicists, Read in 2012, reviews, tlc book tours Tagged With: ,

Wayne of Gotham by Tracy Hickman

August 7, 2012 by

Wayne of Gotham by Tracy Hickman is an exploration into the Wayne legacy and its role in Gotham’s early days and its current influence on the city as Bruce Wayne dons a cape and cowl and chases criminals as Batman.  Through a series of flashbacks to the 1950s, Bruce and the reader learn about his father, Dr. Thomas Wayne, and the family secrets.  Bruce is clearly not the only Wayne who has kept big secrets from the rest of the family and the outside world.

The parallels Hickman draws between Bruce and his grandfather, Patrick, are intriguing as both men tend toward the aggressive nature of their personalities and are not afraid to meet violence with violence.  Thomas, on the other hand, wants no part of that violent world, even though his father believes he should be able to defend himself.  However, in Hickman’s novel Bruce Wayne is middle-aged and feeling the impact of his year’s saving Gotham from criminals as Batman, and his reliance on technological advances in his suits and cars tells a far greater tale of this aging hero.

“The garden was dead.  The roses had gone wild and died during the succession of winters without care.  Their gnarled limbs reached up like claws from the edges of the footpaths, which were covered in dead leaves decomposing into dirt.  The prize lilacs his mother had been so proud of now reached up menacingly over the walls.  The garden had gone native, weeds choking and obscuring the careful planning that now lay buried ad barely recognizable.”  (Page 35)

What’s interesting about Hickman’s take on the comic character and his family is that Batman uncovers a past that is not as rosy as he expects about his father.  Dr. Thomas Wayne and his work with Dr. Richter are more than his son can digest in one sitting, but Batman is hardly given the chance to do so as he’s being drawn deeper and deeper into a spider’s trap as ghosts from the past seek to right the wrongs of the past.  Through a series of surprising turns connected to the German Nazis, eugenics, and more, Batman is confronted with a father who is not as perfect as he thought and he must reconcile what he has learned with what he thought he knew about the man.

The criminal mastermind here is slightly obvious from early on, but that is not as bothersome as the incessant talk early on about Batman’s vehicles and gadgets, which don’t necessarily add to the plot especially when the narration focuses on the evolution of the Batmobile from its early incarnations to the present.  However, that’s a minor drawback that fades away once the novel gets going.  Hickman has clearly done his research into several incarnations of the Batman myth, but the plot movement with the entrance of criminals, like The Joker, is abrupt on occasion as their motivations are unclear and the catalyst of their involvement is murky until the end.

Wayne of Gotham by Tracy Hickman is a satisfying read for those interested in the past of the Wayne family and its role in the rise and potentially the degradation of Gotham City.  Warring within each of these men is the duty to do good and the desire to just be free and follow their passions.  The relationship between Thomas Wayne and his father is clear from the beginning, but the relationship between Thomas and his son Bruce is less clear as Bruce himself is unsure how to view his father in light of the secrets revealed.  In many ways, this novel may have worked better as a graphic novel, but Hickman does a good job sticking to the origins of the character and bringing in unique story lines to fill out the ancestry of Wayne family.  By the end of the novel, it would also seem that more needs to be said and uncovered, especially when the second son of Thomas and Martha Wayne is alluded to, but not seen.

About the Author:

Tracy Hickman is a best-selling fantasy author, best known for his work on Dragonlance as a game designer and co-author with Margaret Weis, while he worked for TSR. He married Laura Curtis in 1977, and together they have four children.

This is my 59th book for the New Authors Reading Challenge 2012.

Filed Under: challenges, comic, fiction, Harper Collins, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews Tagged With: ,

Flight From Berlin by David John

July 30, 2012 by

With the London Olympic Games already under way, Flight From Berlin by David John is a novel that can demonstrate the political turmoil beneath even the most beloved sporting event across the globe.  It is set during the 1936 Olympic games in Germany just as Adolf Hitler is gaining more power, and British journalist Richard Denham is fully aware of the brutality the Nazis hope to hide behind the spectacle of the games.  Mrs. Eleanor Emerson is an Olympic hopeful whose father, a senator, is very much against the United States’ participation in the games and who eventually gets kicked off the team when her rebellious behavior aboard ship gets her into all kinds of trouble with her father’s nemesis.  Fate conspires to bring these two together as Emerson is offered a job as a reporter for William Randolph Hearst’s media empire given her connections with the team.

Embroiled unwittingly in a cloak-and-dagger search for a secret that could stop the rise of Hitler, Emerson and Denham run through the Berlin streets, attend society parties, and hide in back alleys as they seek to interview the only Jewish athlete on the German Olympic team.  The rebellious streak of Emerson draws Denham to her, but she’s intrigued by his passion to uncover the truth even without considering the consequences.  John’s prose is quick paced and appropriate for the old world espionage feel of the novel, and the relationship between Denham and Emerson is one of convenience and mutual respect.

“How strange, how small the things that change history, turn it from its darkened course, send it eddying off down new, sunlit streams.”  (Page 2 ARC)

However, the fast-paced nature of the story often takes over too much in that the relationship between Denham and Emerson is not fully realized and when declarations of love occur, it seems to be too soon.  While John does use the cliched oops moment of overhearing a conversation in the garden, the story is intriguing enough to keep the reader’s attention.  Meanwhile, the chapters on the Hindenburg are very well done and demonstrate the awe people at that time would have felt at seeing such ingenuity.

“It was like a film set built from an Erector set.  A gargantuan spider’s web of bracing wires and girders radiated out from the central axis, and looking along the corridor’s length was like seeing infinity reflected between two mirrors.  The air was much colder.

Together they walked along the corridor between towering gas cells, which hummed quietly with the vibration of the engines.”  (Page 66 ARC)

Flight From Berlin by David John provides the right mix of thrill and historical elements to anchor readers into the time between WWI and WWII when Germany was hosting the Olympic games and Hitler was hovering the line between diplomatic peace and alienating the entire world.  Denham, a former WWI soldier, is forced to recall his training and the tragic things he saw during the war, but it also enables him to remain sympathetic to the Jews and others he meets while working in Berlin on his journalistic stories.  Emerson is a socialite who is used to getting her way either through charm or her father’s connections, but she has to learn to be more observant of the world around her and that she has her own strength to get her through.  Another gem in the novel is the notes in the back about what characters were real and which were fictionalized.

About the Author:

DAVID JOHN was born in Wales. He trained as a lawyer but made his career in publishing, editing popular books on history and science. In 2009 he moved to Germany to write Flight from Berlin. He lives in Seoul, South Korea, where he is researching his second novel.

This is my 56th book for the New Authors Reading Challenge 2012.

Filed Under: ARC, challenges, Harper Collins, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2012, reviews, tlc book tours Tagged With: ,

The Rose of Fire by Carlos Ruiz Zafón

July 18, 2012 by

Carlos Ruiz Zafón, author of The Shadow of the Wind, is like many other authors these days in that he is pumping out short stories for digital devices.  The Rose of Fire is one such story, but this story tells the tale of how the Cemetery of Forgotten Books was born at the time of the Spanish Inquisition in the fifteenth century.  The labyrinth of books is an intriguing idea, and Zafón’s prose is at once lyrical and absorbing, transporting readers into another time and place.

As fear and suspicion are around every corner, many Spaniards keep to themselves in the hope that they will be spared the wrath of the church.  Raimundo de Sempere, who knows too many languages to stay outside the church’s suspicion, is a printer who is asked to translate a mysterious notebook found on Edmond de Luna, the only surviving man of a ship left battered and adrift near Barcelona just after a plague has ravaged the city.

“Edmond de Luna could see himself reflected in those eyes that resembled huge pools of blood. Flying like a cannonball over the city, tearing off terrace roofs and towers, the beast opened its jaws to snap him up.”  (ebook)

Zafón has created a tantalizing back story for his series of books about the library, and for those who have not read his previous books in the series, The Rose of Fire serves as an introduction to that fantasy world he’s created in which magic and nightmares come alive.  While the story is enchanting and absorbing, it is likely to leave readers wanting more in the way of character development that would likely come with a longer piece of work.  In many ways, this ebook release achieves its goal of ensuring the reader will look for more of the author’s work, but it seems to be a means to an end only, rather than a well developed short story.  With that said, Zafón is a talented author who creates believable worlds full of adventure and conflict.

About the Author:

Carlos Ruiz Zafón is a Spanish novelist. Born in Barcelona in 1964, he has lived in Los Angeles, United States, since 1994, and works as a scriptwriter aside from writing novels.

This is my 53rd book for the New Authors Reading Challenge 2012.

Filed Under: challenges, Harper Collins, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews, short stories Tagged With: , , ,

Place: New Poems by Jorie Graham

July 11, 2012 by

Place: New Poems by Jorie Graham, who is a Pulitzer Prize winner (1996), is a collection of poems in five parts that is about not just physical places, but also the place points in our pasts and the places in our soul that can define who we are.  Her poetry is clean, clipped, and infused with nature and human perception, espousing the benefits and limitations of humanity.

In part one, the narration talks of places in the moment and in the past and how they change over time based on the perception of the future self.  There is a mother and child, an unspoiled relationship and unspoiled being hovering on the “railing” and in the moment.  Bask in today, the feeling and the being — each poem seems to say.

From "Cagnes Sur Mer 1950" (page 6-8)

How the archway and the voice and the shadow
seize the small triangle of my soul
violently, as in a silent film where the accompaniment
becomes a mad body
for the spirit's skipping images -- abandoned homeland -- miracle from which
we come back out alive.  So here from there again I, 
read it off the book of time, 
my only time, as if in there is a fatal mistake of which
I cannot find the nature -- or shape -- or origin --
From "The Bird on My Railing" (pages 16-19)

From
             the still wet iron of
             of fire
             escape's top
railing a truth is making this instant on our clock
             open with a taut
             unchirping un-
             breaking note -- a perfectly
             released vowel traveling
the high branches across the way, between us and the
             others, in their 
             apartments

There is the moment when life begins — a place — in which at our purest form we are human and untainted.  It is from this moment we are propelled forward, and though we are moving forward in time and in maturity and growth, we also pause to look back to see where we have been.  It is about these places, these experiences of which Graham writes, focusing on observing those moments without judgment.

In the second and third sections of the collection, Graham revisits the notion that “matter is neither created nor destroyed” in that the self is neither created nor innovative because it borrows from its surroundings.  In many ways, humans are on the outside looking in and are intruders to the natural world in some moments.  There are a number of references throughout the collection to plants and generation in these sections, which act as a segue into the next section in which revision occurs and humanity interferes with the natural world.  There is even a revision of the Garden of Eden story here that uncovers the inner thoughts of one resident and the need to grow and experience more than s/he is given.

Place: New Poems by Jorie Graham touches on the inner experience and how “outside” of the world it makes the narrator feel, but it also examines the human need to touch, become, and take over — greedy for it all.  Through an examination of the human relationship to mothers and nature, Graham builds a disconnection between nurturing relationships and the desire for experience and immersion in the world around us.  Finding a place amongst family, nature, work, and the world is a journey all of us take, but not all of us complete.  In many ways, we are only shown slivers of the world outside ourselves and what it means and how it actually is, and even with this knowledge how can we apply it to our own journeys and futures?  The choice is up to us.

About the Poet:

Jorie Graham was born in New York City in 1950, the daughter of a journalist and a sculptor. She was raised in Rome, Italy and educated in French schools. She studied philosophy at the Sorbonne in Paris before attending New York University as an undergraduate, where she studied filmmaking. She received an MFA in poetry from the University of Iowa.

Graham is the author of numerous collections of poetry, most recently Sea Change (Ecco, 2008), Never (2002), Swarm (2000), and The Dream of the Unified Field: Selected Poems 1974-1994, which won the 1996 Pulitzer Prize for Poetry.

You also can check out this review.

This is the 18th book for my 2012 Fearless Poetry Exploration Reading Challenge.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, Harper Collins, poetry, Publishers/Publicists, Read in 2012, review copy, reviews Tagged With: ,

My Dear I Wanted to Tell You by Louisa Young

July 10, 2012 by

My Dear I Wanted to Tell You by Louisa Young is a WWI novel and love story that illustrates the toll that war takes on couples from mere recruits to the officers that give them orders.  Young’s novel examines social and monetary class distinctions, even providing slight nuances to the “poshies” in how they treat the working class.  Truly, this is a love story — the story of Riley Purefoy and Nadine Waveney, childhood sweethearts separated by more than the war.

The narration sets it up so that readers get to know Nadine and Riley in their early years and the timid beginnings of their love, which helps not only anchor the emotional arc of the story but the connection readers feel to them both.  Nadine is from an upper class family with artistic roots — her father is a famous conductor — and Riley is from a working class family.  Both end up under the tutelage of Sir Arthur, a famous artist, who sees potential in Riley and Nadine.  Eventually, they are separated by her parents who refuse to send her to Sir Arthur’s for lessons if Riley is still working there, which ultimately pushes Riley to see his fortunes through a different lens and join the military.

“He had to pull the bayonet out again, which was strange.  And that wasn’t an end:  it was just a moment on a long line of moments, and time went on, and they went on.  He stepped away in a mist of red, a numbness spread across him, a sense of capacity.  He smelt the blood, and took on the mantle of it.  He ran on, screaming, til he found himself alongside Ainsworth, and felt safer.”  (Page 40-1)

The introduction of CO Peter Locke, his wife Julia, and his cousin Rose serve as a juxtaposition to the love of Riley and Nadine, but although Locke’s story is of interest in how the war can change a man, his wife Julia can be trying and insipid — wearing on readers’ nerves.  Julia is self-absorbed to the point that she finds her actions for self-improvement as a way to “do her bit” for the cause by becoming the perfect wife in looks and caring for the household, rather than volunteering to care for the soldiers.  Locke, himself, is more in the background providing support for the soldiers and holding in the horrors and losses he’s experienced, but eventually, his story jumps to the forefront and readers see a broken man wallowing in women and booze.

“If no one won that, after all that, that — if neither side won that, then neither side can win. The war won, and goes on winning.” (Page 125)

Young has the skill and detail to capture the horrors of war from the adrenaline rush of battle to the devastation of losing one’s companions and comrades. She also captures in realistic and devastating description the medical procedures used to reconstruct faces and other body parts of wounded soldiers — so much so, that some readers may squirm in their seats.  The war itself becomes a character taking over all that is good and twisting it, shoving the best bits into the waste bin.  However, the overarching themes celebrate the perseverance of the human spirit and its ability to recover from even the most devastating injuries — no matter if they are physical or emotional.  My Dear I Wanted to Tell You by Louisa Young is by turns endearing and horrifying, and WWI is ever-present in everything these characters face and endure.

About the Author:

Louisa Young grew up in London, England, in the house in which Peter Pan was written, and she studied modern history at Cambridge. She was a freelance journalist and has written ten books, including the Orange Prize–longlisted Baby Love. She is the co-author of the bestselling Lionboy trilogy, which has been published in thirty-six languages. She lives in London and Italy with her daughter and the composer Robert Lockhart.  Check out her Website.

This is my 50th book for the New Authors Reading Challenge 2012.

 

 

This is my 13th book for the WWI Reading Challenge.

Filed Under: challenges, Harper Collins, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews, tlc book tours, WWI Reading Challenge 2012 Tagged With: , ,

Stolen Air by Osip Mandelstam, translated by Christian Wiman

May 24, 2012 by

Stolen Air by Osip Mandelstam, translated by Christian Wiman is a selection of poems from Mandelstam’s entire career translated from his non-native Russian into English.  The introduction is rather long, but with good reason as it strives to capture a poet that was always evolving and striving to breath new life into the Russian language and to provide a voice to those seen as outsiders of the government.  Living through WWI and a Russian revolution, Mandelstam — a Poland born Jew who moved to Russia with his parents — became an exile and later died in a Siberian transit camp in 1938 after being arrested.

“From the inarticulate comes the new harmony.  The lyric poet wakes up the language:  the speech is revealed to us in a new unexpected syntax, in music, in ways of organizing the silences in the mouth.”  (Page XIX)

Mandelstam and Wiman approach poetry in much the same way, according to the introduction — not through word-for-word translation, but through the silences and the music of the lines.  The collection is broken into three sections beginning with his early poems between 1910 and 1925 and ending with the poems written between 1934 and 1937.  Mandelstam’s work is very musical and generally uses a great deal of rhyme and alliteration, but the ways in which these poems are translated, they are neither cutesy nor predictable.

Interrogation (page 21)

Official paper, officious jowls, unswallowable smells
Of vomit, vodka, cells, bowels,
And all these red-tape tapeworms gorging on reports.

Choir, stars, your highest, your holiest silences...
But first, sign here on the dotted line
That they may grant you permission to shine.

The poems are song-like, but ripe with derision for Stalin’s totalitarianism and the control over freedom, which provided many with the guise of free expression that was received at a high price. Mandelstam speaks of a life choreographed by others and punishments that are deeply harsh when spontaneity strikes. His words are like hammers on the chains attached to boulders in prisons of old, making sure the lack of freedom is felt most acutely. From the “legislated” freedoms to the starvation and lack of heat, it is all present in Mandelstam’s roving poetry. He moved from city to city, presumably fleeing the government, and this movement is in poems like “Night Piece” and “Prayer” but it also is in the other poems through their quick imagistic movements from one moment to the next — the narrator always in motion.

Stolen Air by Osip Mandelstam, translated by Christian Wiman is not only about the absence of freedom, but finding that freedom within that totalitarian regime — grabbing onto it, stealing the air to breathe creatively. The narrator has learned to grab onto that stolen air and run with it, traipsing through beauty and finding the music everywhere, even in the darkness.  The translation does not read as such with very few moments where the verse stumbles, and this is the best tribute to a poet — a translator who hears the same music even across time.  Well done and highly recommended.

About the Poet (from Poets.org):

Born in January, 1891, in Warsaw, Poland, Osip Emilievich Mandelstam was raised in the imperial capital of St. Petersburg, Russia. His father was a prominent leather merchant and his mother a teacher of music. Mandelstam attended the renowned Tenishev School and later studied at the Sorbonne, the University of Heidelberg, and the University of St. Petersburg, though he left off his studies to pursue writing. He published his first collection, Kamen, or Stone (1913), when Russian Symbolism was the dominant persuasion.

The Bolsheviks had begun to exert an ever increasing amount of control over Russian artists, and Mandelstam, though he had initially supported the Revolution, was absolutely unwilling to yield to the political doctrine of a regime that had executed Gumilev in 1921. The poet published three more books in 1928—Poems, a collection of criticism entitled On Poetry, and The Egyptian Stamp, a book of prose—as the state closed in on him. Mandelstam spent his later years in exile, serving sentences for counter-revolutionary activities in various work camps, until his death on December 27, 1938, in the Gulag Archipelago.

About the Translator:

Christian Wiman was born and raised in West Texas. He is the editor of Poetry and the author of three collections of poems, Every Riven Thing, Hard Night, and The Long Home, and one collection of prose, Ambition and Survival: Becoming a Poet.

This is the 16th book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

 

 

This is my 41st book for the 2012 New Authors Challenge.

 

 

 

This is my 10th book for the WWI Reading Challenge.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, Harper Collins, New Authors Challenge, poetry, Publishers/Publicists, purchased, Read in 2012, reviews, WWI Reading Challenge 2012 Tagged With: , , ,

The Cottage at Glass Beach by Heather Barbieri

May 21, 2012 by

The Cottage at Glass Beach by Heather Barbieri is about mothers and daughters and sisters and their tension and love filled relationships.  Nora Cunningham returns to Burke’s Island to get away from her scandalous political life in Boston with Malcolm and clear her head in upper Maine. Irish-American immigrant ancestors infuse her memories, memories she barely remembers from her younger childhood of her mother, Maeve, and their life together on the island before her mother’s disappearance. Nora reconnects with her aunt Maire as she begins to find her self — the person she is without Malcolm and the person she’s been deep inside.

“Her mother laughs.  Her voice is as sparkling as light on water.  The folds of her skirt cling to her legs.  She’d dived in fully clothed.  She isn’t like the other mothers with their rules and careful ways.”  (Page 1 ARC)

Nora’s daughters, Annie and Ella — ages seven and twelve — are like Maire and her sister Maeve used to be — one always cautious and one who lives in the moment.  Barbieri’s weaves in Irish folklore about selkies, seals that shed their skin to become humans on land.  These seals play a protective role in the story as they are always just off shore, watching carefully.  Soon, a man, Owen Kavanagh, washes up on shore near Nora’s cottage in the middle of a rainstorm.  But he’s not the only mysterious male on the island; there’s also a young boy named Ronan who befriends Annie.

“Indeed, a shiny head bobbed in the eddies that curled toward the shore, indigo depths between.  The creature met Nora’s gaze directly, its dark eyes wide and oddly human, before the children’s laughter drew its attention once more.”  (Page 18 ARC)

In many ways Ella and Annie act older than they are, but readers will see the toll that potential divorce can have on kids as their father makes a surprise visit to the island.  The island’s oasis atmosphere can be easily disturbed by outsiders, even if the inhabitants are eager to remain in between the past and the future like Nora.  However, how the characters react to those disturbances is a sign of strength and the support of their ancestors.  Barbieri blurs the lines between folklore and reality well here, and readers will be swept up in a cadence of storytelling that is reminiscent of Irish stories.

The Cottage at Glass Beach by Heather Barbieri is an oasis and a safe harbor in which Nora comes to reassess her life and decide how to move on after being deeply hurt by the one man she thought she could trust.  But she also must take into account the feelings and needs of her daughters, which is tough when harboring so much anguish.  A perfect summer read about mother-daughter bonds, bonds between sisters, and redemption.

Check out my review of The Lace Makers of Glenmara.

About the Author:

The author of two previous novels, The Lace Makers of Glenmara, and Snow in July, Heather Barbieri has won international prizes for her short fiction. She lives in Seattle with her family.  Please visit here on her Website and Facebook.

 

 

This is my 3rd book for the 2012 Ireland Reading Challenge.

 

 

 

Filed Under: ARC, challenges, fiction, Harper Collins, Ireland Challenge, Publishers/Publicists, Read in 2012, reviews, tlc book tours Tagged With: ,

Domestic Violets by Matthew Norman

May 1, 2012 by

Domestic Violets by Matthew Norman is written very frankly and is told from the point of view of corporate cube dweller Tom Violet, whose father just happens to be the famous writer Curtis Violet who has just won the Pulitzer Prize for Fiction.  Tom is having marriage problems, hates his corporate job as a copywriter, and continues to have daddy issues; he’s on the precipice.  At work, he cuts into his enemy Greg every chance he gets and flirts with his underling, copywriter Katie.  He’s filling his days with useless interactions and writing that has no meaning for him.  He’s aimlessly adrift, but still wants his father’s approval, but how far is he willing to go to get it.  Will he become his father and chase after younger and younger skirts?  Will he become pretentious and full of himself, while looking down at other writers?  Norman’s character is adrift, but blissfully unaware of it until he loses his job and his thin connections to the “real” world.

“Then I realize that despite what both of them must suspect about me and my abilities as a man, Anna and Allie are looking at me.  They’re waiting for me to do something.  Waiting for me to protect them.  Even Hank is looking at me now, perfectly still, the rigid statue of an ugly little dog.”  (Page 9)

Like the characters his father writes about in his novels, Tom acts on impulse and very rarely worries about the consequences, and in fact, on occasion, thinks that the consequences will be positive.  The banter between Tom and Greg is highly entertaining and almost surreal because in a normal work environment wouldn’t Tom have been fired after how many complaints were filed against him by Greg?

“She tried to read it, but she had to put it down, stunned that she’d married a man who is so bad at writing books.  On almost every page, there’s something egregious to change.  There are typos, cliches, errors in logic, rambling sentences, and narration where there should be dialogue.”  (Page 163)

When Tom uncovers the truth about his family and his father, he’s faced with a hard choice.  He has to either move on and forgive or continue to flounder in self-pity, regret, and indecision to the point at which decisions will be made for him.  Norman has a clear grasp of what it means to be a writer, full of self-doubt and self-confidence at the same time, and his characters are dynamic and incredibly flawed.  Although there are moments when readers will not like Tom or his father, there are other moments where their hearts will soften for him.

How do you domesticate a writer, who is trained to run wild, at least in his imagination?  Domestic Violets by Matthew Norman is about finding peace with oneself and their family even if events are beyond their control and immutable.  It’s an adventure for readers and writers alike, and a true page turner.

***This is a book I picked up thanks to so many great reviews, including those from Booking Mama, Rhapsody in Books, Book Chatter, and Literate Housewife.

Author Matthew Norman

About the Author:

Matthew Norman is an advertising copywriter. He lives with his wife and two daughters in Baltimore. His first novel, Domestic Violets, was recently nominated in the Best Humor Category at the 2011 Goodreads Choice Awards. Read more on his blog or follow him on Twitter.

 

This was a stop on The Literary Road Trip because the author lives in Baltimore and the novel takes place in Washington, D.C., Maryland, and Virginia.

 

 

This is my 34th book for the 2012 New Authors Challenge.

Filed Under: borrowed copy, challenges, fiction, Harper Collins, New Authors Challenge, Publishers/Publicists, Read in 2012, reviews Tagged With: ,

The Auroras by David St. John

April 4, 2012 by

The Auroras by David St. John is broken into three distinct sections:  Gypsy Davy, In the High Country, and The Auroras.  In this triptych of poems, “In the High Country” is flanked by the smaller sections “Gypsy Davy” and “The Auroras” but what ties the sections together is not a cohesive story as in Emma Eden Ramos’ Three Women, but a set of emotions ranging from unrest to pain and melancholy.  Both expressions of a poetic triptych are effective, but St. John’s is a little more subtle in its attempts at cohesiveness.

However, within these subtle lines and images, there are real gems, leaving conclusions and epiphanies with the reader, like in “The Aurora of the New Mind” (Page 4):

Still I look a lot like Scott Fitzgerald tonight with my tall
Tumbler of meander & bourbon & mint just clacking my ice
To the noise of the streetcar ratcheting up some surprise

I had been so looking forward to your silence
& what a pity it never arrived

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But even with these offhand remarks do not end the discourse of the poem; the narrator’s desire for silence is powerful and he has not qualms about uttering it aloud, but is he happy when he receives it or is he unsettled by the granting of that wish? Through subtle images and seemingly forthright comments, the narrator has brought to the surface questions of how when we receive our desires the result may be less adequate than expected. Following that train of thought, “Shopenhauer’s Dog Collar” (Page 14) speaks to the dissatisfying nature of desire fulfilled as Shopenhauer himself did in some of his philosophical works and the disillusionment of that realization in “Three Jade Dice” (Page 8-9):

I wish I could tell you that it's time for coffee
I wish I could tell you that the card table

Carved of onyx & ivory
Supports a life of orgasmic hope & certain prosperity

I wish I could tell you the legs of the piano reach
All the way to the ground as

I wish I could tell you the melody of the forgotten
Is as beautiful as the melody of the desired

“In the High Country” has poems that set the narrator apart from the action of each poem as events and moments — regretful and heartbreaking moments — are witnessed and observed in a helpless state, especially in “From a Bridge” (Page 23), “Waiting” (Page 24), “Human Fields” (Page 32), and “My Friend Says” (Page 34), but in “My Friend Says” the narrator begins to draw comparisons between himself and the subject of the poem or in some cases the “victim” of the events in the poem.

In the final section that mimics the name of the collection, the narrator becomes a mouthpiece of a higher power, speaking to the reader about the glories of the moment and how each is not perishable, but leaves a lasting imprint on the earth even if it is not explicitly seen. But there remains a questioning between the poems, a wondering about what will remain behind once one passes into the next world or simply ceases to exist. There is a reverberation of each person as we pass through the lives of one another, and those “auroras” will live on even after we have passed.

The Auroras by David St. John are at once deceptive in their simplicity and complex in their references to Fitzgerald, Shopenhaur and others, but the arc of the collection is that our beings impact one another and the world around us in even the most unapparent ways. And while we lament the passing of our family, friends, and those who have sought to move on without us to other places and times, their indelible marks remain as do our own.

About the Poet:

Prizewinning poet David St. John is the author of ten collections of poetry, including Study for the World’s Body: New and Selected Poems, which was a finalist for the National Book Award, as well as Where the Angels Come Toward Us, a volume of essays, interviews, and reviews. He is the co-editor, with Cole Swenson, of American Hybrid: A Norton Anthology of New Poetry. He teaches at the University of Southern California and lives in Venice Beach.

***For today’s National Poetry Month Blog Tour stop head over to Diary of an Eccentric.***

Want to win a copy of The Auroras for yourself?  Go enter.

This is the 2nd book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

 

This is my 22nd book for the 2012 New Authors Challenge.

Filed Under: ARC, challenges, Events, Fearless Poetry Exploration Reading Challenge, Harper Collins, national poetry month, New Authors Challenge, poetry, Publishers/Publicists, Read in 2012, reviews Tagged With: , ,

A Lesson in Secrets by Jacqueline Winspear

March 22, 2012 by

A Lesson in Secrets by Jacqueline Winspear is the eighth book in the Maisie Dobbs series of cozy mysteries, but can be read as a stand-alone novel.  Set between the end of WWI and the beginnings of WWII, Dobbs is called upon by the British Special Branch to be their eyes and ears inside the College of St. Francis about events that would cause concern to the Crown.  Once installed as a junior lecturer of philosophy, a murder occurs that sets events in motion and tangles Dobbs in yet another mystery.

Dobbs runs her own private investigation agency in London, but she’s called away to a college in Cambridge on special assignment, leaving the office in the capable and reliable hands of Billy Beale.  Beyond the murder mystery and the search for anything that threatens national security, Dobbs is concerned about her father and her friend Sandra, who has just lost her husband in a freak accident.

“She wound down the window and gave a hand signal to indicate that she was pulling over to the side of the road, thus allowing an Austin Seven behind to pass, followed by the motor car that had been shadowing her for at least half an hour.  As soon as they passed, she turned back onto the road again and began to drive as close to the vehicle in front as safety would allow.” (page 3)

Winspear crafts an intricate novel of mystery that resonates with the reader as Dobbs is a strong woman making her way in a man’s world just after the war has ended and women are struggling to maintain their new found freedom.  Dobbs is a strong woman, though scarred, who is intelligent and observant.  Interestingly, Winspear demonstrates how idle gossip can provide just the nugget of information investigators need to close in on a killer.  While Dobbs is kept in the dark about the knowledge held by government officials, she manages to uncover their secrets and those of other government officials who view her as an inconsequential lecturer.

Although there are three or more stories going on at once, Maisie is always central and she juggles so many tasks with ease — almost like she is superhuman.  Pacifism, the treatment of conscientious objectors, and whether someone’s heritage plays a role in their loyalties are just some of the issues addressed in this novel.  A Lesson in Secrets by Jacqueline Winspear raises questions of how much should we idolize our mentors — after all they are just human — and whether we should vilify those that do not see the world in quite the same way that we do.  Moreover, she tackles the power of the written word and its impact on political parties, soldiers, and average citizens, plus how words can inflame already volatile situations.

About the Author:

Jacqueline Winspear was born and raised in the county of Kent, England. Following higher education at the University of London’s Institute of Education, Jacqueline worked in academic publishing, in higher education, and in marketing communications in the UK.

She emigrated to the United States in 1990, and while working in business and as a personal / professional coach, Jacqueline embarked upon a life-long dream to be a writer.  Find out more about Jacqueline at her website, www.jacquelinewinspear.com, and find her on Facebook.

This is my 19th book for the 2012 New Authors Challenge.

 

 

 

This is my 8th book for the WWI Reading Challenge.

Filed Under: challenges, Harper Collins, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews, tlc book tours, WWI Reading Challenge 2012 Tagged With: , ,

The Harlem Hellfighters: When Pride Met Courage by Walter Dean Myers and Bill Miles

March 1, 2012 by

The Harlem Hellfighters:  When Pride Met Courage by Walter Dean Myers and Bill Miles is a book for ages 9-12 and chronicles the exploits of the “Harlem Hellfighters,” who were African-American soldiers of the 369th Infantry Regiment of World War 1.  Miles writes the preface to the book and talks about his personal connection to the unit and Harlem, eventually becoming the unit historian.

“Hundreds of black men laid down their lives in France because they refused to believe that they were anything but men, worthy of being Americans and representing their country.” (Page IV)

Myers chronicles the presence of African Americans throughout military history starting from the French and Indian War through WWI.  It also discusses the politics in Europe at the time, especially the desire of European nations to colonize developing countries and those nations rich with resources.  Eventually, a division of partners arose, with Britain and France on one side and Germany and Austria-Hungary on the other.  There are detailed accounts of trenches — how they were dug and how many sets of trenches there were and why — and the rise of modern mechanized weapons and warfare.

Once the foundation is laid down, Myers begins to discuss the problem of race in the United States, beginning in 1896 with the Supreme Court decision in Plessy vs. Ferguson, which enabled companies, counties, states, etc. to segregate whites and blacks so long as the facilities are “equal.”  Not only was segregation a problem, but within the black community, men were reluctant to join the National Guard and possibly fight for the United States when they were unable to vote or have the same rights as their white counterparts.  This reluctance was only overcome when a famous black composer James Reese Europe agreed to volunteer for the 15th New York National Guard or 15th Infantry Regiment.  It took organizers in New York at least one year — between 1916 and 1917 — to reach peacetime size of 1,378 men to obtain federal recognition and additional funding.

The true gems of The Harlem Hellfighters:  When Pride Met Courage by Walter Dean Myers and Bill Miles are the historic photos of those volunteering for the regiment, tenement farmers, and more as well as copies of War Department letters, newspaper columns, telegrams, posters, and other documents.  Although some of the military background can be dry, the story Myers tells about the black soldiers and their struggle against segregation and the solidarity they found as part of the Harlem Hellfighters is inspiring.  The stories of Henry Johnson and Needham Roberts offer additional perspective on how black men became soldiers and how they fought once abroad.  There are other stories like theirs as well, and these personal accounts humanize these historical figures.  The struggle against racism and segregation and early war and political background takes up most of the book, with only the remaining third telling the story of the Hellfighters in WWI France.  For the younger age group that this book is aimed at, Myers does well to pinpoint individual soldiers’ stories, but readers of that age would likely pay closer attention to the historical aspects if there were more of these stories.

About the Author:

Walter Dean Myers is a New York Times bestselling and critically acclaimed author who has garnered much respect and admiration for his fiction, nonfiction, and poetry for young people. Winner of the first Michael L. Printz Award, he is considered one of the preeminent writers for children. He lives in Jersey City, New Jersey, with his family.

William Miles was born in Harlem, New York, and has used his deep knowledge and experience of that borough to produce films that tell unique and often inspiring stories of Harlem’s history. Based at Thirteen/WNET in New York City, William Miles produced many films dedicated to the African-American experience that have been broadcast nationwide.  Miles’ interest in creating historical documentaries was nurtured through 25 years of restoring archival films and early feature classics for Killiam Shows, Inc. and the Walter Reade Organization in New York City.

This is my 6th book for the WWI Reading Challenge.

Filed Under: borrowed copy, challenges, Harper Collins, historical fiction, Publishers/Publicists, Read in 2012, reviews, WWI Reading Challenge 2012, young adult fiction Tagged With: , ,