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Graveminder by Melissa Marr

Graveminder by Melissa Marr is creepy and mysterious.  Claysville is a town in which its residents are protected, and there is a peculiar bond between the undertakers and the graveminders.  Not sure what a graveminder is? Readers quickly get an inkling of what they do and how they take care of the dead in the town.  Supernatural beings — both good and bad — are afoot in Claysville, and those that leave the town who were born there are often drawn back by an unnatural force.

“Absently, Rebekkah ran her fingertips over the wood of the desk.  Maylene had refused to let any one refinish it, arguing that the pattern of the scratches and wear marks from years of use made it uniquely hers.  Years leave stories written on every surface, she’d said.  The room, Maylene’s bedroom, was filled with stories.”  (page 112)

Rebekkah Barrow is called back home when her grandmother, Maylene, is murdered, and her on-again, off-again love Byron is there by her side as she buries the only family she has left.  Although Rebekkah is not a blood relative, she’s got a bigger job to do now that she’s returned, and Byron has to help her.  Blood relatives are beside themselves with jealousy, like Cissy, or are indifferent to the situation, like Liz.  And the town is full of people who know a lot more than they are willing to speak about aloud.

Marr has an excellent sense of how to create atmosphere; her novel reads like those dark movies where the fog machines are making everything misty and the characters are left bumbling around in the dark, trying to hold onto some sense of normalcy.  Byron and Rebekkah are surrounded by their pasts with one another and their histories with those in the town, but they must set their troubles aside for the good of the town.  Marr is clearly using an allusion to the Faust and his deal with the devil, but in Graveminder, the town has made a pact with the dead.  The body count gets larger and larger as the Undertaker and his Graveminder learn their craft, but the question is, will the pact be broken or will they find themselves broken by the pact that gave them no choice about who they were to become?

Graveminder by Melissa Marr has an interesting set of characters, though Cissy is a bit too much of a caricature and a little too outrageous in her outbursts.  Readers would almost prefer her to be less but more sinister.  Quick paced, and action packed, but the drama between Byron and Rebekkah could have been more subtle.  Readers searching for a book to curl up with and looking for a bit of paranoia with their late night reading should consider a Graveminder for a companion in the wee hours of the morning.

About the Author:

Melissa Marr grew up believing in faeries, ghosts, and various other creatures. After teaching college literature for a decade, she applied her fascination with folklore to writing. Wicked Lovely was her first novel. Currently, Marr lives in the Washington, D.C., area, writes full-time, and still believes in faeries and ghosts.  Check her out on Twitter, the Web, Facebook, and “like” Graveminder.

 

To see the other stops on the TLC Book Tour, click the TLC Tour Button.

 

 

This is my 7th book for the 2012 New Authors Challenge.

 

 

 

Additionally, this is a stop on The Literary Road Trip since Melissa Marr is a Washington, D.C., resident and author.

The Confession by Charles Todd

The Confession by Charles Todd is the 14th book in the Ian Rutledge mystery series, which usually pertain to The Great War or WWI.  In this book, Rutledge hears the confession of an aging and dying man in 1920 about a murder he committed during the war.  When the body of the man who confesses to murder is found in the Thames, Rutledge’s informal inquiry into the alleged murder is kicked up a notch and has him traveling between London and Essex.  The man had given him a name, which turns out to be false, and the mystery of how this man knows whom he’s accused becomes a mystery in itself.

While set after the war, it is clear that the battles have impacted Rutledge, and many of the men and families he encounters in the book as he unravels the murder mystery.  Todd’s mystery resembles that of Sherlock Holmes, though Rutledge’s Watson is Hamish who died in the war.  Deductions are made carefully from a series of innocuous events and statements from witness, neighbors, and others as Rutledge attempts to trace the heritage of the Russell family in Furnham.  And of course, there are some red herrings.

“The body rolled in the current gently, as if still alive.  It was face down, only the back and hips visible.  It had been floating that way for some time.  The men in the ancient skiff had watched it for a quarter of an hour, as if half expecting it to rise up and walk away before their eyes.”  (Page 1)

Todd’s WWI mystery is set two years after the end of the war, but WWI’s presence is still felt, especially in remote Furnham where the residents like to be left to themselves and don’t take too kindly to outsiders, especially the authorities.  The town felt the presence of the British military keenly when they took over a local farm to build an airfield for fighters and to keep an eye on potential invasion forces.  Shell shock is just one aspect of the war mentioned and show throughout the book, but there also are moments where trench foot is discussed as well as the societal impacts of the war on those families left behind by enlisted brothers, fathers, and lovers.

The Confession by Charles Todd is a compelling historical mystery set just after WWI that will have readers turning the pages eager to see how Rutledge battles his own ghosts while chasing those of the Russell family to solve a number of mysterious deaths and murders.  While part of a series, it can be read as a standalone mystery novel, but readers will be eager to pick up the other books in the series.

 

About the Author (from the Website):

Charles and Caroline Todd are a mother and son writing team who live on the east coast of the United States. Caroline has a BA in English Literature and History, and a Masters in International Relations. Charles has a BA in Communication Studies with an emphasis on Business Management, and a culinary arts degree that means he can boil more than water. Caroline has been married (to the same man) for umpteen years, and Charles is divorced.

Charles and Caroline have a rich storytelling heritage. Both spent many evenings on the porch listening to their fathers and grandfathers reminisce. And a maternal grandmother told marvelous ghost stories. This tradition allows them to write with passion about events before their own time. And an uncle/great uncle who served as a flyer in WWI aroused an early interest in the Great War.

This is my 3rd book for the WWI Reading Challenge.  Also if you participated in the War Through the Generations Civil War Reading Challenge, don’t forget to enter the giveaway.  It ends tomorrow, Jan. 31, 2012.

 

 

This is my 5th book for the 2012 New Authors Challenge.

All the Flowers in Shanghai by Duncan Jepson

All the Flowers in Shanghai by Duncan Jepson is set in 1930s Shanghai and is told by Xiao Feng as she writes down her past, beginning with the courting of her beautiful sister who has been spoiled by her parents.  Her mother’s ambitions lie with her sister, and Feng is on the sidelines watching her sister be paraded in front of other families with prominence in society and wonders where their ambitions will lead.  The prose is easy to read and captures attentions easily with its bright colors and very descriptive settings, but in many ways, the characters initially seem cliched with the older sister demonstrating her importance over her younger sister and treating her poorly and the younger sister simply accepting the treatment.  However, this is a story about Feng and her relationship with her grandfather as much as it is about the ambitions and corruption of a family and its members when disappointment strikes.

“I hope that what I have written in these rough pages of cloth will show you how we were so bound to tradition and history that we could not see what was so obvious and that though I have always loved you, I never understood that love is nothing unless it is expressed.”  (page 2 ARC)

Feng is very naive about the world around her and the traditions that families use to live their lives, but some of the fault for that lies with her parents and her grandfather who sheltered her from the obligations of women in Chinese society.  Her parents focused all of their attentions on her sister and her grandfather kept her in the dark about the realities of life and treated her more like a boy who would have any number of opportunities.  Jepson’s story is like many others about Chinese families with a naive young girl thrust into a married life she does not want and does not know how to navigate.  Feng is transformed into First Wife, and as such, she learns to command staff and even her husband as she holds the family’s fate of having a male heir in her hands.

Readers will see a desperate woman who wants to control her own fate by any means necessary, and unfortunately ends up transforming herself into a corrupt woman with little joy and many regrets.  Jepson’s characters are more like caricatures, with the overbearing father-in-law and mother-in-law, the pliable husband with no backbone, and the servant maid who does as her mistress tells her regardless of the consequences.  Jepson loses some of the pizazz of his writing once the bustling city streets and beautiful gardens fade into the background of the secluded Sang house; readers feel cramped inside the large home’s walls, much like Feng does.  In this way, Jepson has created a very specific atmosphere and controlled environment for his characters to navigate.

All the Flowers in Shanghai by Duncan Jepson is an engrossing tale that has been told a number of times, but his story will keep readers turning the pages.  There will be times when they will shout at Feng to grow up and stop being so naive, but at other times they will shake their heads as she makes regretful choices and begins to care about the most superficial things in life, abandoning the girl she once was.  Its a quick read, but there is a lack of depth in characters and the story seems like one that has been told several times.  However, it is entertaining and enjoyable giving readers a glimpse of a changing China.

About the Author:

Duncan Jepson is the award-winning director and producer of five feature films. He has also produced documentaries for Discovery Channel Asia and National Geographic Channel. He was the editor of the Asia-based fashion magazine West East and is a founder and managing editor of the Asia Literary Review. A lawyer by profession, he lives in Hong Kong.

Check out the other stops on the TLC Book Tour by clicking the tour host icon.

The Tiny Book of Tiny Stories Volume 1 edited by Joseph Gordon-Levitt

The Tiny Book of Tiny Stories Volume 1 edited by Joseph Gordon-Levitt (I found at Bermudaonion and had to check out) is a collection of short stories and illustrations. hitRECord is an open, collaborative website joining musicians, authors, illustrators, and other artistic people in the creative process. The book itself is short with a mere 83 pages, very little text, but engaging images.

Some of these stories are witty and play on old wives tales and sayings, while others use text as an image to convey their messages.  A quick read over the holidays or during a waiting room jaunt at the doctor’s office, this slim volume will provide moments of amusement and fun, but there also are moments of sadness when the sun comes out to play and his friends disappear.

For a collaborative project, it would seem that there is something missing, particularly since musicians participate in the collaborative.  It’s almost as if the book should be an ebook with sound to accompany the images enclosed between the covers.  The volume is just one in a series of books planned, and may work better on the website rather than in book form.

However, that is a minor criticism given the inventiveness of the stories and the collaboration that has taken place to create the volume.  The Tiny Book of Tiny Stories Volume 1 by Joseph Gordon-Levitt is mostly aimed at an older audience, but certain stories could be read aloud to kids for their enjoyment and discussion with parents about the meanings behind the words and pictures.

This is my 75th book for the 2011 New Authors Reading Challenge.

Quilting the Black-Eyed Pea by Nikki Giovanni

Quilting the Black-Eyed Pea by Nikki Giovanni hums with the rhythm of spoken word poetry and the jazz of human experience.  Each poem carries with it an essence that reflects the Black experience from the capture and transportation of slaves and what that should teach us about how to treat people to the lessons we carry with us once our relatives die.  Her poetry is frank and honest, but it pulls no punches to ensure that readers understand that there are deep wrongs that can be learned from as long as we are willing to look at them closely.  It may be difficult to review past transgressions without jumping to defend or shy away from shame, but her poems cause you to meet those challenges head on and to learn from our own follies.

At other times, her verse decries the blind eye that we turn every day to our own situations and histories, wishing that there were a different outcome or social norm.  Giovanni’s poems focus a bit on the Black experience, but in many ways her verse and perspective transcends beyond those parameters to reach out to all of humanity.  From “Possum Crossing” (page 5), “All birds being the living kin of dinosaurs/think themselves invincible and pay no heed/to the rolling wheels while they dine/on an unlucky rabbit//”

Giovanni also takes her readers on a historic journey through the struggle for civil rights and equality in poems dedicated to Gwendolyn Brooks and poems about Martin Luther King and more.  Her poems aren’t just about the past, but about contemporary people and events and the strength and conviction they display.  Her poems range from the traditional free verse to the narrative prose-like poems that read like a stream of consciousness.

From “Symphony of the Sphinx” (page 19):

“I have to remember Africa each night as I lay me down to
sleep The patchwork quilt my Great-Grandmother patched
one patch two patches three patches more I learned to count by
those patches I learned my numbers by those patches the ones
that hit and the many thousand gone I learned my patience by
those patches that clove to each other to keep me warm”

Giovanni’s imagery and matter-of-fact tone tells it like it is without pretense, and readers will take a journey with her through her own life experiences.  “Talk to me, Poem . . . I’m all alone . . . Nobody understands what/I’m saying . . . ” from “Shoulders Are for Emergencies Only” (page 15) is a lament that resurfaces, but readers nod in agreement as Giovanni expresses each observation.  “We hear you,” they will say.  There is a patchwork of poetry here that weaves history with the present and struggle with joy to generate the warmth family, friends, and life can bring.  Quilting the Black-Eyed Pea by Nikki Giovanni is sensational and touching.

Books & Interviews With Nikki Giovanni:

This is my 33rd book for the Fearless Poetry Exploration Reading Challenge.

A Train in Winter by Caroline Moorehead

A Train in Winter by Caroline Moorehead strives to shed light on the occupation of France by Germany during World War II and the rise of the French Resistance, particularly the role of women within the resistance.  Of the 230 women who were arrested and sent to Auschwitz in Poland, less than 50 survived, and seven were alive when Moorehead began researching and writing this account of their story.  Impeccably well researched, the book takes readers behind the scenes of the French Resistance, and in many ways the level of detail presented can be overwhelming, especially for those not well acquainted with the ins and outs of the time period.  However, this iteration of facts, times, places, and events serves to demonstrate just how confusing a time the German occupation of France was for those who lived it and sought to overcome it.

“In a rising mood of hostility and mockery, they went around repeating their favourite jokes.  ‘Collaborate with the Germans?’ went one.  ‘Think of Voltaire . . . A true Aryan must be blond like Hitler, slender like Goring, tall like Goebbels, young like Petain, and honest like Laval.’  Another started with the question:  ‘Do you know what happened?’ At 9.20, a Jew killed a German soldier, opened his breast and ate his heart!  Impossible!  For three reasons:  Germans have no hearts.  Jews don’t eat pork.  And at 9.20 everyone is listening to the BBC.'” (page 34 ARC)

Clearly, Moorehead’s forte is in biography and she is deft at handling facts and ensuring that they are well explained in accordance with interrelated events and moments in time, but the text is often dry and tough to remain engaged in.  However, even among these facts, there are pockets of emotion where mothers decide to ship their children to foster families or relatives outside Paris so that they can continue working with the Resistance without endangering the lives of their children.  Still others opt to include their children in the fight to restore a free France.  Moorehead fills in some of the history and familial background in for certain women, but in a way, this litany of facts detracts from the ability of the reader to connect more emotionally to these women.

“Half a litre of black coffee in the morning watery soup at midday, 300 grams of bread — if they were lucky — with either a scrape of margarine, a bit of sausage, cheese or jam at night, was not enough to stop the women’s bodies shrinking and feeding on themselves, the fat disappearing first and then the muscles.  The food never varied.”  (page 203 ARC)

It is not until part two that some readers will become truly engaged in the story as the women are tortured and learn to cope with their sparse surroundings at Auschwitz.  The bravery and solidarity of these women is phenomenal.  Unless readers are willing to wade through the political ins and outs of the early French Resistance and occupation of France and the French police’s collaboration with German occupiers, they may not make it to the more engaging and heart wrenching parts of the story.  Moorehead has chosen to tell a true story and to ensure that those who were present have their say in how that story is told, but it may have served better for the story to focus on just a few of the women from the beginning, allowing them to be the face of the others’ struggles.

A Train in Winter by Caroline Moorehead is a tale of survival that needs to be told and remembered.  As one of the women from the resistance said after having survived cancer longer than expected, “Surviving is something that she is very good at.”  (page 6 ARC)

 

To visit the other stops on the TLC Book Tour, click the icon on the left.

 

 

About the Author:

The author of numerous biographies and works of history, including Gellhorn and Human Cargo, Caroline Moorehead has also written for The Telegraph, The Times, and The Independent. The cofounder of a legal advice center for asylum seekers from Africa, she divides her time between England and Italy.

 

This is my 74th book for the 2011 New Authors Reading Challenge.

The Scrapbook of Frankie Pratt by Caroline Preston

The Scrapbook of Frankie Pratt by Caroline Preston is just that, a scrapbook of a young woman in the 1920s who is striving to make something more of her life than simply becoming a wife and mother.  Following WWI, many things have changed as women seek greater liberty from their “normal” lives — seeking suffrage, going to college, having careers.  Of course, there are boys and men because women always seek companionship, but educated women are looking for equals in a relationship, not a child to care for and guide.

Frankie Pratt has a deep sense of loyalty and responsibility to her mother, but at Vassar she becomes more independent and self-reliant after a few stumbles.  While this book is told through images and very little text, readers can see how Pratt grows from a naive young woman with big dreams into an educated woman with even bigger dreams.  It’s just plain fun to journey with Pratt from New Hampshire to Vassar College and from college to New York City and Paris.

Preston incorporates typewriter-written text among a variety of newspaper and magazine cut outs, paper dolls, photographs, and other elements to tell Pratt’s story.  The scrapbook creates a fairy tale like quality to the story, which is just how it should be given Pratt’s adventures.  One aspect of the book that’s missing is textured pages and more tactile scrapbooking materials or some semblance of that feeling readers would get with an actual scrapbook.  However, that’s a minor complaint given that the author easily captures readers’ hearts with little text and very visual pages.  The Scrapbook of Frankie Pratt by Caroline Preston represents a snapshot of one young woman’s life at a time when things are quickly changing for women and the world.  It’s a little powerhouse of intimate moments that coax emotional attachment and pure joy.

About the Author:

Author of the New York Times Notable Book Jackie by Josie, Caroline Preston pulls from her extraordinary collection of vintage ephemera to create the first-ever scrapbook novel, transporting us back to the vibrant, burgeoning bohemian culture of the 1920s and introducing us to an unforgettable heroine, the spirited, ambitious, and lovely Frankie Pratt.

Check out this video about the making of the scrapbook.

This is my 73rd book for the 2011 New Authors Reading Challenge.

Mental_Floss The Book: Only the Greatest Lists in the History of Listory Edited by Ethan Trex, Will Pearson, Mangesh Hattikudur

Before I get to today’s review, I want to wish all my U.S. readers a Happy Thanksgiving. It is a holiday that should be shared with friends and family, and if possible please consider volunteering some of your time or food to those in need this season.

I hope everyone has some great food and fun with friends and family. Have a great holiday. My family will be joining Anna’s for some dinner and fun.

Ok, now for today’s review, which would make an excellent gift for the trivia buffs in your life.

Mental_Floss The Book: Only the Greatest Lists in the History of Listory edited by Ethan Trex, Will Pearson, and Mangesth Hattikudur is a collection of lists that span the 10 years that Mental_Floss has been in the business of collecting information that is odd, off-the-beaten path, and just down right funny.  The Website has not only trivia games, but also quizzes, blogs, and amazing facts (Here’s one of my favorites, especially since Muppets are the order of the day in my house these days — particularly Elmo)

The lists included in this book range in topics from impressing diplomats, presidents or other important people to how to lighten the mood in the emergency room.  There are lists for nearly every occasion.  Naturally, readers and writers will enjoy the list entitled “Lists for People Who Can’t Write Good,” which tells a tale of writers betting that Ernest Hemingway (though it may have been another writer) could not write a six word sentence that was a complete story with a beginning, middle, and end.  In the end, the other writers lost when the sentence written said, “For Sale.  Baby Shoes.  Never worn.” (page 183)

Another of the most witty entries in the collection is “What 10 Fictional Characters Were Almost Called,” which includes anecdotes about Bram Stoker, Gone With the Wind, and other famous novels’ and authors’ characters.  The editors also have lists of alternate names for famous novels, like 1984 and The Great Gatsby.  There are also famous words that were created by authors, Latin terms that you think you understand the meaning of, and little known stories about some famous writers.  Another of my favorites are the phrases attributed to Mark Twain that he actually did not say, like “It is better to keep your mouth shut and appear stupid than to open it and remove all doubt,” and phrases he did say, such as “Never put off till tomorrow what may be done day after tomorrow just as well.”

Mental_Floss The Book: Only the Greatest Lists in the History of Listory edited by Ethan Trex, Will Pearson, and Mangesth Hattikudur will whet anyone’s appetite for knowledge and fun facts to impress their friends with or to just have fun.  Trivia fans would love to add this to their collections, and readers should consider putting this on their wish lists this holiday season.  Flex those brains and join the fun.

More ways to Mental_Floss:

For more with mental_floss, become a fan on Facebook, follow them on Twitter, and visit their website: www.mentalfloss.com.  And of course, don’t forget to take the quiz on their Facebook page!  Or take it below:

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Does the Noise in My Head Bother You? by Steven Tyler With David Dalton

Does the Noise in My Head Bother You? by Steven Tyler with David Dalton is my first rock n’ roll memoir.  Steven Tyler, lead singer for Aerosmith, always struck me as very Bohemian, and he even says as much in his memoir.  Readers will be surprised to find that the memoir is Steven Tyler telling his story and not some writer’s idea of what his story should sound like.  It’s not prettied up.  As the pages turn, readers will find that Tyler remembers a great many details, even street names and house/apartment numbers.

(Aerosmith was considered a Boston band, and many were thrilled when the band set up Mama Kin Music Hall.  The band was often considered the bad boys of Boston, and the closure of the club caused some angst among followers who felt the band had snubbed its nose at the hometown.  But I digress.)

There is a no-holds-barred quality to the writing and the story in this memoir, but that’s just how readers would want it.  From his early influences of piano played . . . more like breathed . . . by his father to his drug use and religious upbringing as a Bronx native who summered in New Hampshire, all sides of Steven Tyler are exposed.  His childhood seemed pretty typical for any boy with artistic parents, with summers in the country, a love of animals, hunting and fishing, and being overzealous about girls and just about everything.  His family moved to Yonkers and he was enrolled in a private school.

Tyler’s memoir is a bit of back and forth as memories seem to crop up and send him off in new directions, but readers will get a good sense of how he is on a daily basis with this kind of narration.  Drinking, drugs, and girls are his main vices, but the music is a constant as he jams with his father’s band as a young teenager on drums and eventually grows into his own as a musician.

Tyler loves capitalizing words for emphasis and he does “talk” to himself from time to time.  Readers put off by swears and other vulgar language may find the memoir to gritty, but for a rock n’ roll artist, what else can be expected.  An unexpected surprise throughout the book are snippets of poems, though it is not clear when exactly they were written or why.  Readers also will learn about musical terms from dissonance to fifth notes, etc.

Does the Noise in My Head Bother You? provides readers with an inside look at what it means to be a rock musician, what makes them great at what they do, and how they can maintain their success over the long term in spite of the downfalls and obstacles they face.  Steven Tyler offers more than just an inside look at his life; he’s offering an inside look at music, artistry, and the drive to succeed along the way.

 

This is my 58th book for the 2011 New Authors Reading Challenge.

 

 

 

Seeking help at a drug abuse treatment center is necessary for people who have been abusing drugs for a long time.

Enemy Women by Paulette Jiles

Enemy Women by Paulette Jiles is set during the U.S. Civil War in Missouri, which is torn apart by Union ties and Confederate rebel robberies and mischief.  Adair Colley’s father is taken by Union militia on suspicion of helping rebels, and the union soldiers have ripped through their home and taken many of their belongings.  Following the capture of her father, she and her sisters walk to inquire about their father’s imprisonment and to possibly barter for his freedom.  However, along the journey, Adair’s tactless mouth gets her in trouble and she is imprisoned in St. Louis and her sisters flee to relatives.  The novel is about the civil war peripherally and directly and how it impacts Adair and her life.

“There will be trouble in Missouri until the Secesh are subjugated and made to know that they are not only powerless, but that any attempts to make trouble here will bring upon them certain destruction and this . . . must not be confined to soldiers and fighting men, but must be extended to non-combatant men and women.” (Page 1 from beginning correspondence)

Jiles peppers the beginning of each chapter with “authentic” correspondence and dispatches from union and confederates alike, as well as from ordinary people.  On some occasions, these passages speak directly or indirectly to the action in the chapters they precede, but on others they do nothing more than offer additional background to the war and its terror.  They do provide a certain authenticity to a novel that is more fanciful in nature as Adair seems younger than her 18 years.  She sees the world as a young girl who believes that justice always prevails, and despite the challenges she faces, she seems unable to let go of her naivete.  She often is surprised by how people act and react, which she finds extremely disappointing.  Unfortunately, not much changes with Adair’s character throughout the book.  At times, she can be cunning and quick to make decisions that are beneficial, but at other times, she’s fumbling around and unable to be courageous.

“Do you not want out of here? He said.  He seized up the papers.  You think perhaps you care for me.  Would you care for me if you were not here? And dependent on my good will?” (page 126)

Jiles does have her moments where she demonstrates the changes in Missouri from farmland and traditional ways of life to a more industrialized and modern society.  Questions also are raised about whether Adair would have fallen in love with a union soldier had the war not taken place and they were not thrown together.  Readers may enjoy the plight of Adair, but they also may grow frustrated with her lack of growth and the plodding nature of the prose throughout the book.  War scenes only occur once or twice in the book, and while most of the book is about Adair and her journey, there are a couple of chapters thrown in that focus only on Major Neumann after he is sent to the war front from the St. Louis prison where Adair is held.

Enemy Women by Paulette Jiles illustrates the transitions Missouri and its people endured as a result of the war and its aftermath, and the harsh conditions the war brought to union and confederate alike is well depicted.  However, dialects and uneducated speech are not done well, and there are no quotation marks at all.  Moreover, the characterizations falter in several points in the book, and there are some convenient plot devices used to get Adair where she needs to go and to save her from discovery.  The ending left a great number of unanswered questions given the cryptic prose used by Jiles in the final moments of Adair’s story.  While Enemy Women by Paulette Jiles didn’t work most of the time, readers interested in the social impact of the U.S. Civil War might enjoy the story.

Please do check out the discussion for the read-a-long on War Through the Generations if you’ve read the book.

 

This is my 47th book for the 2011 New Authors Reading Challenge.

 

 

This is my 2nd book for the U.S. Civil War Reading Challenge 2011.

 

 

Ideal Cities by Erika Meitner

Ideal Cities by Erika Meitner, whom I interviewed in 2009, was published in 2010 by Harper Perennial as part of the National Poetry Series selected by Paul Guest. The collection is broken down into two sections: Rental Towns and Ideal Cities.  Rental towns appears to be at first glance about the transient nature of apartment or rental living, but on a deeper level its about the transient nature of our lives and how quickly we all want to grow up and become adults.  There zipping through memories and moments reminds us that our childhood moves too quickly and so innocence is gone before we realize it.  “The windows on the soon-to-be luxury/condos across the way say things/to the darkness I can’t hear.  Sometimes/they’re blocked by the train masticating/its way across town.  Now and then//” (from Vinyl-Sided Epiphany, page 5-6)

Each poem is ripe with stunning imagery, like in “January Towns” (page 38-9),  “. . . Sometimes the light/above the clouds winks out a full-size replica/of our lives.  We are crystals of frozen water;//”  Not only is life transient in nature as we move from one moment to the next, but it is also frozen in time for us to review at anytime in our memories.  A bit of us, as we were is frozen, captured.  We seek to capture those moments not only in our minds, but in photos and videos, and in some moments we see ourselves in the past and wonder who those people are.  From “Poem With/out a Face” (page 16-7), “Desire is serendipity,/is pity, is blind,is danger,is not/obligation, is poking the most/alien thing with a stick to see/if it stirs and clings, the way/”  Some memories are clearer than others, which is true even of those moments in our lives that we thought we’d remember forever through a clear, clean lens, only to find the lens is murky and obscured.

In the second section, “Ideal Cities,” Meitner’s poems are not about a utopia in the true sense of the word, like a world without crime, etc., but they are about the communities that reside in each city, with their diversity, quirkiness, and pain.  There are a great deal of images in these poems that pay homage to the sounds of cities, from construction equipment to the silence of social networking.  This section is smaller than the first, but tackles tougher subjects like the Holocaust, though both sections glance at pregnancy and birth.  From “Elegy With Construction Sounds, Water, Fish” (page 75-7), “There is music, and there is music./There is water from a plastic pitcher/hitting slate pavers, silenced by skin./There are valleys with houses tucked/into them and something trilling/”  From birth to death and city to the suburbs, Meitner’s focus is on the journey that life takes, even its most devastating parts.

Meitner’s poetry has a quickness that illustrates the transient nature of the modern world, and her poems beg the question of whether modernity is ideal or whether suburbia is ideal.  Readers will examine each of these poems and discover that the answer to that question lies within themselves.  The poet endorses neither one nor the other, but she does examine the old world versus the new world.  Ideal Cities by Erika Meitner is an enigmatic collection with moments on clarity and stunning imagery that highlights the transient nature of the modern world whether you live in the city or in suburbia.

Also check out the poem from this collection that was under discussion in the 109th Virtual Poetry Circle.

© Photo by Steve Trost, 2009

About the Poet:

Erika Meitner was born and raised in Queens and Long Island, New York. She attended Dartmouth College (for an A.B. in Creative Writing in 1996), Hebrew University on a Reynolds Scholarship, and the University of Virginia, where she received her M.F.A. in 2001 as a Henry Hoyns Fellow. Meitner is a first-generation American: her father is from Haifa, Israel; her mother was born in Stuttgart, Germany, which is where her maternal grandparents settled after surviving Auschwitz, Ravensbruck, and Mauthausen concentration camps

She is currently an Assistant Professor of English at Virginia Tech, where she teaches in the MFA program, and is also simultaneously completing her doctorate in Religious Studies at the University of Virginia, where she was the Morgenstern Fellow in Jewish Studies.

 

This is my 21st book for the Fearless Poetry Exploration Reading Challenge.

 

This is my 43rd book for the 2011 New Authors Reading Challenge.

109th Virtual Poetry Circle

Welcome to the 109th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2011 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please contribute to the growing list of 2011 Indie Lit Award Poetry Suggestions, visit the stops on the National Poetry Month Blog Tour from April.

Today’s poem is from Erika Meitner‘s (I interviewed her in 2009) Ideal Cities:

O Edinburgh (page 18)

it was night & we were always drunk
    or it was day (gray day) & I'd buy
              boxes of clementines on my way
    from school & keep them outside
my window on the sill so they'd stay
    cool -- O Edinburgh, where we'd
              mash ourselves together on that shelf
    of bed after you lined up shoes
to toss, one by one, at the heater
    on the wall -- open coils that glowed
              orange for 15-minute increments
    like a toaster, & when you'd hit
the button your shoes would thud
    like large fish tails slapping the sides
              of a boat & we rose with the wind's
    current, its November brogue, &
O Edinburgh, it spoke in tongues,
    flapped doors open & shut, howled
              until I couldn't remember exactly
    what happened in the dark except
that we curled ourselves up into
    the smallest specks until I wept
              over a horoscope & someone else's
    tattoo & I never loved you because
I was a wall of a city I had never been to

Let me know your thoughts, ideas, feelings, impressions. Let’s have a great discussion…pick a line, pick an image, pick a sentence.

I’ve you missed the other Virtual Poetry Circles. It’s never too late to join the discussion.