Quantcast

The Neruda Case by Roberto Ampuero, Translated by Carolina de Robertis

June 18, 2013 by

Source: Riverhead Books, Penguin
Paperback, 374 pages
I am an Amazon Affiliate

The Neruda Case by Roberto Ampuero, translated by Carolina de Robertis (see my review of Perla), is set just before the dictatorship of Augusto Pinochet in Chile when Castro is in power in Cuba and Germany has been cut in half by the wall.  Cuban exile Cayetano Brulé has left Miami with his wife, Maria Paz Angela Undurraga Cox, for her home in Chile, but he continues to feel out of place as no one trusts a Cuban and he cannot find work.  Meanwhile, his wife is increasingly engaged in the reform movement in the country, while at the same time she is pulling away from her husband.  Wandering in a strange country with bad coffee, Cayetano unwittingly bumps into Pablo Neruda at a party in a library and shortly receives an offer he cannot refuse.

“The door was made of knotted wood.  It didn’t open.  He stroked the old bronze knocker, put his hands in the pockets of his fleece jacket, and told himself that all he could do now was wait.  He exhaled wafts of white breath into the overcast winter morning and thought, amused, that it looked as if he were smoking, even though, in this city, there were no more matches or cigarettes.”  (page 12)

Brulé is a man that is transformed by his business relationship with Neruda, who hires him to uncover the truth about his past that haunts him, but this relationship evolves into admiration and a personal connection that transforms Brulé into a confident detective.  Not only is the novel about finding solace, it also is about one man’s journey home.  Neruda was a complex man and legendary, and the author clearly admired the poet and held him in high regard, but the novel also demonstrates that even the most legendary of us have flaws.  It is those flaws that make us who we are, ensuring that those who love us are constantly challenged.  By the time Brulé meets Neruda, he is already a legend and Nobel laureate, and Neruda knows it and revels in his success — so much so that it becomes a crutch for any mean moment or poor decision in his life:  “I did it for my art.”

“‘Because if poetry transports us to the heavens, crime novels plunge you into life the way it really is; they dirty your hands and blacken your face the way coal stains engine stokers on trains in the south, where I was born.'”  (page 24)

“‘The casualties of our good fortune are a terrible thing, Cayetano.  But the road to personal happiness is paved with the pain of others.'”  (page 130)

Ampuero’s novel is a detective novel wrapped up in literary and historical fiction that depicts a turbulent time in Chile’s history, but also a time of idealism on the part of Neruda and President Salvador Allende.  The Neruda Case transports the reader back in time and paints a picture of idealism and its failures, but also its continued promise of hope.  Ampuero’s portrayal of Neruda is as complex as the man himself, and his detective is a man that readers will become emotionally attached to and cheer on in his mission.  One of the best, sweeping novels I’ve read this year.

**On a side note, I was pleased to find that Ampuero lived near Neruda’s home La Sebastiana as a boy and regrets that he never had the courage to knock on the poet’s door.**

About the Author:

Roberto Ampuero is an internationally bestselling, award-winning author. He has published twelve novels in Spanish, and his works have been translated around the world. The Neruda Case is his first novel published in English. Born in Chile, Ampuero is a professor of creative writing at the University of Iowa and currently serves as Chile’s ambassador to Mexico. He lives in Mexico City and Iowa City.

 

This is my 37th book for the 2013 New Authors Challenge.

Filed Under: challenges, historical fiction, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2013, review copy, reviews Tagged With: , , ,

Joy for Beginners by Erica Bauermeister

June 5, 2013 by

Source: borrowed from Anna
Paperback, 269 pages
I am an Amazon Affiliate

Joy for Beginners by Erica Bauermeister is the perfect summer read, and while summer may be a few weeks away yet, this book hit the spot.  A group of friends came together unexpectedly from different walks of life and varied backgrounds and families, with some divorced, others perpetually single, and even a few happily married and content with family life.  These women — Daria, Marion, Sara, Hadley, Caroline, Ava — came together at first to help out Sara, a mother with twins and not enough hands, through a baby holding circle.  Once the twins grew old enough and Sara adapted to her new role as a mother of three, the women turned to another challenge, helping Kate through chemo and her battle with cancer.  As her daughter challenges Kate to take on the rapids of the Grand Canyon, she challenges all of these supportive women to face their own fears and challenges, and luckily each of them agrees.  From baking bread to getting a tattoo, these challenges are as varied as the women who must accomplish them.

“Two months later, Henry came into town just in time for Thanksgiving, bringing with him the smells of travel, cigarette smoke from a crowded train in Poland, yeast from a bakery in Alsace-Lorraine.  The toys he brought the children were not made of plastic; the music he hummed was nothing she recognized.  He was her twin, and looking at him she had never felt more as if he was her second half, the one she had sent out into the world while she stayed home.  She felt as if she could not stand close enough to him, listen to his stories long enough, as if doing so would make her a complete person again.” (page 107 ARC)

Like Bauermeister’s previous and current books that focus on people and food, so does Joy for Beginners, and in many ways all of her books center on the theme of learning to enjoy life and make the most of it.  Rediscovering what it means to be alive is at the heart of this novel, and it was a wonderful ride to see these women conquer their fears and face the challenges before them.  Like her previous books, readers will taste and smell the foods the women eat and find; they’ll smell the perfumes and scents around them; and they’ll experience the joy, surprise, and invigoration each of these women find.

Each of these women’s stories reads like a separate short story, but what makes this novel work are the connections these women share with one another and between themselves.  Kate and Sara may have brought these women together to nurture them and be their rocks of support, but its the connections that they continue to build together that propels these stories onward and deepens the ties that bind them together.  Readers are likely to want to see more from these women as their stories seem to be just beginning.  Joy for Beginners by Erica Bauermeister is uplifting, fun, and reflective, but it also demonstrates the perseverance of the human soul despite the challenges of life that can seem overwhelming.

About the Author:

ERICA BAUERMEISTER is the author of The School of Essential Ingredients (my review) and The Lost Art of Mixing (my review).  She lives in Seattle with her family.  Check out her Facebook page.

Filed Under: borrowed copy, fiction, Penguin, Publishers/Publicists, Read in 2013 Tagged With: ,

The Last Van Gogh by Alyson Richman

May 21, 2013 by

Book Source:  Library
Paperback: 308 pages
I am an Amazon Affiliate:

The Last Van Gogh by Alyson Richman, which was our May book club selection (unfortunately, I missed this meeting due to obligations at the 2013 Gaithersburg Book Festival), is based on true events in near the end of Vincent Van Gogh’s life in Auvers, France, in the 1890s.  Told from the point of view of Marguerite Gachet, a story unfolds not so much about Van Gogh but about the cloistered life of a young woman trapped inside her own family home by not only an overbearing and controlling father, but also family secrets.  More than that, it is a tribute to an artist and the tension between that art and the desire to have a normal life, as well as the struggle between family obligation and one’s own desires.

“For a home that had so many colors and vibrant paintings on its walls, there were still so many shades of gray between us.”  (page 182)

Richman does really well in using painting techniques and colors to describe the scenes in Auvers, and it is almost as if the reader has stepped inside one of Van Gogh’s paintings and is walking around among the village’s people.  Another surprising element is that the chapter headings, which often appear in some translated works, are less in-your-face about each chapter’s contents.  The headings also add to the atmosphere of the novel, reinforcing the painting and French aspects of the novel.

“I had gone out to do my errands, as I always did in the early afternoon.  It was a warm, radiant day in May.  The sky was cornflower blue, the sun the color of crushed marigolds.  I have to confess that I walked a little slower that day when I passed by the station.  I knew approximately which train he would be arriving on.  So I walked with smaller steps than usual, carrying my basket of eggs and my loaves of bread.”  (page 1)

From the moment readers meet Marguerite, they can see her rebellious nature, even though her daily tasks showcase her obedience to her father at every turn.  When the secrets begin to unravel, she finds herself less torn between duty and desire and more willing to follow her own mind and heart, even if it means getting caught.  Her father is the most irritating and self-absorbed character as he seeks to ingratiate himself into the artistic community by claiming his tinctures are actual cures.  And the son, Paul, is just as bad as he attempts to please his father at every turn and garner his favor.  The only way he can gain that favor is through Marguerite’s downfall, which she brings about on her own during her fateful meeting with Van Gogh.

The Last Van Gogh by Alyson Richman is a rich story in character, setting, and nuance.  Van Gogh’s perceptive nature as an artist shines through in his painting of Dr. Gachet as an aging man with sallow features, but it also shines through in his paintings of Marguerite at the piano and in the garden.  A love story in painting that comes alive with each brush stroke, only to be mired by the rain streaked canvases touched by tinctures that are misused and the controlling desires of a man torn between propriety and his obsession with art.

About the Author:

Alyson Richman is the author of “The Mask Carver’s Son,” “The Rhythm of Memory (formerly published as Swedish Tango),” The Last Van Gogh,” and the national best-seller, “The Lost Wife.” She loves to travel, cook, ride her yellow bicycle, and do ballet. She currently lives in New York with her husband and two children.

This is my 33rd book for the 2013 New Authors Challenge.

Filed Under: borrowed copy, challenges, historical fiction, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2013, reviews Tagged With: ,

The Collected Poems of Marcel Proust edited by Harold Augenbraum

May 7, 2013 by

The Collected Poems of Marcel Proust edited by Harold Augenbraum includes not only the original French alongside the English translations of the poems, but also detailed notes on the various references and historical context for each of the poems at the end of the collection. As an interesting addition, there are a few of the original drawings that Proust sent along with the poems in his correspondence.  Proust is generally known for his prose, and most people don’t know that he wrote poems.  (While I’ve read some of his poems before, I have not read his prose.  I’m a bit out of the norm.)  “The poems were composed from when Proust was seventeen to when he was fifty,” says the introduction on page xvi.  That’s a long period of time, and there are a great many poems.  How many of these poems were written down in one moment or revised is unclear, but some of these poems clearly were further along in the process.

Proust’s poems range from witty to plainspoken and sarcastic.  Some of his poems about love border on the edge of passion and hatred, and there are moments in certain poems that may remind readers of the great Romantic poet Percy Bysshe Shelley.  Proust’s poems celebrate not only art, but also music, language, and friendship — even those relationships that sour.  Many of these poems were untitled.

Poem 9 (page 27)

Madame, it's possible that I have forgotten
Your divine and birdlike profile,
That I have pushed past my own madness
Like one jumping through a hoop,
But always still your eyes will shine
Like bright chandeliers on the ceiling of my mind.

His poems are playful and cutting at the same time, and his grasp of language and all its capabilities is astounding. Readers will wonder about the subjects that are not clearly named, but at the same imagine their own obsession or loved one in their stead. Even without knowing the subject of poem 9, the reader can gather that the woman once held an esteemed place in the poet’s heart, but has now fallen into disgrace in his eyes. And yet, even though the love affair has gone downhill, she still is remembered fondly but will remain in the past.

From the traditional forms of sonnet to the less-than-traditional prose-like poetry in the collection, readers will get a sense of Proust’s evolution as a writer and his experiences as he saw them. The Collected Poems of Marcel Proust edited by Harold Augenbraum has a lot to offer readers, and while it is not necessary to read the French, those who can will have a richer experience.

About the Poet/Author:

Valentin Louis Georges Eugène Marcel Proust was a French novelist, critic, and essayist best known for his monumental novel In Search of Lost Time. It was published in seven parts between 1913 and 1927.

This is my 18th book for the Dive Into Poetry Challenge 2013.

 

 

This is my 29th book for the 2013 New Authors Challenge.

Filed Under: challenges, Dive Into Poetry Challenge 2013, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2013, review copy, reviews Tagged With: ,

A Thousand Mornings by Mary Oliver

February 21, 2013 by

A Thousand Mornings by Mary Oliver is meditative observance, but also a collection of poems full of praise not only of the natural order but of humanity’s place in that order.  In “And Bob Dylan Too,” she talks of how the shepherds sing as the sheep praise the grass by eating it and how the bees’ hum signals the opening of spring blossoms.  And in many ways, nature comes to life, becomes anthropomorphized in conversation with a narrator, allowing for the unspoken rules to be broken and/or expanded.  Oliver has a deep sense of connection to the natural world that shines through in each line of each poem, and yet, there is a bit of rebellion in her poems that points to a time when breaking free of the natural order is not only OK, but unexpected and inspiring.

From "Lines Written in the Days of Growing Darkness" (page 27):

to the petals on the ground
to stay,
knowing as we must,
how the vivacity of what was is married

to the vitality of what will be?
I don't say
it's easy, but
what else will do

What readers will love about Oliver’s poetry is the homage she pays to the natural world in all its beauty, but also the connect we have to it. In “The Moth, the Mountains, the Rivers,” the narrator of the poems asks that we each take the time to live in awe of the wonders around us, to truly sit without worry about the busy schedule and to just be and observe. It is almost a plea of sorts.  In other poems, the narrator simply marvels at nature and even decides to take her home to a mountaintop for silence and reflection and invites the reader along.  But one of the most descriptive and captivating poems in the collection was “Tides,” about the movement of the ocean and the only purpose it has: to be.  Unlike those who talk of its erosion of beaches and its awesome power, Oliver focuses in on its rhythmic movement, its constancy, and its beauty and in this way draws a parallel to how the narrator casually, calmly walks the beach.

A Thousand Mornings by Mary Oliver is reflective of the past, of youth, and of wilder days, but it also is about recapturing that youth, if only in the mind, remembrance, and observance of nature.  But there are moments of distinct action and conviction that the past can be recaptured even if it is at the end of life.  For those looking for Oliver’s traditional poetry, this collection is ripe with observation of the natural world, but it also offers a deeper look at aging and longing for things that have passed.

About the Poet:

Mary Oliver was in Maple Heights, Ohio.  As a teenager, she lived briefly in the home of Edna St. Vincent Millay, where she helped Millay’s family sort through the papers the poet left behind.  In the mid-1950s, Oliver attended both Ohio State University and Vassar College, though she did not receive a degree.

Her first collection of poems, No Voyage, and Other Poems, was published in 1963. Since then, she has published numerous books, including Thirst (Beacon Press, 2006); Why I Wake Early (2004); Owls and Other Fantasies : Poems and Essays (2003); Winter Hours: Prose, Prose Poems, and Poems (1999); West Wind (1997); White Pine (1994); New and Selected Poems (1992), which won the National Book award; House of Light (1990), which won the Christopher Award and the L. L. Winship/PEN New England Award; and American Primitive (1983), for which she won the Pulitzer Prize.

This is my 4th book for the Dive Into Poetry Challenge 2013.

Filed Under: challenges, Dive Into Poetry Challenge 2013, Penguin, poetry, Publishers/Publicists, purchased, Read in 2013, reviews Tagged With: ,

The Kitchen Boy by Robert Alexander

February 15, 2013 by

The Kitchen Boy by Robert Alexander focuses on the last, secluded, and trapped days of the Romanov family before they are ultimately assassinated in 1918 as told by the kitchen boy, Leonka. Their lives were routine as royals with set times for dinners, etc., but in captivity, there days are even more regimented as they are expected to present themselves for inspection at certain hours, attend church services, and eat meals at certain times.  In fact, their lives are so routine, including that of the kitchen boy, the only highlights are wheeling the youngest, male heir about the home and imagining games until the Bolsheviks deign to open a window.

Shifting from the 1990s to the early 1900s, the narrator takes readers through the final days of the Tsar and his family and often interrupts his own story — being told on audio tape to his granddaughter, Katya — to interject the outcome of certain events or to provide other tangential historical information.  This disjointed narration often pulls readers out of the story, but once the narrator gets into the final three days of their captivity, the story moves rather quickly.  Moreover, the kitchen boy’s story is so complex that it takes a long time to unfold and by the end, readers will either have guessed the truth of the Romanov’s last days or they will feel betrayed by the narrator’s unreliability.

“My name is Mikhail Semyonov.  I live in Lake Forest village, Illinois state, the United States of America.  I am ninety-four years old.  I was born in Russia before the revolution.  I was born in Tula province and my name then was not Mikhail or even Misha, as I am known here in America.”  (page 3)

“His story, his truth, was what he would leave behind and it would be, he was certain, the definitive truth that would stand for decades if not centuries.”  (page 87)

However, the half-truths and subterfuge executed by the narrator do have a purpose and are understandable once the novel has completely unfolded, particularly given the tumultuous time period in Russian history.  Leonka is a young boy working in the kitchen of the Tsar’s prison, from which they are only allowed at most 1 hour outside in the courtyard’s fresh air as all the windows are permanently closed.  His duties are relegated to menial tasks of fetching water and preparing the day’s meals, but he’s also very observant.  Through carefully crafted context clues, readers will learn about the inner workings of the prison and the careful planning of not only the Romanovs but also the guards watching over them.

The Kitchen Boy by Robert Alexander is an intricate story of those last days of a family held by their enemies in which the more human side of the royals surfaces through the eyes of a young kitchen boy.  However, the greater mystery is by turns too well hidden, it is almost a trick of the author when it is revealed.  Alexander’s narration could have staved off disappointment with more from Katya’s portion of the story as she seeks to execute her grandfather’s will and wishes.  As an epilogue, it is too neatly wrapped up with very little build up.

About the Author:

Robert Alexander is the author of the bestselling novels Rasputin’s Daughter, The Kitchen Boy, and the forthcoming The Romanov Bride. He has spent over thirty years traveling to Russia, where he has studied and also worked for the U.S. government. He speaks frequently to book clubs, and the schedule for his live video webcasts can be found at his Website.

This is my 8th book for the 2013 New Authors Challenge.

Filed Under: challenges, fiction, historical fiction, New Authors Challenge, Penguin, Publishers/Publicists, purchased, Read in 2013, reviews Tagged With: ,

The Missing Manuscript of Jane Austen by Syrie James

January 24, 2013 by

Syrie James’ The Missing Manuscript of Jane Austen is a novel within a novel when librarian Samantha McDonough finds a letter in an old poetry book while on a trip to England with her boyfriend, Stephen.  Through this mystery letter, Sam begins an adventure through the countryside of England and enters the novel world of Jane Austen.  Through her travels she meets Anthony Whitaker, the heir of the former owner of Greenbrier, a small country estate in England.  He’s breathtakingly handsome and intelligent, but at times his dream of owning his own company can take over and make him arrogant and stubborn.

“Anthony and I had been taking turns reading aloud.  He was a quick study and had a marvelous gift for bringing characters to life.  Hearing Jane Austen’s words in his delectable British accent was divine.”  (page 127 ARC)

Like Austen’s characters, Sam and Anthony are flawed, but optimistic — and they lose their way, but eventually stumble onto the right path.  James has a way of capturing Austen’s style that belies the modernity of the story she’s telling, and in many ways, readers will get lost in the manuscript, just as Sam and Anthony do.  The missing manuscript not only captures everyone’s rapt attention, but highlights the enduring truth of Austen’s words in her own novels.  Mirroring the quirky characters Austen created and the hilarious proposals she used in her own novels, James’ missing manuscript echoes the great classics while continuing in the tradition of Austen’s fans by making them fresh and fun.

While the events in the manuscript regarding Miss Stanhope’s family and her love life are predictable, it is the journey that she takes to get to happiness that is worthy of Austen’s approval.  James’ character blossoms from a naive, country girl into a women who continues to have a strong mind, loyalty to her family, and dedication to those deserving of her compassion.  However, Sam and Anthony are more like tools to move the story along when — in this case — a frame story would have been sufficient.

Sam and Anthony’s relationship seems to blossom away from the reader’s vision, and this could hamper the reader’s ability to connect with them.  There are brief moments where they interact while reading the manuscript, but what goes on between them while they are reading — looks or brief touches — are not shown.  It’s also hard to interpret Sam’s feelings for Stephen when all we have is her comments about their relationship and rarely see them interact.  Additionally, the hunt for the manuscript seemed rushed, and should have had a bit more depth and twists and turns to make it more suspenseful and believable.

Overall, The Missing Manuscript of Jane Austen by Syrie James is an enjoyable work about Jane Austen, historian’s thoughts about her work, and the mysteries that remain.  But at the same time, it is about the interpretations of her novels in how the hero always must prove himself to the heroine to win her love and how change can sometimes be a blessing in disguise.

About the Author:

Syrie James is the bestselling author of eight critically acclaimed novels, including The Missing Manuscript of Jane Austen, The Lost Memoirs of Jane Austen, The Secret Diaries of Charlotte Bronte, Nocturne, Dracula My Love, Forbidden, and The Harrison Duet: Songbird and Propositions. Her books have been translated into eighteen foreign languages.

Filed Under: ARC, fiction, Penguin, Publishers/Publicists, Read in 2013, reviews Tagged With: ,

Alien vs. Predator by Michael Robbins

January 17, 2013 by

Alien vs. Predator by Michael Robbins is a mixture of techno beats, pop culture references, and references to some of the greatest poets, including Robert Frost.  While many readers of poetry would find his flagrant use of lines from songs cheap or as a short-cut, Robbins seems to be saying something more with the lines he chooses.  He wants to comment on the superficiality of society; he wants to rip open the thin veil of complacency that we all hide behind to reveal the stark, dark, and painful reality beneath.

From "Welfare Mothers" (page 7):

Little Bo Mercy in heels and hose,
just under the water she usually goes.
She moves grams and ounces, prays for war.
She's not the droid you're looking for.
From "Appetite for Destruction" (page 10):

I want to watch you bleed.  My tongue
doesn't know its right from wrong.
I'm uninsured.  I ride the bus,
a loaded gun inside my purse.
My mouth's a roadside bomb.

However, not all of these poems are perfect, and read more like performance pieces than poems meant for the page.  In many ways, Robbins’ unconventional style loses something in the translation to the page and would probably benefit from an accompanying audio version.  Although there is a pervasive anger in the collection, the anger is not about violence so much as it is about frustration.  Robbins touches upon hot topics in the news, including the killer whales at Sea World, and the more mundane stories that don’t make the news, like the struggling mothers hit by terrorism or welfare.

Robbins not only showcases his knowledge of music, television, and movies, but also poets and poetry, philosophy, and more.  In many ways, these references and — dare I call them, odes — can be too esoteric.  A cautionary note at best, but readers will enjoy the rhythm, the playfulness, the frustration, and the pain Robbins reveals — a pain and frustration that many of us will turn a blind eye to on a daily basis as we go about work and caring for our families.  It begs the question as to when society became so self-absorbed that societal hardships and decline are ignored even when it is on the doorstep.

Alien vs. Predator by Michael Robbins is a hip, rhythmic collection that will challenge readers preconceptions of the world around them, pop culture, and even poetry.  Although some poems are more effective than others, Robbins has crafted a collection that screams: “Watch Out!”

About the Author:

Michael Robbins is the author of Alien vs. Predator (Penguin, 2012). His poems have appeared in the New Yorker, Poetry, Harper’s, Boston Review, and elsewhere. He reviews books regularly for the London Review of Books and several other publications, and music for The Daily and the Village Voice. He received his PhD in English from the University of Chicago.

I received this book from Necromancy Never Pays‘ Trivial Pursuit for Bloggers.

Check out these other reviews:

The New York Times
Necromancy Never Pays
Book Chatter

This is my 3rd book for the 2013 New Authors Challenge.

This is my 2nd book for the Dive Into Poetry Challenge 2013

Filed Under: challenges, Dive Into Poetry Challenge 2013, giveaway win, New Authors Challenge, Penguin, poetry, Publishers/Publicists, Read in 2013, reviews Tagged With: , ,

The Painted Girls by Cathy Marie Buchanan

January 9, 2013 by

The Painted Girls by Cathy Marie Buchanan is about dreams, dreams that can raise you up out of the most dire circumstances, if only you are willing to work hard and do what you must to survive.  Antoinette and Marie, by turns, are ballet girls in the Paris Opera, with Antoinette learning too late that she cannot hold her tongue or bend her stubbornness.  Imagine a time in 1880’s France when Emile Zola publishes L’Assommoir, which becomes a play about a laundress and the dire consequences of poverty and alcoholism, and when Cesare Lombroso postulates that people who are born criminals can be identified by physical characteristics of the skull.  Buchanan has taken the real-life figures of Edgar Degas, Emile Zola, and Degas’ model for the statute Little Dancer of Fourteen Years — Marie van Goethem — and intertwined their stories with criminals Emile Abadie and Pierre Gille.  Tempted by different fates, Marie and Antoinette’s stories are told in alternating chapters, providing greater insight into certain situations and events as well as the complicated relationship between sisters, particularly those struggling to survive with a drunk mother, deceased father, and younger sister weighing heavily upon them.

“But then the next minute, my mind flipped back to thinking how a smear of greasepaint might hide her sallow skin.  Back and forth I went.  How to diminish.  How to boost up.  All I knew for sure was even if old Pluque saw his way to giving her a chance, even if she clawed her way up from the dance school to the corps de ballet, she was too skinny, too vulgar in her looks, too much like me to ever move up from second set of the quadrille, the bottom of the scale.”  (Page 13 ARC)

Even as each sister raises the other up with praise and support when times are tough, there are moments of doubt — that the love is not enough and that the support is somehow hollow.  Antoinette has fallen from her place with the ballet and is scrambling for walk-on parts in the opera before she meets Emile and gets a steady role in L’Assommoir, while Marie is just embarking upon her journey in the ballet with their sister Charlotte close behind.  There is the push and pull of these sisterly relationships as they compete to be the best in ballet and to earn the most, while still supporting one another and doing the little things that keep them spirited.  However, their world is about to fall apart when Antoinette falls in love and becomes tempted by that love to throw all that she knows away on the belief that her love is real and ever-lasting.

Buchanan also demonstrates through Marie the notion that believing something to be true can make it a self-fulfilling prophecy.  Marie says at one point, “Monstrous in face, monstrous in spirit.”  She does not see herself as the beauty others see, and her self-image is a faulty foundation for her to stand on when she enters the ballet as she compares herself not only to her sister, Charlotte, whom is considered a cherub, but also to the beauty and grace of the other ballet dancers.  Meanwhile, Antoinette does not have as many concerns about her beauty, relying on her wiles to capture the attentions of Emile and hold his rapt attention.  She sees him as her escape from poverty, despite his criminal-like behavior and greater commitment to his friends.

In many ways, The Painted Girls is about the bond between sisters and about the self-fulfilling traps that many of us fall into even when the support system is there to support us.  It is about taking things for granted, about being selfish, and about not giving into temptation.  Buchanan’s storytelling is captivating, and her characters, while rooted in history, are dynamic and flawed — like the criminals spotted by their physical characteristics, Antoinette and Marie are typecast by the law, theater members, ballet instructors and the wealthy sponsors who have designs on dancers.  Buchanan’s portrait of sisters in France during this period is gritty and emotional. Readers will immediately feel the dark, dank alleys of Paris and the heel of class distinctions upon their necks, just as the van Goethem sisters do.

The first contender for the 2013 best of list.

Credit: Nigel Dickson

About the Author:

CATHY MARIE BUCHANAN is the author of The Painted Girls, a novel set in belle époque Paris and inspired by the real-life model for Degas’s Little Dancer Aged 14 (forthcoming January 2013). Her debut novel, The Day the Falls Stood Still, was a New York Times bestseller, a Barnes & Noble Recommends selection, a Barnes & Noble Best of 2009 book, an American Booksellers Association IndieNext pick and a Canada Reads Top 40 Essential Canadian Novels of the Decade. Her stories have appeared in many of Canada’s most respected literary journals, and she has received awards from both the Toronto Arts Council and the Ontario Arts Council. She holds a BSc (Honours Biochemistry) and an MBA from Western University. Born and raised in Niagara Falls, Ontario, she now resides in Toronto.

Please check out the reading guide.

Filed Under: ARC, historical fiction, Penguin, Publishers/Publicists, Read in 2013, reviews Tagged With: ,

After the Rain by Karen White

January 7, 2013 by

After the Rain by Karen White is a republished and remastered novel that is full of twists and turns, touches lightly on the desolation of a broken family life and the darkness people can fall into as a result, and the hope that just might be around the corner.  Suzanne Paris is on a bus to Atlanta when she decides on a whim to get off in Walton, Ga., where she meets a large family and finds the home she’s been looking for all of her life.  But with the sun comes rain.  And there is a deluge of it in this book.

Suzanne has a past that is not far behind her, even as her freelance photography job takes her to many places.  She’s running from a life and for her life, and White has created a character who is both likeable and unlikeable.  She keeps secrets even from those know care for her, and her ability to trust others is very tenuous and easily broken by the wrong word or action, which White captures easily in her imagery.  From how she’s described by the muscular, hot mayor Joe Warner — who also teaches at the high school and coaches football — to how Suzanne pauses before answering questions about her past, readers will find a character who is taken in slowly by the small town and its residents but frightened of how her own past could harm them.

“Tides change.  So does the moon.  With the unfailing constancy of brittle autumn closing in on bright summer, things always changed.  If Suzanne had ever had faith in anything, it was in knowing that all things were fleeting.  And for good reason.  The highway of life was littered with the roadkill of those who didn’t know when to change lanes.”  (Page 1)

While things can be fleeting in life, there are things that are ever-lasting, and in this case, White talks about the support systems that we can have within our own families.  Whether those families are the ones we are born into or the ones we fall into or create out of friends and husbands and our own children, they are there to love and support us unconditionally.  Suzanne has a lot of lessons to learn, but the slow unraveling of her fears and her heart is endearing.  In many ways, though she’s an adult, she’s like a child being led into the life she’s always wanted.

“‘Amanda! You quit right now or I’m gonna jar your preserves!'”  (Page 5)

Photography plays a large role in the novel, and Suzanne not only takes photos of the people in Walton but also finds that she’s become a part of the town’s tapestry as she weaves parts of herself into the photos she takes.  Even more poignant, she connects with teenage Maddie when she shares with her the techniques a budding photographer needs to learn that are not necessarily taught in art classes.  After the Rain also offers readers that down-home southern feel that all of White’s novels have — from the caring strangers to the idioms that make the place its own.  There are moments when readers will want to strangle Suzanne for her decisions, and some events are easy to see coming, but the way White writes these characters and their story endears them to readers and ensures their love and struggles will never be forgotten.

Filed Under: fiction, Penguin, Publishers/Publicists, Read in 2013, review copy, reviews Tagged With: , ,

The Penguin Book of First World War Poetry (Second Edition) edited by Jon Silkin, David McDuff

November 9, 2012 by

The Penguin Book of First World War Poetry (Second edition) edited by Jon Silkin and David McDuff is a collection of poetry from and about the WWI.  Silkin and McDuff  increased the number of poems in translation included in the collection.  There are poems translated from German, French, Italian, Russian, and Hebrew, and Silkin was a poet himself.  As expressed in the not at the beginning, “For some, war was moral athletics; others looked forward to the experience of war as a ‘vacation from life’ — a vacation from a society disjoined by class and constrained by the rigid structures of labour.”  (page 12)

***However, I’m not one for long introductions so I skipped over it this time around and got straight to the poetry. ***

The anthology includes some of the more well known WWI poets, Thomas Hardy and Robert Graves, but also some who are not as well known.  One of the most well known WWI poems is “Anthem for Doomed Youth” by Wilfred Owen, which seeks to command a respect for the thousands who died in a cause for freedom and defense.  Steeped in religious allusions Owen makes reference to the candles lit where bodies lie and to the drawing of blinds in those same rooms as well as the prayers that often accompany the mourning process, but there also is an underlying celebration for their sacrifice as the bells are rung and anthems are sung.

Each of these poems brings with it a different perspective on war in the trenches, love, life, and loss, but above all patriotism.  Isaac Rosenberg’s “Dead Man’s Dump” (page 211) is particularly haunting:

"The wheels lurched over sprawled dead
But pained them not, though their bones crunched,
Their shut mouths made no moan.
They lie there huddled, friend and foeman,"

Meanwhile, there is a true sense of fear in Ivor Gurney’s “The Silent One,” (page 116):

"Who died on the wires, and hung there, one of two --
Who for his hours of life had clattered through
Infinite lovely chatter of Bucks accent:
Yet faced unbroken wires; stepped over, and went
A noble fool, faithful to his stripes -- and ended
But I weak, hungry, and willing only for the chance
Of line -- to fight in the line, lay down under unbroken
Wires, and saw the flashes and kept unshaken
Till the politest voice -- a finicking accent, said:
'Do you think you might crawl through there: there's a hole'
Darkness, shot at:  I smiled, as politely replied --
'I'm afraid not, Sir.' There was no hole no way to be seen
Nothing but chance of death, after tearing of clothes."

Each poet in the collection bring their own perspective to war, but there seems to be a pervading reverence to the fight these soldiers’ waged and all that they sacrificed.  There were certain translated poems in the book that didn’t resonate as well as some others, including Benjamin Peret’s “Little Song of the Maimed,” but it was good to revisit an old WWI poet, Osip Mandelstam (check out my earlier review of Stolen Air).  The Penguin Book of First World War Poetry (Second edition) edited by Jon Silkin and David McDuff offers a collection of poems that provide a wide perspective on war from the patriotism the soldiers felt to their fear and horror at the experiences they had.

About the Editors:

Jon Silkin was born in London, in a Jewish immigrant family and named after Jon Forsyte in The Forsyte Saga, and attended Wycliffe College and Dulwich College. During the Second World War, he was one of the children evacuated from London, and for a period of about six years in the 1950s, after National Service, he supported himself by manual labour and other menial jobs. He wrote a number of works on the war poetry of World War I. He was known also as editor of the literary magazine Stand, which he founded in 1952, and which he continued to edit (with a hiatus from 1957 to 1960) until his death.

David McDuff is a British translator, editor and literary critic. He attended the University of Edinburgh, where he studied Russian and German. After living for some time in the Soviet Union, Denmark, Iceland, and the United States, he eventually settled in the United Kingdom, where he worked for several years as a co-editor and reviewer on the literary magazine Stand. He then moved to London, where he began his career as a literary translator.

 

 

This review first appeared on Historical Tapestry for WWI Week.

 

 

 

 

This is my 14th book for the WWI Reading Challenge.

 

 

This is the 21st book for my 2012 Fearless Poetry Exploration Reading Challenge.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, Penguin, poetry, Publishers/Publicists, purchased, Read in 2012, reviews, WWI Reading Challenge 2012 Tagged With: , ,

The School of Essential Ingredients by Erica Bauermeister

November 6, 2012 by

The School of Essential Ingredients by Erica Bauermeister is a novel about food and characters as original and complementary as the dinners they create during Lillian’s Monday night School of Essential Ingredients at her restaurant.  From the older couple Helen and Carl who are seasoned and aged by salted wounds and mellowing cream to the spunky and unsure experimental flavors of Chloe who strives to build her confidence in the kitchen and her relationships, Bauermeister has created a culinary masterpiece that will melt in readers’ mouths.

“The girl was a daughter of a friend and good enough with knives, but some days.  Lillian thought with a sigh, it was like trying to teach subtlety to a thunderstorm.”  (page 7)

“Some smells were sharp, an olfactory clatter of heels across a hardwood floor.  Others felt like the warmth in the air at the far end of summer.  Lillian watched as the scent of melting cheese brought children languidly from their rooms, saw how garlic made them talkative, jokes expanding into stories of their days.”  (page 17)

“The more she cooked, the more she began to view spices as carriers of the emotions and memories of the places they were originally from and all those they had traveled through over the years.  She discovered that people seemed to react to spices much as they did to other people, relaxing instinctively into some, shivering into a kind of emotional rigor mortis when encountering others.”  (page 20)

Readers will smell the food, taste it, touch it, and become inspired to create their own culinary delights at home and share them with their families and friends.  Bauermeister threads the memories and problems of each character through the movements and creations in Lillian’s cooking class, alternating points of view and providing insight into each of their lives.  The true beauty of her prose is that cooking terms are even used when cooking is not the main focus of the story, and she excels at creating a mood of melancholy or a mood of frustration or even a mood of nostalgia as each character reviews their lives and their journeys in the kitchen.

Although the stories contained in the novel are short, Bauermeister does a magnificent job of creating characters that are three-dimensional.  Like the spices and other ingredients in Lillian’s recipes, each character is an essential ingredient to the whole of the novel.  In many ways, her novel is about enjoying each moment to its fullest, even those moments of guerrilla cooking in which someone is over your shoulder adding spices or tips to make a dish better, even if those moments of advice are unwanted at the time.  Taking criticism and advice with a touch of acceptance that we all need a little help is what the recipe to life requires to make it great.  The School of Essential Ingredients will leave readers wanting more, but willing to embark on their own journeys of food and so much more.

About the Author:

ERICA BAUERMEISTER is the author of The School of Essential Ingredients and Joy for Beginners. She lives in Seattle with her family.  Check out her Facebook page.

This is my 79th book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, fiction, giveaway win, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2012, reviews Tagged With: ,