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Definitely Not Mr. Darcy by Karen Doornebos

January 15, 2014 by

Source: Purchased at Novel Places (which unfortunately had a ripped page and a ton missing) and borrowed from Anna
Paperback, 384 pages
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Definitely Not Mr. Darcy by Karen Doornebos demonstrates just how hard it would be for a modern woman to give up not only email and cellphones, but also the behavioral freedoms we take for granted in our everyday actions.  Chloe Parker’s business is nearing insolvency, and with a daughter to care for and an ex-husband with a high-powered job ready to swoop in and take over at any moment, she has little choice but to jump at the best chance she has for getting a large sum of cash quickly.  Auditioning for an Austen-inspired documentary, Chloe thinks that she’s found the perfect solution, until they call her to England to take part in not a documentary, but a reality tv show, much like The Bachelor.  The twist is that she cannot have any contact with the outside world, has to give up all modern conveniences, and live by the mores and social constructs of 1812.

“She gave up pink drinks and took up tea long ago.

Chloe Parker, even after her divorce, still dreamed of a more romantic era.  An age when a lady, in her gown and gloves, would, for sheer amusement, banter with a gentleman in his tight breeches and riding boots, smoldering in a corner of the drawing room.”  (page 1)

She finds herself in the English countryside enjoying her additional free time to draw and take up crafts she never had time for when she was caring for her daughter and running her business.  While she does worry about how her daughter is faring with her ex-husband looming in the background with his new fiancee and living with her parents, Chloe finds that she’s enjoying the step back in time.  Men were more charming and courteous, bowing and only talking to women they were introduced to, and they even catered to the women’s every comfort, even if it was mostly out of duty.  What she finds she doesn’t care for is the constraints on female behavior — the inability to apologize to men directly, to talk to men you are not formally introduced to, and to tell rivals exactly what you think of their behavior.

Definitely Not Mr. Darcy by Karen Doornebos is a novel about how we romanticize the past and put blinders on when it comes to what we think will bring us the most happiness.  It’s about seeing what is right in front of us and learning to grab onto it and hold it tight.  Chloe needs to take a chance, step outside her comfort zone, and learn to reach for the stars, even if the risk of failure is great and the adventure itself is a scary one.

About the Author:

Once an award-winning copywriter for brands such as Diet Coke and Johnnie Walker, I switched to tea with my debut novel, Definitely Not Mr. Darcy, now published in three countries. Undressing Mr. Darcy, my second novel, has garnered four stars from RT Book Reviews. I graduated with honors in English Literature from the University of Wisconsin-Madison and lived and worked in London. That inspired my books, but the reality of life in a Chicago suburb with my husband, my son, daughter, and various pets provided the opportunity to write it.  Check out her Facebook page, GoodReads page and follow her on Twitter.

Filed Under: fiction, Penguin, Publishers/Publicists, purchased, Read in 2014, reviews Tagged With: ,

Dog Songs by Mary Oliver

January 8, 2014 by

Source: Purchased at Novel Books
Hardcover, 144 pages
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Dog Songs by Mary Oliver is a collection of poems about her dogs and her relationship with those dogs, but it also is about the human condition and what our relationships with these animals means to us and to them.  Oliver is known as a dog lover, but she’s also known as a poet that takes the most average moments and things in life and enlarges their scope and their meaning through her poems.  While in this collection that are moments of this extrapolation — such as when Percy gazes up into her face as if she were a full moon in “The Sweetness of Dogs” or when Sammy consistently breaks free of his ropes to roam through town in “Ropes” — many more of these poems are simply homages to the dogs she has known and loved.

While this collection is not as deep as some of her other collections may be, there are moments of pure joy, deep sadness at the dog’s passing, and hilarity when dogs are being just that — dogs.  People who love dogs, and even just love animals, will enjoy these poems, nodding their heads about the truthful honesty in Oliver’s lines.  We and our dogs lean on and learn from one another, and these poems clearly illustrate those moments shared with our canine friends.  Although it is not the same many readers will expect from Oliver, readers will find some of the same universality that is found in her other poems.  In many ways, these poems are even more of the heart, more about the poet and her life, opening her up to the emotions she may not express publicly as much.

Dog Songs by Mary Oliver becomes a large ode to the symbiotic relationship we have with our dogs, a relationship that tries us and rewards us based upon how willing we are to accept it for what it is.  Beyond the freedom these dogs have to be as they are and to succumb to their own wildness, there is still that deep loyalty to their person — do not dare say owner.  There’s also a little bit of Oliver’s own opinion here, in that dogs off leashes are preferable to those constrained by them because dogs loyal to their owners merely because of the leash could be considered mere property.

About the Poet:

A private person by nature, Mary Oliver has given very few interviews over the years. Instead, she prefers to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose.  Visit her Website.

Book 1 for the Dive Into Poetry Reading Challenge 2014.

Filed Under: challenges, Dive Into Poetry 2014, Penguin, poetry, Publishers/Publicists, purchased, Read in 2014, reviews Tagged With: , ,

Christmas at the Beach by Wendy Wax

December 24, 2013 by

Source: Purchased for Amazon Kindle
E-Novella, 92 pages
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Christmas at the Beach by Wendy Wax is an e-novella that follows the talented women of Ten Beach Road and Ocean Beach (click for my reviews) — Madeline, Nicole, and Avery — told from the point of view of Madeline’s daughter, Kyra.  Kyra and her now one-year-old son Dustin are arriving at Ten Beach Road and Bella Flora under the close scrutiny of paparazzi.  She has little choice but to don a disguise to keep the photographers on their toes and protect her son as much as she can from Daniel Deranian’s fame and infidelity.

“The celebrity bar has dropped so low that if it were being set for a game of Limbo, that bar would be ankle-height.”

“A couple of weeks ago a crazed Daniel Deranian fan stole one of Dustin’s dirty diapers out of the trash and tried to sell it on eBay.”

Her time at Bella Flora was healing for her and her mother, as well as their new found friends who all found out they owned a piece of the rundown historic site.  Kyra is still struggling with her quasi-fame as the mother of an illegitimate Deranian child, but she still wants her own family to remain the same.  It’s unfortunate that her life plans have a way of changing on her, but she’s clearly poised to learn and grow from those changes.  Wax has created a cast of lovable characters with their own flaws, but these women are tough and ready to take on anything thrown in their way.

“What I really want is something built like a tank and with darkened windows, so that if I mow down a few photographers no one will see the satisfaction on my face,…”

Christmas at the Beach by Wendy Wax is a great novella to catch up with these women and a great set up for the next novel in the series, The House on Mermaid Point.  Kyra’s definitely got her plate full already, but when she learns what’s going on with her own family, she’s bound to feel overwhelmed.  Wax has set up readers for an eventful new novel that comes out in July 2014.

About the Author:

Award-winning author Wendy Wax has written eight novels, including Ocean Beach, Ten Beach Road, Magnolia Wednesdays, the Romance Writers of America RITA Award finalist The Accidental Bestseller, Leave It to Cleavage, Single in Suburbia and 7 Days and 7 Nights, which was honored with the Virginia Romance Writers Holt Medallion Award. Her work has sold to publishers in ten countries and to the Rhapsody Book Club, and her novel, Hostile Makeover, was excerpted in Cosmopolitan magazine.

A St. Pete Beach, Florida native, Wendy has lived in Atlanta for fifteen years. A voracious reader, her enjoyment of language and storytelling led her to study journalism at the University of Georgia. She also studied in Italy through Florida State University, is a graduate of the University of South Florida, and worked at WEDU-TV and WDAE-Radio in Tampa.

Filed Under: chicklit, fiction, Penguin, Publishers/Publicists, purchased, Read in 2013, reviews Tagged With: , , , ,

Undressing Mr. Darcy by Karen Doornebos

December 18, 2013 by

Source: Publisher Berkley Trade
Paperback, 368 pages
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Undressing Mr. Darcy by Karen Doornebos is a contemporary novel steeped heavily in the Austenite world, with Vanessa Roberts’ Aunt Ella one of the leaders of an American chapter of the Jane Austen society.  Vanessa is a social media genius and public relations expert, and as a favor to her aunt — with a bit of matchmaking in the background — she takes on the book tour and American media blitz tour of Mr. Darcy.  The man has stepped out of the pages of Pride & Prejudice, including the breeches and cravat, and he oozes British charm and politeness that’s hard to read, but Vanessa can’t help falling for the storybook fairytale.

“A fortune-teller with heavy makeup lasered in on Vanessa from across the lobby and came right up to her.  ‘I see foreign travel in your future.  It’s what you need, darling.'” (page 29)

Doornebos sets the scene of Vanessa’s world well, from her attachment to the virtual world as a safety blanket to protect her from the real world to the real-world life that comes crashing down around her.  While her relationship with her aunt is tight and endearing, her fallout with Lexi — her former best friend and business partner — is a bit mysterious, but once revealed seems like a deal-breaker for good until the friendship chemistry between the two becomes overpowering, even for the reader.  It’s clear that these two women are strong and will butt heads, but that they sincerely have their friend’s interests at heart.

Mixing the modern world with Austen’s world creates clashes and moments of nostalgia for written letters and face-to-face meetings. While the first half of the book is quick and engaging, once Vanessa hits the streets of Bath and London, the pace slows down as she takes in the sights of Austen’s home and goes on a scavenger hunt for the man of her dreams. Doornebos has created a commentary on the modern pace of life, while at the same time holding true to Austen’s outlook on matchmaking and romance. Things are not always as they seem in this world or in Austen’s.

Undressing Mr. Darcy by Karen Doornebos is full of romance, misdirection, secrets, and sexy men.  Doornebos surely knows what most women want these days in a love story — hot men with substance.  Vanessa is a strong woman who needs to learn how to be vulnerable, and she also needs to learn that being vulnerable doesn’t have to translate into being a lapdog or doormat.

About the Author:

Karen Doornebos is the author of UNDRESSING MR. DARCY published by Berkley, Penguin. Her first novel, DEFINITELY NOT MR. DARCY, has been published in three countries.

She lived and worked in London for a short time, but is now happy just being a lifelong member of the Jane Austen Society of North America and living in the Chicagoland area with her husband, two teenagers and various pets, including a bird.

A fun moment in the book for me is imagining the lecture Dr. Cornel West would give at a Jane Austen Society gathering.  If you think it’s an odd pairing, check out this video:

This is my 81st book for the 2013 New Authors Challenge.

Filed Under: challenges, fiction, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2013, review copy, reviews Tagged With: ,

The Cellist of Sarajevo by Steven Galloway

November 26, 2013 by

Source: Public Library
Paperback, 235 pages
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The Cellist of Sarajevo by Steven Galloway is a truncated look at the siege of Sarajevo in the early 1990s that lasted about three years, though in this novel, it is reduced to about 30 days.  While the cellist is a real individual, Galloway has crafted him into a larger-than-life character, who signifies the hope that the people of Sarajevo cling to even in the face of dead bodies left to rot in the streets.  In addition to the cellist, who is more of an abstraction than a character with his own perspective, there is Arrow, a young, female sniper, Kenan, who has a wife and three children to care for, and Dragan, an older man who works at the local bakery.  Through alternating chapters, the fear and angst felt by these characters becomes heightened for the reader as they watch people fall to their knees after snipers shoot them or as the shelling begins and their own lives are at the mercy of chance.  The novel has a heavy atmosphere, a gray smoldering that permeates through the pages, weighing down the characters, slumping their shoulders and pushing them into darker places.

“If this city is to die, it won’t be because of the men on the hills, it will be because of the people in the valley.” (page 213)

Arrow has joined the resistance to fight against those that wish to destroy her people and the city, but while she’s been given free rein to choose her own military targets, things are about to change for her, and the hatred she feels for “them” — who are never clearly defined — becomes a motivator and a detriment to her.  Her character is pushed to the limit and she’s forced to make a decision that could be detrimental — a move that was rather dramatic and a bit predictable.  Kenan, meanwhile, is merely striving to keep his family alive, running to the brewery with his water containers to ensure they have enough to get through the next couple of weeks.  He makes these trips trembling in fear, but the fear only momentarily paralyzes him as he remembers the life before the siege and what life would be like without it.  He holds onto his daydreams of a family engrossed in its daily chores and entertainments, and keeps moving.  Dragan has been traveling to the bakery in solitude, rarely speaking to strangers and nearly always avoiding conversation with those he knew before the siege, cutting himself off.  Readers spend a great deal of time with him at an intersection where people are forced to take chances with their lives when they cross — some running, some sauntering, and some zigzagging across.

“‘Give Raza my love,’ she says, leaning in and hugging him.  She feels warm and substantial, much larger than when he hugged her only a short time ago.  She has become real to him again.” (page 115-6)

Galloway’s novel is about what it means to be in the midst of war, without understanding the reasons behind it, and yet, still facing the violence on a daily basis.  Readers will be required to ask themselves what is important, and to draw their own conclusions about why the cellist sits at 4 p.m. for 22 days to play Albinoni’s Adagio — the site of a mortar shelling where 22 people were killed while waiting in line for bread. Although lacking actual political/sociological motivations and the time line of the siege, Galloway seems to have a handle on the range of emotions and reactions people can have in war — whether it be a focus on hatred and revenge or the dissociation people can feel from their own country men in the face of uncertainty and death. The Cellist of Sarajevo is a novel in simple prose that belies the complexity of the moral and emotional issues it addresses.

About the Author:

Steven Galloway was born in Vancouver, and raised in Kamloops, British Columbia. He attended the University College of the Cariboo and the University of British Columbia. His debut novel, Finnie Walsh, was nominated for the Amazon.ca/Books in Canada First Novel Award. His second novel, Ascension, was nominated for the BC Book Prizes’ Ethel Wilson Fiction Prize, and has been translated into numerous languages. His third novel, The Cellist of Sarajevo, was published in spring of 2008. It was heralded as “the work of an expert” by the Guardian, and has become an international bestseller with rights sold in 20 countries. Galloway has taught creative writing at the University of British Columbia.

What the Book Club Thought:

Even though three members were unable to make the meeting, those that were able to attend seemed to like the novel, with one member saying that it was an easy and short read. Two members liked the POV of Arrow best, while one seemed to like both Arrow and Dragan and another preferred Kenan. One member believed that Kenan was the most human of the characters because of his interactions with other people throughout his travels to get water, while another thought that Dragan was more realistic in his detachment from others because of the harshness of war and the constant fear the residents endured. Arrow’s POV was more active, and one member enjoyed the use of strategy she employed in her efforts to protect the cellist. It seems as though this book was well received among the members in attendance.

This is my 78th book for the 2013 New Authors Challenge.

Filed Under: borrowed copy, challenges, historical fiction, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2013, reviews Tagged With: , ,

The Artist’s Way for Parents by Julia Cameron

October 24, 2013 by

Source: Finn Partners and Penguin
Hardcover, 288 pages
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The Artist’s Way for Parents: Raising Creative Children by Julia Cameron with Emma Lively and foreword by Domenica Cameron-Scorsese is less a how-to manual of creative activities for parents to engage in with their children, and more of a series of situations to emphasize the advice Cameron gives about how to cultivate creativity in children and ourselves.  From providing children with simple tools like paper and colored pencils to paints and free time on their own, rather than televisions, computers and video games, Cameron says that parents must adjust to new routines that incorporate their children, but also must remain open to creating a safe place in which children and parents can act creatively.

Each parent should begin by writing three pages per day of their thoughts and feelings before their child gets up for the day or even during snatches of quiet time, just to clear the decks.  Secondly, parents and children (depending on their age) embark on a once-weekly dual adventure, something that can be looked forward to, such as going to the zoo or a museum.  The final tool she offers is creating a bedtime ritual, which can either be reading a bedtime story together, singing songs, sharing the day’s highlights, and many other ways of unwinding.  Some great activities that can be done together including sharing the creation of meals with children through simple recipes, cutting out holiday decorations each season, visiting a florist or pet store to talk about each species and its requirements, and learning how to make instruments out of household objects.

Another part of the process is to create a creativity corner for both parent and child, which is where projects can be worked on together or in the same room but separately.  Cameron also talks about the benefit of allowing children to explore their own creativity without parents over-directing or re-directing their children’s activities.  One great aspect of the book is the discussion on reading together but separate books, and how that it is still considered sharing quality time together even if the parent and child are doing separate activity.  Separate activities in the same space are just as good as working together on projects, so long as the parent and child share their experiences with one another through discussion.

There are moments that come off preachy about faith and God, but overall the message is about nurturing children and their creativity without neglecting the well being of the parent or their own creativity.  It’s about seeing the possibilities in ourselves and our children without hindering growth and exploration.  The Artist’s Way for Parents: Raising Creative Children by Julia Cameron with Emma Lively and foreword by Domenica Cameron-Scorsese is a solid book that helps parents create the right mindset for themselves and their children, but only offers a few activities to consider.

About the Author:

Julia Cameron has been an active artist for more than thirty years. She is the author of more than thirty books, fiction and nonfiction, including her bestselling works on the creative process: The Artist’s Way, Walking in This World, Finding Water, and The Writing Diet. A novelist, playwright, songwriter, and poet, she has multiple credits in theater, film, and television.

Latest endeavor: Julia Cameron Live, an online course and artists’ community led by Julia. It is the most comprehensive discussion she has ever done on The Artist’s Way, and the first time she has allowed cameras in her home.

These are my 69th book for the 2013 New Authors Challenge.

Filed Under: challenges, New Authors Challenge, nonfiction, Penguin, Publishers/Publicists, Read in 2013, Reference, reviews Tagged With: ,

The Turncoat: Renegades of the Revolution by Donna Thorland

September 12, 2013 by

Source: Borrowed from Diary of an Eccentric
Paperback, 432 pages
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The Turncoat: Renegades of the Revolution by Donna Thorland is a steamy novel of espionage, spies, and cover-ups. Quaker daughter Kate Grey is swept up in a plot against the British by Mrs. Ferrars, who is tasked with watching over her while her father rides off with supplies for The Continental Army.  Riding away from the only home she’s known, she’s forced to hear and see the darker side of war as it comes to her neighbor’s farm.  From that moment of helplessness on, she’s made up her mind to fight against the British who have plundered her home and its women.  She establishes herself in Philadelphia as an heiress, with the help of Ferrars, and embarks on a journey she never expects would lead her back to the British officer, Peter Tremayne, whom Ferrars duped at the Grey farm.

“Only the barest sliver of light entered beneath the batten door, which was reinforced on both sides with iron plates.  He took care not to look directly at it; in this blackness it would blind him like the sun.  He stood soaking up the darkness, breathing in the chemical smells of old powder and fresh mold, and reining in the panic that threatened to overwhelm him.  It was like being underground, being buried.  The unseen vault must be at least three stories above him, and the emptiness held all the childhood terrors of the night, and the decidedly adult terror that came with the knowledge of all the ways a man might die in such a place.”  (page 207)

Secrets twist in on themselves as Kate becomes engaged to one of the most terrifying British soldiers campaigning with General Howe from Philadelphia.  Although Kate flourishes in her new role as beautiful spy, turning heads, she is ill prepared for the emotional attachment she feels for her mark and still has for the man she never expected to see again, Peter Tremayne.  The emotions that she keeps hidden driver her actions more than she realizes, and at times, they are what breaks down her facade, makes her stumble, and leaves her lying in traps set by more emotionally detached foes.

Thorland weaves fact with fiction seamlessly in this historical novel about the American Revolution, and readers will see the strategy and battle scenes play out with gruesome consequences.  She captivates her readers through the building of strong and flawed characters whose lives are not only torn apart by war, but also the loyalty they feel to their families and countries even as they see hope in the enemy.  Trust and loyalty are tested over and over again, but Kate is committed to her duty and risks everything she wants, especially with Peter, to save General Washington and the Rebel cause.  The Turncoat: Renegades of the Revolution by Donna Thorland is gripping and offers a more exciting look at the American Revolution from both the Rebel and Crown’s point of views.

 

About the Author:

Graduating from Yale with a degree in Classics and Art History, Donna Thorland managed architecture and interpretation at the Peabody Essex Museum in Salem for several years. She then earned an MFA in film production from the USC School of Cinematic Arts. She has been a Disney/ABC Television Writing Fellow and a WGA Writer’s Access Project Honoree, and has written for the TV shows Cupid and Tron: Uprising. The director of several award-winning short films, her most recent project aired on WNET Channel 13. Her fiction has appeared in Alfred Hitchcock’s Mystery Magazine. Donna is married with one cat and splits her time between Salem and Los Angeles.

This is my 56th book for the 2013 New Authors Challenge.

 

 

 

This is my 3rd book for the American Revolution Reading Challenge 2013

Filed Under: American Revolution Reading Challenge 2013, borrowed copy, challenges, historical fiction, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2013, reviews Tagged With:

The Time Between by Karen White

September 4, 2013 by

Source: Borrowed from Diary of an Eccentric
Hardcover, 352 pages
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The Time Between by Karen White is undulating between the past and present of Eleanor Murray and Helena Szarka’s lives as they find they have more in common than how they feel the piano music they play.  Eleanor and her sister Eve’s relationship was severed by a childhood prank that festered and paralyzed them both, while Helena is an aging woman who has been close to death more than once.  As Helena delves into the deep secrets Eleanor is keeping, Eleanor does the same behind closed doors.  White balances the WWII past with the present beautifully, crafting a novel that juxtaposes the past and the present in a way that uncovers how second chances can be easily missed or taken by the horns.

“She taught us that building baskets was like building a life, finding materials from different places–bits and pieces with their own purpose–and creating a vessel that could pour out or keep in.  I thought about this now, driving to Edisto, wondering what sort of basket my life would be and what it would be named.”  (page 67 ARC)

Caring for the aging Helena for her boss, Finn, Eleanor begins to reconnect with the past she has forgotten and the dreams she once had, but at the same time she’s struggling to reconcile the spark of dreams rekindled with the harrowing guilt of her past.  Like Helena, the guilt has weighed Eleanor down so heavily to the point at which she cannot move without the approval of her conscience.  She has set aside her life in favor of other’s needs and they have let her because of their own guilt and shame, as Helena has done for more than 50 years.  White brings Charleston and Edisto to life, immersing the reader into the marshes, the salt spray, and the wildness of town life.

She brings about the juxtaposition of Charleston’s upper crust life and the busy go-go-go of business with the quieter, lulling music of nature and sea life on Edisto.  Eleanor is not awakened by the busy life of Charleston in Finn’s firm, but by the sedate musicality of the rivers and ocean and the not-so-gentled prodding of Helena.  White has created multi-faceted characters who have real fears and guilt, and these women will burrow into readers hearts, twist them up and wring out so many emotions.

The Time Between by Karen White is stunning in its historical scope and its emotional scale.  As Eleanor and Eve learn about forgiveness and rekindling their connection, Helena learns to loosen her grip on her terrifying past and let go.  Both must forgive and be forgiven, and as they learn to move beyond their pasts, it becomes easier for them to see doors that open to new opportunities.  White is one of the best writers today, and each of her stories transports readers beyond themselves and into the lives of her characters, ensuring they become indelible.

About the Author:

Known for award-winning novels such as Learning to Breathe, the Southern Independent Booksellers Alliance 2009 Book of the Year Award finalist The House on Tradd Street, the highly praised The Memory of Water, the four-week SIBA bestseller The Lost Hours, Pieces of the Heart, and her IndieBound national bestseller The Color of Light, Karen has shared her appreciation of the coastal Low country with readers in four of her last six novels.

Italian and French by ancestry, a southerner and a storyteller by birth, Karen has made her home in many different places.  Visit the author at her website, and become a fan on Facebook.

Also check out my reviews of The House on Tradd Street, The Girl on Legare Street, The Beach Trees, After the Rain, Sea Change, and On Folly Beach.

Filed Under: borrowed copy, fiction, Penguin, Publishers/Publicists, Read in 2013, reviews Tagged With: ,

The Crooked Branch by Jeanine Cummins

August 15, 2013 by

Source: Borrowed from Anna at Diary of an Eccentric
Paperback, 373 pages
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The Crooked Branch by Jeanine Cummins is a dual narrative novel with heroines in present day Queens, N.Y., and County of Mayo, Ireland, during the potato famine when a blight hit all of the crops and the fever was rampant.  Normally, readers either connect with the present day or the historical narrative in books like this, but the eventual entanglement of these narratives reinforces the strength, weaknesses, fears, and courage mothers must face when they are responsible for children.  Majella is a new mother who had certain expectations about motherhood, which are blown to bits in her first emotional months after Emma is born, while Ginny is an Irish potato farmer whose husband ventures to America in the hope that he will send money home to keep his family from being evicted after the blight destroys their crops.

“They didn’t notice that pungent bitterness in the dark, beyond their walls, and turf fires, beyond the milky breath of their sleeping children.  They slept, while that mortal fog stole into their bright, green country, and grew like a merciless stain across the darkened land.  It killed every verdant thing it touched.” (page 2)

Majella considers herself a strong, independent woman with a mother that is less than connected to her own emotions, let along those of her daughter, but when she gives birth to her first child, fears rise up in Majella awful fast.  She’s scrambling for something to hold onto other than her fears and her daughter because holding her too tightly could cause even more harm.  Leo, her husband is supportive but must work and even then, his nerves are fraying with all of his wife’s tears and outbursts.  Her brash and unfiltered commentary on motherhood and her fears is fresh and tangible, and will speak to the hearts of every new mother who has floundered and wondered about how to be a mother.

“I passed out.  The contractions were ferocious because the doctor had turned off my epidural so I could feel them.  As if I was in danger of not feeling the eight-pound child who was attempting to exit my body.  He was a male doctor, and he thought the pain would help me push, which is like the philosophy that waterboarding helps people confess to hiding weapons of mass destruction.” (page 7)

Ginny is another strong woman and she’s forced by their poor circumstances as tenant farmers to take her family’s fate in her own hands after her husband’s letters do not come for months.  As she comes to the estate of Mrs. Alice Springs, she begs for the lives of herself, her children, and her unborn son, seeking employment and safety as the world around them crumbles to Irish dust.  Even though life as a chambermaid is not hellish at the estate, what is is the separation from her children with the knowledge that the crops have gone bad and that they could be starving.  She musters the courage and crafts a plan to save them and herself, at least for a while.

Cummins’ passionate prose brings these women’s struggles to life, making them relate-able in ways that readers will never foresee.  Motherhood is both joyous and full of struggle, and it is life-altering in so many ways, much more so in modern society where women work outside the home and have innumerable choices.  What the author is able to build is an underlying tension between the narratives that pulls the reader forward, hooking them to the very last page when their connections are revealed in full.  What Majella learns about herself and her family will propel her beyond the hormonal mess she has become, and what Ginny has learned as a chambermaid working outside the home, forces her to assume the mantle of decisionmaker at a time when few women did.  The Crooked Branch by Jeanine Cummins is stunning and a powerful read that will open up readers eyes to the emotional and psychological mess that new mothers face, often alone if their husbands and own families are unavailable emotionally.

About the Author:

Jeanine Cummins is the author of the bestselling memoir A Rip in Heaven, which People magazine called: “…a straightforward, expertly paced narrative that reads like a novel.” She lives in New York City.

 

 

This is my 3rd book for the Ireland Reading Challenge 2013.

 

 

 

This is my 52nd book for the 2013 New Authors Challenge.

Filed Under: borrowed copy, challenges, fiction, historical fiction, Ireland Challenge, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2013, reviews Tagged With: ,

Handling the Truth by Beth Kephart

August 6, 2013 by

Source: Purchased from Hooray for Books
Paperback, 252 pages
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The best teachers are those that give of themselves freely to their students and their craft, and with reference books available on various ways to write, what to write, and when to write, many will glance at yet another writing reference and dismiss it out of hand. What does that mean? That those people are fools — for Handling the Truth: On the Writing of Memoir by Beth Kephart, released today, is not a reference, it is a memoir about writing memoir (marking a 6th memoir from her). It is a reference guide written from the perspective of a teacher and writer on how to approach a genre riddled with scandal and debunked by naysayers.  Not only does she peel back the layers that can and should be part of memoir creation, but she also peels back her own experiences and perspective to shed light on the hard work memoirists should expect of themselves.

“Teaching memoir is teaching vulnerability is teaching voice is teaching self.”  (page xii)

“Some of the best memoirs are built not from sensate titillations but from the contemplation of universal questions within a framed perspective.” (page 10)

She shares her favorite places, her favorite music, her favorite memoirs, and her students’ work, and she begs that anyone interested in writing memoir do it because the story must be told and is relate-able to someone outside the self.  Writing the genre requires the writer to be as honest with herself as she can be and to fill the gaps in memory with facts from documents or cross-referencing conversations and moments with those that share the memory.  Reading this reference memoir is like getting to know Kephart on a personal level, but it’s also about getting to know the writer inside you — the one that wants to write the book but doesn’t know where to start.  Although this advice is geared toward those who wish to write their own personal histories, there is sage advice for other writers — fiction writers struggling with what tense to put their book in, for example.

On Mark Richard’s memoir House of Prayer No. 2, she says, “He does it because, in this case, the you is more intimate, more forgiving, more moving than the I ever will be.  It enables Richard to say things about himself and his ungodly circumstance that would be otherwise unthinkable.”  (page 46)

Readers and writers will love the explanations, which are peppered with examples from other writers’ memoirs to demonstrate why certain forms and styles are selected, because at Kephart’s core is a dedicated teacher.  It is these dedicated people who write the best reference books because they put more of themselves and more of their passions into writing them, making them innately more engaging and interesting than other reference guides that merely spout out bullet point advice and little else.  Kephart not only references the memoirs she loves, pulling apart the choices authors made in creating them, but also the ways in which she gets students (and now the readers of her book) to think about memoir and their own lives.  Writing exercises that not only focus on early memories, but also the backgrounds of photos (which can be like those fuzzy memories that have little detail) and poems (from some of my favorites like Ted Kooser).

“A way of eating passes away with your mother.  How you held the sugar on your tongue.  How you stirred the crumbled cheese into the oiled broth.  How you savored the sweet grit of flour in the gravy pot, and the thick pink of the beef, and the heated pear with its nutmeg top, and the brownies with the confectioner’s crust.  You will dig through the freezer at your father’s house, mad for one last frozen roll of checkerboard cookie dough, one Tupperware of thick red sauce, one crystallized slice of eggplant parmesan.  You will burn your fingers with the cold.  Your mother’s cooking will be gone.”  (page 92)

But at all costs, she reminds us that “writing is a privilege,” and that privilege should NEVER be taken lightly.  Effectively, she dispels the myths about memoir, explains what memoir is not, and ensures readers and writers look deeper than the memories and events in their lives to uncover the recurring themes, which could provide insight to others and generate empathy, if not understanding and connection.  More importantly, she reminds readers that memoirs by-and-large leave huge chunks of people’s lives off the page, despite the journaling, writing, and researching done into every aspect.  Handling the Truth: On the Writing of Memoir by Beth Kephart is an intelligent, passionate reference that not only guides writers on how to tackle memoir writing, but also inspires them to read the memoirs of others and to learn from, as well as advising them on how to live with openness and curiosity.

***I don’t have too many writing reference books because I only keep the ones that speak to me and offer the best advice, and each of those is chock full of sticky flags, and Kephart’s book is going on that shelf.***

Also, check out how this book made me almost cry when reading it.

About the Author:

Beth Kephart is the author of 10 books, including the National Book Award finalist A Slant of Sun; the Book Sense pick Ghosts in the Garden; the autobiography of Philadelphia’s Schuylkill River, Flow; the acclaimed business fable Zenobia; and the critically acclaimed novels for young adults, Undercover and House of Dance. A third YA novel, Nothing but Ghosts, is due out in June 2009. And a fourth young adult novel, The Heart Is Not a Size, will be released in March 2010. “The Longest Distance,” a short story, appears in the May 2009 HarperTeen anthology, No Such Thing as the Real World.

Kephart is a winner of the Pennsylvania Council on the Arts fiction grant, a National Endowment for the Arts grant, a Leeway grant, a Pew Fellowships in the Arts grant, and the Speakeasy Poetry Prize, among other honors. Kephart’s essays are frequently anthologized, she has judged numerous competitions, and she has taught workshops at many institutions, to all ages. In the fall of 2009, Kephart will teach the advanced nonfiction workshop at the University of Pennsylvania.

Filed Under: memoir, Penguin, Publishers/Publicists, purchased, Read in 2013, Reference, reviews Tagged With: ,

A Small Death in Lisbon by Robert Wilson

July 9, 2013 by

Source: Public Library
Hardcover, 440 pages
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A Small Death in Lisbon by Robert Wilson is a mystery set in Lisbon, Portugal, in the 1990s, but also a novel that has routes in World War II when Germans were looking for an escape route when the war looked to be ending, and not in their favor.  The novel opens with the death of a young teen, Catarina Oliveira, who has a promiscuous past and a less-than-ideal family life.  Inspector Zé Coelho is on the case, which drags him into conspiratorial intrigues and the dark, convoluted past of his home nation.  Shifting back to 1941, Wilson unveils Klaus Felsen, a German businessman who is “recruited” by the German SS for a particular purpose that takes him into Spain, Portugal, and later Africa, as some Nazis, including his recruiter Lehrer, begin to see the campaign against Russia as folly.  Wilson’s novel is about political regimes and how even their single-minded focus can be derailed by the most personal of matters.

Felsen is an opportunist who attempts to make the most of his new position in the SS, doing the best he can to game the Wolfram markets and garner more of the mineral and other materials away from Britain and the allies from neutral countries, like Portugal.  His meeting with a British agent Edward Burton turns ugly, marring his character and leading him down an ever darkening path that sets him adrift.  Coelho, meanwhile, is slowly investigating the murder of young girl, finding that the ghosts in Salazar‘s closet are not so hidden.  The links between the Oliveira girl and the Nazis’ past in Portugal are convoluted and sinister even as publicly the nation remained neutral.

“‘So you’ve seen some of Lisbon,’ he said.  ‘Now when you see Salazar’s capital after dark perhaps you understand my point about the harlot.  Lisbon’s a whore, a peasant Arab whore, who wears a tiara at night.'”  (page 92)

Wilson successfully paints an atmosphere of paranoia among the Germans as the war winds down, and demonstrates through a series of minor characters the tensions between fascism and communism in Portugal following the war.  These political tensions weigh heavily throughout the mystery novel creating a multilayered, interlocking puzzle to be unraveled by Coelho.  Ripe with sex scenes and the underbelly of prostitution in Lisbon, the darker elements of Felsen and later Miguel Rodrigues’s desires come into the light, along with incest, adultery, perversity, and murder.

Unfortunately, these multiple story lines seem forced together toward the end with newer, less important plot lines that could have remained unresolved by Wilson.  Ultimately, the most well drawn character in the book is Felsen, though for the latter third he disappears until the very end when there seems to be no other way to tie up the mystery.  Coelho is a carbon cut out of any police detective and doesn’t seem particularly Portuguese with any respect, which could be due to the time he spent in England with his wife and child.  His time in England, however, may have made him less old-world Portuguese in some sense, but at his core, readers may expect him to still have those old world values, which could leave readers feeling that Wilson’s detective is not authentic enough.  A Small Death in Lisbon by Robert Wilson works as a mystery novel but not as well as one would expect given the high number of coincidences, but the historical parts of this book are deeply engaging and unique.  Overall, a satisfying read that will keep readers turning the pages.

About the Author:

Robert Wilson is the author of nine previous novels, including A Small Death in Lisbon and The Company of Strangers. A graduate of Oxford University, he has worked in shipping, advertising, and trading in Africa, and has lived in Greece and West Africa.

This is my 42nd book for the 2013 New Authors Challenge.

Filed Under: borrowed copy, challenges, fiction, historical fiction, New Authors Challenge, Penguin, Read in 2013, reviews Tagged With: ,

Looking for Me by Beth Hoffman

June 28, 2013 by

Source: Author Beth Hoffman
Hardcover, 354 pages
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Looking for Me by Beth Hoffman is a coming of age story for Teddi Overman who has a gift for restoring old furniture that speaks to her.  Her small, close-knit family from Kentucky is as diverse in background and interests as any family could be, with her brother Josh so attuned to nature — he’s almost as wild as the animals he observes and cares for — to her uptight mother Franny, who has secrets hidden deep inside.  Teddi is an independent and stubborn girl whose life is altered when she meets an older man, Mr. Palmer, who’s passing through town.  He buys a refurbished chest from her side-of-the-road shop and encourages her to follow her dream and look him up in South Carolina.  When she graduates from high school, something irrevocably changes for her family as each member either seeks freedom or learns to find that freedom is already there.

“Some people run toward life, arms flung wide in anticipation.  Others crack open the door and take a one-eyed peek to see what’s out there.  Then there are those who give up on life long before their heart stops beating — all used up, worn out, and caved in, yet they wake each morning and shuffle their tired legs through another day.”  (page 1)

The double meaning in the title comes into play when her brother makes his flight from the family farm.  The close relationship between Josh and Teddi is tender and endearing, but it also makes his lack of communication with his sister heart-breaking.  In many ways, looking for me is not about Teddi finding herself — because she already knows who she is and what she wants out of life — but about her finding the piece of herself that went missing when her brother left.  Early on in the story, even Teddi recognizes that leaving home means leaving something of yourself behind, and she even suggests that it’s a piece that cannot be reclaimed, but waits for your return and for you to remember.  Recovering that piece of herself is a journey only she can accomplish, but even so, she can and does lean on the support system of friends she finds in Charleston.

Olivia and Teddi tell each other like it is, and like most real-life friends, keep secrets from one another when they know the unsolicited advice they’d receive is not something they would want to hear.  Teddi rebuilds and refinishes furniture, but in many ways she uses those same skills to restore her own family, which fell into disrepair through a series of missteps and miscommunications.  Through a greater understanding of her mother and father’s motivations and backgrounds, Teddi is able to come to terms with her past and embrace her future fully.  Grammy Belle, Josh, Sam, Albert, Inez, and Olivia will leave lasting impressions on Hoffman’s readers, causing them to be missed something fierce when the last page is turned.

Second novels can suffer from harsh criticism, especially when they follow a wildly successful debut novel, like Saving Cee Cee Honeycutt (my review), but Looking for Me breaks through preconceived expectations to weave a story that will enchant readers with not only its southern charm and hospitality, but also the mysteries of family connections and miscommunications.  Hoffman’s second novel is captivating from the first pages and will give readers hope that the future is brighter than we expect it to be.  Another winner from an author I love.

About the Author:

Twelve days after Beth Hoffman’s first novel was published in January 2010, she became a New York Times bestselling author with foreign rights selling to prestigious publishers in Italy, Germany, France, Poland, Norway, Hungary, Indonesia, Korea, Israel, and the United Kingdom.

Before beginning her writing career, Beth was president and co-owner of an interior design studio. An artist as well as an award-winning designer, her paintings are displayed in private and corporate collections in the United States, Canada, and the UK.

Beth lives, along with her husband and two very smart cats, in a restored Queen Anne home in a quaint historic district in Northern Kentucky. Her interests include the rescue of abandoned and abused animals, nature conservancy, birding, historic preservation, and antiquing.  Visit her on Twitter and Facebook.

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