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323rd Virtual Poetry Circle

Welcome to the 323rd Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s book suggested.

Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

This poem is from William Shakespeare, read by Matthew MacFadyen:

Sonnet 29

When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
(Like to the lark at break of day arising
From sullen earth) sings hymns at heaven’s gate;
       For thy sweet love remembered such wealth brings
       That then I scorn to change my state with kings.

What do you think?

A Shade of Vampire by Bella Forrest

Source: Purchased
ebook, 296 pgs.
I am an Amazon Affiliate

A Shade of Vampire by Bella Forrest is a short novella in which Sophia Claremont is kidnapped by vampires and brought to The Shade to become a slave. She’s given to Prince Derek Novak as a gift from his siblings, though his brother Lucas has already claimed her in his mind. Sophia has had a rough time growing up and was finally settled with a neighboring family and her best friend Ben, whom she’s had a crush on for some time. But she also has debilitating anxiety in crowded spaces, almost like she’s on sensory overload.  However, when she finally awakes on this vampire island, very little is seen of her disorders, until she’s attacked one evening.

“She was beautiful because, at a time when she had every right to be terrified, she managed to show comfort to another person who needed it.”

Derek, who has awakened from a 400 year long sleep, cannot stay away from Sophia and he keeps her like a caged bird in his treetop penthouse.  Her humanity has captured his attention, and even though her blood calls to him, he makes every effort to battle his desires.  As she teaches him about technology and he begins to show her respect, their bond intensifies.  Sophia is a naive character who is led by her emotions easily, and in many ways, she falls for the guy who acts like her protector — whether its teenage Ben at home or Derek the powerful vampire on The Shade.

“I know an excuse when I hear one.  Don’t you dare deceive yourself into believing that you’re the victim.”

A mantra that Ben has used many times to snap her out of her anxiety trances, Sophia finds it can be useful in more ways than one, but even as she tames Derek’s inner beast, she fails to see how she is a victim and needs to take action.  One failed escape attempt is all it takes for her to become complacent, which does little for the tension in the book.  While the characters, setting, and world are intriguing, there is little back story, which can leaving the feud between Derek and Lucas seem empty and can leave the lore of this vampire series feel incomplete.

A Shade of Vampire by Bella Forrest provides an engaging way to spend the afternoon, but unless there is more back story in the subsequent novels less telling, rather than showing, it would be hard to sustain interested beyond two more books.  There are 18 books in this series.  It boils down to wanting more from the setting and lore beyond the main characters who are dynamic and troubled.

About the Author:

Bella Forrest is the million-bestselling author of the “A Shade of Vampire” series.

Under the Dome by Stephen King (audio)

Source: Public Library
Audiobook, 34.5 hours
I am an Amazon Affiliate

Under the Dome by Stephen King, narrated by Raul Esparza, is an experiment to uncover what would happen in a small, 200 year old Maine town, Chester’s Mill, if a dome trapped them under glass for observation.  Some are trapped in the town by their own circumstances, like drug addiction and lack of ambition, while others remain in the town because they can be top dog in a smaller pond.  Dale Barbara, however, is an outsider who had enjoyed his time in town until he was told in no uncertain terms that he should leave.  Too bad the dome blocked his escape.

As many know, this was turned into a television series, and while it varies widely from the book, there are still some core elements that remain.  Fear, greed, and self-preservation drive many in the town to do unspeakable things, and some of the worst were already in positions of power, like Jim Rennie.  There are horrors within the dome walls — and some of them are very graphic in nature — but it is the world that King builds that will have readers riveted.  These characters could be in any small town you’ve lived in or visited, from the nosy neighbor to the mean girls torturing the smart kid.

Under the Dome by Stephen King, narrated by Raul Esparza, is a really well done audio book that will make readers hold their breath and pray for good outcomes, even when there is no hope.  Rather than rely too heavily on supernatural or alien elements, King focuses on the reactions of the townspeople and their inability to see beyond their own issues.  Their myopic view is one element that will have readers pounding their fists in frustration, and while Rennie is easy to hate, it is clear that there are great things at work than the greed of one man.

About the Author:

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes Doctor Sleep and Under the Dome, now a major TV miniseries on CBS. His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King. (Photo Credit: Denver Post)

The Uncertainty Principle: Poems by Roxanna Bennett

Source: Tightrope Books
Paperback, 126 pgs.
I am an Amazon Affiliate

The Uncertainty Principle: Poems by Roxanna Bennett is a debut collection of poems in which the observation of events can have an impact on its outcome on the human and atomic level.  It is broken down into five sections — The Dominant O, Come From Away, Symptoms of the Disorder, The November Revolution, and Diminishing Returns — and each section delves deeper into the murk to uncover the momentum or the setting of events in motion.  Was it the abuse in childhood that forced her to be bitter and angry or was it being stood up that made her demand more power over her own life?

From “The Bottle Genie” (pg. 26-8)

I’m the empty window panes in a scissored newspaper, finger
of air beneath the door. I’m the cold chisel killing the torch singer,

the alembic that distills you to vapour. I’m what analyzes your
labelled slides, you in my eyes, magnified. I’m your cellar door.

Observation is not the mere passing of time for these narrating personas; it is an art form and a curiosity seeking to be quenched, even in the darkness of human suffering. There is a deep need to get at the root of a person, a situation, a motivation, a hurt. Beyond those who are observing, there are those who self-reflect, looking at the choices made and the life they live but from the outside — detaching themselves from those lives. Like in “Uprising” (pg. 31), “Limits of middle age fence/her in, a dozen lives ride/on her decisions. Memories,//raw beauty of teenage selves, memories,/youth that saw thoughtless uprising,/” where the woman is a decision-maker for those around her — probably her children and husband — and she is looking back to a time when she was not bound by her constraints and was free to turn on a dime and do something new without fearing the consequences — at least not having to fear how the consequences would impact those who rely on her.

From “Diminishing Returns” (pg. 121)

“We have navigated our worth
by the map of skin worn by another.”

“Hours dark wing-beats over the contours of her face.
We are the sum of all our choices, the origin of grace.”

Bennett also has a great series of poems in different sections of the collection that rely on echo, in which lines or phrases from one poem appear at the start of the next. These also ratchet up the tension in this collection, as readers are taken on a journey through rough waters and the unpredictability of the churning sea keeps them guessing. The Uncertainty Principle: Poems by Roxanna Bennett is a wounded animal howling in the dark, trying to make sense of the harm that has come and laid its insides bear for the alley cats to sneer and pick at, but it also is an examination of those trials and how they can define us or not, depending on the choices we make.

About the Poet:

Roxanna Bennett studied experimental arts at the Ontario College of Art and Design and creative writing at the University of Toronto. She lives in Whitby, Ontario.

 

 

 

 

The Same-Different: Poems by Hannah Sanghee Park

Source: Academy of American Poets (purchased)
Paperback, 72 pgs.
I am an Amazon Affiliate

The Same-Different: Poems by Hannah Sanghee Park, 2014 Walt Whitman Award winner, straddles the line between myth and reality, as Park examines some global myths from China and India to Norway and Greece.  She uses phonemes to uncover the secrets in the words she’s chosen to get at the heart of their meaning to not only reach an origin but to generate a response.  Upon first reading, these poems seem like an exercise in word play, but reading more deeply encourages readers to see the similarities and differences inhere in the words chosen and how those nuances should be celebrated.

From "Bang" (pg. 3)

Just what they said about the river:
rift and ever.

And nothing was left for the ether
there either.

And if anything below could mature:
a matter of nature.

Here the interplay of words peeks beneath the surface of creation myths from the big bang theory to the story of creation in scripture. Rather than focus on the age-old battle between whether creationism or evolution is the correct theory of what happened, Park asks “to have left the world,/to what is left of it –/could you have anything left to cove?” Rather than battle for the correct theory and covet the glory of being correct, shouldn’t we be more focused on the awe of it all and our minor part in it? Park forces readers to question their perceptions of what is important about life, not just what happens in their own lives but also the life around them.

& A (pg 22)

Being a matter
of importance, there

is no mastering
this but to bind you,

thrash and all, to the 
mast.  O you won't reach

irresistible song,
but the rope will teach

you the body's give.
Go down to the bone,

then tell me again
there what matters.  It

will give you every
-thing you need to know

about what I cannot tell you and then,
just maybe then, could it be enough.

Similarities and differences are looked at with new eyes, and in many ways, those differences can be dangerous. However, these poems suggest that even in these perceived dichotomies there is beauty, something to be savored and to be loved. In the final section of poems — Fear — the sum of the poems reads like a single force, gyrating and churning the seas of perception until the final lines. Park wonders aloud what it means to be the fear-driven species that strives to become the sole survivor and upon reaching the summit what is there left but more fear. From “Beyond the meadow, the horizon fails” (pg. 47), “what then to our victor’s highest marks?/Only fear regrouping in your heart of hearts.” And yet, despite all this dreariness and dark, Park leaves readers with a hope, a bleak hope — “everything in life is a placeholder.” The Same-Different: Poems by Hannah Sanghee Park is stunning in its twists and turns, but it will require several reads and recitation aloud in some cases. But the gems within these lines and phrases are well worth the work.

About the Poet:

Hannah Sanghee Park was born in Tacoma, Washington and earned a BA from the University of Washington and an MFA from the Iowa Writers’ Workshop. She is the author of a chapbook, Ode Days Ode (Catenary Press, 2011). She is the recipient of fellowships and awards from The Fulbright Program, 4Culture, The Iowa Arts Council/National Endowment for the Arts, and the MacDowell Colony. Her work has appeared in various journals and publications, including LVNG, Petri Press, Poetry Northwest, and Best New Poets 2013. In 2014, Park won the Academy of American Poets’ Walt Whitman Award.

Park lives in Los Angeles, where she attends the Writing for Screen & Television Program at the USC School of Cinematic Arts.

 

 

 

 

Mailbox Monday #340

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links.  Leave yours too.

Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what I received:

The Color Monster: A Pop-Up Book of Feelings by Anna Llenas from Sterling Children’s Books for review.

We teach toddlers to identify colors, numbers, shapes, and letters—but what about their feelings? By illustrating such common emotions as happiness, sadness, anger, fear, and calm, this sensitive book gently encourages young children to open up with parents, teachers, and daycare providers. And kids will LOVE the bright illustrations and amazing 3-D pop-ups on every page!

Mind Your Monsters by Catherine Bailey, illustrated by Oriol Vidal from Sterling Children’s Books for review.

Vampires and werewolves and zombies—oh my! It’s a monster invasion, and the stinky-smelling creatures are destroying Wally’s peaceful little town. They scare the kids, knock over the lampposts, and make a mess of everything. And no one can stop them—until, fed up, Wally says . . . the magic word, “PLEASE.” Learning good manners has never been as monstrously fun!

Monster Trouble! by Lane Fredrickson, illustrated by Michael Robertson for review from Sterling Children’s Books.

Nothing frightens Winifred Schnitzel—but she DOES need her sleep, and the neighborhood monsters WON’T let her be! Every night they sneak in, growling and belching and making a ruckus. Winifred constructs clever traps, but nothing stops these crafty creatures. What’s a girl to do? (Hint: Monsters HATE kisses!) The delightfully sweet ending will have every kid—and little monster—begging for an encore.

Dining With … Monsters: A Disgusting Way to Count to 10! by Agnese Baruzzi from Sterling Children’s Books for review.

What do hungry monsters like to eat? 1 spider swallowed whole, 2 leaping frogs, and 3 entire whales for the ogre with gigantic claws and scales! And for Mr. One-Eye, four mice are very nice. Kids will enjoy this fun feast of a counting book, with 10 colorful creatures and their meals of grasshoppers, scorpions, owls, and prickly porcupines. Foldout pages and simple, humorous rhyming text make this a delight to read aloud.

A Shade of Vampire by Bella Forrest, which I got for 99 cents on a Kindle sale.

On the evening of Sofia Claremont’s seventeenth birthday, she is sucked into a nightmare from which she cannot wake.  A quiet evening walk along a beach brings her face to face with a dangerous pale creature that craves much more than her blood.

She is kidnapped to an island where the sun is eternally forbidden to shine.  An island uncharted by any map and ruled by the most powerful vampire coven on the planet. She wakes here as a slave, a captive in chains.

Sofia’s life takes a thrilling and terrifying turn when she is the one selected out of hundreds of girls to join the harem of Derek Novak, the dark royal Prince.  Despite his addiction to power and obsessive thirst for her blood, Sofia soon realizes that the safest place on the island is within his quarters, and she must do all within her power to win him over if she is to survive even one more night.

The Runaway Pumpkin: A Halloween Adventure Story by Anne Margaret Lewis, Aaron Zenz for review.

A cute little Halloween pumpkin announces that he is ready for a Halloween adventure. So he prepares to set out on the exploration of a lifetime. However, his ever watchful and caring mother wants to make sure he’s prepared before he takes that first step outside.

The little pumpkin will begin his adventure on a witch’s broom, where he will fly through the skies. Next, he’ll dare to venture through the very spookiest haunted house. And to celebrate the night, he’ll dance to the “Monster Mash”! It’s scary out there on Halloween night, but his mother is packing a parachute just in case he falls, a blankie for reassurance, and his favorite monster shoes so he can boogie-woogie all night long. Whatever adventures he has, he is sure to be prepared. Halloween isn’t so scary when you have a mother pumpkin making sure you’re ready for whatever frights might come your way!

I Want to Eat Your Books by Karin Lefranc, Tyler Parker for review.

He’s limping strangely down the hall with outstretched arms and a groaning drawl. A zombie! Could it really be? You race to class, but turn to see he’s sitting in the desk right next to you!

But odds are you’ll probably be okay, because this is no ordinary zombie. This zombie doesn’t want to eat your brains—he wants to eat your books! Hide your textbooks and your fairy tales, because the little zombie is hungry and he doesn’t discriminate between genres. Will the school library be devoured, or will the children discover something the zombie likes to do with books even more than eating them?

Ava the Monster Slayer by Lisa Maggiore, Ross Felton for review.

Don’t underestimate Ava just because she’s “cute” and wears “adorable glasses”—she’s really a fierce monster slayer. And when her beloved Piggy is left in the dryer in the basement, Ava knows she’ll have to face the ferocious monsters lurking in the dark if she wants to rescue her favorite stuffed animal. So she puts on her brother’s superhero cape, grips his sword tight, puts on her pink rain boots and sparkly princess crown, and creeps downstairs.

Not even the roar of the greenest and hairiest monster is going to stop this spunky girl. Even though she’s scared and the monsters smell terrible, Ava is determined to rescue Piggy. Ross Felten’s brisk, sketch-like illustrations help bring energy and humor to this story of bravery and loyalty. Young readers will relate to Ava’s mission and delight in her victory over the monsters. Ava the Monster Slayer is sure to appeal to children worried about monsters in their own homes and kids devoted to their own stuffed animals.

What did you receive?

322nd Virtual Poetry Circle

Welcome to the 322nd Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s book suggested.

Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Today’s poem is from William Carlos Williams, read by Matthew MacFadyen:

This is Just to Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

What do you think?

Dark Sparkler by Amber Tamblyn

Source: Harper
Paperback, 128 pgs.
I am an Amazon Affiliate

Dark Sparkler by Amber Tamblyn, an actress herself, has embarked upon an ambitious collection that looks at the narcissistic and self-mutilating world of Hollywood through the eyes of actresses’ whose lives ended prematurely by their own hands or through the actions of others.  From the famous Marilyn Monroe to the less well-known Barbara La Marr, Tamblyn calls into question the need for perfection among female actresses and how hard it is to find work once these actresses reach a certain age.  There’s also one poem about Lindsay Lohan, which readers may have various reactions to, including shock, dismay, and possibly laughter. (if you want to read what happened when she read the poem, beware it is a bit of a spoiler about the poem)

From "Thelma Todd" (pg. 3-5)

At the bar I run into Nancy,
drinking away her forties,
her eyes are flush broken compasses.
Lost between age fifteen and fifty.

Fermented blood.
Deep-sea drinker.

I do not look into her ocean.
The fish there float to the bottom.
I fear I'll go down there too,
identifying with the abyss.
Washed up.
Banging on the back door of a black hole.

These poems are at best depressing and at worst horrifying. These sparkling actresses are snuffed out by the pressures of Hollywood, but they also have their own demons chasing them. Tamblyn’s sense of the tragic is acute when exposed in lines like these: “But first she said, I’m sorry, Charles, it’s over between us,/tied together the sheets of their love letters,/climbed out the window of his soul.//” (from “Dominique Dunne,” pg. 25) and “I’m going to floss my teeth with the public hair/of the Hollywood night air,/memorize my lines before I snort them.//” (from “Bridgette Andersen,” pg. 30-1) These women’s lives and those of living actress continue to become objectified, and it’s hard to imagine living with that on a day-to-day basis. In many ways, the collection almost suggests to those female actresses who have lived in Hollywood longer, continue to work, and do not fall into a spiral of depression that they are the exceptions.

There is a sense of fight in these poems, as if Tamblyn is calling attention to these tragic stories not only to encourage female actresses to shun these arbitrary pressures, but also to call attention to the public’s role in these tragedies. Celebrity lives have become fodder for the American public, and these poems want to demonstrate the darkness that can follow such attention. Dark Sparkler by Amber Tamblyn is an ambitious collection of poems that will have readers thinking about their own roles in celebrity gossip and objectification.

About the Poet:

Amber Rose Tamblyn is an American actress, author and film director. She first came to national attention in her role on the soap opera General Hospital as Emily Quartermaine. She also starred in the prime-time series Joan of Arcadia, portraying the title character. Her feature film work includes roles in The Sisterhood of the Traveling Pants, The Grudge 2, The Ring, and 127 Hours; she had an extended arc as Martha M. Masters on the main cast of the medical drama House, M.D. She also had a starring role on the CBS sitcom Two and a Half Men during its eleventh season as Jenny, the illegitimate daughter of Charlie Harper.

 

 

 

 

LOVE: A Philadelphia Affair by Beth Kephart

Source: Purchased
Hardcover, 176 pgs
I am an Amazon Affiliate

LOVE: A Philadelphia Affair by Beth Kephart (this has a gorgeous cover) is a collection of essays, many of which were published in the Philadelphia Inquirer, that read not like essays but mini-memoirs. It has been a pleasure to read about Philadelphia — a city I was fortunate to visit briefly and not spend enough time in — through the eyes of someone who loves it dearly. All of its nooks and crannies, its alleys, its rivers, its art, its history — it is all laid bare with Kephart’s fondest memories and recollections. The city comes alive in her hands — it breathes.

The graffiti, the artisans, the food markets, and the University of Pennsylvania are moving through these pages like the Schuylkill River, leaving its gleaming beauty behind in its wake.  She says in the preface, “Love: A Philadelphia Affair is about the intersection of memory and place.  It’s about how I’ve seen and what I’ve hoped for, what ‘home’ has come to mean to me.  It’s about train rides, rough stones, brave birds, rule breakers, resurrectionists, unguided and mostly solo meanderings.  It is experiential, not encyclopedic.  Reflective, not comprehensive.” (pg. x)  In this way, Kephart has enabled readers to ruminate on their own memories, which may or may not be of Philadelphia and only tangentially related to her own.  I’ve remembered train journeys to NYC, ice cream I loved as a kid made in a small Massachusetts town, and a journey to Valley Forge that was at once solemn and beautiful.

“There’s something about standing on the platform watching the curve for the Silverliner.  Something about feeling the rumble in the sole’s of one’s feet.  Something about the rituals of travel.  Leaving and returning — that’s where I’ve lived.  I’m sympathetic to the crossties of the tracks.” (pg. 7-8; “Time In, Time Out”)

Kephart establishes the tone for these essays in these lines, telling her readers that she will straddle the past and present, the before and the after, and the moment and the remembering of the moment.  Many of us do this as our minds wander between where we are and where we have been, noting the connections that are only apparent to us until we voice them aloud.  And in “Psychylustro,” we, like the train, become museums — a collection of our own artifacts, memories, and temporal importance.

One minor thing readers may notice, there are only a few photos at the start of each essay, and more photos would have been a lovely addition.  However, LOVE: A Philadelphia Affair by Beth Kephart is a love story involving a city, but it’s also a testament to the love we hold and can freely give through art and action — so long as we can check our ego and greed at the door.  We all want recognition and love, but we need to also realize that these do not come without our own generosity.  It is not just the generosity that we show toward others, but also to ourselves and the world around us.

About the author:

Following the publication of five memoirs and FLOW, the autobiography of Philadelphia’s Schuylkill River, I’ve had the great pleasure of turning my attention to young adult fiction. UNDERCOVER and HOUSE OF DANCE were both named a best of the year by Kirkus and Bank Street. NOTHING BUT GHOSTS, A HEART IS NOT A SIZE, and DANGEROUS NEIGHBORS were critically acclaimed. In October YOU ARE MY ONLY will be released by Egmont USA. Next summer, Philomel will release SMALL DAMAGES. I am at work on a prequel to DANGEROUS NEIGHBORS, a novel for adults, and a memoir about teaching.

Lives of Crime and Other Stories by L. Shapley Bassen

Source: L. Shapley Bassen
Paperback, 194 pgs.
I am an Amazon Associate

Lives of Crime and Other Stories by L. Shapley Bassen is an odd little short story collection in which the characters are hit with an unimaginable situation and they must cope with the ripples that disturbance creates.  Like many short story collections, some stories will resonate more easily than others.  The title story, Lives of Crime, has a surprise ending, while others are a little more predictable and some are cryptic.  Bassen provides a wide range of characters in a variety of dark situations, including one in which a student’s idea could be published under a credentialed professor’s name, rather than his own.

One of the best stories in the collection, Triptych, involves the restoration of artwork and the lonely life one restorer. Once she finds happiness with someone in her building and things seem to be going well, fate intervenes and turns her world upside down.  As echoes of the art world play out in reality, Bassen creates a series of devastating events that could leave some depressed in the corner.  However, like other stories in the mix, the reader is held at arms length from the characters by the narrative style.

Lives of Crime and Other Stories by L. Shapley Bassen is a collection of vignettes in the lives of those who are unaware that their fate is about to be taken out of their hands.  Each story is intriguing, but many felt unfinished or like they had abruptly finished before the reader was satisfied.  However, the unique situations and characters do provide readers with a lot to ponder, particularly about how they would react in similar situations.

About the Author:

L. Shapley Bassen‘s half dozen plays include Atlantic Pacific Press’s 2009 prizewinner, a comedy, The End of Shakespeare & Co , directed by Pulitzer judge George W. Hayden (Audio excerpt published online). Two more prize winners, from the Fitton Center in Ohio, the one-acts Next of Kin and The Reckoning Ball (the day Brooklyn’s Ebbett’s Field was torn down), were produced in 1998 and 1997. Next of Kin has also been published twice recently in Prick of the Spindle and Ozone Park Journal and was produced in 1999 at NYC’s The American Theatre of Actors. Ms. Shapley-Bassen was a 2011 Finalist for the Flannery O’Connor Short Fiction Award, and currently (2013) she is Fiction Editor at The Prick of the Spindle. In 2009, she was on the team of the first 35 readers for successful start-up Electric Literature. She was co-author of a WWII memoir by the Scottish bride of Baron Kawasaki and won a Mary Roberts Rinehart Fellowship. Her stories, book reviews, and poems appear in many lit magazines and zines, including The Rumpus, Horse Less Press, The Brooklyner, Press 1, Melusine, New Pages, and Galatea Resurrects. She is a reluctant ex-pat New Yorker living in Rhode Island, now at work on a new play, Dramatic Anatomy.

The Small Backs of Children by Lidia Yuknavitch

Source: Public Library
Hardcover, 240 pgs
I am an Amazon Affiliate

The Small Backs of Children by Lidia Yuknavitch is carnal and grotesque in ways that are vastly unsettling and may be tough to read for many.  Told from a variety of artistic points of view, the story begins with a young girl whose world is literally atomized in war-torn Eastern Europe and the photograph of her that makes the career of one narrator.  While the girl and the photo play a major role in the story, they are not the crux of Yuknavitch’s story.  They are merely a vehicle through which she explores the selfish need for artistic expression and the distortions that emerge.

“We are who we imagine we are.
Every self is a novel in progress.
Every novel a lie that hides the self.
This, reader, is a mother-daughter story.” (pg. 11)

The narration is urgent, like a slapshot in the gut at nearly every turn. While the writer’s friends and family seek to save the girl from the life she has been thrown into after the death of her family, it is clear that a birth has happened. It is the birth of art within the gruesome world the girl inhabits, and it is the birth of connection beyond art and family ties.  The girl reaches from within and from without to recreate her life to be reborn — not as a victim, but as a warrior.

Pity the small backs of children, he heard her saying.  They carry death for us the second they are born.” (pg. 59)

The stories that begin at the heart of this girl, like the spokes in a wheel, turn and turn, spiraling out of control on a wagon that is hurtling toward a cliff, unless someone can stop it or redirect it. Will these players be destroyed? Will they be saved? Can this “blast particle … looking for form” endure the weight of these stories and their implications?

The Small Backs of Children by Lidia Yuknavitch pushed the envelope repeatedly, searching for the edge and spilling over it with its haunting images, desperate characters, and narcissistic art-making. It is the crucible of pain and suffering that molds us and pushes us to become, to move beyond the child of mere potential into something more tangible that can be criticized and critical. This crucible does not define us, however, unless we allow it to, and Yuknavitch is shoving readers toward a greater understanding of art and themselves.

**Beth Kephart reviewed this book, and I just had to get it from the library.***

About the Author:

Lidia Yuknavitch is the author of the widely acclaimed memoir The Chronology of Water and the novel Dora: A Headcase. Her writing has appeared in the Atlantic, the Iowa Review, Mother Jones, Ms., the Sun, the Rumpus, PANK, Zyzzyva, Fiction International, and other publications. She writes, teaches and lives in Portland, Oregon with the filmmaker Andy Mingo and their renaissance man son Miles. She is the recipient of the Oregon Book Award – Reader’s Choice, a PNBA award, and was a finalist for the 2012 Pen Center creative nonfiction award. She is a very good swimmer.

 

 

 

 

Mailbox Monday #339

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links.  Leave yours too.

Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what I received:

1. The Witch’s Market by Mingmei Yip for review from the author.

Chinese-American assistant professor Eileen Chen specializes in folk religion at her San Francisco college. Though her grandmother made her living as a shamaness, Eileen publicly dismisses witchcraft as mere superstition. Yet privately, the subject intrigues her.

When a research project takes her to the Canary Islands—long rumored to be home to real witches—Eileen is struck by the lush beauty of Tenerife and its blend of Spanish and Moroccan culture. A stranger invites her to a local market where women sell amulets, charms, and love spells. Gradually Eileen immerses herself in her exotic surroundings, finding romance with a handsome young furniture maker. But as she learns more about the lives of these self-proclaimed witches, Eileen must choose how much trust to place in this new and seductive world, where love, greed, and vengeance can be as powerful, or as destructive, as any magic.

2. LOVE by Beth Kephart, which I purchased.

This volume of personal essays and photographs celebrates the intersection of memory and place. Kephart writes lovingly, reflectively about what Philadelphia means to her. She muses about meandering on SEPTA trains, spending hours among the armor in the Philadelphia Museum of Art, and taking shelter at Independence Mall during a downpour.

In Love, Kephart shares her loveof Reading Terminal Market at Thanksgiving: “This abundant, bristling market is, in November, the most unlonesome place around.” She waxes poetic about the shoulder-to-shoulder crowds, the mustard in a Salumeria sandwich, and the “coins slipped between the lips of Philbert the pig.”

3. The Edge of Lost by Kristina McMorris for review from the author.

On a cold night in October 1937, searchlights cut through the darkness around Alcatraz. A prison guard’s only daughter—one of the youngest civilians who lives on the island—has gone missing. Tending the warden’s greenhouse, convicted bank robber Tommy Capello waits anxiously. Only he knows the truth about the little girl’s whereabouts, and that both of their lives depend on the search’s outcome.

Almost two decades earlier and thousands of miles away, a young boy named Shanley Keagan ekes out a living as an aspiring vaudevillian in Dublin pubs. Talented and shrewd, Shan dreams of shedding his dingy existence and finding his real father in America. The chance finally comes to cross the Atlantic, but when tragedy strikes, Shan must summon all his ingenuity to forge a new life in a volatile and foreign world.

What did you receive?