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The Same-Different: Poems by Hannah Sanghee Park

September 15, 2015 by

Source: Academy of American Poets (purchased)
Paperback, 72 pgs.
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The Same-Different: Poems by Hannah Sanghee Park, 2014 Walt Whitman Award winner, straddles the line between myth and reality, as Park examines some global myths from China and India to Norway and Greece.  She uses phonemes to uncover the secrets in the words she’s chosen to get at the heart of their meaning to not only reach an origin but to generate a response.  Upon first reading, these poems seem like an exercise in word play, but reading more deeply encourages readers to see the similarities and differences inhere in the words chosen and how those nuances should be celebrated.

From "Bang" (pg. 3)

Just what they said about the river:
rift and ever.

And nothing was left for the ether
there either.

And if anything below could mature:
a matter of nature.

Here the interplay of words peeks beneath the surface of creation myths from the big bang theory to the story of creation in scripture. Rather than focus on the age-old battle between whether creationism or evolution is the correct theory of what happened, Park asks “to have left the world,/to what is left of it –/could you have anything left to cove?” Rather than battle for the correct theory and covet the glory of being correct, shouldn’t we be more focused on the awe of it all and our minor part in it? Park forces readers to question their perceptions of what is important about life, not just what happens in their own lives but also the life around them.

& A (pg 22)

Being a matter
of importance, there

is no mastering
this but to bind you,

thrash and all, to the 
mast.  O you won't reach

irresistible song,
but the rope will teach

you the body's give.
Go down to the bone,

then tell me again
there what matters.  It

will give you every
-thing you need to know

about what I cannot tell you and then,
just maybe then, could it be enough.

Similarities and differences are looked at with new eyes, and in many ways, those differences can be dangerous. However, these poems suggest that even in these perceived dichotomies there is beauty, something to be savored and to be loved. In the final section of poems — Fear — the sum of the poems reads like a single force, gyrating and churning the seas of perception until the final lines. Park wonders aloud what it means to be the fear-driven species that strives to become the sole survivor and upon reaching the summit what is there left but more fear. From “Beyond the meadow, the horizon fails” (pg. 47), “what then to our victor’s highest marks?/Only fear regrouping in your heart of hearts.” And yet, despite all this dreariness and dark, Park leaves readers with a hope, a bleak hope — “everything in life is a placeholder.” The Same-Different: Poems by Hannah Sanghee Park is stunning in its twists and turns, but it will require several reads and recitation aloud in some cases. But the gems within these lines and phrases are well worth the work.

About the Poet:

Hannah Sanghee Park was born in Tacoma, Washington and earned a BA from the University of Washington and an MFA from the Iowa Writers’ Workshop. She is the author of a chapbook, Ode Days Ode (Catenary Press, 2011). She is the recipient of fellowships and awards from The Fulbright Program, 4Culture, The Iowa Arts Council/National Endowment for the Arts, and the MacDowell Colony. Her work has appeared in various journals and publications, including LVNG, Petri Press, Poetry Northwest, and Best New Poets 2013. In 2014, Park won the Academy of American Poets’ Walt Whitman Award.

Park lives in Los Angeles, where she attends the Writing for Screen & Television Program at the USC School of Cinematic Arts.

 

 

 

 

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, purchased, Read in 2015, reviews Tagged With: , , ,

Mailbox Monday #333

July 27, 2015 by

Mailbox Monday, created by Marcia at To Be Continued, formerly The Printed Page, has a permanent home at its own blog.

To check out what everyone has received over the last week, visit the blog and check out the links.  Leave yours too.

Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.

Here’s what I received:

1. Mrs. Bennet Has Her Say by Jane Juska for review from Berkley.

It is a truth universally acknowledged that every man in possession of a wife must be in want of a son.

1785 was to be the most marvelous year of Marianne’s life, until an unfortunate turn of events left her in a compromised state and desperate for a husband to care—or rather cover—for her. Now, she is stuck in an undesirable marriage to Mr. Edward Bennet, a man desperate in his own way for a male heir. But as she is still carrying a smoldering desire for the handsome Colonel Miller, Mrs. Bennet must constantly find new, clever ways to avoid her husband’s lascivious advances until she is once again reunited with her dashing Colonel. Except that the best-laid plans of a woman in good standing can so often go awry, especially when her contrary husband has plans and desires of his own.

2. The Same-Different by Hannah Sanghee Park from the Academy of American Poets, winner of the 2014 Walt Whitman Award.

Deceptively straightforward and subtly pyrotechnic, the poems in Hannah Sanghee Park’s debut collection captivate with their wordplay at first glance, then give rise to opportunities for extended reflection. “If / truth be told, I can’t be true,” she writes, but her startling juxtapositions of sound and meaning belie that claim, necessitating a search for the truth behind her semantic games.

Here are dozens of brief sentences that can serve as epigrams to undermine our ordinary ways of seeing, as Park’s playfully deployed puns recall the sly paradoxes of Oscar Wilde. The Same-Different ranges from the wonders of the natural world to close human relationships, occasioning the kind of explorations offered in “And A Lie”: “The asking was askance. / And the tell all told. / So then, in tandem // Anathema, and anthem.”

3.  There Are Cats in This Book by Viviane Schwarz, which my daughter picked from the Friends of the Library as her summer reading reward.

There they are, purring under a blanket. But not for long! Three sprightly cats named Tiny, Moonpie, and Andre are eager to involve you in their games, whether it’s tossing a ball of yarn (oof!), lifting flaps to find them in boxes (comfy), or getting caught in a pillow fight (biff!). As their antics get wilder still, they’ll need a kind soul to blow on the page to dry them off! With an irresistible story that directly engages the reader, this book’s clever design and bright, gestural illustrations make for cat-tastic lift-the-flap fun.

4.  This Old Van by Kim Norman, illustrated by Carolyn Conahan from Sterling Children’s Books for review.

Take a rollicking ride in This Old Van, a joyful take on the classic children’s counting song. As the colorfully painted vintage vehicle, driven by a really cool pair of grandparents, rolls down the highway, it passes one train, two bulldozers, three tractors, and four semis, right up to ten muddy motorbikes. And along the way, luggage flies off, horns honk, and the hurrying van zigs and zags—till it arrives at its destination JUST IN TIME! You won’t be able to resist singing every fun verse out loud.

What did you receive?

Filed Under: mailbox monday, meme Tagged With: , , , , , , , , , ,

Black Aperture by Matt Rasmussen

September 24, 2013 by

Source: Academy of American Poets, part of the membership benefits, with no expectation of review
Paperback, 64 pages
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Black Aperture by Matt Rasmussen, 2012 winner of the Walt Whitman Award from the Academy of American Poets and recently added to the National Book Award 2013 long list, could not be more aptly named.  The light passing through this dark hole is that of the narrator’s brother when he commits suicide, forever changing his family and yet changing nothing in the wider world.  There is a balance Rasmussen tries to strike here between the irrevocable change the family, and in particular the brother, feel and the lack of change outside of their microcosm, even in nature where the hunters and sportsman arbitrarily continue to shoot clay pigeons or deer.

From After Suicide (page 4-5)

I wanted to put my finger
into the hole

feel the smooth channel
he escaped through

stop the milk
so he could swallow it

There is a deep sadness in these poems, but also a sense of confusion and desire to understand, even when understanding is beyond our capacity because we are not those who have taken their lives.  We have different experiences and different perspectives, and while we have the capacity for empathy, that is oftentimes not the same — or enough.  The narrator of the poems even acknowledges this when he says in “Elegy in X Parts,” “There is no refuge//from yourself.” (page 36)  It is because we are trapped with ourselves that suicide may seem like the only solution, especially if we are unable to see solutions outside of ourselves.

Rasmussen has some stark images, haunting pictures of death and lifelessness.  There is an emptiness in those vivid moments, which the poet captures with so few brushstrokes.  As the past slips further away, people and moments fade, but their impressions are still felt — as personified by “Monet as a Verb” (page 19).  And although a tragic loss can be scarring, scars fade and heal.  Black Aperture by Matt Rasmussen examines the light that leaves our lives in a flash, often unexpectedly and without reason, and how we sometimes grieve for long periods of time afterward and in some cases, even want to follow our loved ones through the same dark hole to find peace, understanding and closure.

About the Poet:

Matt Rasmussen’s poetry has been published in Gulf Coast, Cimarron Review, H_NGM_N, Water~Stone Review, New York Quarterly, Paper Darts, and at Poets.org. He’s received awards, grants, and residencies from The Bush Foundation, The McKnight Foundation, The Minnesota State Arts Board, Jerome Foundation, Intermedia Arts, The Anderson Center in Red Wing, MN, and The Corporation of Yaddo. He is a 2014 Pushcart Prize winner, a former Peace Corps Volunteer, and teaches at Gustavus Adolphus College. His first book of poems, Black Aperture, won the 2012 Walt Whitman Award and was published in 2013 by LSU Press.

This is my 25th book for the Dive Into Poetry Challenge 2013.

 

 

This is my 59th book for the 2013 New Authors Challenge.

Filed Under: challenges, Dive Into Poetry Challenge 2013, giveaway win, New Authors Challenge, poetry, Read in 2013, reviews Tagged With: , , ,

159th Virtual Poetry Circle

July 21, 2012 by

Welcome to the 159th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Elana Bell’s Eyes, Stones, which recently received the Walt Whitman award:

Tomorrow in the Apricots (page 13)

They are hoping we will forget.
Forget afternoon in the cool of our courtyards, the bulbul's song
undressing the marble--
Do you forget the curl of your daughter's hair?
Or the weight of it in your hands as you braided it for school?
What about the first lie she told
looking you dead in the eye?

What do you think?

Filed Under: virtual poetry circle Tagged With: , ,

Curses and Wishes by Carl Adamshick

July 22, 2011 by

Curses and Wishes by Carl Adamshick uses an economy of words to address the harrowing moments of life and the happier moments.  His images are unique and playful, but his subjects are sometimes dark and eerie, like the barren tree with its barely there spinal column of vertebrae on the cover.  From “Even Though” (page 1-3), “I felt the deep bruise of a sentence/and wanted to eat/at the banquet of silence.”  Which are the curses and which are the wishes is left up to the reader, but some poems are clearly laments for those dying in the Holocaust (like the poem “The book of Nelly Sachs“) or lost by other means.

Adamshick clings to the moment, a snatch of time and draws out the undercurrent of meaning, creating a story from the unknown.  Unlike, Whitman, who used nature in his poems to extrapolate wider philosophical realities of transcendentalism, Adamshick’s poems combine industrial elements from street lights to chessboard pieces and cameras to evoke emotion and recognition in the reader, creating an Aha moment.  “The corner utility pole/holds a cone of light/to its mouth// and is screaming/at the pavement.// We are almost here/”  (page 38 from “Almost”)  However, like Whitman, there is a sense of moving beyond, gaining insight into humanity and stretching ourselves further.

Junkyard (page 7)

I never visit my younger self.
Any change I elicit
would be just that: change.
Something different in a world
of differences. A shifting
from memory to dream. Snow
falling in a barrel of rusted
engine parts becoming a day
of lightning and old fallen oak:
one life or another, mine or yours.
This is the last outpost before
things become what they are.
I was eleven when an older self,
the lord of my childhood, appeared
above the chair in my room
splendid and silent like a planet
rotating, spinning in its ellipses,
but, also, unmoving by the headboard
and the one pillow full of feathers.

There is a quiet power in these poems and this slim volume, which leave readers waiting to devour more from Adamshick.  Many of the poems are about change and what it means to be changed and keep moving onward and upward.  However, “Junkyard” raises another question about change — is change always beneficial and new or is it just a reincarnation of something that came before?  Can we really transcend the present and these bodies we inhabit?  Curses and Wishes by Carl Adamshick is a clear winner and would be an excellent candidate for the Indie Lit Awards.  Another one for the Best of List of 2011.

Copyright Jessie Sue Hibbs

About the Poet:

Born in Toledo, Ohio, Carl Adamshick grew up primarily in Harvard, Illinois.

Adamshick currently lives in Portland, Oregon, with his partner of many years, Jessie Sue Hibbs.

Curses and Wishes by Carl Adamshick won the Walt Whitman Award from the Academy of American Poets and was published by independent press Louisiana State University Press.  It is Adamshick’s first poetry collection; please check out this Oregonian article about his win.  (I received this book as a member of the Academy of American Poets, but not for review.)

 

This is my 33rd book for the 2011 New Authors Reading Challenge.

 

 

This is my 18th book for the Fearless Poetry Exploration Reading Challenge.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, giveaway win, New Authors Challenge, poetry, Read in 2011, reviews Tagged With: , , , ,