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Disfigured: On Fairy Tales, Disability, and Making Space by Amanda Leduc

Source: Public Library
Paperback, 251 pgs.
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On Fairy Tales, Disability, and Making Space by Amanda Leduc, which was my next pick for my work’s book club, is a series of essays examining the myths, fables, and the comic book universe through the lens of disability exclusion and how some of the characters in these stories are often disfigured or disabled in some way and must embark on a quest or journey that transforms them into an able-bodied, perfect version of themselves in order to obtain their happily ever after.

“But it is never society that changes, no matter how many half-animals or scullery maids are out there arguing for their place at the table. It is almost always the protagonists themselves who transform in some way — becoming more palatable, more beautiful, more easily able to fit into the mould of society already in place.” (pg. 41)

“For many able-bodied people in the world today, the idea of disability comes shrouded in darkness. It is inconceivable to so many that someone could be disabled and also happy, because we as social beings have been taught, through the books we read and the films and television we watch and the music we listen to, the stories we tell one another, that to be disabled is to be at a disadvantage: to be a lesser body, to be a body that cannot function at the same level as other bodies in society.” (pg. 48-9)

While the Beast in Beauty and the Beast is under a spell to look unpleasing and Ariel in The Little Mermaid wants to have legs like humans to meet her prince, these characters are disabled because they do not fit into society’s version of who they should be, according to Leduc. But, they can be their best selves as they are, even without societal approval and achieve happiness to a certain degree, like all of us. She reminds us, “I was never there in fairy tales. I never saw myself.” (pg. 89) Representation matters.

The text, however, gets a bit dry in some parts, which forced me to skim over some of the historical details that I don’t think made her points any more poignant than they were in the first place. I wasn’t sure why she included her medical notes from her surgeon and doctors, except to provider her own background. I think for me, it interrupted the flow of her essays. I would have preferred her to parse out the relevant parts and included them in the narrative of each chapter rather than add-ons.

Leduc raises a number of points through her essays on disability as seen in fables and other stories, including Disney interpretations of those princess stories. Her parallels are solid, and she admits that charity is a societal way of excluding the disabled because it focuses too much on helping individuals, rather than embarking on larger societal change. “Fairy tales and fables are never only stories: they are the scaffolding by which we understand crucial things. Fairness, hierarchy, patterns of behaviour; who deserves a happy ending and who doesn’t. What it means to deserve something in the first place; what happy endings mean in both the imagination and the world.” (pg. 233-4) On Fairy Tales, Disability, and Making Space by Amanda Leduc provides a great deal to think about, particularly as we continue to expose our children to fables and fairy tales. We need to think how these stories will skew their worldview.

RATING: Tercet

About the Author:

Amanda Leduc is the author of the novel THE CENTAUR’S WIFE (Random House Canada, 2021) and the non-fiction book DISFIGURED: ON FAIRY TALES, DISABILITY, AND MAKING SPACE (Coach House Books, 2020), which was shortlisted for the 2020 Governor General’s Award in Nonfiction and long-listed for the 2020 Barbellion Prize. She is also the author of an earlier novel, THE MIRACLES OF ORDINARY MEN (ECW Press, 2013). She has cerebral palsy and lives in Hamilton, Ontario, where she serves as the Communications Coordinator for the Festival of Literary Diversity (FOLD), Canada’s first festival for diverse authors and stories

We Are Displaced by Malala Yousafzai

Source: Purchased
Hardcover, 224 pgs.
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We Are Displaced by Malala Yousafzai is a collection of essays written by women who also fled their homes due to violence, persecution by rebels or government forces, and more. Yousafzai recounts some of her own refugee story as an opener to the collection, but readers will see the parallels of her story and the stories of these women. Many of these women had very strong convictions like Yousafzai either before they were forced to leave their countries or after they had grown up and learned why their families fled their homes.

“I wrote this book because it seems that too many people don’t understand that refugees are ordinary people. All that differentiates them is that they got caught in the middle of a conflict that forced them to leave their homes, their loved ones, and the only lives they had known. They risked so much along the way, and why? Because it is too often a choice between life and death. And as my family did a decade ago, they chose life.” (pg. x1)

It is a sad commentary on an American perspective that cannot see these refugees for who they are — average people with happy lives who have one choice: stay in their homeland and die or leave and live. Many of the women in these essays were just teenagers or younger when they left their homes; some of them left with their parents, while others fled their countries on their own after their parents or families were murdered or died. The essays highlight some of the political and societal upheavals occurring in countries across the world, but they are very light on how these women transitioned to their new lives and how hard it was. Many of the essays felt like surface retellings of their stories, which may be because of language barriers or because these are short essays and not entire memoirs — it’s probably very difficult to talk about and condense these experiences into emotional essays.

We Are Displaced by Malala Yousafzai provides a set of stories that will showcase the struggles other people face in different countries, perhaps encouraging readers to get more involved, but at the very least to be a little more compassionate than they have been. For me, I wanted more emotion from the essayists, and I wanted to learn more about their displacement in many cases (some essays were more detailed on that), and what they were doing now.

RATING: Tercet (3.5)

The Subtle Art of Not Giving a F*ck by Mark Manson (audio)

Source: Audible Purchase
Audiobook, 5+ hrs.
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The Subtle Art of Not Giving a F*ck by Mark Manson takes elements of Buddhism and westernizes them in a way that most readers can relate to them. This is an approach to life that requires an individual to take a hard look at themselves, realize their own limitations, and keep those in mind as they make choices about their work, play, and relationships. Unlike the generations he talks about in his book, I was not treated as special simply for showing up and I’ve learned a lot of hard lessons. Some of the lessons I learned may not be as hard as lessons learned by others, but they have provided me with a certain perspective on my own limitations.

We all have flaws and limitations and we need to accept them. Point taken.

Manson expresses himself with his no-holds-barred language and jokes — some of which may make you cringe — but his points are these:

  1. Deal with the bad and the good equally.
  2. Stop relying on outside forces or values to make you happy.
  3. Establish value priorities and stick to them. (not like earning more money)
  4. Be honest with yourself and others.

I do feel the author relied a little too much on a certain four-letter word, but even with that, the book offers some advice that many people might need. Do I think those people will pick up this book? Maybe, but most likely not. The Subtle Art of Not Giving a F*ck by Mark Manson is an interesting listen, but much of the Buddhism is lost in the tropes and the humor.

RATING: Tercet

Giveaway: Green Card & Other Essays by Áine Greaney

Source: the author
Paperback, 75 pgs.
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Green Card & Other Essays by Áine Greaney is a look at the immigration experience from an Irish American. Although many cite economics as the main impetus for immigration, there are always secondary factors that push people to leave the countries where they were born. And many, even after many years of productive lives as Americans, still have that fear that they will be sent home where they no longer have a connection.

From “Introduction”:

“In the dream, my American venture has suddenly failed and now, I must repatriate to rural Ireland where, in middle age, I have no country and no money. The dream startles me awake. As I lie there staring at the ceiling fan above my bed, I wonder how many of us immigrants live with this persistent fear that one day, all that we have built and loved in America will disappear.”

While not an immigrant myself, I can see how this would be a major concern today and before today. Some of my immediate family are immigrants and struggled hard in their jobs to make ends meet. There many stories about their sacrifices — how my grandmother gave the meet to my father and his brother and ate next to nothing herself every evening. These are the stories of our country. The underlying darkness of these struggles is that not only are immigrants working hard, but they also face discrimination and bias at every turn. Whether its the passing comment about an accent or more blatant comments about their work ethic.

Greaney touches on all of these issues based on her own immigrant experience and her “ah-ha” moment when she realized she carries her own biases against other immigrants. But she also touches on how we all strive to hold up a mirror to the life we wish to have, rather than the reality of our lives. This is ever more pronounced in letters home from immigrants who focus on the moments of joy rather than the daily turmoil in factories, restaurants, etc., which are the main focus of their new lives in America. But all of this struggle is to have that dreamed of better life. Green Card & Other Essays by Áine Greaney is a must read — we need more of these voices to educate us about immigrant experiences to dissipate our false perceptions.

RATING: Cinquain

GIVEAWAY:

  • Comment with your own immigrant story or one from your family or books that stuck with you or changed your viewpoint below.
  • 2 winners will be selected to win a copy of this collection.
  • US Entrants Only
  • Deadline is Aug. 30, 2019 at 11:59 PM EST

Patti Smith at the Minetta Lane by Patti Smith (audio)

Source: Purchased
Audible, 1+ hours
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Patti Smith at the Minetta Lane by Patti Smith is an Audible original that mixes  Smith’s memoirs, poetry, and music into one live performance. In spoken-word style and deadpan tone, Smith takes listeners on a journey into her creative life where they will meet Robert Mapplethorpe, Allen Ginsberg, and so many others. She talks about her early nomad days in New York and the freedom it afforded her, but also the deep hunger for food she couldn’t afford. Working to feed her belly became an early goal.

Her children, Jackson and Jesse Paris Smith, accompany her performance as well, making this a delightful family affair. Even though I’ve read her memoirs, I really loved hearing them spoken aloud in her own words and accompanied by her music. It creates an intimate portrait of the singer and writer. Patti Smith at the Minetta Lane by Patti Smith is a great addition to her memoirs on the shelf and the music in your ears.

RATING: Cinquain

About the Author:

Patti Smith is a writer, performer, and visual artist. She gained recognition in the 1970s for her revolutionary merging of poetry and rock. She has released twelve albums, including Horses, which has been hailed as one of the top one hundred debut albums of all time by Rolling Stone.

Parkland Speaks: Survivors from Marjory Stoneman Douglas Share Their Stories by Sarah Lerner

Source: Publisher
Paperback, 192 pgs.
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Parkland Speaks: Survivors from Marjory Stoneman Douglas Share Their Stories edited by Sarah Lerner is deeply moving and filled with passion — a passion for making a difference and a passion for the lives that were cut too short and should be remembered. From students to teachers, these essays, poems, photos, and drawings will make you an emotional mess. Reading through this collection, you can tell how scared these kids were when the shooting occurred on Feb. 14 , 2018. The lives of these unsuspecting students at Marjory Stoneman Douglas High School was upended by one school shooter.

The initial reaction was disbelief because many thought the second fire drill was just routine, but the rapid fire soon became the scariest thing they had ever heard. Many lamented they didn’t stick to their routines and wait for friends, while others wanted to have done more to save their friends. There was the interminable wait for their friends to respond, but the silence was deafening. The heavy weight of sadness was soon wielded as a weapon against those who dare not to talk about gun reform, with many kids marching and lobbying for change still.

From “Can’t You Hear?” by Alyson Sheehy

You can blame what you want, pull on whatever thread
Bully us into silence and treat us like we don’t matter.
However, don’t forget there is no future when all of us are dead
Although it seems that is still not enough for all lives to matter.

Can’t you hear the screams now? Cause they are only growing louder.

The speech from Emma Gonzalez is widely known, but it bears repeating.

From “We Call BS” speech by Emma Gonzalez

“The students at this school have been having debates on guns for what feels like our entire lives. AP Gov had about three debates this year. Some discussions on the subject even occurred during the shooting while students were hiding in closets. The people involved right now, those who were there, those posting, those tweeting, those doing interviews and talking to people, are being listened to for what feels like the very first time on this topic that has come up over 1,000 times in the past four years alone…”

Parkland Speaks: Survivors from Marjory Stoneman Douglas Share Their Stories edited by Sarah Lerner must have been a cathartic experience for the writers, artists, and photographers who participated in sharing their stories, emotions, and trauma with readers. It’s a must read for anyone who does not understand the movement toward gun control. Our world has changed, our children are no longer safe in school, and more guns are not a viable solution.

Rating: Quatrain

Fly With Me by Jane Yolen, Heidi E.Y. Stemple, Adam Stemple, and Jason Stemple

Source: Media Masters Publicity
Hardcover, 192 pgs.
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Fly with Me: A Celebration of Birds Through Pictures, Poems, and Stories by Jane Yolen, Heidi E.Y. Stemple, Adam Stemple, and Jason Stemple is gorgeous. The photographs and reproductions of artwork are stunning, bring each bird to life for young readers. With these colorful pictures, it will be hard for young readers to turn away, and parents will be able to use this as a resource for not only the biology of birds, but also in geography lessons in which state birds are talked about. The giant state bird map is wonderfully detailed, as are the pages about migration, ancient birds, evolution and extinction, and so much more.

I originally wanted to review this book because poetry is included, and Yolen’s poems are always accessible to a number of audiences. I wasn’t wrong about that here, either, as her poems in this book are a great way to introduce young readers to birds. There also are poems from Heidi E.Y. Stemple, which are equally accessible. I loved sharing with my daughter how Stemple’s poem, “Vee,” not only examines the migration of geese but is also shaped like the “V” formation of geese.

Fly with Me: A Celebration of Birds Through Pictures, Poems, and Stories by Jane Yolen, Heidi E.Y. Stemple, Adam Stemple, and Jason Stemple is a collection that the whole family can share. It was big hit for its colorful pages and its poetry, but there is so much more to explore in these pages.

RATING: Cinquain

About the Authors:

JANE YOLEN is an author of children’s books, fantasy, and science fiction, including Owl Moon, The Devil’s Arithmetic, and How Do Dinosaurs Say Goodnight? She is also a poet, a teacher of writing and literature, and a reviewer of children’s literature.

HEIDI STEMPLE was 28 years old when she joined the family business, publishing her first short story in a book called Famous Writers and Their Kids Write Spooky Stories. The famous writer was her mom, author Jane Yolen. Since then, she has published 20 books and numerous short stories and poems, mostly for children.
Stemple, her two daughters, her mom, and a couple cats live in Massachusetts on a big old farm with two houses.

JASON STEMPLE is an author and photographer. He lives with his wife and children in Charleston, South Carolina.

ADAM STEMPLE is a novelist and musician. He lives in Minneapolis, Minnesota.

Nevertheless, We Persisted: 48 Voices of Defiance, Strength, and Courage Foreword by Sen. Amy Klobuchar

Source: Publisher
Hardcover, 320 pgs.
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Nevertheless We Persisted: 48 Voices of Defiance, Strength, and Courage with a foreword by Sen. Amy Klobuchar is a collection of essays from some of the bravest humans in society — those who have taken bad experiences, traumatic events, and more  and come out the other side into a brighter future for themselves. What’s inspiring about these people is not how they have taken their hard journey and learned lessons, which they applied to their own lives, but that they have taken these hardships and lessons and used them to create better futures for others facing similar obstacles.

Each essayists’ style is different and each journey is nuanced. At the heart of this collection is the strength of the human mind and its emotional and psychological flexibility to recover and to move forward and to contribute to society in the best ways. From a Holocaust survivor to an actress who saw acting as a way to be someone other than herself, these essays are about perseverance and strength.

Alia Shawkat’s career, for example, was no longer a way to escape, but a way for her to embrace who she truly is and to show that to others — breaking down those stereotypes. These essays are inspiring. The young and old should read this collection. Jump in head first and learn to let go of the fears that hold them back.

“Music would be no longer something to dabble in but something to swallow me whole if I surrendered to it. Like the ocean, I both longed for it and feared it.” (pg. 102, “You, Sailor” by Erin McKeown)

“It can be a lonely business, this persisting.” (pg. 104, same essay)

The collection touches not only on those most marginalized by society as a whole, but also those lives in the shadows of great basketball players and others finding their own way out of the darkness. Nevertheless We Persisted: 48 Voices of Defiance, Strength, and Courage with a foreword by Sen. Amy Klobuchar is a collection that should be on everyone’s shelves, and read and discussed by book clubs, friends, strangers, and more.

RATING: Cinquain

We Should All Be Feminists by Chimamanda Ngozi Adichie

Source: Public Library
Paperback, 52 pgs.
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We Should All Be Feminists by Chimamanda Ngozi Adichie, our book club pick for May 2018, is an adaptation of the author’s TEDxEuston talk in Africa. To talk about gender is often uncomfortable, and it is often met with platitudes, like things are so much better for women now and what’s the big deal if someone greeted the man you’re with but not you. These are statements of dismissal and an attempt to nullify the validity of the discussion about equal rights for all sexes/genders.

Adichie is from Nigeria, but the situations she speaks about are from all over the globe, including the United States.  These are situations in which women (through socialization) feel that they must dress or act a certain way when in the workplace in order to be respected.  However, assertive behaviors in male co-workers are still rewarded but not favorable in women of the same position.  Adichie uses examples from her own life and her interactions with friends to illustrate her points about culture and its need to evolve in order to meet the needs of modern society, as well as the needs of humanity as it continues to evolve.

“Culture does not make people. People make culture. If it is true that the full humanity of women is not our culture, then we can and must make it our culture.” (pg. 46)

Her discussion of how many American women strive to be “likeable” demonstrates how women are groomed over time to view their worth as only as a man would perceive them to be.  There are notions of pretending and how women often must pretend that they like something or act a certain way because marriage is the ultimate goal. Because what would women be without marriage? “The language of marriage is often a language of ownership, not a language of partnership.” (pg. 30)

While men and women are biologically different, Adichie explains that today’s society is not as it was when men hunted and women made the home — strength was necessary to lead. Intelligence, creativity, and more are needed in today’s society to keep productive, efficient, and creating a new world in which we can be happier and fulfilled.  When women thank their husbands for doing one chore after both have come home from work but a man does not thank his wife for all the housework she does daily, what does that signify? Shouldn’t we be grateful when either spouse shares the housework load and works a job outside the home? Shouldn’t we equally share the load in family life?

“But by far the worst thing we do to males – by making them feel they have to be hard – is that we leave them with very fragile egos. The harder a man feels compelled to be, the weaker his ego is.” (pg. 27)

We Should All Be Feminists by Chimamanda Ngozi Adichie, our book club pick for May 2018, is thought-provoking and a conversation starter. We cannot pretend that gender discrimination and expectations do not exist any longer. It must be acknowledged before it can be fixed by teaching both boys and girls to be who they are and not to pretend to be a particularly “gender” assigned to them by an out-of-date culture and society.

RATING: Quatrain

About the Author:

Inspired by Nigerian history and tragedies all but forgotten by recent generations of westerners, Chimamanda Ngozi Adichie’s novels and stories are jewels in the crown of diasporan literature.

LOVE: A Philadelphia Affair by Beth Kephart

Source: Purchased
Hardcover, 176 pgs
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LOVE: A Philadelphia Affair by Beth Kephart (this has a gorgeous cover) is a collection of essays, many of which were published in the Philadelphia Inquirer, that read not like essays but mini-memoirs. It has been a pleasure to read about Philadelphia — a city I was fortunate to visit briefly and not spend enough time in — through the eyes of someone who loves it dearly. All of its nooks and crannies, its alleys, its rivers, its art, its history — it is all laid bare with Kephart’s fondest memories and recollections. The city comes alive in her hands — it breathes.

The graffiti, the artisans, the food markets, and the University of Pennsylvania are moving through these pages like the Schuylkill River, leaving its gleaming beauty behind in its wake.  She says in the preface, “Love: A Philadelphia Affair is about the intersection of memory and place.  It’s about how I’ve seen and what I’ve hoped for, what ‘home’ has come to mean to me.  It’s about train rides, rough stones, brave birds, rule breakers, resurrectionists, unguided and mostly solo meanderings.  It is experiential, not encyclopedic.  Reflective, not comprehensive.” (pg. x)  In this way, Kephart has enabled readers to ruminate on their own memories, which may or may not be of Philadelphia and only tangentially related to her own.  I’ve remembered train journeys to NYC, ice cream I loved as a kid made in a small Massachusetts town, and a journey to Valley Forge that was at once solemn and beautiful.

“There’s something about standing on the platform watching the curve for the Silverliner.  Something about feeling the rumble in the sole’s of one’s feet.  Something about the rituals of travel.  Leaving and returning — that’s where I’ve lived.  I’m sympathetic to the crossties of the tracks.” (pg. 7-8; “Time In, Time Out”)

Kephart establishes the tone for these essays in these lines, telling her readers that she will straddle the past and present, the before and the after, and the moment and the remembering of the moment.  Many of us do this as our minds wander between where we are and where we have been, noting the connections that are only apparent to us until we voice them aloud.  And in “Psychylustro,” we, like the train, become museums — a collection of our own artifacts, memories, and temporal importance.

One minor thing readers may notice, there are only a few photos at the start of each essay, and more photos would have been a lovely addition.  However, LOVE: A Philadelphia Affair by Beth Kephart is a love story involving a city, but it’s also a testament to the love we hold and can freely give through art and action — so long as we can check our ego and greed at the door.  We all want recognition and love, but we need to also realize that these do not come without our own generosity.  It is not just the generosity that we show toward others, but also to ourselves and the world around us.

About the author:

Following the publication of five memoirs and FLOW, the autobiography of Philadelphia’s Schuylkill River, I’ve had the great pleasure of turning my attention to young adult fiction. UNDERCOVER and HOUSE OF DANCE were both named a best of the year by Kirkus and Bank Street. NOTHING BUT GHOSTS, A HEART IS NOT A SIZE, and DANGEROUS NEIGHBORS were critically acclaimed. In October YOU ARE MY ONLY will be released by Egmont USA. Next summer, Philomel will release SMALL DAMAGES. I am at work on a prequel to DANGEROUS NEIGHBORS, a novel for adults, and a memoir about teaching.

Citizen: An American Lyric by Claudia Rankine

Source: Purchased
Paperback, 169 pgs
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The power of Citizen: An American Lyric by Claudia Rankine makes me wonder what the winner of the National Book Award could have written to outshine Rankine’s words in 2014.  In her collection of essays, poems, and vignettes, Rankine points: “‘The purpose of art,’ James Baldwin wrote, ‘is to lay bare the questions hidden by the answers.'” (page 115)  She took this to heart when writing this collection because she raises up those questions about race in America and brandishes them like a flag.  That is not to say that racism is something that is wholly owned by just white people or white police, but that it is perpetuated by the actions, behaviors, and assumptions both races make about one another.  What does it mean to be American? Does it mean as citizens we brush aside these issues and move forward? Does it mean that we must embrace all of this darkness into ourselves and find solutions that may not work for everyone? Or does it mean that we must take a more internal approach and remedy that which we do to perpetuate those wrongs around us?

from page 135:

because white men can’t
police their imagination
black men are dying

What is engaging about Rankine’s work is that she blurs the lines between the you, the I, the she, the he, to make it less clear cut who is being discriminated against and who is suffering. In this way she takes the time to juxtapose the traditional black victim of white racism formula with a less black-and-white distinction, and it’s done with purpose.

“In any case, it is difficult not to think that if Serena lost context by abandoning all rules of civility, it could be because her body, trapped in a racial imaginary, trapped in disbelief — code for being black in America — is being governed not by the tennis match she is participating in but by a collapsed relationship that had promised to play by the rules.  Perhaps this is how racism feels no matter the context–” (page 30)

Lest you think this book is about racism only through the lens of the victim, it is not.  There a great deal to discuss about racism, its roots, its ignorance, and its pervasiveness in American society.  While many, if not all, the references are contemporary, they could have been pulled from many times throughout history.  Book clubs could discuss this collection of essays and poems for hours.  I cannot explain to you how deeply affected by the book I have been.  I will likely read and re-read this book many times.  I may even put it forth to my book club as a suggestion.

Citizen: An American Lyric by Claudia Rankine is essential reading for every American — young or old, black or white, Hispanic or Asian; it is the beginning of a dialogue that is desperately needed in this country where the presumption of ignorance or incivility is based upon a skin color rather than an individual’s actions and behaviors.  While discrimination against “other” continues, it is not merely one-sided, and until we are able to break down those walls to the truth of our humanity, discrimination and racism will always exist.

***Best of 2015 — not a contender, firmly on the list***

About the Author:

Claudia Rankine was born in Jamaica in 1963. She earned her B.A. in English from Williams College and her M.F.A. in poetry from Columbia University. She is the author of four collections of poetry, including Don’t Let Me Be Lonely (Graywolf, 2004); PLOT (2001); The End of the Alphabet (1998); and Nothing in Nature is Private (1995), which received the Cleveland State Poetry Prize.

Rankine has edited numerous anthologies including American Women Poets in the Twenty-First Century: Where Lyric Meets Language (Wesleyan, 2002) and American Poets in the Twenty-First Century: The New Poetics (2007). Her plays include Provenance of Beauty: A South Bronx Travelogue, commissioned by the Foundry Theatre and Existing Conditions, co-authored with Casey Llewellyn. She has also produced a number of videos in collaboration with John Lucas, including “Situation One.” A recipient of fellowships from the Academy of American Poetry, the National Endowments for the Arts, and the Lannan Foundation, she is currently the Henry G. Lee Professor of English at Pomona College.  (Photo credit: John Lucas)

 

 

 

 

Let’s Explore Diabetes With Owls by David Sedaris

Source:  Little, Brown & Company
Hardcover, 275 pages
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Let’s Explore Diabetes With Owls by David Sedaris is a collection of essays and some short blurbs that he suggests could be used by students in their competitions for “forensics.”  Many people talk about Sedaris’ humor and outrageous tales, and while many will look for his signature humor here, they may find that it is a bit subdued and less abrasive than usual.  Many of these essays seem more reflective than probing (think poking with a needle), but they also resemble the tall tales that young children tell their parents when explaining what they did that day or why they got in trouble, etc.

“Their house had real hardcover books in it, and you often saw them lying open on the sofa, the words still warm from being read.” (page 60 ARC)

The first two essays in the collection showcase backhanded sarcasm aimed at American and especially modern ideas about parenting and socialized healthcare, especially the dark fear that socialized healthcare means dirty cots and “waiting for the invention of aspirin” and the coddling of kids who are clearly engaged in bad behaviors simply because a stranger points out the child’s misbehavior.  The end of the collection, “Dog Days,” is a bit more crass in its humor, written in a rhyming poem about various dogs and the parts of themselves that are licked, snipped, and dipped.  These little stanzas were by turns slightly funny to just mediocre as they are things that any person with “toilet” humor would come up with.  In this essay collection, they stood out from the rest, but in a grotesque way.

The essays that reach back into his early family life are the most interesting, and the essay “Author, Author” is ironically humorless in its telling, but it drives the point home not only about author tours — the good and the bad — but also the changing landscape of book stores and readers.  Let’s Explore Diabetes With Owls by David Sedaris is an interesting essay collection, but fans may find it a bit more subdued than his other work.

About the Author:

David Sedaris is a playwright and a regular commentator for National Public Radio. He is also the author of the bestselling Barrel Fever, Naked, Holidays on Ice, Dress Your Family in Corduroy, Denim, When You Are Engulfed in Flames and Me Talk Pretty One Day. He travels extensively though Europe and the United States on lecture tours and lives in France.  Visit his Website.
This is my 41st book for the 2013 New Authors Challenge.