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Cascade by Maryanne O’Hara

December 5, 2012 by

Cascade by Maryanne O’Hara is set in 1930s Massachusetts as the rest of the world is on the cusp of war with the Nazis and Boston is hoping to alleviate its water shortage by creating a new reservoir along the Cascade River.  Painter Desdemona Hart Spaulding lives in the sleepy little town of Cascade, which has been a target of lawmakers looking for water over the last decade.  Her life is nothing like she expected as her family falls on hard times, and she makes a life-altering decision to marry Asa to save her father and her home.  What she fails to realize is that some decisions are made for you by circumstance and fate in a cascade of changes that you can either fight or ride.

From the moment readers meet Dez, they know that she is conflicted about her new role as wife.  She makes her husband’s breakfast and tries to care for her father, but her mind wanders to her studio, her paints, and her canvases, making her lose track of time as she dives into the colors and scenes she creates.  Asa is hard to grasp as he seems to want to be oblivious to his wife’s struggles, but is forced to see reality when his wife makes decisions that place them both in the spotlight as the town looks for ways to save itself from drowning.

“Their once-fashionable resort town with its pleasant waters was looking more and more like the ghost valley that was invading dreams and even the pages of her sketchpad.”  (page 3)

O’Hara’s novel is not just about the cascade of decisions and twists in one’s life, but also the unexpected changes that face a country in a depression on the verge of a possible world war — at a time when sentiment against Jews is turning negative as many people lose their jobs and are thrust into poverty.  Things spiral out of control for the Spauldings and the town, but Dez is determined to follow her innate desire to pursue her art in spite of her duty to her husband and her father’s legacy as she hopes to turn public sentiment in favor of saving Cascade from the water department.  The parallels between the river and how it can shape a town and how events can shape people are deftly made in O’Hara’s lyrical prose.  She intertwines Shakespeare’s plays and famous quotations easily, tying Dez to her father’s legacy throughout the novel even when she has all but abandoned it in favor of an affair of art.

While Dez can seem immature in her clinging to Jacob, a traveling salesman, it is clear from her relationship with Asa that she’s never been in love with anything other than Shakespeare as seen through her father’s theater in Cascade and her own painting.  She is an artist that needs to feel substantial loss and pain before she can fully come into her art.  O’Hara has created a novel about the tensions between duty and desire and following one’s dream.  She has captured the struggle of artists, who unfortunately are too often misunderstood by non-artists, to achieve the time necessary to create without the guilt of failing to meet the obligations of family life and other relationships.

Through gorgeous descriptions and painting techniques, O’Hara plunges readers into the light-filled studios and landscapes of Dez, as well as into her nightmares, her guilt, and her nostalgia for things past.  Through quick brushstrokes and scraped canvases, the novel transports readers into muddied waters and into the bold color of an artist’s life.  Cascade by Maryanne O’Hara is a debut that shimmers like the rushing river over the rocks of the waterfall with its quiet power shaping Dez and what was once Cascade, Massachusetts.

***On a completely different note, I was totally in LOVE with this cover.   It was so utterly distracting with its water shapes in the profile image and how the boulders blended in as the woman’s hair.  I was enamored.***

About the Author:

Maryanne O’Hara was the longtime associate fiction editor of Ploughshares, Boston’s award-winning literary journal. Her short fiction has been published in magazines like The North American Review, Five Points, Redbook, and many anthologies. She has received grants from the St. Botolph Foundation and the Massachusetts Cultural Council, and her story collection was a finalist for 2010′s Flannery O’Connor Award for Short Fiction. She lives on a river near Boston.

Find out more about Maryanne at her Website, her blog, and connect with her on Facebook.

This is my 83rd book for the New Authors Reading Challenge in 2012.

 

Filed Under: challenges, fiction, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews, tlc book tours Tagged With: , ,

With Apologies to Mick Jagger, Other Gods, and All Women by Jane Rosenberg LaForge

December 3, 2012 by

With Apologies to Mick Jagger, Other Gods, and All Women by Jane Rosenberg LaForge takes a look at not only what it means to be young and full of dreams, aspirations, and confidence, but also the flip side of that — what it means to be older and confined by societal, professional, and personal constraints.  Her verse is topsy turvey with its own underground beat that shimmies out the fine-tuned truth that whether or not we are rock gods or ordinary people we are the same in how we are shaped and how we shape the world around us.  From hiding our wrinkles and our broken dreams to wearing them proudly, LaForge has crafted an unapologetic anthem about living, not merely surviving the world around us.

From "Prodigy":

It is youth that keeps you pale and concerned
about the smaller buzzing parts, the soil
and the pine cones there, and the grace
between fists and teacups.  You are a foil,
a reminiscence, a sobering glance forward
because nothing can be repeated, metric by 
metric; speaking the dream always changes it
irreparably, as if it weren't worth mentioning.
From "Apollo at 21st and 8th":

record we shed each day,
the accumulation of our pasts
that we deposit upon wood and 
polish, in the shafts and patterns
of directed sunlight.  Could gods
begin in dust and spit not as we have,

The collection is divided into two parts, and the first section, despite the title of the Mick Jagger poem, are hardly apologetic. From the crass way that age takes over the face to the abandonment of religion and faith in favor of the present and those rock stars before us on the television, LaForge chooses terse language clipped in the right places to give readers enough pause to encourage serious contemplation about aging and worship of the present. In “Runyon Canyon,” her narrator says, “It is not the soul that grows/in your bone, but a whistle;/as if a palpable friction between/lip and reed; a green-sweet taste/like hesitation and sympathy;” These images blend together to create a sound that hums.

In the second half of the collection, the poems are more personal, delving into the sorrowful images of disease and how the body can be ravaged even when the patient is in denial or at least trying to pretend they are not ill. LaForge takes a frank look at the grotesque found in the most beautiful relationships, including being sisters.  With Apologies to Mick Jagger, Other Gods, and All Women by Jane Rosenberg LaForge strikes a pose and has an opinion without apology, and don’t expect one.  The statements are bold and without explanation.  They just are.

About the Poet:

Jane Rosenberg LaForge’s poetry, fiction, critical and personal essays have appeared in numerous publications, including Poetry Quarterly, Wilderness House Literary Review, Ottawa Arts Review, Boston Literary Magazine, THRUSH, Ne’er-Do-Well Literary Magazine, and The Western Journal of Black Studies.

 

This is the 23rd book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

 

This is my 82nd book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, New Authors Challenge, poetry, Read in 2012, review copy, reviews Tagged With: , ,

The Lighthouse Road by Peter Geye

November 1, 2012 by

The Lighthouse Road by Peter Geye feels like the frozen tundra and the heat of the tropics all at once as his eccentric characters hack their lives out of the wilderness outside Duluth, Minn., between the 1890s and 1920s in Gunflint.  Odd is a young fisherman with his own small boat, whose mother died soon after he was born.  Raised by the local apothecary owner, Hosea Grimm alongside his daughter Rebekah, Odd strives to make his mark in the rough-around-the-edges town.

Geye’s narration shifts between Thea and Odd’s stories, with Thea’s set during the late 1890s when the town is just beginning and Odd’s story set during the 1920s during prohibition.  Earning money and carving out a life from the wilderness is tough work, and Odd begins making whiskey runs for the local bars and Grimm.  As the narrative shifts from Odd’s life to Thea’s life, the secrets of Gunflint are revealed slowly.  These secrets have lasting consequences for Odd as he falls in love.

“They all looked the same at a glance, so she learned to identify them by their grotesqueries:  the missing fingers or hands, the peg legs, the hunch backs, the harelips, the sunken chests, the pruritus and scabies.  It seemed as if each of the men possessed some defect or wound.”  (page 47)

Although the novel is about the residents of Gunflint, it also is an immigration and pioneering story.  The members of Gunflint are the first to hack their lives out of the woods, and Thea is the immigrant from Norway among them, who speaks little to no English when she arrives.  Geye once again relies on his abilities to paint a thorough picture of the town and its people, setting the stage for his story — even providing Odd a deformity of his own that mirrors the most prevalent problem in the town, which allows the secrets and lies to grow and fester.

Odd is a man who builds things with his hands, hoping that by building a larger boat he can improve his lot in life and to find a new life with his love.  Despite his realization that the town turns a blind eye to the tawdry goings on in town and its festering secrets, he is blind to the myth of the “grass is always greener on the other side.”  Geye’s novel is about the glimmer of hope in our lives and how it must be nurtured to bloom, but it also is about holding on too tight to that hope, so tight that it becomes extinguished.  Geye has hit another one out of the park with The Lighthouse Road.  **Excellent book for book club discussions**

About the Author:

Peter Geye received his MFA from the University of New Orleans and his PhD from Western Michigan University, where he was editor of Third Coast. He was born and raised in Minneapolis and continues to live there with his wife and three children. He is the author of the award winning novels, Safe from the Sea and The Lighthouse Road.

Please check out the reading guide.

Other reviews:
Safe From the Sea

Filed Under: historical fiction, Publishers/Publicists, Read in 2012, review copy, reviews, unbridled books Tagged With: ,

Judging a Book by Its Lover by Lauren Leto

October 30, 2012 by

Judging a Book by Its Lover by Lauren Leto is a guide to the mind of readers everywhere, and it offers some great tips on how to fake it for readers who may not have read some contemporary or classic authors that everyone else has been.  Leto is like many of us in that she says, “Considering yourself a serious reader doesn’t mean you can’t read light books.  Loving to read means you sometimes like to turn your head off.  Reading is not about being able to recite passages from Camus by memory.  Loving young adult novels well past adolescence isn’t a sign of stunted maturity or intelligence.  The most important thing about reading is not the level of sophistication of the books on your shelf.  There is no prerequisite reading regimen for being a bookworm” (page 8).  To that end, she discloses that she’s likely to be found with the latest Janet Evanovich in her hand when she has to fly anywhere.

The initial confessions read like that of any bookworm, with the boxes and boxes of books moved from apartment to apartment and from makeshift bookshelf to re-purposed material made into a bookshelf — in her case, a couple of old ladders (page 13).  Leto even offers a funny little bit about changing the readers’ mascot from a worm to a cat, but one of the most ironic reasons in the book is because cats hold grudges (page 63) — like many do against James Frey from A Million Little Pieces, who offers a witty quote about Leto’s book on the cover.

Through a series of chapters of advice on how to fake having read a particular book, using vague statements and comparisons to popular movies and other writers you may have read, Leto has created an unapologetic homage to reading as entertainment, education, enjoyment, escapism, and understanding.  She even includes a chapter on rules for the book club, which means talking about book club with others not in your club or about the books you are reading in the club as well as how best to end a disagreement over something that happens in one of the books read by the group.  Her observations on members of a book club and their roles from the leader to the quiet (usually girl) member are in line with many readers’ experiences, including those who might even fit those character types in one group or another.

Some of the best aspects of this book are the snarky comments about authors and readers of certain authors, like those who adore Chuck Palahniuk are boys who cannot read and those who love Chuck Klosterman are boys who don’t read.  Leto’s comments about the “Literati,” a chapter with an alternate title of “Why Ernest Hemingway Once Told John Updike Literary New York Is a Bottle Full of Tapeworms Trying to Feed on Each Other,” is hilarious and a warning for those would-be writers out there.  Judging a Book by Its Lover by Lauren Leto is not really about judging anyone, but it is about having fun with books and reading, making connections even with strangers, and finding happiness in a bent page — to paraphrase her (page 245).

About the Author:

Lauren Leto dropped out of law school to start the popular humor blog “Texts from Last Night.” She co-authored the book Texts from Last Night: All the Texts No One Remembers Sending. She lives in Brooklyn.

This is my 78th book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, Harper Collins, humor, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews Tagged With: ,

Everyday Writing by Midge Raymond

October 26, 2012 by

Everyday Writing: Tips and Prompts to Fit Your Regularly Scheduled Life by Midge Raymond is a slim volume with purpose — to get those writers back to the words on the page.  Raymond is a busy woman, like most writers, and she holds a full-time job in addition to writing.  Her advice is on point and should be taken to heart — by me especially.  The book is broken down into two main sections — tips on how to become a writer and stay in that mode and a series of writing prompts broken down my expected writing duration.

I’ve got a semi-unconventional review today.  This book offers me more motivation than ever.  With the toddler running around and the full-time job, plus the additional stress I’ve been under lately, I need a good kick in the butt to get me back to writing.

What I loved about Raymond’s book was her no-nonsense advice and her anecdotes about her own struggles with writing.  She even shares some of the best moments she’s experienced when she was procrastinating.  One major point that book bloggers already know, especially in this time of Twitter and other social media, that we need to disconnect from the Internet.  My book is overflowing with post-it tabs, but here are a couple of my favorite passages:

“Being an Everyday Writer is not about putting daily words on a page but about seeing the world as a writer and recognizing the myriad ways in which your everyday life informs your work.  And this, in turn, will put words on the page.”  (page 2)

“Writing exercises can help our writing in ways we don’t know until we do them.  They can, for instance, allow our minds to retreat from the puzzle of a current project and wander a bit, perhaps leading us back to the puzzle from a different angle and getting us closer to a solution.”  (page 6)

Some of her practical advice includes creating a schedule that works for you with your work and childcare schedule and that it doesn’t have to be every day.  Additionally, you have to remain open to revising the schedule and making sure that others in your life take your writing time as seriously as you do.  Writers also need to set bigger goals and break that down into more manageable goals, and these goals should be reassessed at least quarterly to determine how much progress has been made.  Another cool tool in the book is Raymond’s checklist for those writers who think they’ve finished a piece to make sure they’ve covered all the bases, including whether every scene is necessary and whether the point of view is consistent.

Everyday Writing: Tips and Prompts to Fit Your Regularly Scheduled Life by Midge Raymond is a slim book, just what writers need — practical advice, but not lengthy practical advice that causes them to procrastinate about their projects.  Raymond’s writing style as engaging as her advice, and the writing prompts can be used for any project.  What she offers most is the ability for writers to be flexible and not beat themselves up about it so long as they are meeting their own goals.

About the Author:

Midge Raymond’s short-story collection, Forgetting English, received the Spokane Prize for Short Fiction. Her stories have appeared in TriQuarterly, American Literary Review, Indiana Review, North American Review, Bellevue Literary Review, the Los Angeles Times magazine, and many other publications. Her work has received several Pushcart Prize nominations and received an Artist Trust/Washington State Arts Commission Fellowship.

Midge taught communication writing at Boston University for six years, and she has taught creative writing at Boston’s Grub Street Writers and Seattle’s Richard Hugo House. While living in Southern California, she held writing workshops and seminars at San Diego Writers, Ink, where she also served as vice president of the board of directors.

Midge lives in the Pacific Northwest, where she is co-founder of the boutique publisher Ashland Creek Press.

Filed Under: Read in 2012, Reference, review copy, reviews Tagged With: , ,

Things Your Dog Doesn’t Want You to Know by Hy Conrad and Jeff Johnson

October 23, 2012 by

Things Your Dog Doesn’t Want You to Know by Hy Conrad and Jeff Johnson is a humorous collection of stories from 11 dogs who bare all.  Not only do they divulge secrets about why those “pee” walks take so long, but they also enlighten dog walkers on the order that dogs should be taken out and why.  There are hijinks from dogs eating shoes and eating even mores hoes when owners lock them in the shoe closet, and there are dogs giving parenting advice to owners about their own puppies.

Sarge was one of the funniest given that he was a narcotics dog and became addicted to the pot that the police had him sniffing out.  He goes through several different jobs from junkyard dog to service dog.  He has trouble holding down a job.  Axelrod is another funny little dog who has a thing for herbs and incense given that there are herbal soaps in the bathroom, he thinks the herb garden outside is the perfect place to go potty since his owners seem to like the scent.

Conrad and Johnson have a firm grasp of the dog mindset and their seemingly erratic behavior from chasing cars to herding kids throughout the house.  A book you can dip into in the waiting room for entertainment, follow only one dog’s story from beginning to end, or read cover to cover.  Things Your Dog Doesn’t Want You to Know by Hy Conrad and Jeff Johnson is fun for dog owners, kids, those who love dogs, and anyone in between looking for a good chuckle.

About the Authors:

Best known for his work in mysteries, Hy Conrad was one of the original writers for the groundbreaking series, Monk, working on the show for all eight seasons, the final two as Co-Executive Producer. In a related project, Hy was Executive Producer and head writer of Little Monk, a series of short films featuring Adrian Monk as a ten-year-old.  His latest TV work was as writer and Consulting Producer for White Collar.

Hy is also the author of hundreds of short stories and ten books of short whodunits, which have been sold around the world in fourteen languages.  Hy’s first mystery novel series, Abel Adventures, will debut in 2012 with the publication of Rally ‘Round the Corpse.  And his first full-length comedy/mystery play, Home Exchange, premiered at the Waterfront Playhouse in May 2012.  He lives in Key West and Vermont with his partner and two miniature schnauzers.

Jeff Johnson spent most of his working life in advertising agencies, currently as General Manager of Cramer-Krasselt in New York City.  He is the author of The Hourglass Solution:  A Boomer’s Guide to the Rest of Your Life and co-authors (with Paula Forman) a national online advice column called Short Answers, which also appears in newspapers all along the east coast (from Massachusetts to Florida).  Jeff lives in Vermont and Key West and is on the Board of Directors of the Waterfront Playhouse and the Florida Keys SPCA.

This is my 76th book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, humor, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews, sourcebooks, tlc book tours Tagged With: , ,

Out of True by Amy Durant

October 19, 2012 by

Out of True by Amy Durant, blogger at Lucy’s Football, has a poignant dedication in the front:  “To everyone who doesn’t quite fit:  You do.  You will. Keep going.  You’re almost there.”  And in many ways, this dedication sets the tone for the collection.  There are a number of poems in the collection that talk about love and loss, but there also are those poems heavily focused on things and people that are just out of reach as the narrator continues to strive for the ultimate goal.

Durant has a frank style that not only clearly defines the poetic story, but also draws parallels from ancient myths and literature.  In “SYZYGY,” in which the moon and sun fall in love but are separated by the horizon, but Durant allows the celestial bodies to not only communicate through the tides and other messages.  The lines are written in the pattern of notes between married couples asking for the dishes to be washed and errands to be run.  But there is an undercurrent of disappointment as the narrator postulates that the sun will not rise and the evening will not bring the moon — the promises made that cannot be kept, like those between busy married couples and others that are forgotten or intentionally made knowing that they cannot be kept.

From "What We Build What We Destroy" (Page 20-21)

I like to build a fire; 
the ritual of it.  Placing the
small sticks, twisting the
paper, tenting the larger
logs.  The flames
licking around the edges,
teasing, like a schoolgirl
skipping along the edge
of a playground;

then the bite, the moment
the fish takes the bait, the
roaring upward, the rush,
the suck of air.  All eyes on
the dance of the flames.
I made this.  This thing that
can destroy:  I made this.

Readers will find her interplay of imagery fun, and perseverance becomes a strong message throughout the collection no matter if the narrator must let go of a past love or strive for a goal.  The cover ties the collection together with the stairway upward, signifying the struggle and the journey all at once with the light near the top of the stairs and the darkness below.  In many ways, this image demonstrates how each of us has a darkness in our lives that we journey away from, but at the same time that it can be present in the most enveloping way.  Particularly with the purposeful forgetting of high school memories in “Oubliette,” in which the narrator cannot catch up with those people she has forgotten even though the scars of what happened back then remain and are ever-present.  There is a truth in the forgetting that the narrator shares, illustration that the scars make up who she is even though she has forgotten the details of the faces of the perpetrators, which in itself may be a fallacy or a willful denial.

Out of True by Amy Durant is an emotional and insightful look at life’s travails and the decision to persevere and journey onward.  Durant’s debut poetry collection has a unique voice that highlights the harsh realities of life and love, but also the beauty of struggle and how it makes us not only who we become, but more than what we are.  Letting go is a must in this life, but also there must be a semblance of acceptance in order for humans to enjoy their lives, find joy, and evolve.

***Stay tuned tomorrow for an Amy Durant reading and giveaway***

About the Poet:

Amy Durant is a writer living in the Capital District of New York. She blogs frequently at her own site, Lucy’s Football, about far less serious things than this, and is lucky enough to write for Insatiable Booksluts about all things bookish. She is the artistic director for one of the many wonderful community theaters in her area and lives with a very cuddly but very spatially-impaired Siamese cat. Her book, Out of True, was published by Luna Station Press in August 2012.
This is the 20th book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

 

This is my 75th book for the New Authors Reading Challenge in 2012.

 

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, New Authors Challenge, poetry, Read in 2012, review copy, reviews Tagged With: ,

Married at Fourteen by Lucille Lang Day

October 11, 2012 by

Married at Fourteen by Lucille Lang Day is a memoir about a young girl who wants to grow up fast in the late 1960s, that she seriously starts looking for a husband at age 12.  She’s completely unhappy with her family life, particularly her mother, and with school.  The story spends a great deal of time in the first section examining the numerous boys that Day dated and tried to have sex with, but it also spends a lot of time on her frame of mind for this behavior.  She believes that marriage will set her free from the confines of her own family, allowing her not only to become a mother, but also make her own decisions.  In addition to love and finding a way out of the home, Day is a typical teen in her need to break out of conformity and make her mark, which in her case meant breaking up the monotonous school uniform with her own style and obtaining a switchblade to make her feel more adult-like.

“Nevertheless, I kept mine, which was tucked safely behind my math and history books in my locker.  I wasn’t about to hand it over to any cop.  It was a symbol of who I was.  It meant I didn’t play by the rules; it meant I made up my own rules.  It meant I was a rebel.  It meant I was bad.”  (Page 4 ARC)

When Day finally marries, she finds it is not all romance and roses, but she has to think about more than herself now that she has a daughter, Liana.  In a way the first portion of the book is a good illustration of why teens need observant parents in their lives — to teach them what is right and what is wrong, but also to guide them down the best path.  Day seems to have learned some lessons in love the hard way.  She also learned some lessons about motherhood and how far she was willing to go for money.

Part one looks back at Day’s teenage years, while the second portion of the memoir is a series of self-contained stories from her life as an adult, struggling to gain a college education after her struggle for a high school diploma as well as her struggle to keep a job and be treated fairly by her employers.  Married at Fourteen by Lucille Lang Day is an engaging look at what it was like for a young woman with big dreams of equality to live in the 1960s.  Day’s memoir is a stark look at family life, alcoholism, rebellion among teens, and so much more.  There is a cultural shift, but also an evolution within Day as she takes on her self-imposed struggles in love and motherhood.

About the Author:

Lucille Lang Day has published creative nonfiction in The Hudson Review, the Istanbul Literary Review, Passages North, the River Oak Review, the Willow Review, and many other journals. She is the recipient of the Willow Review Award in Creative Nonfiction and a Notable Essay citation in Best American Essays. She is also the author of a children’s book, Chain Letter, and eight poetry collections and chapbooks, including The Curvature of Blue, Infinities, and The Book of Answers. Her first poetry collection, Self-Portrait with Hand Microscope, received the Joseph Henry Jackson Award. She received an M.A. in English and an M.F.A. in creative writing at San Francisco State University, and then an M.A. in zoology and a Ph.D. in science and mathematics education at the University of California, Berkeley. The founder and director of a small press, Scarlet Tanager Books, she also served for seventeen years as the director of the Hall of Health, an interactive children’s museum in Berkeley.

This is my 72nd book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, memoir, New Authors Challenge, Read in 2012, review copy, reviews Tagged With: , ,

Bowling Avenue by Ann Shayne

October 9, 2012 by

Bowling Avenue by Ann Shayne follows Delia Ballenger’s re-acquaintance with all things Nashville, including her absentee mother, statuesque brother-in-law, and two nieces she barely knows when she’s given her sister Ginna’s house, 603 Bowling Avenue.  Bowling Avenue has a culture all its own, with the in-your-business neighbors and the families of doctors from the Vanderbilt.  Delia has lived her life on her own terms, but has rarely returned home for family gatherings or holidays, spending her time alone in Chicago catering to the needs of the super rich on holiday in a variety of countries.  She’s lived an isolated life, and because of that her sister’s death is even more shocking as are the revelations that come with her passing.

“I don’t believe in ghosts, I really don’t.  So the prospect of staying at my dead sister’s house is not daunting in terms of worrying that I’m going to run into a spectral Ginna wandering the hall in her Lanz of Salzburg nightgown.  Actually, that would be really terrifying.  She wore those things all her life:  eyelet trimmed, flannel, hot as fiberglass insulation.”  (Page 10)

Death can change family dynamics in many ways, and Shayne examines how the death of a loved one can either tear a family further apart or bring them closer.  In the Ballenger family, communication is practically non-existent unless you are looking for sarcastic comebacks or blame.  Delia has a lot to learn not only about dealing with grief, but also about what it means to find a home and a family.  Shayne has a unique style and deftly wields the first person point of view through which readers learn the Ballenger family secrets.  The secrets unfold bit by bit as Delia attempts to get her sister’s house ready for sale, and as she deals with her mother’s interference and her brother-in-law’s hands-off approach to fatherhood and family.

Nashville has more than the music business, and Shayne has some of the quirkiest characters.  They are by turns fun and infuriating, but that’s what makes the story so engaging.  Bowling Avenue by Ann Shayne is a fun read with a tender heart.  Delia and her family will make you feel at home and wrap you up in their arms.  Readers will be cheering her on as she examines her past, her present, and her future.

***I want to thank Alma Katsu for recommending this book to me.***

About the Author:

Ann Shayne lives in Nashville with her husband and two sons. She is the co-author, with Kay Gardiner, of Mason-Dixon Knitting: The Curious Knitter’s Guide and Mason-Dixon Knitting Outside the Lines. Their blog, Mason-Dixon Knitting, has persevered since 2003 despite constant begging for them to shut up.

This is my 73rd book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, fiction, New Authors Challenge, Read in 2012, review copy, reviews Tagged With: , ,

The Realm of the Lost by Emma Eden Ramos

October 2, 2012 by

The Realm of the Lost by Emma Eden Ramos is a middle-grade fantasy novel about a 13-year-old girl, named Kat Gallagher, who is feisty and responsible.  She’s got younger siblings, Ellie and Colm, and a home life that is not what it once was, but she takes it on her own shoulders to care for her little brother whose sick a lot of the time.  Her and Ellie, on the other hand, act as sisters should, especially sisters who share a room.  They bicker over space, and one day on the way to school, all of the tension boils over on the streets of New York City.

An accident changes everything for Kat, and she finds herself in a place that is disconcerting to say the least.  Here, she meets Rosario and Mikey, her brother and sister in the realm, and she must contend with Miss A, her realm mother.  Between the Tallyman, the mysterious forests, and the creepy dark mists that come out at night with Apate, Kat must navigate a strange and frightening world.  What makes this world believable is Ramos’ ability to ground her characters in a place and time, despite their strange surroundings.

“Before she died, Grandma Rose gave me a sterling silver necklace bearing the Celtic triskele.  ‘This,’ she explained, pointing to each swirl that extended from the symbol’s triangular middle, ‘will bring you knowledge, power, and, someday, a safe passage.'” (from ebook, location 27)

Grandma Rose is like Kat, a feisty Irish woman who immigrated to the United States, and she is reminiscent of the grandmothers who tell tall tales from the past and generally dote on their grandchildren.  Unfortunately, we don’t see much of this relationship, but a glimpse is enough to get the gist that she’s an important part of Kat’s upbringing.  The relationship between Ellie and Kat is clear, though the relationship with their mother is a little less developed.  However, Ramos offers the right balance of plot and description to see where Kat is and when, allowing the suspense and tension to build to the twist.

The four realms and what they signify are interesting, and could bring additional inspiration for a series of novellas, if Ramos is so inclined — the possibilities are endless.  But what is truly engaging is the parallels between The Realm of the Lost and Kat’s real life, only in the lost realm, Kat is forced to take on the role of younger sibling.  The Realm of the Lost by Emma Eden Ramos is an adventure that teachers Kat that there are more important things than just whether you have your own room.

***I wanted this to be longer!***

About the Author:

Emma Eden Ramos is a writer and student from New York City. Her short stories have appeared in Stories for Children Magazine, The Storyteller Tymes, BlazeVOX Journal, and others. Emma’s novelette, Where the Children Play, is included in Resilience: Stories, Poems, Essays, Words for LGBT Teens, edited by Eric Nguyen. Three Women: A Poetic Triptych and Selected Poems (Heavy Hands Ink, 2011), Ramos’ first poetry chapbook, was shortlisted for the 2011 Independent Literary Award in Poetry. Emma studies psychology at Marymount Manhattan College.  Please visit her Website.

This is my 5th book for the 2012 Ireland Reading Challenge.

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Skeleton Women by Mingmei Yip

September 25, 2012 by

Skeleton Women by Mingmei Yip is set in 1930s Shanghai when gang leaders are at odds over the foreign and domestic business, but in the shadows are skeleton women who can make men fall in love with them and be willing to risk everything for them, even their lives and fortunes.  Heavenly Songbird Camilla is tied to the Flying Dragons boss Mr. Lung, but her agenda is more secretive as she seeks to fulfill her duties to a rival gang, the Red Demons and Mr. Wang.  An orphan turned spy, she sings on stage and warms the bed of Mr. Lung at night when she meets his son, Jinying, who has fallen head over heels in love with her since first hearing her sing at the Bright Moon Nightclub.

“People admired or hated me as the ultimate femme fatale.  But I myself had no idea who I was.  I was nobody, literally.  An orphan, I was adopted by a man and his gang for their own purposes.  Later I learned that man was Big Brother Wang, his gang, the Red Demons.  Under their constant watching and fussing over me and their strict discipline, by fourteen I’d grown up to be a watermelon seed-faced, full-bosomed, slim-waisted, long-legged beauty, possessing everything desired by men and envied by women.”  (page 4)

Camilla puts on a confident air, but when she is surprised by the talents of the Shadow, a magician at a competing club, and bristled by the critiques of gossip columnist Rainbow Chang.  While she contrives scenarios in which to make herself seem superior and to maintain her place with Mr. Lung, the presence of his son is unsettling.  Readers are taken on a journey through Camilla’s time with the gangs and the adventures that leaves them in suspense about the success of her mission.

However, there are moments when devices such as lipstick cameras are mentioned that may or may not be historically accurate (I was unable to find a history on these objects), and the quickness with which Jinying falls for Camilla is a bit too abrupt.  The quickness of Jinying’s affections could be due to the narration’s point of view, which is Camilla’s as told from sometime in the future about the past.  And while she is uneasy in his presence, it is clearly more about lust than about true love.  The only other points in the book that could distract the reader are the repeated references to her repeated training as a spy and skeleton woman and Camilla’s continued references to Sun Tzu’s strategies and The Art of War.  On the other hand, there are great little historical tidbits from China’s past, including the overthrow of previous kings and legends from Chinese history, that are highlighted by Camilla’s story as an illustration of how even the best strategies do not always work.

More interesting are the parts about her actual training and her need to learn endurance to stave off the pain of torture, as well as her focus on becoming nothing or dead so that the enemy cannot torture her through others, thus depriving herself of emotion and connection to others.  Yip is adept at creating the sense of deception throughout the novel and the dangers around every turn, as she is at creating the illusion of emotion through Camilla and her interactions with others.  Skeleton Women by Mingmei Yip is a novel that is less about 1930s Shanghai and its troubles and more about the women who made it tick and set the stage for change, with or without consciously knowing they would.  Yip creates an allure in the prose that is reminiscent of the skeleton woman’s ability to manipulate the emotions and actions of others. The true test comes when one can coax a skeleton woman into feeling love and the sacrifice that sometimes follows.

About the Author:

Kensington author Mingmei Yip believes that one should, besides being entertained, also get something out of reading a novel. Her new novel is Skeleton Women is about survival, letting go, and finding love and compassion.

Her debut novel Peach Blossom Pavilion is the story about the last Chinese Geisha and also that of courage and the determination to succeed and attain happiness. Her second novel Petals from the Sky, a poignant Buddhist love story, is about wisdom, compassion, when to persist and when to let go. Her third novel Song of the Silk Road is an adventure love story between an older woman and a younger man with a three million award on China’s famous, dangerous route.

For more about the author and her books visit her Website, on Twitter, and on Facebook.

This is my 69th book for the New Authors Reading Challenge 2012.

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The Siren of Paris by David LeRoy

September 12, 2012 by

In The Siren of Paris by David LeRoy, Marc is tempted by the siren call of Paris to return to the place of his birth, a place he does not remember but has the enticements of all he desires: love and art. Set in the time before Paris is invaded by Germans during WWII, LeRoy does well in depicting by turns the fear and the indifference Parisians and expats felt when Germany began to advance across Europe.  Once France begins to realize that negotiations with Germany will amount to nothing and Germany begins to take more territory, the fears become overwhelming for many, and there is an anxiousness that pervades the novel’s pages, especially as Marc’s friends panic about returning to the United States and England.

With that said, there are quite a few missed opportunities in the beginning of this novel when Marc is on a diplomatic mission with Mr. Wells (at the behest of William Bullitt, US ambassador to France) and they meet with not only Mussolini, but also Ribbentrop, who goes on a diatribe for 2 hours, and you don’t get any of the conversations!  Instead, LeRoy spends several pages on news reel footage in the local theater afterward when Marc returns and is on a date with Marie.  Missed opportunities like these set off alarm bells that more research could have been done to learn what might have been said by these high-ranking officials conquering Europe.  It also begs the question of whether this story was as well thought out as it could have been, especially given that the transitions between moments in time and locations are often left out and the reader feels adrift until they get their bearings again as to where they are, what day, and whom they encounter.

LeRoy does have a firm grasp of how to make the plot move along and how to make the reader feel the fear of the Parisians and the expats who are fleeing the city as the German’s approach.  From the overflowing train platforms to the rush out of their apartments with their clothes on their backs, the plot moves along quickly and ramps up the tension.  As Marc seeks to leave at the last minute, his friends Dora, Nigel, and David are not forgotten by the narration as their paths homeward are highlighted as well.  However, in many ways, LeRoy has sketched the character of Dora (a subordinate character) better than he has the main protagonist, Marc.

The Siren of Paris by David LeRoy had the potential to be a great novel, but with the poor plot transitions and missed opportunities for historical information and additional characterization, it becomes a chore to read.  The additional framing in the novel at the beginning and end in which Marc is reviewing his life in flashes and the colors of his soul are changing read a bit overly dramatic and take away from the rest of the story.  With so many styles and techniques running amok in this novel, it is hard for readers to feel fully engaged in the story or connected to Marc.  Unfortunately, this reader didn’t even make it halfway through the novel before deciding she’d had enough.  However, if readers are willing to overlook these issues and focus on the fast-paced plot, it could be an enjoyable read for those that like WWII novels.

About the Author:

In writing his first novel, The Siren of Paris, David LeRoy drew upon his longtime interest in philosophy, the visual arts, myth, storytelling, psychology, and Ocean Liner travel. During a visit to France to study art in the fall of 2012, LeRoy became intrigued by the French Resistance, particularly when his research revealed the role of Americans in the Resistance, as well as the limited means of escape from Europe as the war escalated. LeRoy holds a bachelor of arts in philosophy and religion.

This is my 66th book for the New Authors Reading Challenge 2012.

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