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Everyday Writing by Midge Raymond

Everyday Writing: Tips and Prompts to Fit Your Regularly Scheduled Life by Midge Raymond is a slim volume with purpose — to get those writers back to the words on the page.  Raymond is a busy woman, like most writers, and she holds a full-time job in addition to writing.  Her advice is on point and should be taken to heart — by me especially.  The book is broken down into two main sections — tips on how to become a writer and stay in that mode and a series of writing prompts broken down my expected writing duration.

I’ve got a semi-unconventional review today.  This book offers me more motivation than ever.  With the toddler running around and the full-time job, plus the additional stress I’ve been under lately, I need a good kick in the butt to get me back to writing.

What I loved about Raymond’s book was her no-nonsense advice and her anecdotes about her own struggles with writing.  She even shares some of the best moments she’s experienced when she was procrastinating.  One major point that book bloggers already know, especially in this time of Twitter and other social media, that we need to disconnect from the Internet.  My book is overflowing with post-it tabs, but here are a couple of my favorite passages:

“Being an Everyday Writer is not about putting daily words on a page but about seeing the world as a writer and recognizing the myriad ways in which your everyday life informs your work.  And this, in turn, will put words on the page.”  (page 2)

“Writing exercises can help our writing in ways we don’t know until we do them.  They can, for instance, allow our minds to retreat from the puzzle of a current project and wander a bit, perhaps leading us back to the puzzle from a different angle and getting us closer to a solution.”  (page 6)

Some of her practical advice includes creating a schedule that works for you with your work and childcare schedule and that it doesn’t have to be every day.  Additionally, you have to remain open to revising the schedule and making sure that others in your life take your writing time as seriously as you do.  Writers also need to set bigger goals and break that down into more manageable goals, and these goals should be reassessed at least quarterly to determine how much progress has been made.  Another cool tool in the book is Raymond’s checklist for those writers who think they’ve finished a piece to make sure they’ve covered all the bases, including whether every scene is necessary and whether the point of view is consistent.

Everyday Writing: Tips and Prompts to Fit Your Regularly Scheduled Life by Midge Raymond is a slim book, just what writers need — practical advice, but not lengthy practical advice that causes them to procrastinate about their projects.  Raymond’s writing style as engaging as her advice, and the writing prompts can be used for any project.  What she offers most is the ability for writers to be flexible and not beat themselves up about it so long as they are meeting their own goals.

About the Author:

Midge Raymond’s short-story collection, Forgetting English, received the Spokane Prize for Short Fiction. Her stories have appeared in TriQuarterly, American Literary Review, Indiana Review, North American Review, Bellevue Literary Review, the Los Angeles Times magazine, and many other publications. Her work has received several Pushcart Prize nominations and received an Artist Trust/Washington State Arts Commission Fellowship.

Midge taught communication writing at Boston University for six years, and she has taught creative writing at Boston’s Grub Street Writers and Seattle’s Richard Hugo House. While living in Southern California, she held writing workshops and seminars at San Diego Writers, Ink, where she also served as vice president of the board of directors.

Midge lives in the Pacific Northwest, where she is co-founder of the boutique publisher Ashland Creek Press.

Mailbox Monday #195

Mailbox Mondays (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. This month’s host is BookNAround.

The meme allows bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received:

1.  The Ghost Runner by Blair Richmond from Ashland Creek Press for review.

2.  Everyday Writing by Midge Raymond from Ashland Creek Press for review.

How to be a writer even when you can’t write every day…

Writers are often told that in order to succeed, they must write every day–yet this isn’t realistic or feasible for writers with families, day jobs, and other responsibilities that preclude a daily writing practice.

Everyday Writing is about how to be a writer every day, even if you’re unable to sit down to write every day.

This book provides dozens of tips for busy writers, including how to create your ideal writing space, how to develop habits that work for you, and how to keep your projects moving forward even when you’re short on time. Everyday Writing also offers more than 150 prompts to fit into any writer’s life, from five-minute prompts you can do in a grocery store line to lengthy prompts that are perfect for a writing retreat. Whether you’d like to generate new material, free yourself from writer’s block, or start a revision, these writing exercises provide a way to engage immediately with your work.

3.  The Art Forger by B.A. Shapiro from Algonquin unexpectedly.

On March 18, 1990, thirteen works of art worth today over $500 million were stolen from the Isabella Stewart Gardner Museum in Boston. It remains the largest unsolved art heist in history, and Claire Roth, a struggling young artist, is about to discover that there’s more to this crime than meets the eye.

Claire makes her living reproducing famous works of art for a popular online retailer. Desperate to improve her situation, she lets herself be lured into a Faustian bargain with Aiden Markel, a powerful gallery owner. She agrees to forge a painting—one of the Degas masterpieces stolen from the Gardner Museum—in exchange for a one-woman show in his renowned gallery. But when the long-missing Degas painting—the one that had been hanging for one hundred years at the Gardner—is delivered to Claire’s studio, she begins to suspect that it may itself be a forgery.

4.  Comet’s Tale by Steven D. Wolf and Lynette Padwa from Algonquin unexpectedly.

Forced into early retirement by a spinal condition, Steven Wolf reluctantly left his family and moved to Arizona for its warm winter climate. A lifelong dog lover, the former hard-driving attorney is drawn to a local group that rescues retired racing greyhounds. When Comet, a once-abused cinnamon-striped racer, chooses to “adopt” Wolf, he has no idea that a life-altering relationship has begun—for both of them.

Racers, cruelly treated and exposed only to the track and cage, have no inkling of the most basic skills—walking on tile floors, climbing stairs, even playing with toys or children—so Wolf must show the mistrustful greyhound how to thrive in the real world. Gradually, a confident but mysterious spirit emerges from the stunning animal. And when Wolf’s health starts to worsen, the tables turn and Comet must now help Wolf with the most basic skills.

5. The Girl on the Cliff by Lucinda Riley, which I received from Simon and Schuster for review in October.

To escape a recent heartbreak in New York, Grania Ryan returns to her family home on the rugged, wind-swept coast of Ireland. Here, on the cliff edge in the middle of a storm, she meets a young girl, Aurora Lisle, who will profoundly change her life.

Despite the warnings Grania receives from her mother to be wary of the Lisle family, Aurora and Grania forge a close friendship. Through a trove of old family letters dating from 1914, Grania begins to learn just how deeply their families’ histories are entwined. The horrors of World War I, the fate of a beautiful foundling child, and the irresistible lure of the ballet give rise to a legacy of heartache that leaves its imprint on each new generation. Ultimately, it will be Aurora whose intuition and spirit may be able to unlock the chains of the past.

Sweeping from Edwardian England to present-day New York, from the majestic Irish coast to the crumbling splendor of a legendary London town house, The Girl on the Cliff introduces two remarkable women whose quest to understand their past sends them toward a future where love can triumph over loss.

6. When It Happens to You by Molly Ringwald, which I purchased at Novel Places.

When it happens to you, you will be surprised. That thing they say about how you knew all the time, but just weren’t facing it? That might be the case, but nevertheless, there you will be.

Molly Ringwald mines the complexities of modern relationships in this gripping and nuanced collection of interlinked stories. Writing with a deep compassion for human imperfection, Ringwald follows a Los Angeles family and their friends and neighbors while they negotiate the hazardous terrain of everyday life—revealing the deceptions, heartbreak, and vulnerability familiar to us all.

7. House Inspections by Carsten René Nielsen, translated by David Keplinger, which I purchased at Novel Places after hearing the poet and translator at a recent reading.

With a dozen poems previously published in The Paris Review, Carsten René Nielsen is already a familiar name to US poetry readers. These dark prose poems—reminiscent of Charles Simic—map out a uniquely European territory with chilling, cinematic clarity.

Award-winning Danish poet Carsten René Nielsen is the author of nine books of poetry, including his US debut The World Cut Out with Crooked Scissors (2007). His poems appear in The Paris Review, Agni, Circumference, Mid-American Review, Mississippi Review, and elsewhere. He lives in Aarhus, Denmark.

David Keplinger’s poetry awards include the Colorado Book Award, T.S. Eliot Prize, an NEA fellowship, and grants from the Danish Arts Council. He directs the MFA program at American University in Washington, DC.

What did you receive?