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Mailbox Monday #735

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received from Gaithersburg Book Festival:

Disbound by Hajar Hussaini, one of the featured poets.

Hajar Hussaini’s poems in Disbound scrutinize the social, political, and historical traces inherited from one’s language. The traces she finds—the flow of international commodities implied in a plosive consonant, an image of the world’s nations convening to reject the full stop—retrieve a personal history between countries (Afghanistan and the United States) and languages (Persian and English) that has been constantly disrupted and distorted by war, governments, and media. Hussaini sees the subjectivity emerging out of these traces as mirroring the governments to whom she has been subject, blurring the line between her identity and her legal identification. The poems of Disbound seek beauty and understanding in sadness and confusion, and find the chance for love in displacement, even as the space for reconciliation in politics and thought seems to get narrower.

Red London by Alma Katsu, one of the featured presenters.

After her role in taking down a well-placed mole inside the CIA, Agent Lyndsey Duncan arrives in London fully focused on her newest Russian asset, deadly war criminal Dmitri Tarasenko. That is until her MI6 counterpart, Davis Ranford, personally calls for her help.

Following a suspicious attack on Russian oligarch Mikhail Rotenberg’s property in a tony part of London, Davis needs Lyndsey to cozy up to the billionaire’s aristocratic British wife, Emily Rotenberg. Fortunately for Lyndsey, there’s little to dissuade Emily from taking in a much-needed confidante. Even being one of the richest women in the world is no guarantee of happiness. But before Lyndsey can cover much ground with her newfound friend, the CIA unveils a perturbing connection between Mikhail and Russia’s geoplitical past, one that could upend the world order and jeopardize Lyndsey’s longtime allegiance to the Agency.

Red London is a sharp and nuanced race-against-the-clock story ripped from today’s headlines, a testament to author Alma Katsu’s thirty-five-year career in national security. It’s a rare spy novel written by an insider that feels as prescient as it is page-turning and utterly unforgettable.

Breaking the Blank by Dwayne Lawson-Brown and Rebecca Bishophall, who were both featured poets.

Breaking the Blank is a spirited dialogue between poets—and a meditation on love, parenting, gentrification, money, and the literary life. In accessible free verse, haiku, sonnets, and other forms, Dwayne Lawson-Brown and Rebecca Bishophall honor the African American experience, make sacred the ordinary, and remind the reader of the marvelous in the everyday.

Breaking the Blank is a contemporary treasure.” —Sistah Joy, Poet Laureate of Prince George’s County, Maryland

“Crisp, riveting, and often tender meditations on love, parenting, and—to paraphrase the title of a National Public Radio program—This African American Life.” —Reuben Jackson, author of fingering the keys and Scattered Clouds: New & Selected Poems

Rebecca Bishophall and Dwayne Lawson-Brown met each other as juniors in high school in the late 1990’s and have been literary colleagues, and friends, ever since. Rebecca Bishophall has featured at Spit Dat, Afrocentric Book Expo, and others, and works in member services for a non-profit organization. She graduated from Trinity University in 2006 with a major in Communications. Dwayne Lawson-Brown, aka the Crochet Kingpin, is co-host of Spit Dat, the longest running open mic in Washington, D.C. Their poems were recently published in 2022 Pride Poems, they co-authored the Helen Hayes nominated play, From Gumbo to Mumbo, and they are an editor of the literary magazine Bourgeon.

Alchemy of Yeast and Tears by Patricia Davis-Muffett, one of the featured poets.

In her captivating collection, Alchemy of Yeast and Tears, Patricia Davis-Muffett lays bare the world of motherhood and daughterhood with a voice from the crossroads of these states. From what is passed “from hand to hand” across generations to choices that have no easy options, these poems offer us the compassionate and fiery voice of experience. These poems, like the leatherback turtle featured in “Never enough,” “plant hope” in the shifting sands of responsibility, love, celebration, and especially grief, in its multitude of guises. —Merie Kirby, Author of The Thumbelina Poemsand The Dog Runs OnPatricia Davis-Muffett’s Alchemy of Yeast and Tears is a self-aware collection that vacillates from yearning to wildness. These poems marvel through close attention. We are instructed about the tyranny of time. Loss interweaves with what it means to mother. There is an underlying theme questioning how we can hold our grief. From “Night Terrors”: “The person you were will die. / I hope the new one is strong, / fierce enough to survive.” How do we balance this desire to mend without letting slip the sacred remembrances of our past? The poet suggests what we can try to do. Because trying matters. —Mark Danowsky, Editor-in-Chief, ONE ART: a journal of poetry

Patricia Davis-Muffett dedicates this tenderly touching chapbook to a mother who taught her anything was possible. In “What to do with your grief III,” she proclaims: “I do what my mother taught me./Butter. Sugar. Flour. Salt./I bring this to you./….This piece of my day./I am doing what I know.” What the poet knows is that yeast and tears are inherent in all forms of mother/child relationships. Whether focused on a dying mother, the challenges presented by children, or the maternal impulses of leatherbacks, jellyfish, elephants, and orcas, Davis-Muffett’s poems are exquisitely rendered in language that touches the heart as it delights the mind. This chapbook is a gift to those who love authentic poetry. —Carolyn Martin, Ph.D., Poetry Editor, Kosmos Quarterly: Journal for Global Transformation

This Far by Kathleen O’Toole, who was a moderator of a poetry panel.

This collection offers a rich harvest taken from one season in the poet’s creative life. Like movements in a musical composition, these poems share leitmotifs  ̶  grief and the desire to honor those “saints” who have passed on; the sacramental power of nature; and, how works of art illuminate and console as they do. They point to the tension between the practice of monastic silence and the urge to bear witness, interrogating faith in the light of crises facing the earth and our human community. At the same time, the poet celebrates encounters that offer blessings of hope, inviting us to join her in a pilgrimage that leads us, with her, “this far,” and gestures to what lies beyond.

You Cannot Save Here by Tonee Moll, who was a featured poet.

Winner of the 2022 Jean Feldman Poetry Prize from the Washington Writers’ Publishing House, You Cannot Save Here is a collection of poems about how we live when each day feels like the world is ending. The poems ask what we do with the small moments that matter when so much around us-climate disaster, gun violence, pandemics, wars-makes these days feel apocalyptic. The book is a bit speculative and a bit confessional. It’s queer, punk, and woven tightly with cultural allusion-from visual art to video games, pop culture to counterculture.

Lo by Melissa Crowe, a featured poet.

Lo maps the deprivation and richness of a rural girlhood and offers an intimate portrait of the woman—tender, hungry, hopeful—who manages to emerge. In a series of lyric odes and elegies, Lo explores the notion that we can be partially constituted by lack—poverty, neglect, isolation. The child in the book’s early sections is beloved and lonely, cherished and abused, lucky and imperiled, and by leaning into this complexity the poems render a tentative and shimmering space sometimes occluded, the space occupied by a girl coming to find herself and the world beautiful, even as that world harms her.

In Kind by Maggie Queeney, a featured poet.

“This poet knows that to transform pain and anguish into words is to call on the ancient goddesses—earth women who spun new sources of nourishment, showing how to do the work that centuries of women poets, seers, makers, mothers, and wanderers would take up, take in, and become. How many ways can a poet invent to survive? Maggie Queeney shows us the old ways are infinite, umbilically connected to our now-howling, our new bodies beautiful amid the ageless brutality. No one can destroy this poet’s lived knowledge, though she speaks of destruction, because she also speaks of this regenerative line of women’s lived histories. In Kind is a book that mothers will relive, daughters will recognize, and the patriarchy will, if there is any justice of the kind Queeney imagines, shake in its boots. Shake then crumble, while Arachne spins triumphant.”—Brenda Shaughnessy, judge, Iowa Poetry Prize

Elegies for an Empire by Le Hinton, a featured poet.

Emily Dickinson is known for saying: “If I feel physically as if the top of my head were taken off, I know that is poetry.” Le Hinton’s poetry is that poetry—what happens when words erupt from the spirit to physically, emotionally, impact us—edify us. His work in Elegies for an Empire is concussive with craft, timeliness, reverence for Black life, family—and for every being timestamped to our fleeting days. The picture of living is never removed from dénouement, although we are often loathe to face its inevitable frame. Hinton faces it with authenticity and grace. Moreover, a depth of concern over the state of our fragile planet is clearly evident in the layers of his poems. In that light, this collection carries the solemnity of prayer. Therein lies its hymnal-like  power, in any meaningful literary service. ~ Truth Thomas, Poet, Editor, Founder of Cherry Castle Publishing

String by Matthew Thorburn, a featured poet.

A book-length sequence of poems, Matthew Thorburn’s String tells the story of a teenage boy’s experiences in a time of war and its aftermath. He loses his family and friends, his home and the life he knew, but survives to tell his story. Written in the boy’s fractured, echoing voice―in lines that are frequently enjambed and use almost no punctuation―String embodies his trauma and confusion in a poetic sequence that is part lullaby, part nightmare, but always a music that is uniquely his.

Bookish People by Susan Coll, a featured presenter. Sadly I missed her signing due to volunteer obligations.

Independent bookstore owner Sophie Bernstein is burned out on books. Mourning the death of her husband, the loss of her favorite manager, her only child’s lack of aspiration, and the grim state of the world, she fantasizes about going into hiding in the secret back room of her store.

Meanwhile, renowned poet Raymond Chaucer has published a new collection, and rumors that he’s to blame for his wife’s suicide have led to national cancellations of his publicity tour. He intends to set the record straight—with an ultra-fine-point Sharpie—but only one shop still plans to host him: Sophie’s.

Fearful of potential repercussions from angry customers, Sophie asks Clemi—bookstore events coordinator, aspiring novelist, and daughter of a famed literary agent—to cancel Raymond’s appearance. But Clemi suspects Raymond might be her biological father, and she can’t say no to the chance of finding out for sure.

This big-hearted screwball comedy features an intergenerational cast of oblivious authors and over-qualified booksellers—as well as a Russian tortoise named Kurt Vonnegut Jr.—and captures the endearing quirks of some of the best kinds of people: the ones who love good books.

The Banned Bookshop of Maggie Banks by Shauna Robinson, who was a presenter. Sadly I missed her signing due to volunteer obligations.

When Maggie Banks arrives in Bell River to run her best friend’s struggling bookstore, she expects to sell bestsellers to her small-town clientele. But running a bookstore in a town with a famously bookish history isn’t easy. Bell River’s literary society insists on keeping the bookstore stuck in the past, and Maggie is banned from selling anything written this century. So, when a series of mishaps suddenly tip the bookstore toward ruin, Maggie will have to get creative to keep the shop afloat.

And in Maggie’s world, book rules are made to be broken.

To help save the store, Maggie starts an underground book club, running a series of events celebrating the books readers actually love. But keeping the club quiet, selling forbidden books, and dodging the literary society is nearly impossible. Especially when Maggie unearths a town secret that could upend everything.

Maggie will have to decide what’s more important: the books that formed a small town’s history, or the stories poised to change it all.

What did you receive?

2022 in Review

I hope to have read my 100th book by Dec. 31, 2022, but as of now, I have read 99 books. My Good Reads goal was an ambitious 100 books.

I probably shouldn’t have selected a chunky Stephen King book, If It Bleeds, for my last read of the year, but I wanted to end the reading year on a high note or at least a book I thought I would love.

  • Children/YA books: 16
  • Memoir/Nonfiction: 12
  • Adult Fiction: 24 (25 if I finish book #100)
  • Poetry: 47

Breakdown of Ratings this Year:

  • 5 Stars: 57
  • 4 Stars: 29
  • 3 Stars: 11
  • 2 Stars: 1
  • 1 Star: 1

Top Memoir/Nonfiction:

Top Children/YA Books:

Top Adult Fiction:

Top Poetry: (this category is always the hardest for me to pick from)

Share your favorite reads from 2022!

The Wehrwolf by Alma Katsu (audio)

Source: Purchase
Audible, 2+ hrs.
I am an Amazon Affiliate

It’s been a Grimm’s Brothers kind of month of reading for me.

The Wehrwolf by Alma Katsu, narrated by Jim Boeven, weaves in myth from Germanic folklore about wolves and sets it just nearing the end of WWII.

Even as Berlin tries to tell its people that the war is not over, even the villages outside the cities can sense the tide is not in the motherland’s favor.

Uwe Fuchs has always considered himself a weakling and unworthy as he was unable to serve for the Reich and stayed behind to care for his own ailing mother. Despite his lot, he cared for his daughter and loved to share with her the dark fairy tales of the wood and wolves, though he feared she missed the point that the wolves represented the bad in the world. But in many ways it seems he missed the point as well.

The narration by Boeven was a bit stilted in the audio, which kept me from really falling into Katsu’s story fully. That was a real drawback for me. But the story itself is definitely a reaction to the political climate we find ourselves in and how it mirrors that of Nazi Germany with its fervor and us vs. them focus. The story itself is a cautionary tale that has roots in reality.

Katsu has knack for creating characters who are flawed and find themselves in otherworldly situations. Uwe is definitely flawed and those flaws are amplified by what happens to him, especially when he takes matters into his hands with the village fighters against the Allies in an effort to be part of the community. Will he be a man who cannot return to his former life?

The Wehrwolf by Alma Katsu, narrated by Jim Boeven, is a short story set in a historical period that highlighted much of the worst in humanity from eugenics to mass extinction efforts. Uwe is a man who is struggling with his own place in society and his community until he finds his pack. But will his one decision to join those working against the allies at the end of the war ruin his life forever?

RATING: Quatrain

Other Reviews:

About the Author:

Alma Katsu is the author of The Taker, The Reckoning, and The Descent. She has been a signature reviewer for Publishers Weekly and a contributor to The Huffington Post. She is a graduate of the Master’s writing program at the Johns Hopkins University and received her bachelor’s degree from Brandeis University. Prior to the publication of her first novel, Katsu had a long career as a senior intelligence analyst for several US agencies and is currently a senior analyst for a think tank. She lives outside of Washington, DC, with her husband.

Mailbox Monday #704

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Thank you to Velvet for stepping in when Mailbox Monday needed another host.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s What I Received:

The Art of Revision: The Last Word by Peter Ho Davies, which I purchased on recommendation from Melanie Figg.

In The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision―even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject.

Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision―that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.

Because of Mr. Terupt by Rob Buyea from Kellogg’s Feeding Reading Program.

It’s the start of a new year at Snow Hill School, and seven students find themselves thrown together in Mr. Terupt’s fifth grade class. There’s . . . Jessica, the new girl, smart and perceptive, who’s having a hard time fitting in; Alexia, a bully, your friend one second, your enemy the next; Peter, class prankster and troublemaker; Luke, the brain; Danielle, who never stands up for herself; shy Anna, whose home situation makes her an outcast; and Jeffrey, who hates school.

They don’t have much in common, and they’ve never gotten along. Not until a certain new teacher arrives and helps them to find strength inside themselves—and in each other. But when Mr. Terupt suffers a terrible accident, will his students be able to remember the lessons he taught them? Or will their lives go back to the way they were before—before fifth grade and before Mr. Terupt?

Find out what happens in sixth and seventh grades in Mr. Terupt Falls Again and Saving Mr. Terupt. And don’t miss the conclusion to the series, Goodbye, Mr. Terupt, coming soon!

Sway by Tricia Johnson for review.

Poems that welcome and embrace Mother Nature’s seasonal wind blown mysteries.

This book of poetry invites you to pause, kneel down in a meadow and experience the flora and fauna of Pennsylvania. To live among the rolling hills and valleys, as nature’s changing rhythms keep the time.

In Sway by Tricia Johnson, we imagine ourselves in the wilds of Nature with our heads resting on the back of our arms, eyes wide, observing the Living World.

The Wehrwolf by Alma Katsu, purchased.

Germany, 1945. In the waning days of World War II, the Nazis have been all but defeated. Uwe Fuchs, never a fighter, feels fortunate to have avoided the front lines as he cared for his widowed mother.

But Uwe’s fortune changes when Hans Sauer, the village bully, recruits him to join a guerilla resistance unit preparing for the arrival of Allied soldiers. At first, Uwe is wary. The war is lost, and rumor has it that Hans is a deserter. But Hans entices him with talk of power, brutality, and their village’s ancestral lore: werewolves.

With some reluctance, Uwe joins up with the pack and soon witnesses their startling transformation. But when the men’s violent rampage against enemy soldiers takes a devastatingly personal turn, Uwe must grapple not only with his role in their evil acts but with his own humanity. Can he reclaim what this group of predatory men has stolen from him?

Or has he been a monster all along?

What did you receive?

Mailbox Monday #698

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

2 a.m.with Keats by Eileen Cleary for review.

As I read Eileen Cleary’s 2 a.m. with Keats, I felt breathless, suspended in a place of red keys, plum stones, cats, willows, and sphinxes. It would minimize the reach of this brilliant collection to call it an elegy or a eulogy, or even a love story to Lucie Brock-Broido or John Keats – though it is all of those things. Here, in this place where “the elm says Grief and the oak, Grief,” the poems shine and scatter across the pages like “a phantom of stars.” Cleary engages the rhythms of another world, of “sweet music honeyed and unheard,” where “Lucie reaches forty years back. . . .”

Embracing the quirkiness of Brock-Broido’s imagery and the love of Keats’s line, Cleary creates a séance of astronomy, searching for the origins of human and poetic magic, where “looking for signs means I’ve / once been broken.” I will return to 2 a.m. with Keats again and again, to remember Lucie and Keats, to inhale “rose milk . . . mint.” – Jennifer Martelli, author of In the Year of Ferraro

Also A Poet by Ada Calhoun for review.

When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O’Hara, she set out to finish the book her father had started forty years earlier.

As a lifelong O’Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O’Hara’s past, but also her father’s, and her own.

The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it.

In reckoning with her unique heritage, as well as providing new insights into the life of one of our most important poets, Calhoun offers a brave and hopeful meditation on parents and children, artistic ambition, and the complexities of what we leave behind.

Red London by Alma Katsu from NetGalley.

After an explosive takedown of a well-placed mole within the CIA, agent Lyndsey Duncan has been tasked with keeping tabs on her newest Russian asset, deadly war criminal Dmitri Tarasenko. She arrives in London fully focused on the assignment at hand, until her MI6 counterpart, Davis Ranford, the very person responsible for ending her last mission overseas after they were caught in a whirlwind affair, personally calls for her.

After a suspicious attack on a powerful Russian oligarch’s property on Billionaires’ Row in the toniest neighborhood in London, Davis needs Lyndsey to cozy up to the billionaire’s aristocratic British wife, Emily Rotenberg. Lyndsey’s job is to obtain any and all information related to Emily’s husband, Mikhail Rotenberg, and his relationship with the new Russian president, whom CIA and MI6 believe is responsible for the sudden mysterious disappearance of his predecessor, the Hard Man. Fortunately for Lyndsey, there’s little to dissuade Emily from taking in a much-needed confidante. After all, misery needs company.

But before Lyndsey can cover much ground with her newfound friend, the CIA unveils a perturbing connection between Mikhail and Russia’s geopolitical past, one that could dangerously upend the world order as we know it. As the pressure to turn Emily becomes higher than ever, Lyndsey must walk a fine and ever-changing line to keep the oligarch’s fortune from falling into Russian hands and plunging the world into a new, disastrous geopolitical reality.

Red London is a nuanced, race-against-the-clock story that at times feels eerily set against today’s headlines, a testament to author Alma Katsu’s thirty-plus career in national security. It’s a rare spy novel written by an insider that feels as prescient as it is page-turning and utterly unforgettable.

What did you receive?

The Fervor by Alma Katsu

Source: Purchased
Hardcover, 320 pgs.
I am an Amazon Affiliate

The Fervor by Alma Katsu is the perfect balance of suspense, supernatural, and historical fiction. Meiko and Aiko Briggs are interned in Minidoka during WWII, while Meiko’s husband, Jamie, fights overseas as a pilot. The story shifts from 1944 to 1927 where we learn a little bit about Meiko’s family history and her father’s atmospheric research. What her father uncovered while working on a remote Japanese island Shikotan will come into play later.

Readers also will meet Archie and Elsie, the preacher and his wife, who were family friends of the Briggs. Something comes between the foursome when the war breaks out. When white motes appear and explosions happen in remote places across the United States, a fervor starts to take hold.

“She looked at the smoldering heap, which still billowed and heaved in the night air, like a breathing creature, tentacled and ashen.” (pg. 35-6)

Working in the background is an intrepid reporter who uncovers a secret balloon in the woods with strange writing. She starts to piece together the fervor taking hold in small, remote towns across America. No one is immune, not even the preacher. Katsu’s interned characters are strong, but they shouldn’t have to be. They are Americans and love their country, and Mr. Briggs is sacrificing himself for freedom.

The Fervor by Alma Katsu is a work of fiction, but she captures the atmosphere of WWII in America and the fervor that caught up so many and led to the interment (read imprisonment) of American citizens. I’ve read a number of books about this period and these camps, but there should be more about this time period taught to students across the country. We need more brave souls to examine our not-so-great history, so that a new/old fervor doesn’t take over and lead to more dark U.S. history.

RATING: Cinquain

Other Reviews:

About the Author:

Alma Katsu is the author of The Taker, The Reckoning, and The Descent. She has been a signature reviewer for Publishers Weekly and a contributor to The Huffington Post. She is a graduate of the Master’s writing program at the Johns Hopkins University and received her bachelor’s degree from Brandeis University. Prior to the publication of her first novel, Katsu had a long career as a senior intelligence analyst for several US agencies and is currently a senior analyst for a think tank. She lives outside of Washington, DC, with her husband.

Mailbox Monday #681

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

The Fervor by Alma Katsu, which I pre-ordered because it combines my favorite things to read about.

1944: As World War II rages on, the threat has come to the home front. In a remote corner of Idaho, Meiko Briggs and her daughter, Aiko, are desperate to return home. Following Meiko’s husband’s enlistment as an air force pilot in the Pacific months prior, Meiko and Aiko were taken from their home in Seattle and sent to one of the internment camps in the Midwest. It didn’t matter that Aiko was American-born: They were Japanese, and therefore considered a threat by the American government.

Mother and daughter attempt to hold on to elements of their old life in the camp when a mysterious disease begins to spread among those interned. What starts as a minor cold quickly becomes spontaneous fits of violence and aggression, even death. And when a disconcerting team of doctors arrive, nearly more threatening than the illness itself, Meiko and her daughter team up with a newspaper reporter and widowed missionary to investigate, and it becomes clear to them that something more sinister is afoot, a demon from the stories of Meiko’s childhood, hell-bent on infiltrating their already strange world.

Inspired by the Japanese yokai and the jorogumo spider demon, The Fervor explores the horrors of the supernatural beyond just the threat of the occult. With a keen and prescient eye, Katsu crafts a terrifying story about the danger of demonization, a mysterious contagion, and the search to stop its spread before it’s too late. A sharp account of too-recent history, it’s a deep excavation of how we decide who gets to be human when being human matters most.

What did you receive?

Red Widow by Alma Katsu (audio)

Source: Purchased
Audible: 10+ hrs.
I am an Amazon Affiliate

Red Widow by Alma Katsu, narrated by Mozhan Marnò, is a thriller but from a female CIA analyst’s point of view. Don’t let the word “analyst” make you think this is all data focused because it isn’t.

Lyndsey Duncan, the so-called human lie detector, is called into CIA headquarters by Eric Newman to investigate the murder of a Russian asset and a potential mole within either U.S.-based CIA or its Russian counterpart agency. She is warned to stay away from the widow, Theresa Warner, who is obviously the mole referenced by Katsu’s book title. For me, the story is not about the hunt for the mole, but about the clandestine agency’s backstabbing, infighting, lack of loyalty, and agents’ expendability. It’s about the high-wire act that agents dangle on every day, attempting to protect our freedoms and stave off attacks and other horrible events.

The narrator of Katsu’s book is fantastic with all of the voices. Each character is well fleshed out and discernible in conversations and interactions. I loved the narrator. I loved that this book showcased female protagonists, but the story was a bit too predictable, which I chock up to reading too many other spy novels and police-based books. It’s hard to surprise me with twists and turns in these kinds of books. One other thing that bothered me, is that Lyndsey is slow to realize she’s a pawn. I felt like she was smarter than that. We all have flaws and blindspots, and perhaps that is what trips up Lyndsey in this novel.

Red Widow by Alma Katsu, narrated by Mozhan Marnò, is a spy thriller I wanted to love, but I just ended up liking. That doesn’t mean it wasn’t worth reading because it was, and I hope this is a genre that Katsu continues to explore, though I admit I prefer her horror and paranormal books.

RATING: Tercet

Mailbox Monday #662

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

This is what we received:

Red Widow by Alma Katsu, which I purchased from Audible.

Lyndsey Duncan worries her career with the CIA might be over. After lines are crossed with another intelligence agent during an assignment, she is sent home to Washington on administrative leave. So when a former colleague – now chief of the Russia Division – recruits her for an internal investigation, she jumps at the chance to prove herself. Lyndsey was once a top handler in the Moscow Field Station, where she was known as the “human lie detector” and praised for recruiting some of the most senior Russian officials. But now, three Russian assets have been exposed – including one of her own – and the CIA is convinced there’s a mole in the department. With years of work in question and lives on the line, Lyndsey is thrown back into life at the agency, this time tracing the steps of those closest to her.

Meanwhile, fellow agent Theresa Warner can’t avoid the spotlight. She is the infamous “Red Widow”, the wife of a former director killed in the field under mysterious circumstances. With her husband’s legacy shadowing her every move, Theresa is a fixture of the Russia Division, and as she and Lyndsey strike up an unusual friendship, her knowledge proves invaluable. But as Lyndsey uncovers a surprising connection to Theresa that could answer all of her questions, she unearths a terrifying web of secrets within the department, if only she is willing to unravel it….

What did you receive?

Best Books of 2020

2020 felt strange. It was by turns too busy and too erratic, and my reading reflected that.

January: 8 books                                July: 8 books

February: 9 books                              August: 9 books

March: 6 books                                   Sept.: 7 books

April: 5 books                                      Oct.: 11 books

May: 8 books                                       Nov.: 5 books

June: 6 books                                      Dec.: 10 books

As you can see, it seems like when the pandemic first hit here and kids were sent home from school for virtual learning in March, my reading fell off. That is not unexpected. I’m not sure what was going on in June that dropped my reading, but at the end of the year, November was the most stressful at work in terms of workload. December was still stressful for other reasons at work, but I had more days off that month to read and just relax.

Here are some other reading stats I compiled because I was curious in this year of COVID-19 and political unease.

# of Books Read: 95

# of Books Reviewed: 91 (some will be reviewed in 2021)

# of Audiobooks: 17

# of Kids books: 34 (this is where I spent a lot of time with my reluctant reader)

# of Nonfiction: 11

# of Adult Fiction: 23

# of Memoir: 7

# of Poetry: 24

Some of these numbers will include books that crossover into another genre or category. For instance, some memoir were also poetry, while others were audio as well as fiction.

Now, for what you’re all probably curious about — My favorite books from 2020.

Not all were published last year.

I picked my top 2-3 in each category (but that doesn’t mean I didn’t have other books that I considered top books)

Top Kids Reads in 2020:

Katt vs. Dogg by James Patterson and Chris Grabenstein was my daughter’s favorite book last year, and she wanted this to be a series, but when we checked there was no book 2. Our review is here. We call this one a “page turner.”

Nancy Clancy, Super Sleuth by Jane O’Connor, which we both wanted to continue reading past her bed time to solve the mystery. Our review is here. “What I love about this series is the harder words that she has to sound out.”

Top Nonfiction:

America the Beautiful: A Story in Photographs, published by National Geographic. Our review is here. I said that this “is a love story for our nation.”

 

 

 

Top Memoir:

Memorial Drive by Natasha Tretheway is a riveting “tale of healing and reconciling the past. Trethewey relies not only on her memory but on her mother’s own writing, testimony, and recorded phone conversations. I was emotionally wrecked by this memoir.” My review is here.

Who’s Your Daddy by Arisa White, which actually will be published in 2021, but my pre-ordered book came quickly and I couldn’t wait to read it. This is a “journey into the poet’s past as she reconciles the abandonment of her father and her struggles with connecting to others. The poetic memoir is beautiful and the landscapes within it (emotional and physical) are tumultuous and heartbreaking.” My review is here.

 

Top Fiction:

Daughter of Black Lake by Cathy Buchanan is a book that surprised me this year. It started off slowly, and I typically don’t read this time period, but as Buchanan built the world of the Druids in Britannia, I became more captivated. It’s like the book wove a spell over me. The book depicts a “struggle for survival amid a world of secrets and lies, political gains and losses, and magic.” My review is here.

The Deep by Alma Katsu is a gothic tale aboard the Britannic, the sister ship of the Titanic. This novel is atmospheric and has ghosts. How can you go wrong with this tale? “Katsu has a wide cast of characters in this novel, but she balances them very well against the historical details, and the suspense is palpable.” I also loved that the ocean played a major role in this tale and became a character all its own. My review is here.

My final pick in this category is actually a tie:

The Jane Austen Society by Natalie Jenner, which surprised me because it “pays homage to Austen in a way that many other variations don’t. She understands the Austen characters and their motivations, but in creating her characters and their motivations they are not talking to us as Austen’s characters but fans of Austen’s words, her thoughts, her dream.” It also doesn’t hurt that Richard Armitage narrated this audiobook. My review is here.

Elizabeth: Obstinate, Headstrong Girl edited by Christina Boyd is a collection of short stories that skillfully depict the inner thoughts and character of Austen’s Elizabeth Bennet in a variety of modern and historical periods and situations. These stories hit it “out of the park with a range of angst, love, prejudice, and pride.” My review is here.

 

Top Poetry:

Raising King by Joseph Ross demonstrates the strength of compassion and empathy as a way forward in building a community that will no longer tear at its own foundations and rise up. My review is here.

Girls Like Us by Elizabeth Hazen explores female identity, speaking to the harmful tropes and labels of society. It is a “map in the darkness …” on a road to healing. My review is here.

My Name is Immigrant by Wang Ping is ripe with ghosts who haunt these pages. The collection “haunts, sings, rages, and breathes.” My review is here.

 

The poetry selections were tough for me this year, because I originally had 8 collections on my list. I pared it down to these three.

What were your favorite reads from 2020? I can always use recommendations (or can I?)

The Deep by Alma Katsu

Source: Purchased
Hardcover, 432 pgs.
I am an Amazon Affiliate

The Deep by Alma Katsu is a historical fiction novel centered around the Titanic and her sister ship the Britannic and the young Anne Hebbley, a stewardess in first class on the Titanic and a nurse’s aid on the Britannic. Through all the glitz and glamor of first class with John Jacob Astor and Lady Duff-Gordon we see the dismissive attitude of others and the entitlement they all carry. However, there are some cases in which these wealthy passengers show kindness and empathy toward their fellow passengers. Katsu has a wide cast of characters in this novel, but she balances them very well against the historical details, and the suspense is palpable as the young boy serving the Astor’s dies mysteriously aboard the Titanic shortly after a seance. The narrative shifts between this past and the Hebbley’s present as a nursing aid on the Britannic. She wonders why she’s agreed to be on the sea again, after her near death on the Titanic.

“Fear was a chained dog, startling and rough and always dangerously close, stretching its leash, baring fangs.” (pg. 24)

Ms. Hebbley is a young woman who is rudderless without family support and haunting memories of a lost love. The past swirls about these characters, scooping them up into a whirlpool of sadness and regret. From the decisions they made that went awry to the regrettable loss of loved ones that they still feel guilty about, Hebbley, Mark Fletcher, and others are burdened and susceptible to the supernatural forces around them. Katsu’s research into the Titanic and Britannic shines through in her novel, and I loved that she provided new characters beyond the ones everyone knows like Astor. This made the story line even more believable and allowed the supernatural elements to weave seamlessly into the story. I loved the backstories of the characters in this cast, and I particularly loved the Gothic atmosphere Katsu created.

In The Deep by Alma Katsu’s characters are burdened by their guilt at the bargains they have made with themselves and others, with how they act toward those they love and how they have come to be where they are. From Hebbley to Fletcher, the secrets become too heavy and have no where left to go but out into the silent ear of the ocean. The ocean becomes their confessional, and there is little room for half-truths and denials — the ocean will make them all pay dearly for those.

RATING: Cinquain

Mailbox Monday #573

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has it’s own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Leslie, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

The Haunted Library: The Ghost in the Attic by Dori Hillestad Butler, illustrated by Aurore Damant, which I purchased.

After successfully solving the mystery of the ghost in the library, Kaz and Claire land the first case for their detective agency—a haunted attic in a neighbor’s home! With a little help from Grannie, Kaz and Claire discover that what appeared to be something spooky has a much simpler explanation.

 

The Deep by Alma Katsu, which I purchased.

Someone, or something, is haunting the ship. Between mysterious disappearances and sudden deaths, the guests of the Titanic have found themselves suspended in an eerie, unsettling twilight zone from the moment they set sail. Several of them, including maid Annie Hebley, guest Mark Fletcher, and millionaires Madeleine Astor and Benjamin Guggenheim, are convinced there’s something sinister–almost otherwordly–afoot. But before they can locate the source of the danger, as the world knows, disaster strikes.

Years later, Annie, having survived that fateful night, has attempted to put her life back together. Working as a nurse on the sixth voyage of the Titanic‘s sister ship, the Britannic, newly refitted as a hospital ship, she happens across an unconscious Mark, now a soldier fighting in World War I. At first, Annie is thrilled and relieved to learn that he too survived the sinking, but soon, Mark’s presence awakens deep-buried feelings and secrets, forcing her to reckon with the demons of her past–as they both discover that the terror may not yet be over.

What did you receive?