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Guest Post: An MFA Program Can Build Confidence by Rebecca Adams Wright

tlc tour hostPlease welcome Rebecca Adams Wright:

I received my Master of Fine Arts from the University of Michigan in 2008. At the time, Michigan’s MFA in fiction was an esteemed two-year program, with a potential third-year writing fellowship offered to a handful of students. I received one of those third-year Zell Fellowships and so was lucky enough to remain immersed in the MFA community for an extra year. These days, the University of Michigan’s Helen Zell Writers’ Program is even more highly rated—vying for top place on many annual lists with the University of Iowa’s famous Iowa Writers’ Workshop—and so well-funded that all students admitted to the program are offered a third year.

I knew Michigan’s was a prestigious program when I arrived, and I will admit to feeling terribly nervous upon first meeting my fellow graduate students. I was 22 when I came to campus in 2006, the youngest in my cohort, and though I was enthusiastic, I knew I had a lot to learn about the craft of writing and the art of telling a story. I had one small edge on the other students: having attended the University of Michigan as an undergrad, I was familiar with campus and still had some college friends living in the area. But that familiarity didn’t feel like much of an advantage when I learned what talented writers and accomplished people the other students were. Some had finished novels, were raising children, already worked fulfilling careers, or were earning a PhD alongside their MFA. They were an intimidating group who all seemed to have experienced so much more of life than me.

In the end, those daunting fellow students became some of my wisest teachers and closest friends. My stories benefitted from their broad experience, and I did my best to contribute to their understanding what was unique to my perspective. Working with such a talented cohort, and with the excellent teaching faculty at Michigan, was one of the transformative experiences of my writing life. I left the MFA program with three tangible rewards—I could articulate what made a story a story (and what was just words on a page), I could write more meaningful stories (usually), and I had a group of great contacts—writer friends who had read my work and would continue to read it as I matured and improved, who would share their work with me, and with whom I could trade encouragement as we stumbled together down the rocky path to publication.

The connections I formed during my time in the MFA program ended up being one of the best investments I ever made in my artistic self. Michigan faculty have promoted and blurbed my latest collection, The Thing About Great White Sharks. Members of my fiction cohort read the unpublished manuscript and suggested changes that dramatically improved the included stories. One of my closest friends from the MFA program put me in touch with the editor who ultimately purchased the completed book.

Just as importantly, the relationships I formed at Michigan made me feel like a professional. At a crucial period in my development as a writer, I was not only allowed but encouraged to treat my dream like a job—that is, like something important and meaningful that I should be working at daily. The curriculum at Michigan was demanding, but working alongside artists who took art seriously helped me to develop my own writing discipline. Even when I questioned my talent I knew that I was picking up the right skills for continued improvement.

The MFA experience may not be for everyone, but it was an immensely valuable experience for me. I emerged from my program a steadier, more precise, and more confident writer, and one who understood the importance of a sustaining community. When I came to Michigan’s MFA program, I wrote because I felt inspired. When I left, I wrote because I was a writer.

About the Book:

In this collection’s richly imagined title story, our brutal and resourceful protagonist is determined to protect her family from a murderous, shark-ridden world—at any cost. Elsewhere, an old woman uncovers a sinister plot while looking after a friend’s plants (“Orchids”), and a girl in the war-torn countryside befriends an unlikely creature (“Keeper of the Glass”). In “Barnstormers,” a futuristic flying circus tries to forestall bankruptcy with one last memorable show. At the heart of “Sheila” is the terrible choice a retired judge must make when faced with the destruction of his beloved robotic dog, and “Yuri, in a Blue Dress” follows one of the last survivors of an alien invasion as she seeks help.

Extending from World War II to the far future, these fifteen stories offer a gorgeously observed perspective on our desire for connection and what it means to have compassion—for ourselves, for one another, for our past…and for whatever lies beyond.

About the Author:

Rebecca Adams Wright is a 2011 graduate of the Clarion Science Fiction and Fantasy Writers’ Workshop and a former University of Michigan Zell Writing Fellow. She has an MFA in fiction from the University of Michigan and has won the Leonard and Eileen Newman Writing Prize. Rebecca lives in Ypsilanti, Michigan, with her husband and daughter.  Connect on Facebook and Twitter.

Visit the rest of the stops on the TLC Book Tour.

Scent of Butterflies by Dora Levy Mossanen

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Source: TLC Book Tours and Sourcebooks
Paperback, 288 pgs
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Scent of Butterflies by Dora Levy Mossanen is a novel of vengeance as an Iranian Jewish woman, Soraya, convinces her husband, Aziz, to let her go to America on an assignment.  As with many revenge tales, Soraya spends a great deal of time building her trap, complete with sweet nectar, only to find herself ensnared in her own web.  Readers will be holding their breath as she weaves her garden of plants in America, making it lush and beautiful to attract her prey.  She spends most of her days cultivating the land around her and taking photographs of American and Iranian men to make her husband jealous.

“Humans get buried under earthquake rubble, break their bones in tornadoes, drown in stormy seas.  Butterflies, despite their fragility, are hardly affected by most of these natural disasters.  Not only that, they are capable of migrating unimaginable distances.  They simply float with the wind, staying on track with uncanny tenacity until they arrive at their intended destination, just as my friend did.”  (page 50)

Growing up in Iran and enjoying certain freedoms, Soraya is taught to become independent, but once those freedoms are taken away following the revolution, she has little choice but to obey the strict tenants of her religion.  Her Baba has called her an artist since she was a little girl, but like many things in her life, there is an undercurrent of deception.  As she flees Iran and her pain, she tries on new identities before settling back into her own.  Readers will be at once baffled by her actions and heartbroken for her, but will they understand that this passionate woman has lost her entire world when her husband betrays her with another woman?  Sympathy from the reader can be a tough balance in a story of revenge, but Mossanen has created a character bucking the repression of her culture and the tumultuous nature of a country with conflicting identities.

Scent of Butterflies by Dora Levy Mossanen is complex and a lush novel for the senses that will have readers debating how far a woman scorned would go to right a betrayal and how far she would go to retain her freedom.  Very well written and absorbing, readers will be attracted by the decadent honey in Soraya’s web.

About the Author:

Dora Levy Mossanen was born in Israel and moved to Iran when she was nine. At the onset of the Islamic revolution, she and her family moved to the United States. She has a bachelor’s degree in English Literature from the University of California-Los Angeles and a master’s in Professional Writing from the University of Southern California.

Dora is the bestselling author of the acclaimed novels Harem, Courtesan, and The Last Romanov. Her fourth and most provocative book, Scent of Butterflies, was released January 7, 2014. She is a frequent contributor to numerous media outlets including the Huffington Post and the Jewish Journal. She has been featured on KCRW, The Politics of Culture, Voice of Russia, Radio Iran and numerous other radio and television programs. She is the recipient of the prestigious San Diego Editors’ choice award and was accepted as contributor to the Bread Loaf Writers’ Conference. Dora Levy Mossanen’s novels have been translated into numerous languages world-wide.

The Last Good Paradise by Tatjana Soli

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Source: St. Martin’s Press and TLC Book Tours
Hardcover, 320 pgs
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The Last Good Paradise by Tatjana Soli is about learning how to change direction when the path you’re on no longer suits, makes you miserable, or merely a new opportunity presents itself.  Part environmental cause, part journey to happiness, Soli creates a multilayered story with deeply flawed characters who not only create havoc in their own lives but in the lives of others.  She brings to life the dream many corporate drones dream of, running away to paradise, but even that is fraught with contradiction and disappointment.

“As was her new habit, Ann got up early and walked to the far side of the island where the camera was.  She sat behind it and stared at the view that it stared at, a veritable Alice behind the looking glass.  It was the real thing and its abstraction.  She felt she was on the verge of some grand truth while being suckered at the same time.” (page 150 ARC)

Ann and her husband, Richard, must face the reality that their business partnership with Javi, El Gusano, is a pipe dream dragged down by their philandering, spendthrift partner who expects their assets to shoulder the debt burden.  As they flee Los Angeles in search of an escape, they end up on an island near Tahiti with no WI-Fi or outside connections.  Soli examines the idea of perception — the view we have of our lives as we live them and the view that we have of those lives when on vacation or examining our chosen path.  The two views either can be nearly identical or they can be vastly different.  It is up to ourselves to change the courses we choose and to create the lives we want.  While there will always be an obstacle that challenges us, we must be inured to rise up and take the horse by the reins.

The irony of The Last Good Paradise is that the only paradise we will have is the one we make ourselves.  It is not a place that can be arrived at by plane, bus, or train, but a sense of peace from within ourselves that must be fought for and cultivated over time.

About the Author:

TATJANA SOLI lives with her husband in Southern California. Her New York Times bestselling debut novel, The Lotus Eaters, won the 2011 James Tait Black Prize, was a finalist for the Los Angeles Times Book Prize and a New York Times Notable Book. Her stories have appeared inBoulevard, The Sun, StoryQuarterly, Confrontation, Gulf Coast, Other Voices, Third Coast, Sonora Review and North Dakota Quarterly. Her work has been twice listed in the 100 Distinguished Stories in Best American Short Stories.

Island Fog by John Vanderslice

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Source: TLC Book Tours
Paperback, 288 pgs
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Island Fog by John Vanderslice is a collection of short stories placed in chronological order beginning in 1795 on Nantucket, Mass., through 2005.  These stories are dark and oppressive, and one of the most harrowing is “Taste,” which is likely to have some readers’ stomachs churning.

“Physical assault is a vaporous threat that gravitates around his being like the afternoon fog infecting the harbor.  A threat that, unlike the fog, never actually takes body.” (from “Guilty Look”, pg. 18)

“More than that, William said he could not live trapped in a nuthouse anymore.  ‘This island,’ he said to you, and you were not to take this personally, ‘feels like some mad doctor’s lab experiment.'”  (from “How Long Will You Tarry?”, pg 124)

Vanderslice weaves in the economic and social history of Nantucket to demonstrate the insular nature of an island and how dynamic it can be, despite that isolation.  The tension between Congregationalists and Quakers in colonial times is vibrant and engaging, as are the struggles of a young wife whose husband is lost at sea, but the overall collection is a mixed bag.  While the author strives to depict the disappointing pasts of characters on the island and their desires and hopes, the overall feel of the collection is one of a harsh island life that sometimes can feel like a prison to those who are native to the land and those who are merely visitors.

Island Fog by John Vanderslice is about peeling back the shroud of our neighbors lives and engaging with their personal lives in ways that many of us never expect.  The secret desires we harbor and the past transgressions we hide from even ourselves are revealed in these short stories, but beneath the fog is the desire to hope, the need to reach for something better than we have — even if in the end it is disappointing.  The collection would generate lively discussions in a book club.

About the Author:

John Vanderslice teaches in the MFA program at the University of Central Arkansas, where he also serves as associate editor of Toad Suck Review magazine. His fiction, poetry, essays, and one-act plays have appeared in Seattle ReviewLaurel Review, Sou’wester, CrazyhorseSouthern Humanities Review1966, Exquisite Corpse, and dozens of other journals. He has also published short stories in several fiction anthologies, including Appalachian Voice, Redacted StoryChick for a DayThe Best of the First Line: Editors Picks 2002-2006, and Tartts: Incisive Fiction from Emerging Writers.  His new book of short stories, Island Fog, published by Lavender Ink, is a linked collection, with every story set on Nantucket Island, Massachusetts.

Joy Street by Laura Foley

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Source: TLC Book Tours
Paperback, 46 pgs
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Joy Street by Laura Foley is a slim collection of poems that sometimes use a blunt edge to carve out the truth, while others use needle-like precision to get at the harsh realities of life.  However, despite these sometimes sad topics, there is a light, a sense of hope in many of them that things can be better.  In “Near Miss,” she evokes the stabbing pain of heartache that accompanies the loss of family or a spouse in a way that equates it to death even as it passes her by.  There is a sense that the narrator would rather she be the one to die than her loved one, but at the same time is relieved that she is not dying.

Drift (pg. 26)

I eye-roll Aunt Lizzie, who can’t see me over the phone, tell her I’m
dating a woman now, but at ninety she’s adrift in uncharted seas, till I
say we may marry—and she crests the wave, her kind old voice
soothing: Oh, but Laura, you’re still attractive to men, grasping the rudder
with practices hands.

In “Hindsight,” she looks at the photo of her emaciated father after his internment by the Japanese as a POW after WWII and identifies how different he looked, but her partner is quick to point to their similarities — the eyes of a survivor.  The narrator’s relationship with her father is clearly not as close as she would prefer, but there are ways to connect with a distant father and seek out the things that connect them.

Many of these poems are about making connections, either to family or lovers and potential lovers.  “Voyeur” is a testament to desire and the human need for connection with those we love, even from a distance.  But beyond these intimate connections, there is a connection that we feel with the earth and growth.  In addition to these connections, we all want to be remembered, like in “On Sense.”

Joy Street by Laura Foley is about the joy we can find in interaction and by living. Despite the challenges we face — a relative who doesn’t understand our lifestyles and choices — we can find enjoyment and amusement in these interactions and rise above the darkness of hatred and oppression.  We need to search for the light in any darkness, because that is what makes living worth it in the end.

***Enter to win a copy of Laura Foley’s collection by leaving a comment by Jan. 14, 2015, at 11:59 PM EST. Must be U.S./Canadian resident***

About the Poet:

Laura Foley is the author of four poetry collections. The Glass Tree won the Foreword Book of the Year Award, Silver, and was a Finalist for the New Hampshire Writer’s Project, Outstanding Book of Poetry. Her poems have appeared in journals and magazines including Valparaiso Poetry Review, Inquiring Mind, Pulse Magazine, Poetry Nook, Lavender Review, and in the anthology, In the Arms of Words: Poems for Disaster Relief. She won Harpur Palate’s Milton Kessler Memorial Poetry Award and the Grand Prize for theAtlanta Review’s International Poetry Contest. She lives on a woody hill in South Pomfret, Vermont with her partner Clara Gimenez and their three dogs. Please visit her website for book information or more poems.

 

 

 

 

 

Land of Dreams by Kate Kerrigan

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Source: William Morrow and TLC Book Tours
Paperback, 336 pages
On Amazon and on Kobo

Land of Dreams by Kate Kerrigan, the third book in the Ellis Island trilogy (Ellis Island and City of Hope), could be read alone as Kerrigan provides enough background on Ellie Hogan that new readers could pick this one up without a problem, but readers may find a richer reading experience when they read all three.

(If you haven’t read the other 2 books, this review could contain spoilers for those books)

Ellie Hogan has come into her own as a wife, mother, and artist, only to have her life disrupted when her oldest adopted son Leo runs away from his upstate New York boarding school.  Ellie is a first generation Irish immigrant who has lost a lot to the Irish war against the English, but she’s also gained a sense of purpose in America, learning to make her own way.  Her artist’s life is very isolated on Fire Island, and with her son, Tom, she has a quiet existence among the people who have become like family.  But when her son, Leo, runs away to Hollywood, she has to make a choice — send the police or go after him herself.  Making her away across the United States, Ellie tries to keep her fears at bay while being thankful that her youngest son is in the care of good friends while she makes the journey.  Along the way, she meets Stan, a composer who escaped from Poland before the Nazis took over.

“Yet surely the desire for fame was not so different from the desire to be loved, and everyone in the world wants to be loved.  The desire for fame and love is born from a deep human need to be seen, and I felt as if I could really see this young woman now, beyond the mules and the dye and her ridiculous ideas and affectations.  So I started to draw her.”  (pg. 122)

Ellie may have been a quintessential landscape painter with her own signature for delivering paintings to her clients, but in Los Angeles, she’s a mother in search of a star-struck son.  She must decide whether at 16 he should pursue his dream or return to New York and school, and it is a tough decision for any mother with a son who has finally found something to be passionate about.  Ellie’s experiences in a restrictive Catholic home in Ireland inform her ultimate decisions, as she decides that she would rather be more open-minded than her parents had been with her.  Kerrigan easily tackles the ideas of nature versus nurture in Ellie’s parenting, touches upon the seedier side of Hollywood — though not as much as some readers would expect — and incorporates significant details about World War II and the internment of Japanese-Americans.

Land of Dreams by Kate Kerrigan is a satisfying conclusion to this trilogy about seeking out a home and family, but also stability.  But it is also about the realization of dreams across generations and having the gumption to take the leap.  While everything is not as it appears in Hollywood, the facades of the city also mirror those of Ellie’s own adopted country — a land of freedom and opportunity that still oppresses certain minorities and immigrants seeking a better life.

About the Author:

Kate Kerrigan is the author of three previous novels. She lives in Ireland with her husband and their two sons.  Visit Kate’s website at www.katekerrigan.ie and follow her on Twitter: @katekerrigan.

 

 

35th book for 2014 Historical Fiction Reading Challenge.

 

 

 

 

29th book (WWII) for the 2014 War Challenge With a Twist.

 

 

 

4th Book for the Ireland Reading Challenge 2014.

The Moonlight Palace by Liz Rosenberg

Source: Lake Union Publishing and TLC Book Tours
Paperback, 174 pgs
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The Moonlight Palace by Liz Rosenberg is set in 1920s Singapore, and Agnes Hussein is a teenager living in a rundown family palace, known as Kampong Glam.  The palace is a symbol of the cooperation of among the British and her long dead ancestors, but some view the palace as symbol of bribery by the British.  She is not Singaporean only, but also part British and part Chinese.  Her family is eccentric, and to make ends meet, the family relies on her British grandfather’s pension and the small sum they earn from their equally eccentric borders.  Rosenberg has created a character in Agnes who is a bit all over the place in her thoughts and in her actions, much like real teens, and she’s the strongest part of the novel.

“Perhaps, in order to start afresh, we needed to do away with all the old structures, the old assumptions.  Would these precious old things need to be torn down in order to make way for the new? I had to admit to myself in all honesty that I did not know the answer.” (page 146 ARC)

While there are elements of the 1920s in the novel such as Agnes’ comments on her own hairstyle and clothes, there is little else to suggest the time period, other than her grandfather’s triumphs in the Great War.  Agnes is naive in many ways about men and the political workings of her home nation.  She is like most teens; she falls quickly in love, is blind to the loyalty right in front of her, and is oblivious to the plights and machinations of those around her.  While a quick and easy read, the reader could feel separate from the characters and the main action of the novel, and the novel may have been better served with a focus on the grandfather or her uncle.

The Moonlight Palace by Liz Rosenberg is a coming of age novel that draws in some elements of Singapore and the 1920s, and Agnes is a typical teenager trying to make her own way in the world without offending tradition and without giving up her own dreams.  While she is naive about the larger world around her, she remains loyal to her family and her ancestry as she strives to earn money enough to help keep up their home.  With a little more background on the 1920s and the relationship between Britain and Singapore, this novel could have been fantastic, but as it is, it was just a good read about a young teen growing up.

About the Author:

Liz Rosenberg is the author of more than thirty award-winning books, including novels and nonfiction for adults, poetry collections, and books for young readers. She has been the recipient of numerous prizes, including the Paterson Prize, the Bank Street Award, the Center for the Book Award, and a Fulbright fellowship in Northern Ireland in 2014. She is a professor of English and creative writing at Binghamton University, in upstate New York, where she has received the Chancellor’s Award for Excellence in Teaching. She has guest-taught all over the United States and abroad, and has written a book column for the Boston Globe for the past twenty-five years. Her previous novels, Home Repair and The Laws of Gravity, have been bestsellers in the United States, Europe, and Canada. She and her husband, David, were raised on Long Island, and went to the same summer camp at ages seven and eight, respectively.

34th book for 2014 Historical Fiction Reading Challenge.

 

 

 

 

67th book for 2014 New Author Reading Challenge.

G.I. Brides by Duncan Barrett and Nuala Calvi

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Source: TLC Book Tours and William Morrow
Paperback, 368 pages
On Amazon and on Kobo

G.I. Brides: The Wartime Girls Who Crossed the Atlantic for Love by Duncan Barrett and Nuala Calvi is a biography-memoir hybrid in which the stories of four women who married American soldiers, known as G.I. brides, during WWII are told.  Sylvia Bradley is a bit young and naive but an optimist, while Gwendolyn Rowe is a determined woman.  Rae Brewer is the tomboy to Margaret Boyle’s beauty.  These stories are romantic as these ladies decide to leave the only home and family they have known to marry an American, only to find themselves facing more than just marital challenges.  Culture shock is just one aspect that is well depicted in these stories, especially as the women marry into not only American families, but families that still maintain their old world cultures and traditions — like the Italians big family dinners to the rowdy Irish parties.  As different as their lives had been from each other during WWII, they are vastly different when they reach America.

“During the day, Margaret did her best to get up on deck as much as possible to assuage her seasickness.  Starting out across the endless miles of ocean, she was reminded how cut adrift she had always felt in her life.  Some brides might feel the ache of homesickness, but she had never had a real home to miss.”  (page 98)

“As she packed her bag, she heard a chugging noise coming from outside and looked out of the window.  There in the distance was the menacing outline of a doodlebug passing over hoses opposite.  Then suddenly the noise stopped.  Rae knew what that meant — the flying bomb was about to fall.” (page 114)

Through extensive interviews with these women and their families, Barrett and Calvi have brought to life the home front in England, as these women struggled with rationing and the fear of bombs killing them on the way to work or in their sleep.  As their families struggled, brothers were sent off to fight the Germans, and they found work to support the war effort, these women were introduced to a whole new world outside the cocoon of their family units.  They went to dances with Yanks and volunteered in Red Cross-sponsored facilities, only to find that these Americans were not as crass as they were told by brothers and parents.

“For months Lyn had felt desperate to return home to England, but now she realized that the thing she had been looking for no longer existed.  It was her younger self — that confident, carefree girl who hadn’t had any knocks in life, who could stand on her own two feet …” (page 340)

Once in American, these women must fight another war — a war within themselves.  They feel like outsiders, they struggle to find their place with their new families, and many times they are met with failure.  But even though they long to return to England and walk away, they also realize that they must first stand on their own and learn what they want for themselves.  G.I. Brides: The Wartime Girls Who Crossed the Atlantic for Love by Duncan Barrett and Nuala Calvi may only breathe life into the lives of four G.I. brides from WWII, but it stands to reason that many of those 70,000 brides experienced similar hesitations, failures, and triumphs in their new lives.  Wonderfully told and executed.

About the Authors:

Duncan Barrett studied English at Cambridge and now works as writer and editor, specialising in biography and memoir. He most recently edited The Reluctant Tommy (Macmillan, 2010) a First World War memoir.

 

Nuala Calvi also studied English and has been a journalist for eight years with a strong interest in community history pieces. She took part in the Streatham Stories project to document the lives and memories of people in South London. They live in South London.

Connect with them through their website.

61st book for 2014 New Author Reading Challenge.

 

 

 

24th book (WWII) for the 2014 War Challenge With a Twist.

 

 

 

 

19th book for 2014 European Reading Challenge; (Set in England)

Lust by Diana Raab, Read by Kate Udall

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Source: TLC Book Tours and Diana Raab
Audio, 1hr+;
Paperback, 104 pages
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Lust by Diana Raab, read by Kate Udall, is uninhibited, sensuous, and consumed with physical and emotional pleasure.  The poems, as read by Udall, are impassioned and shocking at times, as Udall breathes life into each stanza and word, painting a titillating scene with each image and story.  The poems explore not only the primal lust of the physical body, but the desire we have to feel and be loved, even as we age.  There is an intimacy that the narrator hopes will open readers up to share their own most secretive selves and desires with their own partners.  There are selves inside that we rarely show to the world, and in the lovemaking that we have with our partners, we can abandon the outer shells to regain a connection with our true selves and that of our partners.

Imagine all of the nerve endings and hair follicles coming alive, that is what this collection is — electrified narrative poems.  Udall’s voice is hypnotic, drawing listeners into the stories and letters Raab crafts with seductive language and imagery.  There are marriages kept alive with passion, there are adulterous affairs that are “burps” disrupting the fake smiles on our faces, and there are one-night encounters.

And even in these passionate moments, there is the acknowledgement that these encounters are temporary and fleeting, even among lovers joined in marriage and commitment.  But there is more than just passion here, there is sorrow, regret, confusion, addiction, fantasy, and love.  Raab’s poems are passionate and temporal, but striving to transcend reality and reach an out of body experience where appearances do not matter.

Lust by Diana Raab, read by Kate Udall, is stunning and memorable on more than one level.  Lovers and married couples should consider reading these poems to one another, so that perhaps they can deepen their own desires for one another, their own passions, and reach a new kind of ecstasy.  Lie upon the bed and take turns reading these verses and passions are likely to flare.

***Handle with care, as the language here is very sexual in nature.***

About the Poet:

Diana Raab is an award-winning poet, memoirist, and believer in the healing power of the written word. She began crafting poems at the age of ten when her mother gave her her first Khalil Gibran journal to help her cope with her grandmother and caretaker’s suicide. A few years later she discovered the journals of diarist Anaïs Nin and learned that, like Raab, Nin began journaling as a result of loss (the loss of her father). Much of Raab’s poetry has been inspired by Anaïs Nin’s life and works.

She is the author of four poetry collections, My Muse Undresses Me (2007); Dear Ans: My Life in Poems for You (2008); The Guilt Gene (2009); and Listening to Africa (2011).

Her poetry and prose have appeared in numerous journals and anthologies including Rattle, Boiler Room Journal, Rosebud, Litchfield Review, Tonopah Review, South Florida Arts Journal, Prairie Wolf Press, The Citron Review, Writers’ Journal, Common Ground Review, A Café in Space, The Toronto Quarterly, Snail Mail Review, New Mirage Journal, and Jet Fuel Review.

She is editor of two anthologies, Writers and Their Notebooks (2010) and Writers on the Edge (2012), co-edited with James Brown. Both these collections have submissions from poets and prose writers.

Diana has two memoirs, Regina’s Closet: Finding My Grandmother’s Secret Journal (winner of the 2009 Mom’s Choice Award for Adult Nonfiction and the National Indie Excellence Award for Memoir), and Healing With Words: A Writer’s Cancer Journey (winner of the 2011 Mom’s Choice Award for Adult Nonfiction).

She is a regular blogger for The Huffington Post and writes a monthly column for the Santa Barbara Sentinel, “The Mindful Word.” She lives in Southern California with her husband, and has three grown children. She is currently working on her doctorate in psychology and is researching the healing power of writing and creativity.

Other Books Reviewed:

Book 23 for the Dive Into Poetry Reading Challenge 2014.

Inamorata by Megan Chance

Source: Lake Union Publishing and TLC Book Tours
Paperback, 420 pages
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Inamorata by Megan Chance is dark, mysterious, and twisted.  Odile Leon is a former courtesan turned dark muse, and if you are as talented in the arts as your ego lets you believe, she will choose you.  But the bargain could cost you your soul.  Nicholas Dale knows this too well, and he’s made it his mission to stop her.  Add to the mix mysterious twins, Joseph and Sophie Hannigan, from New York.  These twins carry their own dark secrets and they intrigue not only the entire art community in Venice, but Dale and Odile.  These twins are not torn between the struggling forces of good and evil, but something darker, more singular — desired by both sides.

“That I was not always in his shadow, that there was something in the world that could belong just to me.  To truly be as special on my own terms as Joseph said I was — sometimes my yearning for it was so strong it took me by surprise.”  (page 109)

There is talk of ghosts, succubi, murders, suicides, and more, but Chance weaves artistry so well into the narrative readers will get lost in the canals, wondering how it all will turn out.  There are points in the narrative that drag a little, perhaps there are too many points of view shared, which slows the pace a bit, but many readers would not want to trade any of those points of view because they could lose the full scope of the story.  These points of view enrich the story, making it fuller, and the characters themselves are dynamic and well developed.  These characters are trapped by their yearning and desire to be bigger, recognized, and made whole.

Chance has created a heavy, twisted novel about romantic Venice, and the artists who are struggling to gain recognition. Inamorata by Megan Chance is enveloping, and readers will fall under its spell as each page is turned and more is revealed.  Will these characters achieve their darkest desires, will they be beholden and enslaved by them, or will they find the solace they are seeking?  Another contender for the 2014 Best Reads list!

About the Author:

Megan Chance is a critically acclaimed, award-winning author of historical fiction. Her novels have been chosen for the Borders Original Voices and IndieBound’s Booksense programs. A former television news photographer and graduate of Western Washington University, Chance lives in the Pacific Northwest with her husband and two daughters.  Connect on Facebook and Twitter, and visit her Website.

48th book for 2014 New Author Challenge.

The Sea Garden by Deborah Lawrenson

Source: Harper and TLC Book Tours
Hardcover, 384 pages
On Amazon and on Kobo

The Sea Garden by Deborah Lawrenson is not your typical novel in that there are three distinct novellas inside with three distinct protagonists, who just happen to be connected.  The atmosphere and settings play a large role in the novel, setting the stage for the mystery and espionage that unravels, but the beginning of this novel is deeply mysterious, almost too mysterious.  It is like the author was unsure of whether this should be a ghost story or something less Gothic.  Readers meet Ellie Brooke at the beginning as she makes her way abroad to Porquerolles near France to meet with a potential client about reviving a memorial garden.  The landscape is lush and old world, almost as if it were stuck in time, and Ellie begins to sense that there is something not quite right with her client’s family and their intentions.

“Under close questioning, however, the picture in her mind did not seem as robust as it had been.  She judged it unwise to say so.  Best to go with her instincts that her memory was true.”  (page 25)

These women are searching for truth in the darkness, with Ellie searching for her client’s motivations and Marthe searching for the connections she had with the outside world before she lost her sight and Iris looking to reconcile the past.  The second section and third sections of the book are set in WWII, unraveling the background of the story in a winding fashion as if following a darkened path through the woods before reaching the vast openness of the sea.  There are clues along the way to help readers gauge where the story is headed and how it all connects back to the first third.  From the underground dealings of the French Resistance that relied upon deceit and subtle signals in the perfume worn by network members to the secret codes embedded in innocuous notes and wireless signals over radio waves, readers will learn about the precarious nature of these resistance fighters’ lives and the love that they shared across the boundaries that they crossed morally, emotionally, and physically.

“On the southwestern side of the island the path opened out into a small bay, reinforced by jagged rocks.  All seemed at peace.  It was too early in the year for tourist hordes; here was freedom from the modern world, for a while at least.  There was a timelessness about being on an island so small that it seemed closed in on itself; the sense of being adrift, not quite connected to the rest of the world.”  (page 31)

The Sea Garden by Deborah Lawrenson is as mysterious as the rundown memorial garden on the island, but as the crevices are scrutinized and the relics uncovered, they mystery begins to unravel a truth that has long been buried in secrets of the French Resistance and WWII.  These strong women must cope with what they uncover and reconnect with the past.  Being undercover in an enemy territory can be as lonely as living on an island disconnected from reality, but there is nothing more disconcerting than being unaware of your own past, only to uncover it when you least expect it.

Photo credit: Rebecca Eifion-Jones

About the Author:

Deborah Lawrenson studied English at Cambridge University and worked as a journalist in London. She is married with a daughter and lives in Kent, England. She and her family spend as much time as possible at a crumbling hamlet in Provence, France, the setting for her novel The Lantern and inspiration for The Sea Garden.  Find out more about Deborah at her website, read more at her blog, and connect with her on Facebook.

 

 

14th book for 2014 European Reading Challenge(Set in France and England)

 

 

 

24th book for 2014 Historical Fiction Reading Challenge.

 

 

 

 

18th book (WWII) for the 2014 War Challenge With a Twist.

 

 

 

 

43rd book for 2014 New Author Challenge.

Midsummer by Carole Giangrande

Source: Inanna Poetry and Fiction Series and TLC Book Tours
Paperback, 150 pages
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Midsummer by Carole Giangrande is a poetic novella that settles the reader into the complexities of an immigrant family from Italy — a brother who chooses to stay in America and make his way in finance and a sister who returns to Italy to begin a life with her successful husband.  Nonno Lorenzo came to America and dug the New York City subway tunnels, only to land his pickaxe on the hull of a missing ship — Tijger — that was caught on an old shoreline.  Beneath his working class roots in America, the man was a visionary artist who never became famous, but he begets a number of dreamers, including a granddaughter who has suffered the most along the way — losing family and friendship.

“‘One day,’ said my aunt, ‘I would like you to hear my stories in Italian.’
‘But you grew up in America,’ I said.
‘The stories grew up somewhere else,’ she replied.”  (page 14)

Giangrande navigates memory and emotion carefully, guiding the reader outside the prime maritime routes into the deepest seas of human connection, with one’s family.  The intersection of Joy’s family and that of her husband, Adrian, comes together just as her grandfather discovered a lost Dutch ship beneath the Twin Towers in New York City.  Through family legends and a shared language, Giangrande weaves a story steeped in myth and love, despite tragedy.

“A creature trapped in a pretty, long necked bottle, a frantic beating of wings against glass, waiting for deft fingers, the touch of his hand to release her.  I sensed she enjoyed her entrapment for the moment of release it brought.” (page 53)

Joy and her family are caught in their own silences, unable to utter apologies even though they exist without being uttered.  Lorenzo’s ability to see into the future through his painting has left the family with a haunted legacy, but it is clear that the legacy will be ever-lasting.  Like a painting that comes to life, Midsummer by Carole Giangrande is like the longest-day of summer in families when tragedy saddens everyone in different ways, regrets threaten to bring members to their knees, and forgiveness is a shining beacon that can save them all.

About the Author:

Born and raised in the New York City area, Carole Giangrande now resides in Toronto, Canada. Her novella, A Gardener On The Moon was co-winner of the 2010 Ken Klonsky Novella Contest, and is published by Quattro Books. She’s the author of two novels (An Ordinary Star and A Forest Burning), a short story collection (Missing Persons), all published by Cormorant, and two non-fiction books. Her new novella, Midsummer, will be published in April 2014 by Inanna. She’s worked as a broadcast journalist for CBC Radio (Canada’s public broadcaster), and her fiction, articles and reviews have appeared in Canada’s major journals and newspapers. Her 50-part literary podcast Words to Go has been downloaded over 20,000 times in 30 countries. She comments as The Thoughtful Blogger, and she’s recently completed a novel. She’s a dual citizen of the United States and Canada.

Find out more about Carole at her website, connect with her on Facebook, follow her on Twitter, and find her on Goodreads.

30th book for 2014 New Author Challenge.