Listening to Africa by Diana M. Raab are the poet’s thoughts on her trip to Africa in 2008. The poems are not about Africa and the events that happen there, so much as the effect the trip had on Raab and her family. A trip motivated by death and malignancy, Raab is seeking a spiritual renewal, a way to rejuvenate her flagging will to fight. She finds what she needs as she watches the village people struggle to clothe and feed themselves by actively pushing their crafts onto tourists and selling themselves to tourist firms as entertainment for the pampered Americans.
From "Amplified Melancholy" (page 8): . . . and all I can tell you is that on the tenth anniversary of dad's passing, the doctors removed my right breast and five years later stabbed by a second diagnosis, bone marrow malignancy, no cure, just treatment -- the holiday lights sharpened. Past dripping menorah candles, . . .
Emotions run the gamut in this collection from fear to nostalgia for the past, and a new understanding of how the past has shaped each of us. She sees the grandfather in her son in “Your Camera” as he approaches the world behind the viewfinder of a camera. There is fearsome beauty in Raab’s poems as she explores the wild with her family, even though her trip is controlled. The beauty of the sunrises and sunsets, the hidden dangers of genteel looking hippos, and the fight for survival among all nature’s creatures. For example: “The forces of life and death/are at play like the day I found/my grandmother dead in her bed –//” (from “The Scent of Death” on page 19) and “We are snapped into silence, the comes the roar/of dragon breath and then silence again./The purple scarred panorama lingers//” (from “Balloon Rides” on page 21).
Readers will become steeped in the melancholy and the tentative observations of Africa from which the poet is seeking to draw strength and understanding. Like the hippo in “Hippos” and in nature, the poet has a deep, hidden strength and history of survival from which to draw from as she fights what ails her, but also the cancers have their own hidden strengths and it is clear there will be a battle of wills. “Our jeep arrived at sunset//at the edge of their swamp/as their big papa sat and stared/deep into our foreign eyes, long enough//to bring ten more in his company,/as if this army could infiltrate/our veins with fear. They sat proudly//” (from “Hippos” on page 43) illustrates the duel going on within the poet between the cancer cells staring her down eager to win the battle, and her doing the same as she gathers her inner strength and support systems around her.
Listening to Africa by Diana M. Raab is a wonderful reminder that we each struggle for survival, though we all may not live in the wilds of the jungle. Raab is a talented poet who takes her memorist talents and weaves them into imagery and verse that creates emotional tension and verse readers can reflect upon and apply to their own lives.
About the Poet:
Diana M. Raab is a memoirist, essayist and poet. She has a B.S. in Health Administration and Journalism, and an RN degree from Vanier College in Montreal, in addition to an MFA in Nonfiction Writing from Spalding University’s Low-Residency Program.
Diana has been writing from an early age. As a child of two working parents, she spent a lot of time crafting letters and keeping a daily journal. A journaling advocate and educator, Diana teaches creative journaling and memoir in workshops around the country. She frequently speaks and writes about the healing powers of writing.
This is the 6th book for my 2012 Fearless Poetry Exploration Reading Challenge.
***For today’s National Poetry Month blog tour stop, please visit Necromancy Never Pays.***
Wow! This one sounds powerful and I bet it’s not always easy to read these poems that have so much emotion.
This collection is emotional, but there are moments of quiet that are equally powerful, but not as draining.
This sounds extremely moving and quite forceful on emotions!
Its very emotional and Raab has had a lot to deal with of late.
I like that it is about the effect of being there… rather than Africa itself. What you shared here is very emotional as well. I think most poetry is in some way but usually I have to dig a bit deeper to see it (me being the poetry novice that I am!)
I think most people would enjoy this collection without too much deep thinking.
That sounds like a very emotional book and I think the cover is fantastic.
I love the cover as well.
This sounds like a wonderful collection.
I think you’d like it. It has a definite story to it….and its really interesting and not at all what I initially expected.