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Pride and Prejudice by Jane Austen, Annotated by Sophie Turner (Giveaway)

This is not precisely a review of Pride and Prejudice: A Novel. In Three Volumes. (Annotated and Restored to 1813 Egerton First Edition) by Jane Austen and Sophie Turner, as much as it is a look at why this revised edition was created. I’ve read this novel more times than any other, and because I do love it so much, I wanted to take a look at what Sophie Turner found in her endeavor to return the novel as close to Jane Austen’s original as possible. As grammar rules as we know them today were not as established when Austen wrote, there is a sort of free flow with her use of grammar and words.

This is particularly of interest, as the examples cited by Turner indicate how well placed Austen’s commas are in an effort to create a distinct voice for her characters. I also loved that the exclamation points we often think of as part of Mrs. Bennet’s character are not as plentiful as one would assume. I thoroughly enjoyed reading through this novel again, as well as Turner’s annotations. As an editor, I’m obviously fascinated with the choices that novelists make in word choice and punctuation.

Check out Pride and Prejudice: A Novel. In Three Volumes. (Annotated and Restored to 1813 Egerton First Edition) by Jane Austen and Sophie Turner to find Austen’s more authentic voice.

RATING: Cinquain

About the Book:

The novel needs no introduction. But readers may not have realised that we have been losing “Pride and Prejudice” over the years, particularly digitally. Grammar, spelling, and punctuation have eroded significantly from the 1813 Egerton first edition, and many digital copies suffer from poor formatting.

In 2017, the 200th anniversary of Jane Austen’s death, her “darling Child” has been painstakingly restored to the three-volume 1813 first edition. Adjustments have only been made where there were errors in the 1813 text, and are noted in detailed annotations at the end of the novel.

Please enjoy this beloved story, restored to Jane Austen’s original voice.

About the Sophie Turner:

Sophie Turner worked as an online editor before delving even more fully into the tech world. Writing, researching the Regency era, and occasionally dreaming about living in Britain are her escapes from her day job.

She was afraid of long series until she ventured upon Patrick O’Brian’s 20-book Aubrey-Maturin masterpiece, something she might have repeated five times through.

Alas, her Constant Love series is only planned to be seven books right now, and consists of A Constant Love, A Change of Legacies, and the in-progress A Season Lost.

She blogs about her writing endeavours at sophie-turner-acl.blogspot.com, where readers can find direction for the various social drawing-rooms across the Internet where she may be called upon. Visit her: Facebook, Twitter, Sophie Turner’s Blog, Goodreads, Pinterest, and Amazon.

International Giveaway:

To enter, leave a comment about why you’d like to read this new ebook edition of Pride & Prejudice by Jane Austen, annotated by Sophie Turner.  Enter by Sept. 15, 2017, 8 p.m. EST.

Good Luck, everyone.

Celebrating 1 Year: Giveaway of Saris and a Single Malt by Sweta Vikram

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One year ago, Sweta Srivastava Vikram’s most emotional poetry collection Saris and a Single Malt was on tour with Poetic Book Tours.

Chick with Books said of the collection, “Heartfelt, raw, honest and thought-provoking.”

Jorie Loves A Story said, “Vikram bleeds her emotions through words.”

Diary of an Eccentric said, “Saris and a Single Malt is a touching tribute to Vikram’s mother, a love song from a grieving daughter.”

This is a poetry collection that is raw and beautiful. And as part of the celebration, Vikram is offering 4 copies of the book to some lucky U.S./Canada residents.

SARIS AND A SINGLE MALTAbout the book:

Saris and a Single Malt is a moving collection of poems written by a daughter for and about her mother. The book spans the time from when the poet receives a phone call in New York City that her mother is in a hospital in New Delhi, to the time she carries out her mother’s last rites. The poems chronicle the author’s physical and emotional journey as she flies to India, tries to fight the inevitable, and succumbs to the grief of living in a motherless world. Divided into three sections, (Flight, Fire, and Grief), this collection will move you, astound you, and make you hug your loved ones.

IMG_2240About the Poet:

Sweta Srivastava Vikram, featured by Asian Fusion as “one of the most influential Asians of our time,” is an award-winning author of 11 books, five-time Pushcart Prize nominee, mindfulness writing coach, and wellness columnist. Sweta’s work has appeared in The New York Times and other publications across nine countries on three continents. Louisiana Catch (Modern History Press, 2018) is her debut U.S. novel.

Born in India, Sweta spent her formative years between the Indian Himalayas, North Africa, and the United States collecting and sharing stories. A graduate of Columbia University, she also teaches the power of yoga, Ayurveda, and mindful living to female trauma survivors, writers and artists, creative types, busy women, entrepreneurs, and business professionals in her avatar as the CEO-Founder of NimmiLife. You can find her on: Twitter (@swetavikram), Instagram (@SwetaVikram), and Facebook.

Enter below to win 1 signed copy and a $15 Amazon gift card or 1 of 3 other signed copies of Saris and a Single Malt.

Entrants must be U.S./Canada residents. Giveaway ends on Aug. 28, 2017, at 5 p.m. EST

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Sweta Vikram and her father

Meet Meg Kerr, Author of Devotion, and Giveaway


Please welcome Meg Kerr to the blog today and stay tuned for the giveaway.

About the book:

Georgiana Darcy at the age of fifteen had no equal for beauty, elegance and accomplishments, practised her music very constantly, and created beautiful little designs for tables. She also made secret plans to elope with the handsome, charming and immoral George Wickham. Will the real Georgiana Darcy please stand up? In Devotion, Georgiana, now twenty years of age and completely lovely, does just that. Taking centre stage in this sequel to Experience that sweeps the reader back into the world of Pride and Prejudice, she is prepared to shape her own destiny in a manner that perplexes and horrifies not only the Darcy-de Bourgh connexion but the whole of fashionable London. The arrival of a long-delayed letter, and a clandestine journey, bring Georgiana and her fortune into the arms of an utterly wicked young man whose attentions promise her ruin. At the same time, events in Meryton are creating much-needed occupation for Mrs. Bennet and an amorous quandary for Lydia Bennet’s girlhood companion Pen Harrington; and the former Caroline Bingley is given—perhaps—an opportunity to re-make some of her disastrous romantic choices. Meg Kerr writing effortlessly and wittily in the style of Jane Austen gives Pride and Prejudice fans the opportunity to visit the year 1816 to re-unite with favourite characters, and meet some intriguing new ones.

Please give Meg a warm welcome:

Hello readers of Savvy Verse & Wit! My name is Meg Kerr, and I’m thrilled to be here with you. First, I’d like to thank Serena for allowing me to contribute this guest post on my writing process, writing quirks, and my life-long love for Jane Austen. My new book, Devotion, explores events after Pride and Prejudice ends through fan-favourite characters including Georgiana Darcy and Mrs. Bennet, and I think you’ll find it an interesting read as I’ve added several twists.

Also, in celebration of Jane Austen’s 200th anniversary, I’m offering Devotion for FREE on July 18th. To get your free copy of Devotion, click here to visit the giveaway page!

Can you describe your writing process? Is it difficult to write in the style of Jane Austen?

Jane Austen said in a letter to her nephew J. Edward Austen, “What should I do with your strong, manly, spirited sketches, full of variety and glow? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour?”

Writing in the style of Jane Austen is indeed “much labour”! There is nothing slap dash or stream-of- consciousness (or manly and spirited) about it. The overall plot and chapters’ place within it and the characters themselves have to be meticulously considered and planned out before any actual “writing” takes place. Each chapter, each paragraph, each sentence have to be constructed with care. And the result has to look as though no effort was required!

Do you have any writing quirks?

I would love to say that when I work I retire to my drawing room and sit at a mahogany writing desk, with fine linen paper, a quill pen, blotting paper, a pen knife and a pot of India ink. It sounds so elegant! However, I write at my computer, which has a dual screen. I could use three or four screens to keep all the information I need right under my eye! But the room I write in has French doors looking out onto a beautiful garden, so I glance outside every now and then to refresh my soul.

What is it about Jane Austen and her writing that most interests you? Are there any themes you’ve found influence your own writing?

I think the great underlying theme that draws me to Austen is one of “quiet desperation” (to quote Thoreau rather than Austen). Many of Austen’s characters are in genuine danger of penury and/or social degradation (that would be all of the Bennet sisters in Pride and Prejudice; Jane Fairfax and her family in Emma; the Dashwoods in Sense and Sensibility, as well as Colonel Brandon’s ill-fated first love and her ruined daughter; Maria Rushworth (née Bertram)—and Fanny Price’s mother who married “to disoblige her family”—in Mansfield Park; the Watson sisters in The Watsons. (Just a partial list!).

The apparent calm and graciousness of Regency life can be a thin cover atop a terrifying reality for Austen’s women, and even some of her men (such as Edward Ferrars in Sense and Sensibility, who is disowned by his wealthy mother). Austen and Mrs. Bennet’s family in Pride and Prejudice hold Mrs. Bennet in contempt, but really, she is the only person who appears to appreciate the peril she and her daughters are in.

On a livelier note, I am fascinated by Jane Austen’s bad boys. Clearly, she was too. Wickham (Pride and Prejudice), John Willoughby (Sense and Sensibility), Henry Crawford (Mansfield Park) are chief among them—young men with serious problems with their moral compasses … but in the latter two cases, with some hope of redemption. Austen couldn’t quite bring Willoughby or Crawford into the light although she came close.

I decided to try my hand at it: Devotion is the story of a bad boy (John Amaury) who seizes on the idea of marriage to wealthy, lovely Georgiana Darcy to extricate himself from a life of poverty and petty crime. Will he destroy Georgiana or will he be redeemed? As you can imagine, with Austen as my guide, it’s up in the air right until the end of the story.

If you’re so inclined, Devotion will be available as a FREE digital download on July 18th as my way to commemorate the life and literary contributions of Jane Austen. You’ll find the link to get your copy near the top of this post. I’d love to hear your feedback on the book!

Thanks, Meg, for sharing your writing practices with us and for the wonderful giveaway.

About Meg Kerr:

What do you do when you live in the twenty-first century but a piece of your heart lies in the nineteenth? If you are author Meg Kerr you let your head and hand follow your heart. With her love of country life—dogs and horses, long walks in the woods and fields, dining with family and neighbours and dancing with friends, reading and writing and the best conversation—and her familiarity with eighteenth and nineteenth century history and literature, Meg has a natural gift to inhabit, explore and reimagine the world that Jane Austen both dwelt in and created, and to draw readers there with her.

Summer…..Reads, a Giveaway, and More

It may be summer, but the weather does not really feel as sweltering as normal.  We have cool mornings and breezes, instead of stagnant, bogged down, humid air.  That will come as summer moves in more, but I’m enjoying these days with the windows open at night, less air conditioning, and my hot coffee at the desk.

As many of you probably know already, my daughter is on a summer swim team.  She’s having a blast, though yesterday’s meet was the first time I saw her cry over her race in kickboarding.  She complained to me that she was not fast anymore.  I told her that everyone has a bad day, but she really didn’t cheer up until her best friend came to see her second event, the freestyle.  She was much happier after that.

I’ve finished quite a few WWII books lately, and my best of list is expected to keep growing for 2017 since I’ve read so many gems.  It’s amazing how many great books are out there.  Currently, I’m reading through a collection of Pride & Prejudice short stories in The Darcy Monologues.  I’m really enjoying them so far, and I love that they are all from Mr. Darcy’s point of view.

I’m working on a list of books I want to read this summer, too.  I’m a bit behind in my planning.  Shhh.

June 12 was my 10-year blogiversary.  It’s hard to believe that this blog started that long ago.  I feel like I’m still discovering new books and new readers online.  It’s not as close-knit as it once was, but this club has expanded beyond my imagination, and I hope it continues to do so.

In honor of this blogiversary, I’d love to hear from readers about when you started reading, why, and what book you’d pick from my reviews, if you could win one.  

Open internationally.  Just one book per person.  Browse the reviews.

I’ll pick a couple winners at the end of July.

Guest Post & Giveaway: Narnia and Bennet Wardrobes: The Same Thing Only Different by Don Jacobson

Don Jacobson is visiting the blog today to talk about his series of books, The Bennet Wardrobe series. Of course, there are 8 ebooks up for grabs as well.  Stay tuned for the giveaway!

About The Exile: Kitty Bennet and the Belle Époque:

Longbourn, December 1811.

The day after Jane and Lizzy marry dawns especially cold for young Kitty Bennet. Called to Papa’s bookroom, she is faced with a resolute Mr. Bennet who intends to punish her complicity in her sister’s elopement. She will be sent packing to a seminary in far-off Cornwall.

She reacts like any teenager chafing under the “burden” of parental rules—she throws a tantrum. In her fury, she slams her hands against the doors of The Bennet Wardrobe.

Her heart’s desire?

“I wish they were dead! Anywhere but Cornwall! Anywhere but here!”

As Lydia later said, “The Wardrobe has a unique sense of humor.”

London, May 1886.

Seventeen-year-old Catherine Marie Bennet tumbles out of The Wardrobe at Matlock House to come face-to-face with the austere Viscount Henry Fitzwilliam, a scion of the Five Families and one of the wealthiest men in the world. However, while their paths may have crossed that May morning, Henry still fights his feelings for another woman, lost to him nearly thirty years in his future. And Miss Bennet must now decide between exile to the remote wastelands of Cornwall or making a new life for herself in Victorian Britain and Belle Époque France.

The Exile follows the story of Kitty Bennet as she grows from the coughing follower of her younger sister, Lydia, into a bright and engaging young woman living in the exciting world of the late 19th Century. However, she must pass through many trials before she can fully understand why the Wardrobe sent her 75 years into the future—and for her to become one of the most important fixtures in the Bennet Wardrobe Universe.

About the series:

The Bennet Wardrobe Stories have grown out of Don’s interest in the side characters found the in majestic “Pride and Prejudice.” He feels that the three younger sisters have been left to languish these past two centuries as readers…and writers…have focused on the eternal love story of Fitzwilliam Darcy and Elizabeth Bennet. Recognizing that, perhaps, Mary, Kitty, and Lydia as well as their father, Thomas, need to resolve their inner personality issues, much as both Lizzy and Darcy did in the original, to become characters in full.

And, that is where the Bennet Wardrobe comes in. Perhaps remaining on the original P&P timeline (which ends in 1811-12) would not be sufficient for the three young ladies to realize their mature futures…or for Thomas to finally take a stand on his daughters’ behalves (note…archaic use). Hence the Bennet Wardrobe…a remarkable device created by the great cabinetmaker, natural scientist, and contemporary of Isaac Newton…which can transport those of the Bennet genome into futures which will meet their needs (not desires). Of course, as with any good time machine/magical transport, as Lydia Bennet Wickham Fitzwilliam put it, “The Wardrobe has an unusual sense of humor.”

Please give Don Jacobson a warm welcome.

The Bennet Wardrobe Series is an alternative history in the Pride & Prejudice Universe. While the lead characters are familiar to all but only as secondary personalities, I have endeavored to provide each of them (Mary, Kitty, Lydia, and Thomas) with an opportunity to grow into three-dimensional persons, although not necessarily in the Regency. If they were shaped or stifled by the conventions of the period, the time-traveling powers of The Wardrobe helped solve their problems, make penance, and learn lessons by giving them a chance to escape that time frame, if only for a brief, life-changing interlude.

The Wardrobe underlines my conviction that each of these characters could enjoy fulfilling lives once they had overcome the inner demons holding them back.

Would it have been possible for them to do so staying on the Regency timeline?

Perhaps. However, something tickled my brain—maybe it was the intersection between my youthful fascination with speculative fiction and my mature appreciation of Austen—that suggested that it would be fun to try something different. How about time travel? Not unknown in JAFF … but usually played for farce rather than something more profound. With careful treatment, though, protagonists could be immersed in different futures to learn that which they need in order to overcome the limitations preventing them from realizing their potential as people. In the process, they carry the eternal story of love and life forward even to the 21 st Century.

The saga of The Bennet Wardrobe begins with The Keeper: The Extraordinary Journey of Mary Bennet. The Exile: Kitty Bennet and the Belle Époque is Volume 2, Part 1. Four more novels will complete the story of the Wardrobe’s agenda. Three novellas have previously been published. More will be written to enable me to understand the manner in which the Wardrobe and the Bennet family interact. These will give readers insight into my process.

Astute bookworms, upon encountering The Bennet Wardrobe will immediately leap up and cry, “Ah-hah. I’ve got this. Jacobson has taken Narnia and tossed it back into the Regency.” Yes and No.

1. Yes … same physical manifestation for the portal

2. No … travel to the future in current world not to another reality

Obviously there is a relationship between Lewis’ Wardrobe and The Bennet Wardrobe in that they are both portals to other places or times. But, that is where I believe it ends—these devices are both Wardrobes, but have different properties.

I subscribe to the idea that the act of imagining characters (and the Wardrobes certainly are characters) brings them into reality. I follow Robert A. Heinlein who believed in … “World as Myth” — the idea that universes are created by the act of imagining them, so that all fictional worlds are in fact real and all real worlds are figments of fictional figures’ fancy …1 For instance, in Chapter XXIII of The Exile, Holmes refers to Pride & Prejudice as if it is a nonfiction book.

Thus, The Bennet Wardrobe, the Narnia wardrobe, The King’s Roads, the TARDIS, and the flue network do exist because their universes have been created through their authors’ imaginations. But, I needed to place The Bennet Wardrobe within the context of a rather fertile field of British Magical Transport. As I have written novellas to understand characters, so, too, did I compose a mock academic article (which appears in The Keeper) exploring the place of The Bennet Wardrobe within the spectrum of British magical transportation.

A Monograph/Imaginary Journey Exploring the Wardrobe’s Power

Humans have traditionally found security in dim and enclosed spaces, from the caverns of 150 generations ago to more modern architectural innovations like the closet. These have one common thread…they are sealed off and dark, safe; wrapping a person seeking sanctuary in a womblike cocoon and capable of transporting one to other worlds—real or imaginary.

So, it came as little surprise when I discovered that the closet’s predecessor, the wardrobe, offered similar characteristics. Just as a child may inherit a mother’s nose or a father’s eyes, the closet may yet carry some special properties held by what had once been a fixture throughout the homes of the well-heeled classes of post-Restoration Britain and ancien regime France. With the Industrial Revolution, wardrobes eventually became quaint relics. But, they did not lose their capacity to transport users across time or space.

Professor C.S. Lewis incisively revealed the power of the wardrobe with his groundbreaking Chronicles of Narnia. The knowledge of this capability stunned post-World War II audiences. Further research discovered other avenues over and through which properly attuned mortals and immortals could pass.

Ms. Rowling highlighted the unique nature of the flue network used by witches and warlocks. Another excellent study of Britain’s magical transportation network can be found in Susanna Clarke’s stunning work, Jonathan Strange & Mr. Norrell. Her discussion of the King’s Roads that were hidden behind Britain’s mirrors revealed the extreme age of Britain’s magical transport. Another important mode was the wonderful looking glass described by Mr. L. Carroll.

The British King’s Roads were rooted in pre-Roman and medieval powers obscured after the 15th Century. The rising powers of late 18th Century wardrobes may have been a response to a need caused by the disuse of the King’s Roads. Both the Narnia Wardrobe and The Bennet Wardrobe are considered prime examples of classic Wardrobes. Researchers have cursed the Luftwaffe for destroying the Narnia Wardrobe in the Blitz.

While Wardrobes were not a perfectly safe mode of travel, they, none-the-less, seemed tamer. Potter’s more modern and dependable flue network (splitching aside) may have been implemented by Britain’s magical beings as, with the introduction of the closet, the wardrobe passed from common use and availability.

Even so, each network had its own properties and rules that governed its use. Lewis, for instance, explored the “need based” nature of the wardrobe. For the children of wartime Britain, they had to escape from the horrors of the events that swept over them. Hence, the doorway to Narnia led to another world where these youngsters had complete agency over themselves as the heroes in the epochal battle between good and evil.

The Bennet Wardrobe has been discovered to be equally potent, but in a different manner. Rather than transporting users to another world, this remarkable cabinet discerns the true needs of the Bennet user and ascertains what is required to meet that need. Then the Wardrobe transports the Bennet to a future time where that requirement can be fulfilled, but only to a frame of reference upon wardrobe’s timeline—a point in time and space where the wardrobe itself exists.

Because of its unique construction, the Wardrobe is attuned to the peculiar vibrations of those born of the lineage of Mr. Christopher Bennet, the first Bennet Master of Longbourn Estate. No non-Bennet has ever directly taken advantage of the properties of the Wardrobe. Mrs. Fanny Bennet could only use the Wardrobe to hang a pelisse or store a hat—if Mr. Bennet would let her in the library!

Thank you, Don Jacobson, for sharing your inspiration for the Bennet Wardrobe.

Enter the Giveaway:

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Book Spotlight & Giveaway: Middle South by Maya Nessouli Abboushi

When I heard about this book, I wanted more time to read, but I knew I couldn’t fit it in to my schedule now.  I love books about young women who want to be independent and find their own way in life, and Layla sounds like she has some cultural obstacles to overcome too.  What really intrigued me about the synopsis was how Layla embarks on a “hilarious” journey from the Atlanta suburbs to the Middle East.

Check out the book information below:

Layla has recently moved out of her parents’ home in the Atlanta suburbs and into an apartment in the city to assert her independence. Between her job as a feature writer for a small newspaper and her social life, Layla has little time to think about marriage and children, much to the dismay of her Lebanese parents.

On a hilarious journey that takes Layla from the Southeast to the Middle East and back, she finds out a little more about herself and what she is looking for in life and in love.

Buy the Book:  Amazon  ~  Barnes & Noble ~ BookLogix

Add on Goodreads

I think this sounds like a really interesting book about coming of age and learning how to reconcile a desire for independence with cultural expectations.  See below for the giveaway information.

About the Author:

Maya Nessouli Abboushi is a Lebanese American born and raised in the United States. She lives in Atlanta with her husband and three children. This is her first novel.  Connect with the author:  Facebook  ~  Twitter  ~  Instagram

GIVEAWAY:

Win an ebook copy of Middle South (open internationally)
Ends May 13

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Guest Post & Giveaway: My Mr. Darcy & Your Mr. Bingley by Linda Beutler

Today, I’d like to welcome Linda Beutler to the blog to talk about her latest Pride & Prejudice variation and the poetry. But first, read a little about her book below:

About the Book:

One never quite knows where the inspiration will strike. For award-winning author Linda Beutler and My Mr. Darcy & Your Mr. Bingley, the moment of genesis arrived in a particularly contentious thread at the online forum A Happy Assembly. What is the nature of personal responsibility? Where do we draw the line between Mr. Bingley being too subject to Mr. Darcy’s “persuasion” and Mr. Darcy playing too heavily on Mr. Bingley’s “sensibility”? This is a conundrum guaranteed to raise even more questions.

What happens to the plot and character dynamics of Pride & Prejudice if Mr. Bingley is given just a dash more spine? Or if Jane Bennet decides enough embarrassment is too much? How does Mr. Darcy manage the crucial apology a more stalwart Mr. Bingley necessitates he make? What if Mr. Darcy meets relations of Elizabeth Bennet’s for whom she need not blush on their home turf rather than his? Suffice it to say, this is a story of rebuked pride, missing mail, a man with “vision”, a frisky cat, and an evening gown that seems to have its own agenda.

Please check out her post on Dark Poetry and Othello:

Thanks, Serena, for hosting a stop on the My Mr. Darcy & Your Mr. Bingley blog tour here at Savvy Verses and Wit. The focus of your interest in verse and poetry has afforded me the opportunity to revisit my favorite chapter of the book through a new filter, even though I had no thoughts of writing verses when I wrote it! Poetry isn’t always light and happy and flowers that bloom in the spring, tra-la. By setting the chapter in question during a performance of Othello, the narrative could go to a much unhappier place, inhabited by a scorned lover and a lady consumed by regret, following the lead of that most masterful poet, Shakespeare. Let me explain…

One could go on at great length to describe the poetry in prose, and I shall try to avoid excess! During my years as an English major, my tastes evolved away from poetry as such, perhaps due to becoming exhausted with fretting over the components of it to the detriment of simple emotional enjoyment (scansion and meter and rhymes—oh my!). However, in one particular chapter in My Mr. Darcy & Your Mr. Bingley, I did get a chance to delve back into my poetic roots, in the darkest portion of my story and its link to Othello.

In chapter 15, Of All the Theatres in London, Mr. Darcy and Elizabeth Bennet take in an evening at the theatre, watching Othello in adjoining boxes not even two weeks after their disastrous conversation at Hunsford. There are several reasons I chose Othello, the most important of which are that it gives a real-life London actress, Mrs. Siddons, a chance to portray a character much younger than herself at the time of the story (which Mrs. Siddons typically did, vain creature!); that Othello is arguably the bleakest of Shakespeare’s plays (we can see the ending coming ten miles off and are powerless to stop it or look away, and such a wicked villain); Othello was the first Shakespeare I saw staged by a professional company (the Oregon Shakespeare Festival in Ashland, Oregon) and the performance thoroughly opened my eyes to the poetry that is Shakespeare.

Although at various points the chapter unfolds through different perspectives, we end with Elizabeth’s point of view before the omniscient narrator ties everything up with a neat if dismal black ribbon. Even in a darkened theatre, it is a highly visual scene, the sort that might have easily been added to Othello. Elizabeth is fearful of Darcy’s mood. Darcy already feels himself to be a damned soul—with nothing to lose. Their relatives are there to see the full display of their mutual discomfort. Elizabeth is in a stunning gown, yet she (unlike Darcy) is the one spending more time staring. And yet, neither Darcy nor Elizabeth witness their own actions with anything approaching accuracy. It is their families who truly come to understand something has happened.

If we look at Darcy and Elizabeth in this scene as Othello and Desdemona, there is one key difference. In Shakespeare’s play, Desdemona is an unwitting innocent. Her trust in her husband (and indeed everyone, more like a Jane Bennet) has been played against her. Desdemona meets her death scene unwittingly. But Elizabeth Bennet knows she has acted wrongly. She has maligned Darcy unjustly and vociferously. She knows she has hurt him, and this unexpected meeting reveals just how much.

And of course Darcy does not wish to murder Elizabeth, but he does wish himself anywhere else but in this particular theatre. If he could snuff out his attachment to her, he would. And yet, at the key moment of the play, when Mrs. Siddons chews up the scenery whilst being strangled, Elizabeth drops her shawl and Darcy does the gentlemanly thing, bending into the adjoining box to fetch it up. Elizabeth thinks she successfully fights the urge to touch his hair with compassion (his head is briefly near her knees). Everyone except Darcy sees the attenuated spasm of her fingers.

Mrs. Siddons dies with a flamboyant gasp as Elizabeth’s love for Darcy sparks to life. Shouts of “Brava!” do not penetrate Elizabeth’s deepening internal shame. Darcy and Elizabeth leave the theatre with superficial anger, but much deeper sadness. Yes, if I do say so myself, with the example of the poetry of Othello before me, it might be the closest I’ve ever come to writing a prose poem. It has what I see as the typical elements of dark epic poetry: strong visual imagery, a clear plot, determined manipulation of the emotions of both the characters and the readers, not a happy ending in sight.

It has long been debated whether poetry has the more adept and profound ability to elicit emotion than does prose. I would rather say it is when prose nears the poetic that it has any emotional power at all. It is when they join, when an author can provide the imagery and action regardless of the niceties of rhythm and rhyme, that sensation is evoked in the reader. With the emotional veracity and imagery of Othello before me, both as vivid memory and the open pages of the text, I hope readers will connect with a distraught Elizabeth and Darcy, comprehending them as I do, and as they cannot comprehend themselves.

~~~~~

I must say this in defense of lighter verse: In my next story, a mash-up of Jane Austen and P. G. Wodehouse, one character is given to limericks of adoration! And if you really want a brilliantly bawdy ballad, I urge your readers to keep an eye out for a forthcoming Meryton Press title, Mistaken, by Jessie Lewis, due out later this year. Thanks again, Serena, for your support of My Mr. Darcy & Your Mr. Bingley, and the kind attention of your readers!

Thank you Linda for sharing your thoughts on poetry, Shakespeare, and your novel for National Poetry Month.

About the Author:

Linda Beutler’s professional life is spent in a garden, an organic garden housing America’s foremost public collection of clematis vines and a host of fabulous companion plants. Her home life reveals a more personal garden, still full of clematis, but also antique roses and vintage perennials planted around and over a 1907 cottage. But one can never have enough of gardening, so in 2011 she began cultivating a weedy patch of Jane Austen Fan Fiction ideas. The first of these to ripen was The Red Chrysanthemum (Meryton Press, 2013), which won a silver IPPY for romance writing in 2014. You might put this down as beginner’s luck—Linda certainly does.  The next harvest brought Longbourn to London (Meryton Press, 2014), known widely as “the [too] sexy one”. In 2015 Meryton Press published the bestseller A Will of Iron, a macabre rom-com based on the surprising journals of Anne de Bourgh.

Now, after a year-long break in JAFF writing to produce Plant Lovers Guide to Clematis (Timber Press, 2016)—the third in a bouquet of books on gardening—we have My Mr. Darcy and Your Mr. Bingley bursting into bloom.  The eBook is available on Amazon; paperbacks coming soon.

Visit her on Twitter, Facebook, and on her website.

Giveaway:

Enter the giveaway for one of 8 eBooks; It’s open internationally.

Terms and Conditions:

Readers may enter the drawing by tweeting once a day and daily commenting on a blog post that has a giveaway attached for the tour. (1 comment/blog post) Entrants should provide the name of the blog where they commented (which will be verified). You may enter once by following the author on twitter and once by following the author on Facebook.

Remember, tweet daily and comment once per post with a giveaway to earn extra entries. Each winner will be randomly selected by Rafflecopter.

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Good Luck!

Cover Reveal & Giveaway: The Darcy Monologues

I know everyone has been excited to see the cover of this May release in the Jane Austen Fan Fiction community, and I cannot wait to show it to you today.  The anthology itself will be released on May 22.

From Christina Boyd:

The amazing cover art is the genius of Shari Ryan of MadHat Books. She took the cover concept and created exactly as I envisioned. Shari professionally, quickly, and concisely handled my countless questions, suggestions, and “just one more tweak” in the challenging format of the print interior—even had a special script code written to make it happen. And then when the original concept had to be scrapped because of the print-on- demand company’s limitations that were beyond our control (long, convoluted story only to be shared over strong cocktails), Shari AGAIN created the present cover and interior for both print and e-book. I could not recommend her expertise more!

Multi-talented author Beau North designed the individual fantastic short story graphics for our social media promotions. I think each gives a lovely overall feel for each story. And the color concept I think works well with #TheDarcyMonologues branding, too!

About the Book:

“You must allow me to tell you…”

For over two hundred years, Jane Austen’s Mr. Darcy has captivated readers’ imaginations as the ultimate catch. Rich. Powerful. Noble. Handsome. And yet, as Miss Austen’s “Pride and Prejudice” is established through Elizabeth Bennet’s fine eyes, how are we to know what his tortured soul is indeed thinking? How does Darcy progress from “She is tolerable: but not handsome enough to tempt me” to “I thought only of you”?

In this romance anthology, fifteen Austen-inspired authors assemble to sketch Darcy’s character through a series of re-imaginings, set in the Regency through contemporary times—from faithful narratives to the fanciful. Herein “The Darcy Monologues”, the man himself reveals his intimate thoughts, his passionate dreams, and his journey to love—all told with a previously concealed wit and enduring charm.

Stories by: Susan Adriani * Sara Angelini * J. Marie Croft * Karen M Cox * Jan Hahn * Jenetta James * Lory Lilian * KaraLynne Mackrory * Beau North * Ruth Phillips Oakland * Natalie Richards * Sophia Rose * Joana Starnes * Melanie Stanford * Caitlin Williams

Pre-order here on Amazon.

Before we get to the giveaway, I have another surprise for you. I get to share an image for Karen M Cox’s story in the anthology!

Here’s a little teaser from her story, too:

“You seem to know a lot about this book.”

“You would too if your last name was Darcy.” I mimicked an affected tone. “So, you’re Mr. Darcy. Ha-ha-ha-ha. I’ve been looking for you all my life.” With a grim shake of my head, I took a sip of my bourbon and branch. “His first name was even Fitzwilliam.”

“That sounds a lot like William.”

“Yep. My mother’s little joke–English lit major that she was. Bought me a lifetime of misery with that name.”

About Karen:

Karen M Cox is an award-winning author of four novels accented with romance and history: 1932, Find Wonder in All Things, At the Edge of the Sea, and Undeceived. She also wrote “Northanger Revisited 2015”, which appeared in the anthology Sun-Kissed: Effusions of Summer. Originally from Everett, Washington, Karen now lives in Central Kentucky with her husband, works as a pediatric speech pathologist, encourages her children, and spoils her granddaughter. Like Austen’s Emma, Karen has many hobbies and projects she doesn’t quite finish, but like Elizabeth Bennet, she aspires to be a great reader and an excellent walker.

International Giveaway:

One winner will be selected to win a Kindle Fire with Alexa, and a 7” display.

This giveaway will take place from March 27 – April 21, 2017. The winner will be announced on April 22, 2017.

The second giveaway is for a $25.00 Etsy gift card.

To enter this giveaway, readers will create a Pinterest Board named The Darcy Monologues and post all fifteen story images from the cover reveals, one per each author included in the anthology, and Tweet the board on Twitter. The Tweet must include the hashtag, #TheDarcyMonologues.

This giveaway will take place from March 27 – April 21, 2017. The winner will be announced on April 22, 2017.

All entries will be entered through the Rafflecopter links shown below:

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***Please stop by on July 3 for my review of The Darcy Monologues***

Guest Post & Giveaway: Caroline: The Music Behind the Woman by Sue Barr

Many Pride & Prejudice variations are focused on Mr. Darcy and Elizabeth Bennet, but what attracts me to Sue Barr’s variation is that it focuses on Miss Bennet’s nemesis, Caroline Bingley.  (OK, maybe nemesis is a strong word)  Caroline has focused on Mr. Darcy for so long, what happens to her after Darcy marries Elizabeth? How does she cope with that loss and what does she focus on now that he’s out of the picture?  Today, Sue Barr will share with us the musical influences of Jane Austen and how it plays in Caroline’s life.

But first, read more about the book below.

Book Synopsis:

Whatever happened to Caroline Bingley after her brother and unrequited love interest married a Bennet sister? Join me in this story of redemptive love and the healing of broken dreams.

Caroline Bingley, beyond frustrated with her brother, Charles and Mr. Darcy both proposing to the Bennet sisters, dreads their upcoming nuptials. For three years, her sole focus has been on attaining a marriage proposal from one Fitzwilliam Darcy of Pemberley, only to be foiled by a country miss with ‘fine eyes’. Adrift and not sure of her place in life, she meets the mysterious and devastatingly handsome Lord Nathan, who equally vexes and intrigues her.

Lord Nathan Kerr, third in line to a Dukedom, had a well-earned reputation as a Rake. He cast all that and his noble title aside to become Mr. Darcy’s vicar in Kympton, finding contentment in leading his small flock and doing the Lord’s work. His plan for a quiet, country life is thrown into upheaval when he meets the fiery Miss Bingley. Can he reconcile his rising desire for the spoiled miss with how a vicar’s wife ‘should’ behave?

Purchase Links: Amazon UK, Amazon US, Amazon CA, Amazon AU

Please give Sue a warm welcome.

Thank you, Serena, for inviting me to your lovely blog today to discuss my latest book, Caroline. Today, I look forward to sharing this post with your readers that discusses the musical influences in Jane Austen’s own life, as well as in Caroline Bingley’s story too.

When it comes to musical talents, I have learned that Jane Austen really was somewhat of a proficient and a rather accomplished lady in her musical achievements. From the age of 12 years old, Jane practiced the piano nearly each and every morning. In the evenings, she could often be found performing at the piano for her family and friends.

Even at the age of 20, she was still taking weekly lessons and learning new techniques, which happened to be unusual, even for the accomplished women of her class. Even though her family existed on a limited budget, Jane was always able to have access to a good quality piano. Due to the costs of printed music, Jane belonged to an “informal, women-driven network” of music copyists and borrowers.

In my story, Caroline, I was able to connect Austen’s love for music as we discover that Caroline also has a passion for music which soothes her soul. Whenever troubled, she gravitates to the pianoforte and plays. Personally, I love Mozart and was so glad that he lived prior to the time frame of my story.

One of my favorite movies is Amadeus, not for the characterization of Wolfgang Amadeus Mozart and his protagonist, Antonio Salieri but for the music. There is one song, when the last of the high notes hang in the air before crashing to the end, which gives me goose flesh. The genius of Mozart’s compositions is beyond compare. His piano concerto No. 26 has so many layers in nuance and timing, also any of his Clarinet Concertos, … and who doesn’t love Eine Klein Nachtmusic? Most people listen to the piece with only stringed instruments, but the piano solo, accompanied by woodwinds and stringed instruments is achingly beautiful. I have a CD of his music and love it.

I also wanted Caroline to have layers with her love of music and there were many great Masters to choose from, but I looked for something different. I Googled popular composers in the time of 1812 and Ignaz Pleyel popped up. You Tube is a wonderful place to lose yourself and I listened to many tracks until I found his sonata in F Major. I thought I’d share a link to the scene from Amadeus where Solieri, played by F. Murray Abraham, is describing the music of Mozart to a young priest. I think he won the Oscar from this scene alone.

I challenge you to listen to some classical music, if you don’t already love it. Really, really hear what these Masters composed. Imagine flutes, oboes and clarinets, joined by an bassoon providing the much needed lower layer and then along comes the violin, piercing the air with each rising crescendo in harmony alongside the cello and in the background, bass drums, like a heartbeat.

Can you hear it?

Reference: JOHNSON, CLAUDIA L. and CLARA TUITE (eds). A Companion to Jane Austen. Blackwell Publishing, 2009. Blackwell Reference Online. 25 February 2017

Thanks, Sue, for sharing this with us. I can hear the music now. I’m sure my readers can, too, and I bet they’re excited to enter to win!

About the Author:

Sue Barr resides in beautiful Southwestern Ontario with her retired Air Force hubby, two sons and their families. She’s also an indentured servant to three cats and has been known to rescue a kitten or two, or three … in an attempt to keep her ‘cat-lady- in-training’ status current. Although, she has deviated from appointed path and rescued a few dogs as well.

Sue is a member of Romance Writers of America and their affiliate chapter, Love, Hope and Faith as well as American Christian Fiction Writers. For more information about her other books, visit her website, her blog, and on Pinterest, Facebook, GoodReads, and Twitter.

Enter the Giveaway:

Three winners will receive a paperback copy of Caroline and a Jane Austen Journal and three separate winners will receive an ebook copy of this book. (All giveaways are open to international winners.)

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Breaking and Holding by Judy Fogarty & Giveaway

Source: TLC Book Tours
Paperback, 358 pgs.
I am an Amazon Affiliate

Breaking and Holding by Judy Fogarty is set during what some call the golden age of tennis during the late 1970s when John McEnroe was an up-and-coming star and Jimmy Connors was at the top of his game. Patricia Curren is a beautiful woman who looks as though she’s stepped off of a magazine cover and in a way, she did after her husband discovered her and used her in a rebranding campaign when she was younger. A man bent on building his business and maintaining the perfect facade through intimidation, Jack Curren will stop at nothing to get what he wants while expecting loyalty and acquiescence from those closest to him. It’s clear that his relationship with his wife is far from blissful, and something is about to break.

“This isn’t my story. It’s Patricia and Terry’s. But in the summer of 1978, their lives were wound around mine like strands of twine around a spool. Twine. Rope. Barbed wire by August.” (pg. 1)

The Curren’s take a trip to Kiawah, S.C., to their beach house, and when her husband returns to New York for work, she stays behind. She’s looking to change to become stronger, to break out of her melancholy and aloofness, and to be more like Jack’s assistant Lynn.  Here Patricia transforms into Tricia with the help of Terry, a summer camp teacher who wants to be a professional tennis player on the circuit.  Both are broken and both find that they can repair themselves through the uncomplicated love they have for one another, but the secrets they hold threaten to break apart everything.

Fogarty has created a set of deeply flawed, broken characters who must make peace with their own pasts in order to move forward.  The tennis matches mirror the volleying between Tricia and Jack, Tricia and Lynn, Jack and Lynn, and the volleys between Tricia and Terry, Terry and Baze (his friend), and Terry and Nona (a woman interested in sponsoring his pro career). Told from Lynn’s point of view, readers are pulled into the mystery of these relationships, and the tangled webs they’ve all created until they nearly strangle one another.  Each has to decide when the tipping point is and when to take a chance and go to the net for match point.

RATING: Cinquain

About the Author:

Judy Fogarty lives, writes, reads, and runs on the historic Isle of Hope, in her native Savannah, Georgia. She holds a Master of Music degree from the University of Illinois and has served as Director of Marketing for private golf and tennis communities in the Savannah/Hilton Head area, including The Landings on Skidaway Island, Berkeley Hall, and Callawassie Island. She is a devoted (even rowdy) tennis fan as anyone who has ever had the pleasure (or displeasure) of watching a match with her will attest. Breaking and Holding is her debut novel. She is happily at work on her second, and as always, enjoys the invaluable support of her husband, Mike, and children, Colin and Sara Jane. Visit her Website, Facebook, or Twitter.

To Enter for 1 copy (US/Canada addresses only; age 18+): Leave a comment about who your favorite tennis player is and an email. Enter by March 22, 2017, at 11:59 PM EST.

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Why Mansfield Park? by Kyra Kramer

Mansfield Parsonage by Kyra Kramer is a behind the scenes tale of Mansfield Park by Jane Austen.  It tells another story; the story of Mary Crawford.

When her widowed uncle made her home untenable, Mary made the best of things by going to live with her elder sister, Mrs Grant, in a parson’s house the country. Mansfield Parsonage was more than Mary had expected and better than she could have hoped.  Gregarious and personable, Mary also embraced the inhabitants of the nearby Mansfield Park, watching the ladies set their caps for her dashing brother, Henry Crawford, and developing an attachment to Edmund Bertram and a profound affection for his cousin, Fanny Price.

Mansfield Parsonage retells the story of Mansfield Park from the perspective of Mary Crawford’s hopes and aspirations and shows how Fanny Price’s happily-ever- after came at Mary’s expense.

Please welcome Kyra Kramer today, as she speaks about why she decided to write a book based on Jane Austen’s Mansfield Park, rather than a different one of her novels.

Why did I want to tell the story of Mansfield Park, one of Austen’s least-loved novels, from the point of view of the anti-heroine, Mary Crawford? To be blunt, it was because her treatment at the hands of the protagonists, Fanny Price and Edmund Bertram, appalled me. She was nothing but kind to both of them and they threw away her friendship like garbage when she turned out to be less rigidly moralistic and judgemental than they were. From the first time I read Mansfield Park, I wanted to call Fanny and Edmund onto the carpet over their shoddy behaviour toward Mary and to vehemently defend Mary’s ‘evil’ indelicacy. Mary’s great sin was that she wanted to save Edmund’s sister, Maria Bertram Rushworth, from disgrace after Maria left her husband to run off with Mary’s brother, Henry Crawford.

Golly, how horrible to want to keep Maria for being cast out of good society forever! And make no mistake – it was Maria she was trying to save, perhaps at the expense of her own brother’s happiness. After all, as a man, Henry Crawford was going to get off relatively scot free after running off with another man’s wife, but Maria was going to become a total pariah unless Henry married her. So, even though Henry didn’t love Maria, his sister Mary was going to try to get him to wed her in the hopes of preventing her social death.

How did Edmund and Fanny respond to Mary’s attempts to save Maria? By throwing her goodwill back in her face and telling her she was disgusting for even thinking of it! In the original novel, Edmund describes his reaction to Mary’s offer:

As soon as I could speak, I replied that I had not supposed it possible, coming in such a state of mind into that house as I had done, that anything could occur to make me suffer more, but that she had been inflicting deeper wounds in almost every sentence. That though I had, in the course of our acquaintance, been often sensible of some difference in our opinions, on points, too, of some moment, it had not entered my imagination to conceive the difference could be such as she had now proved it. That the manner in which she treated the dreadful crime committed by her brother and my sister (with whom lay the greater seduction I pretended not to say), but the manner in which she spoke of the crime itself, giving it every reproach but the right; considering its ill consequences only as they were to be braved or overborne by a defiance of decency and impudence in wrong; and last of all, and above all, recommending to us a compliance, a compromise, an acquiescence in the continuance of the sin, on the chance of a marriage which, thinking as I now thought of her brother, should rather be prevented than sought; all this together most grievously convinced me that I had never understood her before, and that, as far as related to mind, it had been the creature of my own imagination, not Miss Crawford, that I had been too apt to dwell on for many months past. That, perhaps, it was best for me; I had less to regret in sacrificing a friendship, feelings, hopes which must, at any rate, have been torn from me now. And yet, that I must and would confess that, could I have restored her to what she had appeared to me before, I would infinitely prefer any increase of the pain of parting, for the sake of carrying with me the right of tenderness and esteem. This is what I said, the purport of it; but, as you may imagine, not spoken so collectedly or methodically as I have repeated it to you. She was astonished, exceedingly astonished—more than astonished. I saw her change countenance. She turned extremely red. I imagined I saw a mixture of many feelings: a great, though short struggle; half a wish of yielding to truths, half a sense of shame, but habit, habit carried it. She would have laughed if she could. It was a sort of laugh, as she answered, ‘A pretty good lecture, upon my word. Was it part of your last sermon? At this rate you will soon reform everybody at Mansfield and Thornton Lacey; and when I hear of you next, it may be as a celebrated preacher in some great society of Methodists, or as a missionary into foreign parts.’  She tried to speak carelessly, but she was not so careless as she wanted to appear. I only said in reply, that from my heart I wished her well, and earnestly hoped that she might soon learn to think more justly, and not owe the most valuable knowledge we could any of us acquire, the knowledge of ourselves and of our duty, to the lessons of affliction, and immediately left the room.

There it is. Edmund’s response to Mary’s kindness – to tell her he was shocked she turned out to be such a horrible skank and he hoped she became less skanky over time. Worse, he also whinged to Fanny about Mary’s “total ignorance” of proper moral rectitude and her “perversion of mind which made it natural to her to treat the subject as she did”. He practically wept about her “faults of principle” and her “blunted delicacy and a corrupted, vitiated mind”. Strong words about a woman whose only crime was trying to save Edmund’s sister from permanent alienation!

Moreover, Mary was the most amusing, most vital, and most complex character in the book; the opposite of the stodgy Edmund Bertram and milquetoast Fanny Price. As I explain in my preface:

The delight of most Austen’s characters, for good or for ill, is in their flaws. Whether they are comic relief or fodder for scathing social commentary or beloved protagonists, they were imperfect. Austen’s strong-willed heroines are particularly relatable for the reader because they are not pure paragons. Elizabeth had her prejudice, Anne was too persuadable, Marianne was too romantic, Elinor was too pragmatic, Catherine was naïve and overly imaginative, and Emma was subject to vanity. They are loved because they are inherently decent people, and lovable because they aren’t revoltingly perfect models of submissive 18 th century feminine ideals. Fanny Price, the heroine of Mansfield Park, stands alone as the main protagonist who was unable to make a mistake. Fanny Price is an apotheosis of delicacy, modesty, and tenderness. She is so meek, mild, and righteous that it is almost impossible not to hate her. Mary Crawford is the sharp one in the book. Mary Crawford is the one with uncongenial character traits to be overcome. Mary Crawford is interesting.

In summary, I wanted to tell Mary’s story because she was treated unfairly and was the most charismatic person in Mansfield Park. Although I stuck to the narrative plot of Mansfield Park like glue, I did everything I could to secure the reader’s sympathy in the place I believed it should naturally lie … in Mary Crawford’s perspective. I present Mary Crawford as Austen did; as a good-natured and realistic woman of the world and her time. Unlike Austen, however, I did not condemn Mary as “ruined” by her tolerance of the social shenanigans which surrounded her and her clear-eyed view of English religious hypocrisy. Considering that Austen’s other novels also evince a knowledge of how ridiculousness clergymen could be and how the detection of sin, rather than sin itself, was treated as the true evil, I can only wonder if Austen was trying to “punish” herself for her overly-sardonic worldview by making Mary Crawford the antagonist. If so, she failed, because Austen’s caustic take on the Regency’s sociocultural norms, which are nevertheless threaded with real hope for domestic happiness, remain as charming as Mary Crawford. We, like Mr. Darcy, are still enthralled by the mixture of sweetness and archness in Austen’s tales and have fallen in love with them. Mary Crawford, with her good nature and searing wit, belongs in the ranks of Austen’s heroines more than the tepid and creepmouse Fanny Price ever will.

About the Author:

Kyra Kramer is a medical anthropologist, historian, and devoted bibliophile who lives just outside Cardiff, Wales with her handsome husband and three wonderful young daughters.

She has a deep – nearly obsessive – love for Regency Period romances in general and Jane Austen’s work in particular. Ms. Kramer has authored several history books and academic essays, but this is her first foray into fictional writing.  Visit her website, Twitter, and on Facebook.

Giveaway — win an e-copy of Kramer’s Mansfield Parsonage; Comment by March 6, 2017 at 11:59 PM EST.

Darcy’s Hope at Donwell Abbey by Ginger Monette

Source: the author
Paperback, 413 pgs.
I am an Amazon Affiliate

Darcy’s Hope at Donwell Abbey by Ginger Monette is the second book in a series of Great War Romance novels, and while you could read this as a stand alone novel, I wouldn’t recommend missing the two-book experience. Set during WWI, Monette captures the uncertainty of war-time romance with Pride & Prejudice‘s most beloved characters. If Elizabeth Bennet and Fitzwilliam Darcy were able to overcome their preconceived notions about one another in a shorter period of time, but become separated by the war, would their love endure the miles and trauma of war?

With all of Darcy’s resources would he be able to find Elizabeth if she disappeared, even as he is stuck at the front in battle? Could spies and Germans keep them apart with their war efforts, or would love and chance find a way to keep them close? Without giving away the details of this book, readers will find that the hardened Darcy of book one has been softened by his love for Elizabeth. But in this one, Elizabeth is wary of discovery as she strives to hide and protect her loved ones from reputational harm.

Monette’s settings and characterizations are in line with the time period, when women were gaining ground in male-dominated roles and expectations of marriage as the only option beginning to wane. The tension between Lizzy and Darcy has dissipated somewhat as they face new challenges outside their control, and they must not only learn to make their own decisions but also bear in mind how those decisions could impact the ones that they love. Darcy’s Hope at Donwell Abbey by Ginger Monette is a solid follow-up to the first book, and I loved every minute of it. She has a strong sense of historical facts and the original Austen characters. This is by far one of my favorite P&P re-imaginings. Don’t hesitate, get books 1 and 2.

RATING: Cinquain

Other Reviews:

Darcy’s Hope: Beauty from Ashes

About the Author:

The teacher always learns the most. And in homeschooling her children, Ginger Monette learned all the history she missed in school. Now she’s hooked—on writing and World War I. When not writing, Ginger enjoys dancing on the treadmill, watching period dramas, public speaking, and reading—a full-length novel every Sunday afternoon.

Her WW1 flash fiction piece, Flanders Field of Grey, won Charlotte Mecklenburg Library’s 2015 Picture This grand prize.

Ginger lives in Charlotte, North Carolina, where she happily resides with her husband, three teenagers, and two loyal dogs.

Visit Ginger Monette on Facebook, on GoodReads, or on her website. Purchase the book here.

Giveaway- – Downton Abbey Tea!

Three lucky winners will each receive a tin of Downton Abbey Tea!
(Open to US residents only)