Source: St. Martin’s Press and TLC Book Tours
Hardcover, 320 pgs
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The Last Good Paradise by Tatjana Soli is about learning how to change direction when the path you’re on no longer suits, makes you miserable, or merely a new opportunity presents itself. Part environmental cause, part journey to happiness, Soli creates a multilayered story with deeply flawed characters who not only create havoc in their own lives but in the lives of others. She brings to life the dream many corporate drones dream of, running away to paradise, but even that is fraught with contradiction and disappointment.
“As was her new habit, Ann got up early and walked to the far side of the island where the camera was. She sat behind it and stared at the view that it stared at, a veritable Alice behind the looking glass. It was the real thing and its abstraction. She felt she was on the verge of some grand truth while being suckered at the same time.” (page 150 ARC)
Ann and her husband, Richard, must face the reality that their business partnership with Javi, El Gusano, is a pipe dream dragged down by their philandering, spendthrift partner who expects their assets to shoulder the debt burden. As they flee Los Angeles in search of an escape, they end up on an island near Tahiti with no WI-Fi or outside connections. Soli examines the idea of perception — the view we have of our lives as we live them and the view that we have of those lives when on vacation or examining our chosen path. The two views either can be nearly identical or they can be vastly different. It is up to ourselves to change the courses we choose and to create the lives we want. While there will always be an obstacle that challenges us, we must be inured to rise up and take the horse by the reins.
The irony of The Last Good Paradise is that the only paradise we will have is the one we make ourselves. It is not a place that can be arrived at by plane, bus, or train, but a sense of peace from within ourselves that must be fought for and cultivated over time.

TATJANA SOLI lives with her husband in Southern California. Her New York Times bestselling debut novel, The Lotus Eaters, won the 2011 James Tait Black Prize, was a finalist for the Los Angeles Times Book Prize and a New York Times Notable Book. Her stories have appeared inBoulevard, The Sun, StoryQuarterly, Confrontation, Gulf Coast, Other Voices, Third Coast, Sonora Review and North Dakota Quarterly. Her work has been twice listed in the 100 Distinguished Stories in Best American Short Stories.











Earlier today, I reviewed
Ten years ago when we moved into our current home, it had a perfect writing room on the second story, with large windows that looked out over the treetops to the faraway hills. A perfect writing space… except for the narrow hallway leading to it, too narrow to get my big desk through. I was heartbroken. My mom gave me two tables that she no longer wanted, and I installed these in my writing room instead — one for my computer, one for handling correspondence, bill paying, all the other stuff.
My theory is to make the room as welcoming and comfortable as possible, to trick myself into working longer hours! Above one desk, I have a painting by my husband that I love, “Tree of Life,” all greens and golds. That big mound of paper on the corner of the desk is a draft of my second novel. I feel guilty looking at it every day that I don’t get back to it. My computer desk has a stand for my handwritten first drafts. I learned long ago that buying expensive moleskin notebooks made me feel like I couldn’t make mistakes, so I have a closet of cheap notepads to write on. The shades are usually half drawn since the light is bright in this room, but I love to look out while I’m thinking. There’s a big sour cherry tree outside, and this time of year wild parrots, green with a single big red spot on their heads, descend on it, bouncing on the branches and squawking as they eat the fruit.

This is my first book for the 


