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House Inspections by Carsten René Nielsen, translated by David Keplinger

December 11, 2012 by

House Inspections by Carsten René Nielsen of Aarhus, Denmark, translated by David Keplinger, is a collection that the poet himself calls surrealist, but readers will find them poignant and truthful as well.  The collection includes not only the original prose poems in Danish, but also the English translations Keplinger did in collaboration with the poet.  David Keplinger introduces the collection with:  “It was in this place of natural beauty and order that we set to work on Nielsen’s poems of the neighborhood, rich in imagery of human interaction, comedies of errors, unanswerable questions, an Escherlike world of dark cellars, blind alleys, tenements and fitting rooms.” (page 7)  There is definitely a dark, blind alley in each of these poems — like “Fitting Room,” “Steps,” and “Wistfulness” — that the narrator leads readers to before springing the unexpected upon them.  In many ways, these surprise endings remind me of the one sentence endings of some Anita Shreve novels that change the entire story in a moment.

One stellar poem in the collection is “Reading,” in which the narrator calls attention to something amiss in the text, but does not reveal what it is.  By the end of the poem, it is clear that the one giving the reading does not mean what s/he says.  “the lips don’t move in full accord with what is actually said.”  (page 17)  While the thing that is amiss or the actual context of the situation remains a mystery, readers can easily connect with the realization that something that was thought to be true is not.  A running theme in many of these poems is the careful inspection or observation of the players or the scene to uncover what is “wrong” with the situation or what is unusual about it.  There is always someone watching or the feeling of being watched, like in “Theater.”

There also are a few poems that examine the passing of time and aging in such a unique way that readers may have to take a moment and revisit these poems to truly see the underlying meaning.  “Book” is an interesting look at what we look for in the books that we read — a reflection of ourselves — and how it puts us on edge that someone will turn the page on us.  There is that sense of fear in all of us that our lives are beyond our control or that the choices we’ve made are not appropriate.  In “Birthday,” life burns on its own and cannot be doused by minor events, and in many ways Nielsen is suggesting (without saying it) that life goes on even if events happen that are unplanned or even when they are planned.

Beyond the serious nature of some of these poems, House Inspections by Carsten René Nielsen also has a playful side in which shirts are turned into birds escaping from cages.  The collection tackles life’s biggest issues about mortality and enjoying the moments of life we have as we live them, not as they lie in the past.  Another collection that could be considered for the best of list.

About the Poet:

Carsten René Nielsen is a Danish poet. He has published nine books of poetry in Danish and received several fellowships from the Danish State Foundation for the Arts. Translations of his work have been published in The Paris Review, AGNI, Mid-American Review, The Mississippi Review, and in a collection of prose poems, The World Cut Out With Crooked Scissors (New Issues, 2007).

This is the 26th book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

This is my 84th book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, New Authors Challenge, poetry, purchased, Read in 2012, reviews Tagged With: , , ,

Cascade by Maryanne O’Hara

December 5, 2012 by

Cascade by Maryanne O’Hara is set in 1930s Massachusetts as the rest of the world is on the cusp of war with the Nazis and Boston is hoping to alleviate its water shortage by creating a new reservoir along the Cascade River.  Painter Desdemona Hart Spaulding lives in the sleepy little town of Cascade, which has been a target of lawmakers looking for water over the last decade.  Her life is nothing like she expected as her family falls on hard times, and she makes a life-altering decision to marry Asa to save her father and her home.  What she fails to realize is that some decisions are made for you by circumstance and fate in a cascade of changes that you can either fight or ride.

From the moment readers meet Dez, they know that she is conflicted about her new role as wife.  She makes her husband’s breakfast and tries to care for her father, but her mind wanders to her studio, her paints, and her canvases, making her lose track of time as she dives into the colors and scenes she creates.  Asa is hard to grasp as he seems to want to be oblivious to his wife’s struggles, but is forced to see reality when his wife makes decisions that place them both in the spotlight as the town looks for ways to save itself from drowning.

“Their once-fashionable resort town with its pleasant waters was looking more and more like the ghost valley that was invading dreams and even the pages of her sketchpad.”  (page 3)

O’Hara’s novel is not just about the cascade of decisions and twists in one’s life, but also the unexpected changes that face a country in a depression on the verge of a possible world war — at a time when sentiment against Jews is turning negative as many people lose their jobs and are thrust into poverty.  Things spiral out of control for the Spauldings and the town, but Dez is determined to follow her innate desire to pursue her art in spite of her duty to her husband and her father’s legacy as she hopes to turn public sentiment in favor of saving Cascade from the water department.  The parallels between the river and how it can shape a town and how events can shape people are deftly made in O’Hara’s lyrical prose.  She intertwines Shakespeare’s plays and famous quotations easily, tying Dez to her father’s legacy throughout the novel even when she has all but abandoned it in favor of an affair of art.

While Dez can seem immature in her clinging to Jacob, a traveling salesman, it is clear from her relationship with Asa that she’s never been in love with anything other than Shakespeare as seen through her father’s theater in Cascade and her own painting.  She is an artist that needs to feel substantial loss and pain before she can fully come into her art.  O’Hara has created a novel about the tensions between duty and desire and following one’s dream.  She has captured the struggle of artists, who unfortunately are too often misunderstood by non-artists, to achieve the time necessary to create without the guilt of failing to meet the obligations of family life and other relationships.

Through gorgeous descriptions and painting techniques, O’Hara plunges readers into the light-filled studios and landscapes of Dez, as well as into her nightmares, her guilt, and her nostalgia for things past.  Through quick brushstrokes and scraped canvases, the novel transports readers into muddied waters and into the bold color of an artist’s life.  Cascade by Maryanne O’Hara is a debut that shimmers like the rushing river over the rocks of the waterfall with its quiet power shaping Dez and what was once Cascade, Massachusetts.

***On a completely different note, I was totally in LOVE with this cover.   It was so utterly distracting with its water shapes in the profile image and how the boulders blended in as the woman’s hair.  I was enamored.***

About the Author:

Maryanne O’Hara was the longtime associate fiction editor of Ploughshares, Boston’s award-winning literary journal. Her short fiction has been published in magazines like The North American Review, Five Points, Redbook, and many anthologies. She has received grants from the St. Botolph Foundation and the Massachusetts Cultural Council, and her story collection was a finalist for 2010′s Flannery O’Connor Award for Short Fiction. She lives on a river near Boston.

Find out more about Maryanne at her Website, her blog, and connect with her on Facebook.

This is my 83rd book for the New Authors Reading Challenge in 2012.

 

Filed Under: challenges, fiction, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews, tlc book tours Tagged With: , ,

With Apologies to Mick Jagger, Other Gods, and All Women by Jane Rosenberg LaForge

December 3, 2012 by

With Apologies to Mick Jagger, Other Gods, and All Women by Jane Rosenberg LaForge takes a look at not only what it means to be young and full of dreams, aspirations, and confidence, but also the flip side of that — what it means to be older and confined by societal, professional, and personal constraints.  Her verse is topsy turvey with its own underground beat that shimmies out the fine-tuned truth that whether or not we are rock gods or ordinary people we are the same in how we are shaped and how we shape the world around us.  From hiding our wrinkles and our broken dreams to wearing them proudly, LaForge has crafted an unapologetic anthem about living, not merely surviving the world around us.

From "Prodigy":

It is youth that keeps you pale and concerned
about the smaller buzzing parts, the soil
and the pine cones there, and the grace
between fists and teacups.  You are a foil,
a reminiscence, a sobering glance forward
because nothing can be repeated, metric by 
metric; speaking the dream always changes it
irreparably, as if it weren't worth mentioning.
From "Apollo at 21st and 8th":

record we shed each day,
the accumulation of our pasts
that we deposit upon wood and 
polish, in the shafts and patterns
of directed sunlight.  Could gods
begin in dust and spit not as we have,

The collection is divided into two parts, and the first section, despite the title of the Mick Jagger poem, are hardly apologetic. From the crass way that age takes over the face to the abandonment of religion and faith in favor of the present and those rock stars before us on the television, LaForge chooses terse language clipped in the right places to give readers enough pause to encourage serious contemplation about aging and worship of the present. In “Runyon Canyon,” her narrator says, “It is not the soul that grows/in your bone, but a whistle;/as if a palpable friction between/lip and reed; a green-sweet taste/like hesitation and sympathy;” These images blend together to create a sound that hums.

In the second half of the collection, the poems are more personal, delving into the sorrowful images of disease and how the body can be ravaged even when the patient is in denial or at least trying to pretend they are not ill. LaForge takes a frank look at the grotesque found in the most beautiful relationships, including being sisters.  With Apologies to Mick Jagger, Other Gods, and All Women by Jane Rosenberg LaForge strikes a pose and has an opinion without apology, and don’t expect one.  The statements are bold and without explanation.  They just are.

About the Poet:

Jane Rosenberg LaForge’s poetry, fiction, critical and personal essays have appeared in numerous publications, including Poetry Quarterly, Wilderness House Literary Review, Ottawa Arts Review, Boston Literary Magazine, THRUSH, Ne’er-Do-Well Literary Magazine, and The Western Journal of Black Studies.

 

This is the 23rd book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

 

This is my 82nd book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, Fearless Poetry Exploration Reading Challenge, New Authors Challenge, poetry, Read in 2012, review copy, reviews Tagged With: , ,

King Solomon’s Ring by Konrad Z. Lorenz

November 15, 2012 by

King Solomon’s Ring by Konrad Lorenz, an Austrian ethologist, is not your typical science book in that it is written with a less-scientific audience in mind.  Complete with minimal illustrations from Lorenz, the book does not read like a scientific experiment that can be precisely duplicated, but more like a series of observations and anecdotes from a man who invited the wild into his home.  Unlike King Solomon, Lorenz claims not to need a magic ring to learn the language of animals and to communicate with them.  While there are discussions of domesticated and wild dogs, among other animals, Lorenz mainly focuses on the behaviors of the water shrew, his aquarium fish, and the Jackdaw.

While considered a premier examination of animal behavior and discussing in detail the phenomenon of imprinting, on some occasions he appears to anthropomorphize these animals, making them seem more human than they are, particularly when discussing their mating rituals.  Lorenz also is very descriptive of the animals and their interactions with one another and with the humans who lived in the home and surrounding neighborhood.  These descriptions, while interesting to a scientist, may border on tedium for others.

“The whole charm of childhood still lingers, for me, in such a fishing net.”  (page 12)

“I intend to develop further this mixed breed, now that it has happily survived the war, and to continue with my plan to evolve a dog of ideal character.”  (page 142)

He raises some interesting questions about the parallels between certain species and humans in that some species, like humans, share their experiential knowledge of dangers and enemies with their young, rather than their young having an instinctual knowledge of what animals are their natural enemies.  Lorenz also discuss language and how body language is a lost art among humans, but is alive and well among animals, like yawning and smiling in humans to signify an emotion.

His wife must have had enormous levels of patience, though the bit about leaving their own child in a cage while the animals roamed free in the house and outside was hopefully a joke.  King Solomon’s Ring by Konrad Lorenz is light on scientific method and heavy on observation, but at times the descriptions get bogged down with too much detail even for a general audience.  For those who have studied imprinting and other aspects of animal behavior before, the book could seem very repetitive and far from engaging.  Additionally, there are moments where he pats himself on the back or the backs of his friends who achieve some interesting feats with animals, which can seem a bit self-serving.

About the Author:

Konrad Z. Lorenz ForMemRS was an Austrian zoologist, ethologist, and ornithologist. He shared the 1973 Nobel Prize with Nikolaas Tinbergen and Karl von Frisch.

 

This is my 81st book for the New Authors Reading Challenge in 2012.

 

What Book Club Thought:

This book, which was our November pick, really wowed one member of the book club, who said he learned a great deal from Lorenz and his theories about animals in his care, while most of us seemed to think that we’d learned all of the things he talked about in the book already through other sources — most likely in school or the animal channel.  The rest of us either thought it was an OK book or didn’t like it very much at all.  Our youngest member said that there should have been more about Penguins, though Lorenz lived in a place where Jackdaws were the most prevalent bird it seemed.  Two members found the chapter about dog ancestry and behavior the most interesting, particularly about the relationship to masters and one another in a pack versus the dog that prefers to be alone.

One heated discussion was about whether animals are intelligent or not, with one member playing devil’s advocate and insisting that animals act on pure instinct and are not problem-solving beings with intelligence.  In one scenario, the member suggested the lion would simply die in the arctic and be unable to problem-solve their way out of the situation or find food, but it was argued that there are different levels of intelligence in the animal kingdom and that some things can be learned by animals and other things cannot.  Additionally, there was a discussion about adaptability versus intelligence as well as the teaching of danger to young animals by their parents, much like humans teach their own children about dangers.

Filed Under: challenges, New Authors Challenge, nonfiction, purchased, Read in 2012, reviews Tagged With: , , ,

Thirty Days With My Father: Finding Peace From Wartime PTSD by Christal Presley, Ph.D.

November 14, 2012 by

Thirty Days With My Father:  Finding Peace From Wartime PTSD by Christal Presley, Ph.D., is the result of a 30-day project Presley undertook to get to know her father and his Vietnam War experiences after not relating for more than a decade, and she got much more than she expected.  Alternating between conversations wither her father and memories written down in her journal — the idea of her therapist — Presley relives parts of her own past just as her father does when speaking of Vietnam and what happened there.

Delmer Presley was drafted into the Vietnam War and never once thought about running off and dodging the draft, and he was a member of Americal Division, First Battalion, Sixth Infantry, referred to as the Gunfighters.  He entered the war following the Tet Offensive and came back a changed man.  While Presley’s book talks about his experiences as they were related to her during phone conversations and other encounters with her father, the memoir focuses mainly on Christal Presley’s intergenerational PTSD symptoms and childhood as it relates to those war memories.

Living in constant fear due to unpredictable behavior and other outside forces can cause heightened awareness fueled by adrenaline.  In the case of warriors and soldiers, this constant state of awareness can be hard to shake even when the unpredictability of the situation is removed and soldiers are sent home.  Consequently, the families that these soldiers return to find that their loved ones are altered, and in some cases, these situations can become very volatile and lead to unintended consequences, such as families subject to verbal abuse and more.

“‘I just didn’t consider those people human.  I never saw a Vietnamese before in my life, and I hated them.  We didn’t even call them Vietnamese back then.  Called them Charlies, dinks, and gooks.  That’s all I knew.  They taught us that.  I was trained not to see them as human.  The government can say whatever they want, but they trained us that way.  It hurt me more to see a dog or cat dead than them Vietnamese.  The government likes young boys who ain’t got no sense.  Easier to train, easier to brainwash that way.'”  (page 59 ARC)

The relationship between father and daughter always has been fragile.  The tentative nature with which Christal makes her calls to her father and feels him out before she asks each question is how readers would imagine any conversation to go given the years of silence between them, but particularly given traumatic nature of her upbringing.  Thirty Days With My Father:  Finding Peace From Wartime PTSD by Christal Presley, Ph.D., is about finding yourself amidst the chaos of family life, particularly a family life full of baggage, and about forgiveness for yourself and your family.  One of the most surprising and astonishing memoirs I’ve read in a long while.  It will have you re-evaluating your own conceptions about your childhood and how to repair relationships that have been damaged.

About the Author:

Christal Presley received her bachelor’s degree in English and her master’s degree in English Education from Virginia Tech.  She received her Ph.D in Education from Capella University. She is a former intern at Algonquin Books of Chapel Hill, and spent seven years teaching middle and high school English in Chatham and Danville, Virginia.

Her first book, Thirty Days with My Father:  Finding Peace from Wartime PTSD, will be published by Health Communications, Inc. in November 2012.

Christal grew up in Honaker, Virginia, and currently lives in Atlanta, Georgia. She is the founder of United Children of Veterans, a website that provides resources about PTSD in children of war veterans. In her spare time, you can find Christal playing with her dogs, tending to her chickens, and gardening.

***IF you would like to win a copy, leave a comment on this post about your interest by Nov. 21, 2012, at 11:59 PM EST***

This is my 80th book for the New Authors Reading Challenge in 2012.

Filed Under: ARC, challenges, giveaway, memoir, New Authors Challenge, Publishers/Publicists, Read in 2012, reviews, tlc book tours Tagged With: , ,

The School of Essential Ingredients by Erica Bauermeister

November 6, 2012 by

The School of Essential Ingredients by Erica Bauermeister is a novel about food and characters as original and complementary as the dinners they create during Lillian’s Monday night School of Essential Ingredients at her restaurant.  From the older couple Helen and Carl who are seasoned and aged by salted wounds and mellowing cream to the spunky and unsure experimental flavors of Chloe who strives to build her confidence in the kitchen and her relationships, Bauermeister has created a culinary masterpiece that will melt in readers’ mouths.

“The girl was a daughter of a friend and good enough with knives, but some days.  Lillian thought with a sigh, it was like trying to teach subtlety to a thunderstorm.”  (page 7)

“Some smells were sharp, an olfactory clatter of heels across a hardwood floor.  Others felt like the warmth in the air at the far end of summer.  Lillian watched as the scent of melting cheese brought children languidly from their rooms, saw how garlic made them talkative, jokes expanding into stories of their days.”  (page 17)

“The more she cooked, the more she began to view spices as carriers of the emotions and memories of the places they were originally from and all those they had traveled through over the years.  She discovered that people seemed to react to spices much as they did to other people, relaxing instinctively into some, shivering into a kind of emotional rigor mortis when encountering others.”  (page 20)

Readers will smell the food, taste it, touch it, and become inspired to create their own culinary delights at home and share them with their families and friends.  Bauermeister threads the memories and problems of each character through the movements and creations in Lillian’s cooking class, alternating points of view and providing insight into each of their lives.  The true beauty of her prose is that cooking terms are even used when cooking is not the main focus of the story, and she excels at creating a mood of melancholy or a mood of frustration or even a mood of nostalgia as each character reviews their lives and their journeys in the kitchen.

Although the stories contained in the novel are short, Bauermeister does a magnificent job of creating characters that are three-dimensional.  Like the spices and other ingredients in Lillian’s recipes, each character is an essential ingredient to the whole of the novel.  In many ways, her novel is about enjoying each moment to its fullest, even those moments of guerrilla cooking in which someone is over your shoulder adding spices or tips to make a dish better, even if those moments of advice are unwanted at the time.  Taking criticism and advice with a touch of acceptance that we all need a little help is what the recipe to life requires to make it great.  The School of Essential Ingredients will leave readers wanting more, but willing to embark on their own journeys of food and so much more.

About the Author:

ERICA BAUERMEISTER is the author of The School of Essential Ingredients and Joy for Beginners. She lives in Seattle with her family.  Check out her Facebook page.

This is my 79th book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, fiction, giveaway win, New Authors Challenge, Penguin, Publishers/Publicists, Read in 2012, reviews Tagged With: ,

Judging a Book by Its Lover by Lauren Leto

October 30, 2012 by

Judging a Book by Its Lover by Lauren Leto is a guide to the mind of readers everywhere, and it offers some great tips on how to fake it for readers who may not have read some contemporary or classic authors that everyone else has been.  Leto is like many of us in that she says, “Considering yourself a serious reader doesn’t mean you can’t read light books.  Loving to read means you sometimes like to turn your head off.  Reading is not about being able to recite passages from Camus by memory.  Loving young adult novels well past adolescence isn’t a sign of stunted maturity or intelligence.  The most important thing about reading is not the level of sophistication of the books on your shelf.  There is no prerequisite reading regimen for being a bookworm” (page 8).  To that end, she discloses that she’s likely to be found with the latest Janet Evanovich in her hand when she has to fly anywhere.

The initial confessions read like that of any bookworm, with the boxes and boxes of books moved from apartment to apartment and from makeshift bookshelf to re-purposed material made into a bookshelf — in her case, a couple of old ladders (page 13).  Leto even offers a funny little bit about changing the readers’ mascot from a worm to a cat, but one of the most ironic reasons in the book is because cats hold grudges (page 63) — like many do against James Frey from A Million Little Pieces, who offers a witty quote about Leto’s book on the cover.

Through a series of chapters of advice on how to fake having read a particular book, using vague statements and comparisons to popular movies and other writers you may have read, Leto has created an unapologetic homage to reading as entertainment, education, enjoyment, escapism, and understanding.  She even includes a chapter on rules for the book club, which means talking about book club with others not in your club or about the books you are reading in the club as well as how best to end a disagreement over something that happens in one of the books read by the group.  Her observations on members of a book club and their roles from the leader to the quiet (usually girl) member are in line with many readers’ experiences, including those who might even fit those character types in one group or another.

Some of the best aspects of this book are the snarky comments about authors and readers of certain authors, like those who adore Chuck Palahniuk are boys who cannot read and those who love Chuck Klosterman are boys who don’t read.  Leto’s comments about the “Literati,” a chapter with an alternate title of “Why Ernest Hemingway Once Told John Updike Literary New York Is a Bottle Full of Tapeworms Trying to Feed on Each Other,” is hilarious and a warning for those would-be writers out there.  Judging a Book by Its Lover by Lauren Leto is not really about judging anyone, but it is about having fun with books and reading, making connections even with strangers, and finding happiness in a bent page — to paraphrase her (page 245).

About the Author:

Lauren Leto dropped out of law school to start the popular humor blog “Texts from Last Night.” She co-authored the book Texts from Last Night: All the Texts No One Remembers Sending. She lives in Brooklyn.

This is my 78th book for the New Authors Reading Challenge in 2012.

Filed Under: challenges, Harper Collins, humor, New Authors Challenge, Publishers/Publicists, Read in 2012, review copy, reviews Tagged With: ,

The Help by Kathryn Stockett

October 24, 2012 by

The Help by Kathryn Stockett, which was my book club’s October selection, has been celebrated and made into a movie already.  Aibileen, Minny, and Skeeter share the narration for the 1960s segregated Jackson, Mississippi, as the lines blur between the races and to social classes.  While Skeeter’s social class is not as pure as it seems, the Black maids are struggling to make ends meet and hold their tongues even as others are engaged in sit-ins at the local Woolworth’s and marches.  Stockett carefully illustrates the social and color lines in the South, while also paying careful attention to the harsh realities of Black maids in white households.  This is not just a story about Black maids, but also about where stigma comes from, how it is perpetuated, and how it can be overcome.

“And I know there are plenty of other ‘colored’ things I could do besides telling my stories or going to Shirley Boon’s meetings — the mass meetings in town, the marches in Birmingham, the voting rallies upstate.  But truth is, I don’t care that much about voting.  I don’t care about eating at a counter with white people.  What I care about is, if in ten years, a white lady will call my girls dirty and accuse them of stealing the silver.”  (page 256)

Stockett has created a novel that gets readers thinking about their own environment and what they tolerate on a daily basis, even though they do not agree with certain things that happen or continue to be spoken in anger or prejudice toward others.  Like she notes in her “Too Little, Too Late” essay at the back of the paperback, no one in her white family who had a Black maid even thought about asking the maid what it was like to be Black in the deep south.  How many things that go on daily do we disagree with and dislike, but allow to happen without so much as a criticism or objection?

On one hand, readers are introduced to the Black maids and the prejudice they put up with from their white employers, and on the other hand, Stockett introduces Skeeter, a young woman returned from college to find that she is vastly different from her childhood friends, Hilly and Elizabeth.  While the parallel is lightly drawn and clearly not the same kind of prejudice on both sides, it does raise the question about what it means to create groups within a larger society to the exclusion of others.  Both avenues lead to great isolation and emotional pain, but the consequences of speaking out against that oppression are potentially more violent and devastating for the maids than for Skeeter.

The Help by Kathryn Stockett provides a balanced look at the love and disdain in the relationship between white women and families and Black maids, but it also tends to play it safer than one would expect given the volatile time period being discussed.  Yes, there are occasions of devastating tragedy, spousal abuse, and hints of other violent behavior, but truly the focus is less on the consequences of speaking out and more on the ties that bind each group to one another.  Stockett has chosen to show the complex relationships between these women given the societal constructs that constrain their actions and behaviors, even if they would wish it not so.

About the Author:

Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and Creative Writing, she moved to New York City where she worked in magazine publishing and marketing for nine years. She currently lives in Atlanta with her family. The Help is her first novel.

 

This is my 77th book for the New Authors Reading Challenge in 2012.

 

 

What the Eclectic Bookworms Thought (Beware of Spoilers):

Overall, we all enjoyed The Help and determined that it accurately portrayed the South, particularly the conflicted emotions of the Black maids and the children they raised.  It also demonstrated the poor logic that many white families used to determine what Blacks were good enough to do for them, but not good enough to share with.  For instance, Blacks cannot use the same bathrooms as whites because they are diseased, but at the same time, those maids can cook their families’ food and raise their children.

The group seemed split about which character they liked best, with some of us in favor of Minny, while others liked Skeeter and Aibileen best.  One of our female members said that Aibileen’s voice was the most balanced, and that’s why she liked her best, while our youngest member said that she enjoyed Skeeter best because she was an aspiring writer.  Personally, Minny’s kick ass attitude and yet vulnerability when it came to her husband and children made her both frightening and endearing — as well as a little bit vulnerable.

The club also discussed whether we would go as far as Minny to get revenge on Hilly, with only a few of saying that we would and a couple of us indicating we would have gone further.  At one point the discussion of slavery came up and whether the maids would have considered themselves still slaves or something more than that, but we all seemed to be on the fence about that question.  A discussion of other cultures’ use of slavery and how slaves could earn their way out was also mentioned, though none of us had any concrete sources on hand to discuss that too much in depth.

Other topics touched upon during the discussion include the friendship dynamics in Hilly’s group and how most of the women were subservient to Hilly and her approval, while others like Skeeter seemed to see that cow-towing to Hilly was wrong as well as how Minny and her family seemed to get by more easily than Aibileen who was on her own without any children.  We all enjoyed the book, though some of us would have preferred less about Stuart and Skeeter’s relationship and that other sections were trimmed down.  I personally enjoyed the additional insight into Skeeter and Stuart’s relationship after having watched the movie and found that part lacking in the film.

Filed Under: challenges, historical fiction, New Authors Challenge, Penguin, Publishers/Publicists, purchased, Read in 2012, reviews Tagged With: , ,

Things Your Dog Doesn’t Want You to Know by Hy Conrad and Jeff Johnson

October 23, 2012 by

Things Your Dog Doesn’t Want You to Know by Hy Conrad and Jeff Johnson is a humorous collection of stories from 11 dogs who bare all.  Not only do they divulge secrets about why those “pee” walks take so long, but they also enlighten dog walkers on the order that dogs should be taken out and why.  There are hijinks from dogs eating shoes and eating even mores hoes when owners lock them in the shoe closet, and there are dogs giving parenting advice to owners about their own puppies.

Sarge was one of the funniest given that he was a narcotics dog and became addicted to the pot that the police had him sniffing out.  He goes through several different jobs from junkyard dog to service dog.  He has trouble holding down a job.  Axelrod is another funny little dog who has a thing for herbs and incense given that there are herbal soaps in the bathroom, he thinks the herb garden outside is the perfect place to go potty since his owners seem to like the scent.

Conrad and Johnson have a firm grasp of the dog mindset and their seemingly erratic behavior from chasing cars to herding kids throughout the house.  A book you can dip into in the waiting room for entertainment, follow only one dog’s story from beginning to end, or read cover to cover.  Things Your Dog Doesn’t Want You to Know by Hy Conrad and Jeff Johnson is fun for dog owners, kids, those who love dogs, and anyone in between looking for a good chuckle.

About the Authors:

Best known for his work in mysteries, Hy Conrad was one of the original writers for the groundbreaking series, Monk, working on the show for all eight seasons, the final two as Co-Executive Producer. In a related project, Hy was Executive Producer and head writer of Little Monk, a series of short films featuring Adrian Monk as a ten-year-old.  His latest TV work was as writer and Consulting Producer for White Collar.

Hy is also the author of hundreds of short stories and ten books of short whodunits, which have been sold around the world in fourteen languages.  Hy’s first mystery novel series, Abel Adventures, will debut in 2012 with the publication of Rally ‘Round the Corpse.  And his first full-length comedy/mystery play, Home Exchange, premiered at the Waterfront Playhouse in May 2012.  He lives in Key West and Vermont with his partner and two miniature schnauzers.

Jeff Johnson spent most of his working life in advertising agencies, currently as General Manager of Cramer-Krasselt in New York City.  He is the author of The Hourglass Solution:  A Boomer’s Guide to the Rest of Your Life and co-authors (with Paula Forman) a national online advice column called Short Answers, which also appears in newspapers all along the east coast (from Massachusetts to Florida).  Jeff lives in Vermont and Key West and is on the Board of Directors of the Waterfront Playhouse and the Florida Keys SPCA.

This is my 76th book for the New Authors Reading Challenge in 2012.

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Out of True by Amy Durant

October 19, 2012 by

Out of True by Amy Durant, blogger at Lucy’s Football, has a poignant dedication in the front:  “To everyone who doesn’t quite fit:  You do.  You will. Keep going.  You’re almost there.”  And in many ways, this dedication sets the tone for the collection.  There are a number of poems in the collection that talk about love and loss, but there also are those poems heavily focused on things and people that are just out of reach as the narrator continues to strive for the ultimate goal.

Durant has a frank style that not only clearly defines the poetic story, but also draws parallels from ancient myths and literature.  In “SYZYGY,” in which the moon and sun fall in love but are separated by the horizon, but Durant allows the celestial bodies to not only communicate through the tides and other messages.  The lines are written in the pattern of notes between married couples asking for the dishes to be washed and errands to be run.  But there is an undercurrent of disappointment as the narrator postulates that the sun will not rise and the evening will not bring the moon — the promises made that cannot be kept, like those between busy married couples and others that are forgotten or intentionally made knowing that they cannot be kept.

From "What We Build What We Destroy" (Page 20-21)

I like to build a fire; 
the ritual of it.  Placing the
small sticks, twisting the
paper, tenting the larger
logs.  The flames
licking around the edges,
teasing, like a schoolgirl
skipping along the edge
of a playground;

then the bite, the moment
the fish takes the bait, the
roaring upward, the rush,
the suck of air.  All eyes on
the dance of the flames.
I made this.  This thing that
can destroy:  I made this.

Readers will find her interplay of imagery fun, and perseverance becomes a strong message throughout the collection no matter if the narrator must let go of a past love or strive for a goal.  The cover ties the collection together with the stairway upward, signifying the struggle and the journey all at once with the light near the top of the stairs and the darkness below.  In many ways, this image demonstrates how each of us has a darkness in our lives that we journey away from, but at the same time that it can be present in the most enveloping way.  Particularly with the purposeful forgetting of high school memories in “Oubliette,” in which the narrator cannot catch up with those people she has forgotten even though the scars of what happened back then remain and are ever-present.  There is a truth in the forgetting that the narrator shares, illustration that the scars make up who she is even though she has forgotten the details of the faces of the perpetrators, which in itself may be a fallacy or a willful denial.

Out of True by Amy Durant is an emotional and insightful look at life’s travails and the decision to persevere and journey onward.  Durant’s debut poetry collection has a unique voice that highlights the harsh realities of life and love, but also the beauty of struggle and how it makes us not only who we become, but more than what we are.  Letting go is a must in this life, but also there must be a semblance of acceptance in order for humans to enjoy their lives, find joy, and evolve.

***Stay tuned tomorrow for an Amy Durant reading and giveaway***

About the Poet:

Amy Durant is a writer living in the Capital District of New York. She blogs frequently at her own site, Lucy’s Football, about far less serious things than this, and is lucky enough to write for Insatiable Booksluts about all things bookish. She is the artistic director for one of the many wonderful community theaters in her area and lives with a very cuddly but very spatially-impaired Siamese cat. Her book, Out of True, was published by Luna Station Press in August 2012.
This is the 20th book for my 2012 Fearless Poetry Exploration Reading Challenge.

 

 

This is my 75th book for the New Authors Reading Challenge in 2012.

 

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From the Land of the Moon by Milena Agus, translated by Ann Goldstein

October 16, 2012 by

From the Land of the Moon by Milena Agus, translated from the Italian by Ann Goldstein, is the story of a young unnamed woman’s grandmother just at the end of WWII in Italy after the 1943 American bombing of Cagliari.  Despite the namelessness of the main characters, there are named secondary characters in the slim novel that provide it depth and the main characters some roots.  The granddaughter is telling the story of her grandmother after her death, reminiscing about the growth and change in family.

The life of this family has seem good times and bad times, with some members experiencing greater hardships than others.  The grandmother in particular has a number of suitors that fail to come back after several weeks due to rumors about her sanity.  Her own family keeps her at arms length and often hidden from public view unless necessary.  She’s the black sheep of the family, though from what we learn about her she has normal urges of a young woman and a desire for freedom.  More than that, she’s got a creative mind and a penchant for writing.

“One day my great-grandmother waited for her in the courtyard with the whip, made of ox sinew, and began to hit her until even her head was bleeding and she had a high fever.”  (Page 14)

After a number of miscarriages and failed pregnancies, the grandmother has little recourse but to take action and find away to rid herself of at least one health problem.  On a trip to take care of her kidney stones in the healing waters, the grandmother meets a young man, known only as the Veteran.  In many ways, they are the same, but they also have different tragedies to overcome.  He was a concentration camp survivor after being captured during the war, while she is an escapee from her family.  Like the many times destroyed home on Via Manno, families are built and rebuilt as the darkness is torn out of the house and light once again filters in through its large windows with new hope.

From the Land of the Moon by Milena Agus, translated from the Italian by Ann Goldstein, is about family and how it can be ripped apart and held together by secrets.  But it also is about dreams and love, and the sacrifices we must make to live into the future.  In many ways, its about the perseverance of our ancestors and how they can shape us in the future, even without our knowledge.

About the Author:

Milena Agus was a finalist for the Strega and Campiello prizes, and was awarded the prestigious Zerilli-Marimò prize for Mal di petra (From the Land of the Moon). It is her first novel. Agus lives in Cagliari, Sardinia.

About the Translator:

Ann Goldstein is an editor at The New Yorker. For Europa Editions, she has translated three novels by Elena Ferrante—The Days of Abandonment, Troubling Love, The Lost Daughter—Clash of Civilizations Over an Elevator in Piazza Vittorio, The Chill by Romano Bilenchi, The Father and the Stranger by Giancarlo de Cataldo, and The Worst Intentions by Alessandro Piperno. Her translation of Linda Ferri’s Cecilia is forthcoming in May 2010. She received a PEN Renato Poggioli Translation Award and was a visiting scholar at the American Academy in Rome. She is currently editing the complete works of Primo Levi, for which she received a Guggenheim Translation fellowship. She lives in New York.

This is my 74th book for the New Authors Reading Challenge in 2012.

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Married at Fourteen by Lucille Lang Day

October 11, 2012 by

Married at Fourteen by Lucille Lang Day is a memoir about a young girl who wants to grow up fast in the late 1960s, that she seriously starts looking for a husband at age 12.  She’s completely unhappy with her family life, particularly her mother, and with school.  The story spends a great deal of time in the first section examining the numerous boys that Day dated and tried to have sex with, but it also spends a lot of time on her frame of mind for this behavior.  She believes that marriage will set her free from the confines of her own family, allowing her not only to become a mother, but also make her own decisions.  In addition to love and finding a way out of the home, Day is a typical teen in her need to break out of conformity and make her mark, which in her case meant breaking up the monotonous school uniform with her own style and obtaining a switchblade to make her feel more adult-like.

“Nevertheless, I kept mine, which was tucked safely behind my math and history books in my locker.  I wasn’t about to hand it over to any cop.  It was a symbol of who I was.  It meant I didn’t play by the rules; it meant I made up my own rules.  It meant I was a rebel.  It meant I was bad.”  (Page 4 ARC)

When Day finally marries, she finds it is not all romance and roses, but she has to think about more than herself now that she has a daughter, Liana.  In a way the first portion of the book is a good illustration of why teens need observant parents in their lives — to teach them what is right and what is wrong, but also to guide them down the best path.  Day seems to have learned some lessons in love the hard way.  She also learned some lessons about motherhood and how far she was willing to go for money.

Part one looks back at Day’s teenage years, while the second portion of the memoir is a series of self-contained stories from her life as an adult, struggling to gain a college education after her struggle for a high school diploma as well as her struggle to keep a job and be treated fairly by her employers.  Married at Fourteen by Lucille Lang Day is an engaging look at what it was like for a young woman with big dreams of equality to live in the 1960s.  Day’s memoir is a stark look at family life, alcoholism, rebellion among teens, and so much more.  There is a cultural shift, but also an evolution within Day as she takes on her self-imposed struggles in love and motherhood.

About the Author:

Lucille Lang Day has published creative nonfiction in The Hudson Review, the Istanbul Literary Review, Passages North, the River Oak Review, the Willow Review, and many other journals. She is the recipient of the Willow Review Award in Creative Nonfiction and a Notable Essay citation in Best American Essays. She is also the author of a children’s book, Chain Letter, and eight poetry collections and chapbooks, including The Curvature of Blue, Infinities, and The Book of Answers. Her first poetry collection, Self-Portrait with Hand Microscope, received the Joseph Henry Jackson Award. She received an M.A. in English and an M.F.A. in creative writing at San Francisco State University, and then an M.A. in zoology and a Ph.D. in science and mathematics education at the University of California, Berkeley. The founder and director of a small press, Scarlet Tanager Books, she also served for seventeen years as the director of the Hall of Health, an interactive children’s museum in Berkeley.

This is my 72nd book for the New Authors Reading Challenge in 2012.

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