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Month 1: Stephen King’s IT Read-a-Long

Welcome to the first discussion post for Stephen King’s IT Read-a-Long.  I hope you’ve had time to read the first part whether it be in broad daylight or under the covers in the dark with a book light.

Today we’re (Anna and myself, plus anyone else who plans on joining) going to talk about the first part of the book, plus the first interlude.

I’ve read IT before, but at a younger age and the book scared me silly.  However, it didn’t stop me from enjoying the horror genre or reading Stephen King books.  I was excited when Anna agreed to a read-a-long of the book, because honestly I don’t think she would have tackled it on her own…simply because of the clown!  I could be wrong though.  Anyway, I started reading part one and it all flooded back to me and I was right there with old acquaintances in Derry, Maine.  What is striking to me is how well King uses third-person omniscient POV.  You get to see everything these characters are, have been, and wish to have been, and the fear they have of Derry and the promise they made is powerful.

IT is described as a clown, but there is something darker and sinister about Pennywise — his yellow eyes and sharp teeth — and it seems as though he’s a metaphor for other things in the town, especially when you read about the homosexual bias and other hate that pervades the small town.  Is he just a manifestation of the dark undercurrent of the town, or is he a real demon clown bent on killing children?  Only time will tell.

For some reason, beyond Stuttering Bill (Georgie’s older brother), Eddie has always been memorable.  I think part of it has to do with his wife and how much she resembles his over-protective mother.  But at the same time, his wife, Marty, is so dependent upon him.  You feel him being pulled in two directions, between his childhood promise and his wife.

One thing I notice now that I probably didn’t notice as a kid is the similarities between Bill Denbrough and Stephen King in terms of writing horror stories.  It also made me wonder about whether King had similar thoughts to Denbrough about a teacher,  or maybe an agent or publisher, who didn’t appreciate his writing.

Book cover of the edition I read as a kid

These are my initial thoughts, what about you?  But first, here are some questions that I’d like to pose:

1.  Is this your first time reading Stephen King?  If so, what have you enjoyed about the reading so far?  How’s the writing?  If this is not your first time, what’s brought you back to reading Stephen King?

2.  What are your first impressions of the characters you’ve been introduced to so far?

3.  Pennywise the Clown lives in dark places like the sewer, do you think he’s real?  Scary?

4.  How do you feel about the use of an Interlude between the parts?  what purpose do you think it serves?

Please feel free to pose your own questions in the comments.

If you’d like to link up to the discussion, please do so in the Mr. Linky below:

In September, on Sept. 28, we’ll be discussing Part 2, plus the interlude on Diary of an Eccentric.  For the rest of the schedule, go here.

Mailbox Monday #140

Mailbox Mondays (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch.  This month our host is Life in the Thumb.  Kristi of The Story Siren continues to sponsor her In My Mailboxmeme.  Both of these memes allow bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received this week:

1.  Seeing Is Believing: [Observations on the Mysteries of Photography] by Errol Morris for review from TLC Book Tours in September.

2.  My Soul to Take by Tananarive Due for review.

What did you receive this week?

Mailbox Monday #138

Mailbox Mondays (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch.  This month our host is Life in the Thumb.  Kristi of The Story Siren continues to sponsor her In My Mailbox meme.  Both of these memes allow bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received this week:

1.  When She Woke by Hillary Jordan from Algonquin Books for review in October.

2. The McCloud Home for Wayward Girls by Wendy Del Sol, which I received from Berkley for review.

3. The Taste of Salt by Martha Southgate from Algonquin for review.

4. Maman's Homesick Pie by Donia Bijan from unrequested from Algonquin.

What did you receive this week?

Guest Post: Margaret Dilloway on Her Mother’s Immigration

Today, Margaret Dilloway’s How to Be an American Housewife (my review) comes out in paperback.  I really enjoyed the novels look at the immigrant experience, as Shoko adapts to her life as an American housewife, but also the differences between her children, Mike and Suiko.  There are three generations in this novel and their interactions ring true.  While the topic is similar to Amy Tan and Lisa See’s work, the style is Dilloway’s own.

In addition to a giveaway for my U.S. readers (Sorry, the publisher is mailing out the books), I have a guest post from Margaret Dilloway about her mother’s own immigration story, which inspired her to write the novel.  Even better, I’ve got some great photos to share with you as well of her mother and herself.

Without further ado, please welcome Margaret Dilloway:

My mother came of age in Japan during the 1950s. The country was wrecked, men were scarce, and traditional opportunities were few for a young woman like her. The U.S. occupation of her country opened up welcome jobs. Her father told her, “America is the way to go,” and they might as well embrace the American way.

Margaret Dilloway's Mother

She began working for Americans after she graduated from high school, sending money home to help her family and her younger brother go through college. She was a housekeeper and worked at a gift shop.

Mom dated both Japanese and American servicemen, but in her mid-20s she decided she ought to marry an American and get out of the country. She took photos of all her suitors and took those home to show her father. He selected my father, who was in the Navy, as the one she ought to take seriously. “He has honest eyes,” my grandfather decided. I don’t know whether those pictures were black and white or color, but my father has very blue, wide round eyes.

My mother liked to tell the story of how she asked my father to marry her. With his ship was due to leave in a matter of months, she decided he was dillydallying, so she asked him point-blank if he planned to marry her. In her story, she said, “So, you gonna marry me or what?” He said okay. They married in 1958.

About 1940s; Margaret's Mother is in the top row, 4th from the right

They lived all over the country, moving for the Navy. They were stationed in Hawaii, Japan, Florida, and on both the West and East coasts. It wasn’t always easy, especially in the early days. My mother reported people staring or outright insulting her. She struggled to learn English, relying on imitating phrases she heard on television or from my father. My oldest brother, born in 1960, also felt the brunt of insults as a “mixed” race child.

Eventually, in the early 70s, they settled in San Diego, choosing it because of its nice weather; also, it was the final place my dad was stationed. Dad had done his early training here and fell in love with the place. My mother said she liked San Diego because it was more culturally diverse than other places she’d lived, and she didn’t feel so out of place here. My middle brother and I were born, and my father retired from Navy life.

Stories of their peripatetic lifestyle, before my middle brother and I showed up, became part of family lore. Stories of how my oldest brother got stared at, whispered about. How so many people didn’t like my parents being married, while others were pleasantly surprised. My mother loved telling these stories, but I didn’t always like listening. They were her version of, “When I was your age, I walked two miles in a snowstorm to school…” stories, the kind parents tell you to remind you how good you have it. So, like most kids, I’d roll my eyes, but I still listened.

Margaret and her mother (1987)

The stories stuck. I remember her telling me about everything from the beloved Shirley Temple doll she had when she was a kid (it melted, made of a flammable pre-plastic material), to how her Japanese fiancé cheated on her, to how hard she tried to become a proper American housewife.

Her stories, floating around in my head for so many years, inspired the novel. A book she had, THE AMERICAN WAY OF HOUSEKEEPING, gave me the structure I needed to hang the story on. I made up the plot during my research, changing the character from my own mother into the fictional heroine Shoko.

Thanks, Margaret, for sharing such an inspirational story from your family.

Giveaway details: 1 copy of How to Be an American Housewife for 1 U.S. reader.

1. Leave a comment about your own immigrant story or one you heard.

2. For a second entry, leave a link with your Facebook, Tweet, or blog post spreading the word about the giveaway.

3. For a third entry, follow this blog and let me know.

Deadline is Aug. 10, 2011, at 11:59PM EST.

Where She Went by Gayle Forman

“But the end, when it finally came, was quiet.” (page 109)

Where She Went by Gayle Forman is the follow-up to If I Stay (my review — please do not read this review of Where She Went until you’ve read the first in the series because this will contain spoilers), and it is told from Adam’s point of view several years after the end of the previous book.  His band Shooting Star has hit it big, he’s got an A-list actress girlfriend, and all the money he could want, but what he doesn’t have is what he wants most of all.

Closure is a word that is thrown around a lot, but as humans we often want to know the reasons why things happen, and when we are not given a reason — even one we think is bollix — it incenses us.  In some ways we become obsessive about it.  Forman has a firm grasp of this obsession and its ties to passionate love, and the intensity of these feelings come to the fore when Adam is in New York and attends a concert at Carnegie Hall.

“I slide into my seat and close my eyes, remembering the last time I went to a cello concert somewhere this fancy.  Five years ago, on our first date.  Just as I did that night, I feel this mad rush of anticipation, even though I know that unlike that night, tonight I won’t kiss her.  Or touch her.”  (page 38)

In addition to the flashbacks of Adam’s rise to fame, Forman sprinkles in lyrics, which act like stanzas from poems, at the beginning of certain chapters, providing a certain lens or frame of mind for the characters.  Readers will enjoy seeing the more creative fruits of Adam’s labors because it provides an insiders view into his evolution into the “guy” he’s become.  Forman also does well showing the realities of the music industry and how many musicians just become commodities, losing themselves and their artistry.

Told from Adam’s point of view and using a similar style of flashbacks,  Forman again builds the tension between Mia and Adam from the beginning of their relationship and its end.  A young love unfinished, a journey taken alone by both characters, and so much left unsaid between them — a situation ripe for awkwardness, tenderness, and more.  Where She Went is an excellent follow up that not only fleshes out these characters, making them your friends so that you cheer them on and hope they find peace.  Both are quick, engaging reads, but are far from fluff, dealing with tough topics like death and redemption.

This is my 16th book for the 2011 Wish I’d Read That ChallengeI’ve wanted to read this book since reading Jill’s dual review in June.

If I Stay by Gayle Forman

If I Stay by Gayle Forman is a young adult fiction novel about a teenage musical prodigy and her family.  She’s got a boyfriend with a band that is just taking off, and she’s under pressure to gain admission to Julliard playing the cello.  Tragedy strikes and changes everything, shaking up her world.

Forman’s prose is engaging from the first page, but the tragedy that befalls Mia is a predictable plot device that forces this blossoming 17-year-old to reassess her life.  Her music transports her to a safe place and even though she is not as confident as she thinks she must be to perform it, it is as much a part of her as her family and her boyfriend.  The strength of this novel is Mia’s character, her introspection, her trepidation at experiencing new things, and her ability to overcome embarrassment and fear.

“And I didn’t know how to rock-talk at all.  It was a language I should’ve understood, being both a musician and Dad’s daughter, but I didn’t.  It was like how Mandarin speakers can sort of understand Cantonese but not really, even though non-Chinese people assume all Chinese can communicate with one another, even though Mandarin and Cantonese are actually different.”  (page 47)

Mia often feels on the outside of her family, which has deep rock-and-roll ties in the community, and from her boyfriend, who is a lead guitarist in a up-and-coming rock band, and sometimes even from her own classical music because she has not done many of the things that other classical music prodigies have done with local quartets, etc.  However, Mia continues to plug along, beating back her insecurities and striving for the life she wants.  Forman has a firm grasp of a teenager’s life — the peer pressures they face, the insecurities that haunt each decision they make, and the passions in which they lose themselves.

Forman builds tension by shifting from Mia’s present into her past, careful not to rush through each moment and unfurling revelations as Mia sees them in each fragment of time.  Readers will be moved by Mia’s story and her struggle to find her true self amid high school pressures and more.  But If I Stay by Gayle Forman is more than a coming of age story, it’s about the ties that bind us to one another and how we keep those ties alive and relevant.

This is my 15th book for the 2011 Wish I’d Read That ChallengeI’ve wanted to read this book since reading Jill’s dual review in June.

 

 

This is my 32nd book for the 2011 New Authors Reading Challenge.

 

Interview With Eileen Clymer Schwab & Giveaway

Today, I’d like to welcome Eileen Clymer Schwab, author of Shadow of a Quarter Moon.  The novel is set pre-U.S. Civil War and is a tale of romance, high racial tensions, and plantation life.  According to the publisher’s synopsis, “In 1839 North Carolina, Jacy has been raised in privilege as the daughter of a plantation owner. But when her father suddenly dies, her cold, unfeeling mother, Claudia, schemes to marry Jacy off to a well-positioned but lecherous suitor.  In a fit of fury over Jacy’s protests, Claudia calls her a ‘foolish, infernal quadroon’—and reveals that Jacy is the offspring of a dalliance between her father and a slave. Furthermore, her biological mother and brother are still slaves on the plantation. After these revelations, Jacy’s sense of who she is and where she belongs in the world is destroyed and, starts to see herself and the South with fresh eyes.”

Please welcome Eileen Clymer Schwab, and stay tuned for the giveaway:

1. What about the Civil War time period captured your attention enough to write a novel?

The years preceding the Civil War were so pivotal in American history, yet there is not a lot of adult fiction set in this time period. I suspect this is because it is not a time our nation is proud of, or wishes to reminisce over. We hide it from sight like an ugly scar. However, in keeping the door closed on this period, we miss the chance to honor and marvel at the incredible acts of courage and daring deeds that were the genesis of social change in the United States.

The Underground Railroad is the perfect example of the best of America within the worst of America. I am intrigued by this transitional period in history and find inspiration in the courage of those who sought freedom, as well as the spirit of joined purpose developed with those who provided aid during their journey.

2. Beyond the romantic aspect of your novel, SHADOW OF A QUARTER MOON, how much of the novel is about the racial tensions during the period and the issues that led up to the civil war?

Issues of slavery are central to the story, as is the Underground Railroad. In SHADOW OF A QUARTER MOON, an unimaginable secret changes the course of Jacy Lane’s life; not once, but twice. First, when it is hidden from her, and then when it is revealed. As the daughter of a plantation owner, Jacy has been raised in privilege until she discovers that she is the offspring of a dalliance between her father and a slave.

Amid the shock and complexities of her mixed heritage, Jacy is simply a woman longing for love, happiness, and a sense of wholeness; however the 1800s are not a simple time and Jacy begins a treacherous journey of denial and self-discovery that is fraught with danger and life-altering choices. She soon discovers that what she chases is as elusive as the secret network she hopes can save them.

3. When writing poetry, prose, essays, and other works do you listen to music, do you have a particular playlist for each genre you work in or does the playlist stay the same? What are the top 5 songs on that playlist? If you don’t listen to music while writing, do you have any other routines or habits?

I am a music lover, but I generally do not listen to music while writing because it might prevent me from “hearing” my characters. The process is different for every writer, but I am most creative when my mind is quiet. Scenes come alive visually in my mind and I hear the dialogue of my characters, not aloud, but like the voice of inner thought. But that’s not to say that music has not had a major impact on my work.

The spirit of my first novel, PROMISE BRIDGE was inspired the beautiful song, “Love Can Build a Bridge” performed by the country duo, The Judds. So much so, that they are mentioned in my Acknowledgments at the front of the book and again in my Author’s Notes. Often, as I prepared to write or contemplate a scene, listening to Love Can Build a Bridge helped plug me into the emotion of the scene.

4. How do you stay fit and healthy as a writer?

Nothing invigorates and centers me as much as a quiet walk. No iPods, no phone calls… just me and my dog, Sophie. Starting my day with a well-paced walk is good for my mind as well as my body. As I’ve mentioned earlier, I am most creative when my mind is quiet, so it’s not unusual for me to sort out a scene or capture the ideal turn of a phrase for a snippet of dialogue during my morning stroll. I don’t force the process. I simply let it percolate.

Sometimes, I let it all go and enjoy the birds and scenery around me, but more often than not, my mind comes alive and readies me for my time at the keyboard. I’m never without a pen and pad in the event ideas begin rushing at me. Of course the physical aspect is no less important. I’m out and moving which is a essential for someone who spends most of her day in front of a computer.

5. Most writers will read inspirational/how-to manuals, take workshops, or belong to writing groups. Did you subscribe to any of these aids and if so which did you find most helpful? Please feel free to name any “writing” books you enjoyed most (i.e. Bird by Bird by Anne Lamott).

This question makes me smile because I’ve done it all; books, classes, conferences, etc. Each was valuable its own way. First and foremost, these tools and activities brought me together with other writers. People who worked hard to learn their craft, hone their skills, and dared to take on the challenge of getting published. Writers write because we must. It’s like breathing; it’s a natural part of our being. We write whether we’re published or not. We write when there’s no guarantee that another soul will ever read as much as one word of what we’ve poured our hearts and souls into. Sharing that journey with others of like mind reminds us we are not alone. It assures us it is not impossible and gives us a network of support and encouragement.

6. What current projects are you working on and would you like to share some details with the readers?

I’m very excited about my next project which is set in the post-Civil War South. It was a very volatile period, particularly after the assassination of Abraham Lincoln. About a third of the novel is written and the entire story has been plotted. I have paused momentarily to complete some research.

I love the research phase because it’s a process of discovery – not just of historical facts, but of tendencies, beliefs, and nuances of the time. Through research, I become better acquainted with my characters and the world around them. Quite often the surprises discovered during research can shift plot lines and shape characters in unexpected ways. Combining research with imagination is the most creative part of the process, and for me, the most exhilarating.

Thanks so much Eileen for answering my questions.  These all sound like great novels.

To enter for 1 copy of Shadow of a Quarter Moon for a U.S./Canada reader:

1.  Leave a comment about what books you’ve read set during the U.S. Civil War or which you plan to read for this year’s War Through The Generations reading challenge.

2.  Facebook, Blog, or Tweet the giveaway for a second entry by leaving a link in the comments.

3.  For a third entry, please follow Eileen on Twitter and/or Facebook and leave a comment telling her you did so with your “handle.”

4.  Follow this blog and let me know in the comments (if you follow already, let me know)

Deadline is July 22, 2011, at 11:59PM EST.

***If you are a participant in the War Through the Generations Reading Challenge for the U.S. Civil War, you have another chance to win the book, here. 

Even if you are not in the challenge, please do check out Schwab’s guest post on writing about the U.S. Civil War.

Giveaway: Her Sister’s Shadow by Katharine Britton

Her Sister’s Shadow by Katharine Britton, published this month, combines two of my favorite things in a story:  Massachusetts and relationships between sisters.  And it’s from a debut author.  According to the synopsis for the book:

“Renowned painter Lilli Niles is at home in her North London flat when she receives an unexpected call from her elder sister, Bea, who’s at the family homestead in Whitehead, Massachusetts. Bea’s husband has just died, and she’d like Lilli to fly home to attend the funeral. There are reasons Lilli moved all the way to England to escape her older sister, reasons that have kept them estranged for decades. But something in Bea’s voice makes Lilli think it’s time to return to the stately house in New England she loved as a child, to the memory of the beloved younger sister they both lost. With Bea more fragile than Lilli remembered, maybe she can finally forgive Bea for a long-ago betrayal that has simmered between them for nearly forty years.”

Why did Lilli Niles move to London away from her childhood home and her older sister?  What was the nature of the betrayal that separated these sisters for forty years?

Publisher’s weekly says, “Britton seamless alternates between the two eras to unravel a tale of rivalry, tragedy, love and the corruptibility of truth.”

If you are as interested in this book as I am, I have a US/Canada giveaway in which 1 lucky reader will receive a copy of this novel to read.  To enter:

1.  Leave a comment here on what story about sisters you enjoyed most.

2.  Spread the word on Twitter, Facebook, Etc. about the giveaway for a second entry.

Deadline is at July 7, 2011, at 11:59PM EST.

War & Watermelon by Rich Wallace

War & Watermelon by Rich Wallace, a Junior Library Guide selection, is set in 1969 in New Jersey just as the Vietnam War is beginning to rage and Woodstock is ready to rock suburban New York.  New Jersey brothers Brody and Ryan take a road trip to the concert of their generation as Ryan continues to avoid questions from his parents about his future, particularly college, and the draft.  Brody is just about to start junior high school and is eager to join the football team, but his world is insular in that his main focus is football, girls, the Mets, and the Top 40 hits.

“I grab the ball, make a juke to the right, and send a line drive over the clothesline and directly into the basket.  The bell rings.  Ryan puts his hands on his hips and stares at the ceiling.  I raise my fists and say, ‘Yes!’

I carefully move past the shirt — it looks more like polka dots than tie-dye — and smack hands with him.  ‘Champion,’ I say, patting myself on the chest.

‘Mr. Clutch,’ he says.  ‘ Best in the basement, for sure.'” (page 23)

Told in Brody’s point of view, the novel thrusts readers into the life of a teenage boy who only thinks about sports and girls.  But it’s more than that for Brody.  He’s worried about fitting in at junior high and whether his brother will be drafted into the Vietnam War in September when he turns 18.  The prose is clipped and focused, with breaks between scenes as Brody’s mind shifts from football worries to family concerns and between girls and the start of school.

Wallace’s style is no-nonsense, and he has a football announcer/coach’s way of describing football plays so that even a layman can picture the players’ moves.  He had a firm grasp of what kids in junior high are thinking and feeling, particularly during this time period in the late 1960s.  What’s interesting is that there are poems sporadically thrown in written by Brody, usually about his family, football, and the like.  They are not masterpieces, but they’re also written by a young boy entering the seventh grade.

Woodstock Flock
by Brody Winslow (page 50)

Marching
Not to battle
Marching
All night long
Marching
Past barns and cattle
Marching
To hear a song

Marching
With my brother
Marching
With thousands more
Marching
To hear another
Marching
Against the war

Wallace creates a childlike innocence in Brody that becomes marred by his brother Ryan’s unwillingness to take action — to decide between college and the draft. Their father continues to insult Ryan’s indecision, pushing him to apply to college, and while Brody may agree with his father that Ryan needs to act to avoid going to war, he also agrees with his brother that he should not be forced into making a decision he’s not ready to make.

War & Watermelon is a coming of age story in which a young man realizes that there are events and issues larger than his concerns about school, football, and girls.  The war, protests, and his brother’s indecision prompt Brody to make some choices of his own and gain the confidence he needs to remedy his own issues at school.  Wallace has a way of teaching lessons without lecturing, and young boys should easily relate to the story.  However, young girls in this similar age group (9-12) may have a tougher time relating to a young football player unless they have older brothers or are interested in what boys their age are thinking about.

Stay tuned tomorrow, June 14, for my guest post from Rich Wallace about his writing space and another chance to win War & Watermelon.

About the Author (From TLC’s Website):

Rich Wallace is the author of many award-winning books for children and teenagers, including Wrestling Sturbridge, Sports Camp, Perpetual Check, and the “Kickers” and “Winning Season” series. He lives with his wife, novelist Sandra Neil Wallace, in Keene, NH. (As an aside, my cousin when to college in Keene.)

A note from Rich : ”Bloggers might like to know that, like Brody in War & Watermelon, I was 12 years old in 1969 and living in suburban New Jersey, just becoming aware of the war and the music and the other world-changing events of that summer. I also had an older brother who was eligible for the draft, which caused considerable concern in our household and informed the events of this novel.” Please visit his Website.

Please check out the rest of the stops on the TLC Book Tour.

To win 1 copy of War & Watermelon by Rich Wallace (US/Canada Only),

1.  Leave a comment on this post about what other middle-grade books you recommend.

2.  Spread the word on Facebook, Twitter, and the Blog about the giveaway for a second entry.

3.  For a third entry, read and comment on tomorrow’s (June 14) guest post from Rich Wallace.

Deadline is June 22, 2011, at 11:59 PM EST.

 

This is my 24th book for the 2011 New Authors Reading Challenge.

The Beach Trees by Karen White

Karen White always crafts novels that are full of engaging characters and intricate story lines, and The Beach Trees is no exception.  Shifting from the present to the past and between two first person accounts, the novel tells the tale of rebirth and rebuilding.  Set in the South — New Orleans and Biloxi — Julie Holt and Aimee Guidry’s stories are told in tandem and are more entwined than readers first think as a mystery is solved.

From the disappearance of Monica, Aimee’s granddaughter, to the disappearance of Caroline Guidry many years before, White crafts a unique story of family, love, and forgiveness.  Both stories are riveting and filled with mystery, which readers will have to sweep aside the sand to uncover.

“When we got closer to the memorial I could see a curved cement wall with a mosaic wave in the center of it rolling from one end to the other.  At the far end sat a taller wall of black granite, columns of names marching in block letters under the word KATRINA and the date August 29, 2005.  A glass case filled with small objects protruded from the marble wall, its base filled with empty oyster shells.

‘What is this,’ I asked, leaning forward to study the sun-bleached artifacts:  a broken china plate, a ceramic angel, a trophy, a police badge, an American flag folded neatly as if unaware of its position over a pile of rubble.

‘That’s debris found after the hurricane.  . . . ‘” (page 150-1)

New Orleans was plunged into the depths of the ocean by Katrina’s storm surge, and like the city these two families — the Holts and the Guidrys — are unmoored, drifting toward one another in the search for more than just shelter, but for a home and connections.  Aimee’s story unfolds piece-by-piece as she tells it to Julie, who decides to stay in the city and Biloxi to fulfill the dying wish of her friend.  In addition to the haunting images of Katrina’s devastation, White incorporates the more recent toxicity brought on by the Gulf of Mexico oil spill, which coated numerous miles of coast and created yet another disheartening chapter in the city’s history.  However, like its people, the city continues to rise from the ashes much stronger than before.

The Beach Trees brings to life not only the main characters in the novel, but the southern setting, ensuring that its scars and healing are intertwined with that of White’s characters.  She has created a story of rebirth and perseverance.  Through alternating points of view, White draws connections between Aimee and Julie using emotion and setting in a way that too few authors can accomplish.  With deft hand, she has created an emotionally charged narrative that takes on a life of its own.

About the Author:

Known for award-winning novels such as Learning to Breathe, the Southern Independent Booksellers Alliance 2009 Book of the Year Award finalist The House on Tradd Street, the highly praised The Memory of Water, the four-week SIBA bestseller The Lost Hours, Pieces of the Heart, and her IndieBound national bestseller The Color of Light, Karen has shared her appreciation of the coastal Low country with readers in four of her last six novels.

Italian and French by ancestry, a southerner and a storyteller by birth, Karen has made her home in many different places.  Visit the author at her website, and become a fan on Facebook.

Also check out my reviews of The House on Tradd Street, The Girl on Legare Street, and On Folly Beach.

Check out the other stops on the TLC Book Tour by clicking the image.

Girl in Translation by Jean Kwok

Jean Kwok‘s Girl in Translation is a coming of age story involving immigrant Kimberly Chang, who comes to America with her mother from Hong Kong and finds that the land of opportunity is what you make it.  Kimberly is a smart girl and was often praised by her teachers in Hong Kong, but when she and her mother were forced to come to America following the death of her father, she finds that school is harder for her.  Facing a number of obstacles to her successful education from the language and cultural barriers to misplaced accusations of cheating and teacher bias, Kimberly must work ten times as hard as her fellow students.  But her hardships do not end with her new school, she and her mother also must repay Aunt Paula and her family for bringing them to America by working diligently in a clothing factory.

“A sheet of ice lay over the concrete, I watched my rubber boots closely, the way the toes slid on the ice, the way the heels splintered it.  Ice was something I had only known in the form of small pieces in red bean drinks.  This ice was wild ice, ice that defied streets and buildings.”  (page 5 of ARC)

Told from Kimberly’s point of view as she looks on her past, readers retrace her steps as a young girl finding her way into adolescence.  She has many of the same challenges of her American counterparts, but as she matures, finds boys attractive, and searches for peer approval, she must overcome her “foreign-ness,” cultural norms she’s grown up with on how to act ladylike, and her self-imposed separateness.

“Even now, my predominant memory of that phase of my life is of the cold.  Cold like the way your skin feels after you’ve been slapped, such painful tingling that you can hardly tell if it’s hot or cold.  It simply registers as suffering.  Cold that crept down your throat, under your toes and between your fingers, wrapped itself around your lungs and your heart. ”  (page 44 of ARC)

Kwok’s prose is full of imagery, emotion, and passion that weaves a vivid tale of poor Chinese immigrants in New York, who face a number of financial hardships — even at the hands of their family.  As depressing as their situation becomes, there are lighter moments when Kimberly remembers the joy her mother felt playing music and the awkward moments of bra shopping when her mother does not speak English and she barely speaks it.

Unlike other Asian-American stories, including those from Amy Tan, Kwok relies less on the mystical beliefs and traditions of Chinese culture and the clash between mother and daughter and more upon the love between mother and daughter and a daughter’s determination to improve their situation to craft a memorable story of growing up.  In spite of those obstacles, Kimberly maintains a sense of self.  One element that readers will enjoy is the use of skirts to quantify the Chang family’s purchases of new shoes or gum, which emphasizes the youth of the narrator.

“There’s a Chinese saying that the fates are winds that blow through our lives from every angle, urging us along the paths of time.  Those who are strong-willed may fight the storm and possibly choose their own road, while the weak must go where they are blown.  I say I have not been so much pushed by winds as pulled forward by the force of my decisions.”  (page 1 of ARC)

Overall, Girl in Translation provides a look at the life of a poor immigrant and her family and the determination that it takes to adapt and mature enough to create their own future.  Readers will become absorbed by the Chang’s plight and cheer them on as they make headway against the forces working against them.  Kwok’s novel could generate hours of discussion for book clubs as it demonstrates cultural differences, the harsh realities and bravery required to emigrate to another country, and the consequences and regret that sometimes accompany the hardest decisions we can make in our daily lives.

***If you missed yesterday’s guest post from Jean Kwok, please check it out here.

 

This is my 16th book for the 2011 New Authors Reading Challenge.

 

 

 

This is my 7th book for the 2011 Wish I’d Read That Challenge.

The Other Life by Ellen Meister

We’re taking a break today from the Celebrate! Indie & Small Press Month for a pre-scheduled TLC Book Tour into another world.

The Other Life by Ellen Meister chronicles the life of Quinn Braverman, a young married woman with one son and a caring husband, Lewis.  The suicide of her artist mother haunts her on a daily basis, but to cope, she enters into another life through a portal in her basement.  Her life with Eugene is without children and marriage, but is less mundane and best of all her mother is still alive.  Meister mixes a modern story line about family, suicide, and relationships with science fiction elements as Quinn travels through portals into parallel lives.

“But the important part of the secret — the part that terrified and thrilled her — was that she knew it was possible to cross from one life to the other.  There were portals.”  (page 5 of ARC)

Quinn’s life with Lewis is turned upside down when they learn that their unborn daughter’s life will not be as perfect as they imagined.  Although she’s always known that she could jump between her parallel lives, she has promised herself that she would not do it.  A promise that she cannot keep, and a promise that is quickly broken time and time again as she struggles to deal with her high-risk pregnancy, her inability to seek comfort from her mother, and the overwhelming desire to simply escape.

“She closed her hand into a fist and continued pushing.  The fissure became a hole, and the harder she pressed, the deeper it became, until her hand had disappeared up to her elbow.  She stuck her other hand inside and pressed her palms together.  Quinn closed her eyes and sensed Eugene’s energy, feeling as if the scent of his aftershave were lingering around her nostrils.”  (page 47 of ARC)

Readers who have read Linda Gray Sexton’s memoir about the legacy of suicide Half in Love (click for my review), will notice Quinn has a similar love-hate relationship with her mother and the legacy of suicide.  Her mother, Nan, has a similar artistic and impassioned charisma that Linda’s mother, Anne Sexton, had.  It is this combination that draws in the reader and the main character into Nan’s world of painting and deconstruction of her family in visual form.  Passages pepper the book with insight into Nan’s approach to her family and her work as an artist, but this pull doesn’t stop there.

“Her mother’s pull was just too strong for Quinn to float away and feel as if she were experiencing the shopping trip as an outsider looking in.”  (page 95 of ARC)

Drawn to her mother and a life where her presence is reassuring, Quinn struggles even more with her present life, and her brother’s inherited bipolar disorder only exacerbate her need for stability, which she believes can only be found in another life.  Meister does an excellent job of creating a sympathetic, mess of a character in Quinn and successfully weaves in the use of portals to demonstrate her anxiety.

Quinn is a mother wrought with anxiety, loneliness, and a forceful need to care for everyone in her life.  She’s constantly running from one crisis to another with her sword blazing, and while readers can feel for her and want her world to be right again, she can be frustrating as she jumps through portals to escape the hard decisions in her other life.  Overall, Meister’s writing is engaging, suspenseful, and easy to follow even as readers travel with Quinn between her two lives.  Readers hope that she will find the peace she is looking for and the love that she deserves, while at the same time confronting her past demons and moving into the future as a more confident woman and mother.  The Other Life by Ellen Meister would make an excellent book club selection.

About the Author:

Ellen Meister lives on Long Island with her husband and three children.

You can find out more about Ellen at her website, and you can also follow her blog and on Twitter.

 

 

Please check out the rest of the stops on the tour.

 

 

 

This is my 8th book for the 2011 New Authors Reading Challenge.