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Star Wars & Philosophy edited by Kevin S. Decker and Jason T. Eberl

Star Wars & Philosophy edited by Kevin S. Decker and Jason T. Eberl is a collection of philosophical essays that draw on the Star Wars movies for examples and the philosophies of St. Augustine, Sartre, and others.  The collection is moderately well done in some parts and blatantly falls short in others, with one particular essay not using secondary sources to back up its arguments at all and leaving readers to beg the question whether Trekkies can write about Star Wars at all.  The essays draw on ancient philosophers as far back as Plato and Aristotle as well as one essay about Eastern philosophies and mythologies.  There are also essays that point to the theories of Kant, Heidegger, and Hegel.

Broken up into four sections — May the Force Be With You: The Philosophical Messages of Star Wars; Try Not — Do or Do Not: Ethics in a Galaxy Far, Far Away; Don’t Call Me a Mindless Philosopher: Alien Technologies and the Metaphysics of the Force; and There’s Always a Bigger Fish: Truth, Faith and a Galactic Society — the collection tackles the hidden philosophies and ethics inherent in the story behind Star Wars and its characters, plus the ethics of future wars and whether droids can be considered people (not humans).  There also are questions about whether everything is preordained or if we have the free will to choose our own paths.  Moreover, religion and moral ambiguity are discussed as well, especially in terms of prophecy and whether one can choose to be moral even if a destiny signifies an opposite action.

In terms of Yoda, when watching the movies, there is a clear Eastern philosophical influence in his manner, his behavior and his teachings, but in the essay “Stoicism in the Stars” by William O. Stephens, the author also makes the case that Yoda is a Stoic and takes on the role of the Sage who never rises to anger and never gives into the desires or seeks out adventure or excitement.  Additionally, Stephens comments on how Stoics often live in agreement with Nature as Yoda does in his hut on Dagobah, and Yoda praises equanimity and peace of mind, which also is characteristic of Buddhists and others who meditate to find peace and separate themselves from ego.  In a way, several essays — even though they focus on Western philosophy — often draw out elements of those philosophies that are found in Eastern philosophy, such as the fluidity of the Force in Star Wars or the fluidity of the future despite prophecies and destinies referred to with regard to the Skywalker family, which is somewhat like the soul or the energy shared by all living things in Eastern philosophy that is reused and recycled in nature (i.e. reincarnation, etc.).

What does this collection offer that is new to someone who was a philosophy major or minor, probably very little, but what was intriguing was some of the history lessons, such as the parallels between the Jedi in Star Wars and the Hwa Rang as leaders of the “military.”  It does provide a great number of secondary resources for readers to check out should they need further explanation of a philosophy without the Star Wars references.  None of the references used were overly surprising in the well done essays, but there were times when references to the movies were inappropriate to the argument being made.  Such was the case in the essay “Send in the Clones:  The Ethics of Future Wars” by Richard Hanley (which cited no secondary sources other than a previous essay in the book) in which Hanley talks about Just War Theory — that is only satisfied by having the right intention, competent authority, just cause, reasonable prospect of success, discrimination, and proportionality — but does not use an example of actual war from the movie.  Rather, Hanley relies on the slaughter of the Sand people by Anakin Skywalker, which he engages in to revenge the killing of his mother by specific Sand people.  Clearly, the vengeful act of Anakin is not warfare and should not be used to demonstrate unjust war.

Star Wars & Philosophy edited by Kevin S. Decker and Jason T. Eberl offers little in the way of new theories about the movies, but does provide fodder for book club discussions and additional contemplation about our world and our selves.

***March Book Club Selection***

We all arrived early it seemed to Novel Places for our March meeting, which could have been a sign we were eager to discuss the book.

This selection was made by one of the males in the group and it did generate a great deal of discussion, even though he was likely the only one who finished the entire collection.  Most of the group picked a few essays to read, while some of us attempted to read more than half.  The essay about whether droids could be considered people generated a great deal of discussion as some of us could see the difference the author was trying to draw between being a “person” and likely being “human.”  Others thought that the argument was not well done, though the example in the essay of a blind woman believing C3P0 was a “man” and not a “droid” just from listening to the movie was telling about how well George Lucas had drawn the character to be human-like.

Another essay generating a great deal of discussion was the one regarding the gray areas of war and of course the use of clones in warfare, though the essay had fallen apart as the arguments were not backed by secondary sources and the author failed to sustain the foundation of his arguments.

Overall, the club would probably say it was a tepid read, but it did generate a great deal of discussion about the world around us, war, and morality.  For that reason, I’d recommend it alone.  I generally think this book would have worked better with two contrasting essays on a given point, such as whether clone armies should be used and whether clone armies should not be used and the reasons for each, because it would have provided a more rounded discussion.  I also think that even though there were Star Wars references illustrating the authors’ points, some essays could have benefited from a little more background and use of secondary sources.

For April, we’re reading A Lesson in Secrets by Jacqueline Winspear.

The Giveaway:

1. Leave a comment about why you’d want to read this book in the comments.

2.  Extra entries for those that Tweet, Facebook, or otherwise spread the word about the giveaway and leave me a link.

Deadline is March 31, 2012. Open Internationally.

 

This is my 18th book for the 2012 New Authors Challenge.

An Arsonist’s Guide to Writers’ Homes in New England by Brock Clarke

An Arsonist’s Guide to Writers’ Homes in New England by Brock Clarke starts with a convicted criminal, Sam Pulsifer, who admits to burning down Emily Dickinson’s house in Amherst, Massachusetts.  Not only is he an arsonist, but he’s also a murderer and a liar.  He spends about 10 years in prison for his crime, but when he’s released, he goes to college, meets his sweetheart, and has some kids before everything goes horribly wrong.

“Even now, with Thomas in front of me, the fire and the smoke and his parents’ burning bodies were so far away they seemed like someone else’s problem, which is awfully mean to say and in that way perfectly consistent with most true things.” (Page 27)

There are hopes, dreams, and failures in these pages, and with the first person narration, readers will be left guessing if its all a surreal dream/nightmare or a fantasy world created by an unreliable narrator for much of the book.  With dark humor Clarke pokes fun at the white towers of academia and its unstable residents, while at the same time leading readers on a journey in which a son learns the truth about his parents and himself.  But there are whimsical moment too, in which readers familiar with New England residents and culture will see it clear as day in the northern parts of New Hampshire and the suburban sprawl of Massachusetts.

There are secrets in these pages, and much of it reads like the rambling of a lonely man or even a mad man.  Too much of it is dreamlike, with the reader left swimming in the ooze of self-doubt, judgment, and confusion that is Sam.  There are burning literary icons’ houses in the novel, but whether its actually a guide to anything other than constant meandering and second guessing is hard to tell.  Through a stream-of-consciousness prose, Clarke allows Sam to tell his heartbreaking story of how he became an arsonist, is subsequently set up for setting more fires, and how his ideas about what his family was are shattered.  While he blames most everyone or his own “bumbling,” which he claims cannot be controlled or modified, it is clear that Sam fails to have enough conviction or determination to make real changes.

“Was I angry? Of course I was.  Is this what memorists did? Steal someone else’s true story and pass it off as their own?” (Page 89)

An Arsonist’s Guide to Writers’ Homes in New England by Brock Clarke is hardly boring, but oftentimes, the reader is left too in the dark about the motivations of the character or what the point of the story is.  Readers will struggle with whether they should keep reading to find out what happens or whether to give up because they just don’t find Sam to be sympathetic.  Although the dark humor and literary jabs are entertaining, they can get old after a while.  Reading this as part of an informal read-a-long with Literate Housewife and Indie Reader Houston helped motivate me to finish the book, which was mildly entertaining at best.  In a way, it was like the author was trying too hard to be surreal and darkly humorous about literary figures, which took away from a story that could have been much deeper and dramatic.

There is a fantastic Q&A in the back of the book between the author and his main character, Sam, which would help book clubs navigate this puzzling predicament of a novel.

Other Reviews:
We Be Reading
Bloody Hell! It’s a Book Barrage
Shelf Monkey
Hey Lady! Whatcha Readin’
Literate Housewife

photo credit: Jon Hughes / Photopresse

About the Author:

Brock Clarke is the author of five books, most recently Exley and An Arsonist’s Guide to Writers’ Homes in New England, which was a national bestseller and has appeared in a dozen foreign editions.

His stories and essays have appeared in the Virginia Quarterly Review, OneStory, The Believer, the Georgia Review, and the Southern Review and have appeared in the annual Pushcart Prize and New Stories from the South anthologies and on NPR’s Selected Shorts. He lives in Portland, Maine, and teaches creative writing at Bowdoin College.

 

 

This is my 17th book for the 2012 New Authors Challenge.

Made Priceless: A Few Things Money Can’t Buy edited by H.L. Hix

Made Priceless: A Few Things Money Can’t Buy edited by H.L. Hix is a collection of short essays about items writers have in their possession that they neither bought nor would they sell because they hold a value not measured by the marketplace.  The book pays homage to all that is held dear in today’s society from a time long past waiting to be recaptured in memories to places you can revisit, though the light will be slightly off or the wind will blow harder.  Hix has culled together a series of short essays that demonstrate the beauty we find in the most mundane things from flags to typewriters to playing cards found on the ground.

Contributors to the collection range from writers and poets to bricklayers and flight instructors, among many others.  The book also is broken down into more than 30 sections with titles like “emotionally pervaded,” “moral transactions,” and “No Ideas.”  While the book is in itself a collection, Hix has asked readers to keep the dialogue open and fluid in an open invitation to readers and reading groups to contribute their “object lessons” to his blog; find out more about that project from my previous post.

Since I’m a contributor to the project, I cannot call this a review due to the potential conflicts of interest it would present.  However, I can tell you that I’m pleased that this nonprofit project is published through a nonprofit publishing house, Serving House Books, and H.L. Hix has said he will donate 100 percent of any royalties he receives from the sales of the book, since he simply seeks to spread “wisdom and joy.”

The Three Colonels: Jane Austen’s Fighting Men by Jack Caldwell

The Three Colonels: Jane Austen’s Fighting Men by Jack Caldwell is set during a time in Europe when empires were being built and shifted, including the Napoleonic empire.  Colonel Brandon, Colonel Buford, and Colonel Fitzwilliam are the main players here, but Mr. Darcy’s connection to Fitzwilliam and Brandon and Fitzwilliam’s connections to Buford blend the picture seamlessly.  A Regency period novel that begins with the exile of Napoleon to Elba is the calm before the storm as the world teeters on the brink of war once again, which can only bring the three colonels into danger, alongside that love-to-hate rogue Wickham.  Caldwell can always be counted on for creating tension that leads to fast-paced action in an Austenesque novel, and he even sprinkles in the romance and common misunderstandings Austen’s characters have dealt with in the past.

“Buford!’ cried his companion.  ‘If you truly wish to be known as a respectable gentleman, there are other ways to go about it than imitating Fitzwilliam Darcy!’ Colonel Richard Fitzwilliam gave his comrade-in-arms a lopsided grin.

Buford’s eyes never left the crowd.  ‘I beg your pardon, but I am certainly not as stiff as Darcy!’

Fitzwilliam laughed.  ‘Oh, Buford, you make a fireplace poker look flexible!'” (Page 45 ARC)

Buford is a dashing colonel who has won the affections of Caroline Bingley, despite his rakish reputation among the ton.  Buford softens Caroline’s edges, making her blush as she gains confidence slowly after being humiliated, but can he cause her to be ultimately vulnerable and fall in love and can she redeem him as he hopes to be saved?  These are just some of the questions Caldwell tackles in his novel.  Meanwhile, happily married Darcy and Colonel Brandon are enjoying their wives and their children when news of possible war hits, causing the men to worry about their families and the future of England.

Colonel Fitzwilliam’s troubles begin when he must step into the role of Rosings trustee that Darcy was forced to vacate when he married Lizzy against Lady Catherine’s wishes.  He butts heads with Lady Catherine, is unsure of how much authority he has to make changes to save the estate, and finds himself hopelessly in love with someone far above his station.  Caldwell stays true to Austen’s original characters here, but modifies them in ways that help them evolve in the new story lines he has created for them.  They are fresh and fun, and fully dramatic, with plenty of intrigue and backstabbing to go around on the international stage.

The Three Colonels: Jane Austen’s Fighting Men by Jack Caldwell blends not only Austen’s characters from Pride & Prejudice and Sense & Sensibility, but also adds historical figures and new characters to the mix.  Readers will enjoy revisiting some of their favorite characters, seeing new sides of old characters, and being introduced to new, engaging characters.  Overall, a unique novel that brings some action to the upper echelons of society.

Also by Jack Caldwell:

Pemberley Ranch

The Yellow House Read-a-Long, Part 1

As part of the 2012 Ireland Reading Challenge, we’re reading The Yellow House by Patricia Falvey.  For the first week, we read pages 1-90.  I’m going to answer the read-a-long questions here.  Please be aware that the answers could have spoilers in them.

1.  What do you think of the writing?

Falvey’s writing is very in step with other Irish writers I’ve read in the past where the diction and the style resembles the time period and the very mythical Irish culture.  I’m enjoying the detail and the description a great deal; it gives me a sense that I am there in the valley below Slieve Mullion, the mountain looking down on the O’Neill house.

I had a hard time stopping after the second section in the book when I hit page 90.

2.  What do you think of Eileen’s parents?

Eileen’s parents have secrets, and these secrets are well hidden from the children, as to be expected during that time.  Parents did not openly talk about their courtships or previous relationships with their lovers and/or parents to their children.  I’m surprised at how lively Eileen’s mother talked of the past once it was revealed where their grandfather lived.  It seemed a bit incongruous to me that she would suddenly want to reminisce with her kids about a past she had kept so hidden and one that was fraught with despair and heartache.  I really was disappointed that such a strong woman was unable to bounce back after tragedy to help her other children!  It saddened me to think that she would withdraw so much, and after the death of the father, she became an unrecognizable woman…that seemed a bit extreme to me.

Eileen’s father is a typical dreamer, which has been seen in other Irish novels, but what’s intriguing here is that he is not a drunkard and does not make foolish monetary decisions that leave his family out in the cold for the most part.  He does make a go of farming, though eh fails miserably at it, but rather than gamble away the future, he takes the reasonable road and sells a portion of the land…at least until he takes out a mortgage on the house.

3.  It seems that the book is heading in a romantic direction when it comes to Eileen and Owen Sheridan. What do you think of this potential romance?

Eileen and Owen have a sort of forbidden love, which can be tempting, but for now it seems that Eileen is being level-headed…however, there also is the wild card of James, whom she is determined to hate.  But will she really, and will he really become a priest?  That remains to be seen.  It also seems to be a similar set up going on here that may mirror her mother’s past when she became pregnant with Frank and instead of marrying his father, she marries Eileen’s dad.

4.  As we closed the second section, the world is on the brink of the First World War, and Ireland is being torn apart by the fight for Home Rule. Have you learned anything about Ireland or the world at this time period that was new to you?

I finally understand the difference between the Unionists and the Nationalists!  These were mentioned in A Long Long Way by Sebastian Barry (my review), but it was so confusing given the main character, Willie had little knowledge of politics related to WWI or the Irish struggle for Home Rule.  I hope there is more of the politics behind the wars in this one.  It’s fascinating to me, though I don’t want the book to lose its pace or its dynamism.

***Some Other Observations***

I really love how Falvey has used nature here to demonstrate the struggles of the Irish, and her descriptions of the Music Men are fantastic at demonstrating the power of music and how it became a safe heaven for many Irish.  I’m also getting curious about the significance of yellow here; it seems to be recurring in the house paint, Eileen’s dress, and other events.  I cannot wait to see how that ties into the overall novel.

For next week, we’ll be reading pages 91-164 or sections “War, 1914-1918″ and “Insurrection, 1919-1920.”

The Baker’s Daughter by Sarah McCoy

The Baker’s Daughter by Sarah McCoy is a novel told in a number of different points of view and spans several time periods, including the final year of World War II.  Two strong female protagonists, each haunted by the past and each past is tied to war in one way or another.

Elsie Schmidt is a German immigrant to El Paso, Texas, who spent the last year of WWII in her father’s bakery working and shying away from the decisions that came with living in Nazi Germany.  Unlike her sister, Hazel, who was in the Lebensborn program and praised for her work to help the Fatherland, Elsie sees herself as more of an outsider, lacking in the standard skills expected of a Good German.

“While Hazel thrived and grew more popular, Elsie felt oppressed and stifled by the uniforms and strict codes of conduct.  So at the tender age of eleven, she begged Mutti to work in the bakery.” (Page 16)

Reba Adams is also an El Paso transplant, but she’s a journalist looking for her latest feel-good piece for the magazine she works for, but she gets more than she bargained for when she meets Elsie.  Meanwhile, she’s hiding from her past and the ghosts of her dead Vietnam veteran father and failing to fully commit to the life she’s created in Texas with her fiance Riki, a border patrol officer.

“Everyone on campus knew her from the photograph in the Daily Cavalier: her lips bulging on the mouth guard; fuzzy, dark hair matted beneath the headgear; gloves up and ready.  They thought she was an anomaly coming from the Adams family.”  (Page 33)

The two different main perspectives in two different time periods is deftly handled by McCoy and each of her characters are strong and stubborn, but neither is lacking in dynamism or flaws.  Also unique to the novel is how well McCoy weaves in the elements of baking and pastry into her description; it is seamless and will make readers’ mouths water and have them itching to try the recipes in the back of the book.  Touching on family loyalty, mother-daughter bonds, father-daughter bonds, relationships of all kinds, plus the search for love and forgiveness, McCoy reaches deep inside the dough to knead the bonds of these women to help them grow outward and inward, allowing them to absorb more love and connections.  The recipe for a successful novel is two parts dynamic characters, one part intriguing plot and story lines, and one part clever writing style, and The Baker’s Daughter provides all the nourishment you’ll need.

Click for Tour Stops

About the Author:

SARAH McCOY is author of the novel, The Time It Snowed in Puerto Rico. She has taught English writing at Old Dominion University and at the University of Texas at El Paso. The daughter of an Army officer, her family was stationed in Germany during her childhood. She calls Virginia home but presently lives with her husband and dog, Gilbert, in El Paso, Texas. The Baker’s Daughter is her second novel. She is currently working on her next.

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This is my 16th book for the 2012 New Authors Challenge.

A Long, Long Way by Sebastian Barry

A Long, Long Way by Sebastian Barry is a historical fiction novel in which the main protagonist, Willie Dunne, joins the military to prove to himself and his father that he can be more than a short teenage boy.  As a young Irish boy, he dreamed of joining his father in the police force, but he never grew to the required height.  After disappointing his father, Willie meets a young woman, Gretta, and falls in love, just before he leaves for the front lines in Belgium.  Willie is a bit dull when it comes to the politics behind WWI, but he’s also dull about the politics and struggle facing his home country of Ireland.

Barry’s prose meanders is a storytelling fashion that dates back to the old days in Ireland, and is likely to remind readers of Frank Delaney’s storytelling style.  Willie’s mind wanders into his past as a boy to the present situations he finds himself in at the front lines, with a variety of men who are as young as he is.  It is clear that these men he mentions are names that will either be soon forgotten as the ravages of war take them or who are men that make an impression on Willie’s psyche, such as Father Buckley.

“Four men killed that day.  The phrase sat up in Willie’s head like a rat and made a nest for itself there.”  (Page 21)

“As they approached the war, it was as if they went through a series of doors, each one opened briefly and locked fast behind them.” (Page 37)

“The first layer of clothing was his jacket, the second his shirt, the third his longjohns, the fourth his share of lice, the fifth his share of fear” (Page 43)

Barry’s prose is clipped when necessary to demonstrate the immediacy of war-time battles, but also it slows down the action as Willie reflects on the battles, the gas attacks, the deaths of his comrades, and more as he attempts to process all that he’s seen.  There are gruesome gas attack scenes as the mustard gas inches its way across no-man’s land and down into the trenches, filling every open crevice with its nasty poison, including the open mouths of men caught in the trenches without gas masks or even well-secured gas masks.  Barry’s work not only demonstrates the physical trials of war, but also the mental hardships that accompany the loss of friends and people you didn’t even really have time to get to know, as well as deal with the bureaucracy that is the military and the perceptions of others about your commitment to the cause and battles that happened in the past that you witnessed first hand and may not be retold in the way in which they actually happened.  There is a battle that rages inside each soldier about when to speak up and when to keep quiet, and Willie struggles with that daily.

Willie can be a trying character in that he has little knowledge of the politics around him and has little opinion on the matter, and this can keep readers at an emotional distance.  However, Barry has crafted a novel that demonstrates the ins and outs of war at a time when modern mechanisms were just coming into play, even though much of the combat was still hand-to-hand and the troops conditions saw little improvement.  Additionally, it seems that Barry is attempting to comment on “authority” whether it is in the parent-son relationship, the soldier-military relationship, or the citizen-country relationship, but the message becomes quite muddled.  It would almost seem as though the narration is trying to tackle too much in the way of the “authority” figure relationship, making it harder for readers to clearly make out the purpose of so many “father” figures in the narration.

A Long, Long Way by Sebastian Barry takes a while to get into, but once you begin the journey with Willie, you’ll want to see if he returns to Ireland knowing his own mind — the one requirement Gretta has made of him before she will agree to marry.  While Willie thinks of her often, he also has to contend with the daily trials of war and military service.  The novel is does not gloss over the gruesome aspects of trench-life and warfare, so be warned.  In fact, some of the best and most suspenseful scenes were those involving mustard gas, which Willie and his fellow soldiers had never seen before; Barry did well in describing how it crept across the battlefields.  Overall, a worthwhile look at WWI from the point of view of an Irish soldier caught between his loyalties for Ireland and the British army.

About the Author:

Sebastian Barry was born in Dublin in 1955. His play, The Steward of Christendom, first produced in 1995, won many awards and has been seen around the world. His novel, The Whereabouts of Eneas McNulty, appeared in 1998. He lives in Wicklow with his wife and three children.

This is my 7th book for the WWI Reading Challenge.

 

 

This is my 15th book for the 2012 New Authors Challenge.

 

 

 

This is my 1st book for the 2012 Ireland Reading Challenge since the main protagonist is Irish and must cope with being away during WWI while uprisings are occurring in Ireland for independence from England.  The author also was born in Dublin.

The Harlem Hellfighters: When Pride Met Courage by Walter Dean Myers and Bill Miles

The Harlem Hellfighters:  When Pride Met Courage by Walter Dean Myers and Bill Miles is a book for ages 9-12 and chronicles the exploits of the “Harlem Hellfighters,” who were African-American soldiers of the 369th Infantry Regiment of World War 1.  Miles writes the preface to the book and talks about his personal connection to the unit and Harlem, eventually becoming the unit historian.

“Hundreds of black men laid down their lives in France because they refused to believe that they were anything but men, worthy of being Americans and representing their country.” (Page IV)

Myers chronicles the presence of African Americans throughout military history starting from the French and Indian War through WWI.  It also discusses the politics in Europe at the time, especially the desire of European nations to colonize developing countries and those nations rich with resources.  Eventually, a division of partners arose, with Britain and France on one side and Germany and Austria-Hungary on the other.  There are detailed accounts of trenches — how they were dug and how many sets of trenches there were and why — and the rise of modern mechanized weapons and warfare.

Once the foundation is laid down, Myers begins to discuss the problem of race in the United States, beginning in 1896 with the Supreme Court decision in Plessy vs. Ferguson, which enabled companies, counties, states, etc. to segregate whites and blacks so long as the facilities are “equal.”  Not only was segregation a problem, but within the black community, men were reluctant to join the National Guard and possibly fight for the United States when they were unable to vote or have the same rights as their white counterparts.  This reluctance was only overcome when a famous black composer James Reese Europe agreed to volunteer for the 15th New York National Guard or 15th Infantry Regiment.  It took organizers in New York at least one year — between 1916 and 1917 — to reach peacetime size of 1,378 men to obtain federal recognition and additional funding.

The true gems of The Harlem Hellfighters:  When Pride Met Courage by Walter Dean Myers and Bill Miles are the historic photos of those volunteering for the regiment, tenement farmers, and more as well as copies of War Department letters, newspaper columns, telegrams, posters, and other documents.  Although some of the military background can be dry, the story Myers tells about the black soldiers and their struggle against segregation and the solidarity they found as part of the Harlem Hellfighters is inspiring.  The stories of Henry Johnson and Needham Roberts offer additional perspective on how black men became soldiers and how they fought once abroad.  There are other stories like theirs as well, and these personal accounts humanize these historical figures.  The struggle against racism and segregation and early war and political background takes up most of the book, with only the remaining third telling the story of the Hellfighters in WWI France.  For the younger age group that this book is aimed at, Myers does well to pinpoint individual soldiers’ stories, but readers of that age would likely pay closer attention to the historical aspects if there were more of these stories.

About the Author:

Walter Dean Myers is a New York Times bestselling and critically acclaimed author who has garnered much respect and admiration for his fiction, nonfiction, and poetry for young people. Winner of the first Michael L. Printz Award, he is considered one of the preeminent writers for children. He lives in Jersey City, New Jersey, with his family.

William Miles was born in Harlem, New York, and has used his deep knowledge and experience of that borough to produce films that tell unique and often inspiring stories of Harlem’s history. Based at Thirteen/WNET in New York City, William Miles produced many films dedicated to the African-American experience that have been broadcast nationwide.  Miles’ interest in creating historical documentaries was nurtured through 25 years of restoring archival films and early feature classics for Killiam Shows, Inc. and the Walter Reade Organization in New York City.

This is my 6th book for the WWI Reading Challenge.

The Unauthorized Biography of Michele Bachmann and Other Stories by Ken Brosky

The Unauthorized Biography of Michele Bachmann and Other Stories by Ken Brosky is a collection of short stories prefaced by a bit of background about each story in the collection, including his trio of “Dodge County” stories.  While this kind of preface can be enlightening or amusing, this one just seems unnecessary given the powerful stories beyond this “prologue.”  From surviving a car accident that takes the life of your best friend to surviving the loss of a new friend in Darfur, these stories are poignant and threatening.  They serve to demonstrate that loss can happen unexpectedly and can tear at you emotionally and physically.

“When you see your best friend’s neck snap back with all the force of three thousand pounds behind it before everything goes black, there are other bruises, too.  They hide under the skin, just out of sight, and they take longer to heal.” (“The Third Pile,” page 50)

Some of these tales of survival border on the surreal, such as the arrival of the horseman of the apocalypse or a man deciding his future based on how many virtual deer are killed in a video game.  Beyond the theme of survival, the collection also touches upon the theme of carpe diem — to stop waiting for something to happen or your fortunes to change — and take a risk.  Each story is narrated by the first person, but the narrators are not the same, though they are similar in humor.  Some narrators are harsh in their machismo, while others are self-deprecating about their accomplishments and talents.  Brosky offers a variety of insecure male perspectives in these stories, which demonstrate how men cope with their insecurities. However, there are perspectives that are determined and secure in their convictions, no matter how unorthodox.  Another interesting aspect of these survival stories is the settings chosen from rural areas to urban Washington, D.C., and with a range of characters from artists to war veterans.

The Unauthorized Biography of Michele Bachmann and Other Stories by Ken Brosky brings to the fore the power of indecision and chaos in a way that forces each narrator to struggle and survive even when circumstances are not as they expect them to be nor as they want them to be.  Brosky’s prose is clipped at times, weaving stories in very few pages that leave a lasting impression.  In some cases the characters are not as well developed and appear to be mouthpieces talking to the reader, although there is one essay with a satiric bent in which that is to be expected.  Some stories leave their marks better than others, but overall, it is a satisfying look at survival in a number of different situations.

About the Author:

Ken Brosky was born in Milwaukee, Wisconsin and received his bachelor’s degree in creative writing from the University of Wisconsin-Eau Claire. He received his MFA from the University of Nebraska-Omaha and currently teaches English at various colleges in the Madison-Milwaukee area. He’s currently averaging 3 short story publications per year and wants to keep it that way.

 

 

 

Additionally, this is a stop on The Literary Road Trip since some of these stories take place in/near Washington, D.C.

 

 

This is my 14th book for the 2012 New Authors Challenge.

Resilience Edited by Eric Nguyen

Resilience edited by Eric Nguyen is a collection of essays, poems, stories, and advice for young gay, lesbian, bi-sexual, and transgender teens and young adults, but there are lessons in these stories for everyone, including those that bully, talk down to, or otherwise belittle people.  The world would be a much better place if we were secure in ourselves and didn’t give others’ hate speech the credence that we do or given them the power over our own lives, but those of us who need support, deserve a system of people and community willing to stand up for others.

The collection has some powerful short stories and inspiring essays, and there are poems that demonstrate the pain, confusion, and bullying that LGBT teens experience daily.  It is both heartbreaking and inspiring.  There are letters to the younger self, plays, monologues, and more.  While some of these cry out the injustices experienced by the writers or their characters, others share the regret of not stepping forward to defend their friends and family from bigots and those narrow minded people who tortured and ostracized others because they were different.

From When the Bully Apologizes by J.J. Sheen(page 79):

“Something about the stillness of sitting there in the dark with Marie’s hand all wrapped up in mine made everything boiling inside me fall out and I started crying in a way that I had never allowed myself to.  I tucked my head into my hands and felt like I might be stuck that way forever.  I felt so embarrassed and exposed and wrong and sitting next to the only person who really knew me, I felt lonelier.”

Emma Eden Ramos, whose poetry collection Three Women: A Poetic Triptych and Selected Poems was nominated for the 2011 Indie Lit Awards, offers a genuine short story, “Where the Children Play,” that will have readers by turns anxious and hopeful.  These are the stories readers will cling to, hoping that the world will begin to emulate the acceptance and the unconditional love in these pages.  Readers may have a tough time reading the collection cover to cover, but its meant to unsettle conventional thoughts and open readers’ eyes to the struggles of LGBT teens as they struggle to find themselves and “come out” to their friends, parents, and loved ones.  Although they may accept themselves, telling someone who has a different perception of you is a conversation wrought with fear and longing.

Resilience edited by Eric Nguyen is a collection for not only the community it represents in its stories, poems, and essays, but also for those of us who need to be reminded that these teens are people struggling with issues that go beyond what clothes to wear and what activities to engage in at school and outside of it.  For those without role models or who live in cloistered families with traditional beliefs, this can be restrictive and even more difficult to overcome.

For those in NYC:

On March 17 at 3-5PM, an Open Mic night will be held for contributors to the collection at WordUP Books.

For more information about the Resilience project, visit the blog.

 

This is my 13th book for the 2012 New Authors Challenge.

 

 

This is the 1st book for my 2012 Fearless Poetry Exploration Reading Challenge.

The Odds by Stewart O’Nan

The Odds by Stewart O’Nan is a slim volume that begins each chapter with a probability that sets the tone for the following chapter — a gimmick that is extraneous to the story he’s telling about an older couple — Marion and Art Fowler — whose marriage in on the brink of complete failure as they face insolvency and an empty nest.  Rather than prefacing each chapter with the odds of a married couple having sex during the week or the odds of getting food poisoning while on vacation, O’Nan could have allowed the decision to gamble away their life savings while on vacation in Canada speak for itself about the couple’s dire financial situation and marriage.  But this is a minor quibble.

O’Nan does a good job of demonstrating the tentative way in which each maneuvers around the other in conversation and shared space, which demonstrates the unspoken pain between them and the tentative hope that they can find something to spark a passion they thought they once had and maybe even shared.  However, through the oscillating narration between Art and Marion, readers soon discover that they have very different takes on what this Valentine’s Day trip is about, with Art hoping to save his marriage and Marion waiting for it to end so she can move on.

“They weren’t good liars, they were just afraid of the truth and what it might say about them.  They were middle class, prey to the tyranny of appearances and what they could afford, or dare, which was part of the problem.”  (page 1)

More than anything, The Odds is about deception. Art is deceiving himself that he can erase his past transgressions and right the wrongs with a Valentine’s Day trip to Niagara Falls and can remedy their financial situation with gambling. Marion is deceiving herself that Art will accept that she wants a divorce and to move forward.  We deceive ourselves about our motivations, our emotions, and our dreams, but how long can we deceive ourselves and others before there are consequences?  Midway, there is a deeply ominous feel to the book as a horse-and-carriage ride brings with it a couple tales of daredevils who needed rescuing after going over the falls and lovers who were parted by a freak thaw in 1912 that washed them away on the American side of the falls.

The Odds by Stewart O’Nan is not a typical love story, but in a way it is similar to how love stories come about, through chance and taking a risk.  In the end, we all have regrets and at times those regrets eat away at us, but how many of us would completely change our decisions and lives, giving up our children or spouses, for the unknown after so many years together?  Then again, O’Nan’s prose clearly demonstrates that even if you have regrets, you can change your luck and your direction with the one you love at your side — even against the odds.

 

This is my 12th book for the 2012 New Authors Challenge.  I borrowed this one from the library after reading Ti’s review at Book Chatter.  Also check out the review from Literate Housewife.

 

The Picture of Dorian Gray by Oscar Wilde

The Picture of Dorian Gray by Oscar Wilde is a Gothic novel with strong themes of corruption, innocence, and the “grand” Faustian bargain.  The novel begins with Basil Hallward who speaks of a mysterious and beautiful young man, Dorian Gray, to his friend Lord Henry Wotton who has some very hedonistic world views.  With elements of Stevenson’s Jekyll and Hyde and Shakespeare’s Hamlet and Romeo and Juliet, Wilde has created a critique of the Victorian era by exaggerating elements of the Romantic age, particularly the horror, awe, and aesthetic experience, which is embodied in Lord Henry and eventually Dorian Gray — in the most absurd way.

Dorian is an insanely narcissistic man who meets Basil and Lord Henry, two men obsessed with beauty and pleasure and its fleeting nature.  Basil is more obsessed with Dorian’s stunning beauty as a fuel for his art, while Lord Henry pontificates his various theories about pleasure and beauty and its transient nature in an effort to garner Dorian’s favor and fuel his own ego that loves the art of influencing others.  Dorian is ripe for Henry’s picking as he seems to be — at least initially — like a child seeking stimulation and knowledge, but like a child, he does not have the tools to question what he is told and what he experiences.

“There was something terribly enthralling in the exercise of influence.  No other activity was like it.  To project one’s soul into some gracious form, and let it tarry there for a moment; to hear one’s own intellectual views echoed back to one with all the added music of passion and youth; to convey one’s temperament into another as though it were a subtle fluid or strange perfume:  there was a real joy in that — perhaps the most satisfying joy left to us in an age so limited and vulgar as our own, an age grossly carnal in its pleasures, and grossly common in its aims . . . ” (page 26)

Wilde’s prose is full of contradictions and theories about the age in which these characters live, and many of these theories (contradictory and otherwise) are espoused by Lord Henry, who remains a catalyst for Dorian’s thinking, which ultimately leads to his tragic downfall.  What’s interesting is that the Faustian bargain is not an outright bargain made by Dorian, but simply an expressed wish that comes true.  This technique is typical of Gothic literature in that some supernatural elements occur and are not explained.  However, Dorian is not blameless in the events that befall him because he is given several opportunities to amend his ways and to experience life more deeply than his superficial pleasure seeking.  For instance, he meets a young woman, Sibyl Vane, who mirrors his older self in that she is innocent of influence and able to see the good and beauty in all of life before her, in spite of its obvious crassness and dingy elements.  But rather than seizing the moment to become something more, Dorian again falls into Lord Henry’s mold, only able to see the superficial and abandons Sibyl, who like Ophelia and Juliet has little choice but to exit from his world.

“There is something of a child about her.  Her eyes opened wide in exquisite wonder when I told her what I thought of her performance, and she seemed quite unconscious of her power.” (page 39)

The Picture of Dorian Gray by Oscar Wilde is like a flippant response to an age where pleasure was the main concern, but its dark, Gothic undertones provide a horrifying examination of how pleasure-seeking and narcissism can lead to a corruption of the soul.  Dorian is a young man led willingly astray by his peers and willingly ignores reason and his conscience to improve his treatment of others and himself.  When the portrait takes on his sins, he becomes free of accountability and engages the world in more than one way that dirties his soul and that of those around him.

***This was the first selection for my new book club***

Only one member did not finish the book, and he said that the language and dialogue between the male characters was unrealistic to him and he had a hard time connecting with the characters and their story.  Other members seemed to like the book well enough, but no one was overly impressed with it, though it did generate a great deal of discussion as to whether Lord Henry was the devil or merely an influencer and why Dorian was so eager to follow the path laid out for him by Lord Henry.  There was a great deal of discussion as to what caused the painting to reflect Dorian’s sins and how that came about and whether the fact that the painting absorbed all his evilness allowed him to not be accountable for his actions and fueled his downfall.

There were some in the club who wanted to know more about certain events in the book (i.e. a poignant blackmail letter), and most of us agreed that the pages of description of Dorian’s collection of fabrics, jewelry, and musical instruments was dry and excessive, it did point to Dorian’s excessive existence.

While it was no one’s favorite book, it certainly generated a great deal of discussion.  I may have liked the book a little more than others and kept pimping the movie version with Ben Barnes.

We’re looking forward to March’s pick:  Star Wars & Philosophy by Kevin Decker and Jason Eberl