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Twenties Girl by Sophie Kinsella (audio)

September 23, 2015 by

Source: Public Library
Audiobook, 12 discs
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Twenties Girl by Sophie Kinsella, narrated by Rosalyn Landor, is a wonderful breath of fresh air in which readers are introduced to Lara Lington and her great aunt Sadie Lancaster.  Part ghost story and party mystery, at its heart this is a story about respect, family tradition, and history.  Unlike Kinsella’s hilarious Shopaholic series, there is a great deal more heart and emotion in this one.  Lara is struggling in her new line of work as a head hunter, after her business partner left her in a lurch, but once she’s accosted during a funeral by a ghost, she has little choice but to look beyond her own plans and go on an adventure she’ll never forget.

Sadie and Lara make a fantastic team as they try to locate her great aunt’s favorite necklace, and in the meantime, Sadie’s whispers are making their way through many lives with some hilarious results.  Lara has spent a lot of time hoping for the best and pining away for her ex-boyfriend, pretending that all is well.  But when Sadie enters her life, she’s forced to really reassess where she’s been and what she’s been doing with her life.  Sadie, who didn’t think she amounted to much in 105 years and lost the one true love of her life, spent a great many years having fun and barely committing to anything or anyone.  They are opposites in many ways, but they teach each other how to truly live.  Rosalyn Landor is a terrific narrator who does excellent voices for male and female characters, as well as a stellar British accent.

Twenties Girl by Sophie Kinsella, narrated by Rosalyn Landor, is utterly enjoyable from start to finish, and Kinsella’s characters will have readers itching to break out flapper dresses and dance the Charleston.

About the Author:

Madeleine Wickham is a bestselling British author under her pseudonym, Sophie Kinsella. Educated at New College, Oxford, she worked as a financial journalist before turning to fiction. She is best known for writing a popular series of chick-lit novels. The Shopaholic novels series focuses on the misadventures of Becky Bloomwood, a financial journalist who cannot manage her own finances. The books follows her life from when her credit card debt first become overwhelming (“The Secret Dreamworld of a Shopaholic”) to the latest book on being married and having a child (“Shopaholic & Baby”). Throughout the entire series, her obsession with shopping and the complications that imparts on her life are central themes.

Filed Under: audiobooks, borrowed copy, chicklit, fiction, Publishers/Publicists, random house, Read in 2015, reviews Tagged With: , ,

Strange Theater by John Amen

September 22, 2015 by

Source: John Amen
Paperback, 112 pgs.
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Strange Theater by John Amen includes surrealism and introspection, as well as poems dedicated to individuals that speak to a broader scope of readers.  It is a peek behind the theater curtain at the backstage machinations of life and the true identity of the theater’s players.  Examining the roles of those on the stage, in the background, the understudies, and the roles that we take in our own lives, Amen takes readers on a roller coaster journey.

From "folk singer" (pg. 91)

of course you're suffering
that goes without saying
alone in yr own private tundra
staggering through the snow

Many of us feel alone with our suffering, and theater, movies, stories, and poetry often help connect us, creating tangential connections between our own suffering to that of others. Some of these poems often draw out the egoism we have about our own lives and suffering, like in “biography,” “ferry approaching in the haze/the monuments he built/he built for himself/for this reason are destined to crumble//” (pg. 17) Many of these players are haunted, haunted by their pasts, their futures, their missteps, and their inability to meet the expectations of others.

from "diaspora" (pg. 30)

last time we talked
I saw deadbolts turning in yr eyes
from light years away you demanded

Amen keeps his readers on their toes as they move from line to line and poem to poem, exploring the uncertainty in all of our lives as it plays out on the biggest stage. Strange Theater by John Amen is wonderfully disconcerting even among the most common of places and people. Imagine looking back on a body of work and seeing only a darkness — a future that hasn’t been written yet — and feel that insecurity that breeds alongside the wondrous possibilities, and you’ll know what it is to walk out on Amen’s poetic stage.

Other Reviews:

About the Poet:

John Amen is the author of three collections of poetry: Christening the Dancer (Uccelli Press 2003), More of Me Disappears (Cross-Cultural Communications 2005), and At the Threshold of Alchemy (Presa 2009), and has released two folk/folk rock CDs, All I’ll Never Need and Ridiculous Empire (Cool Midget 2004, 2008). His poetry has appeared in various journals and anthologies, including, most recently, Rattle, The New York Quarterly, The International Poetry Review, Gargoyle, and Blood to Remember. He is also an artist, working primarily with acrylics on canvas. Amen travels widely giving readings, doing musical performances, and conducting workshops. He founded and continues to edit the award-winning literary bimonthly, The Pedestal Magazine.

Filed Under: challenges, poetry, Poetry Reading Challenge, Read in 2015, review copy, reviews Tagged With: , ,

A Shade of Vampire by Bella Forrest

September 18, 2015 by

Source: Purchased
ebook, 296 pgs.
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A Shade of Vampire by Bella Forrest is a short novella in which Sophia Claremont is kidnapped by vampires and brought to The Shade to become a slave. She’s given to Prince Derek Novak as a gift from his siblings, though his brother Lucas has already claimed her in his mind. Sophia has had a rough time growing up and was finally settled with a neighboring family and her best friend Ben, whom she’s had a crush on for some time. But she also has debilitating anxiety in crowded spaces, almost like she’s on sensory overload.  However, when she finally awakes on this vampire island, very little is seen of her disorders, until she’s attacked one evening.

“She was beautiful because, at a time when she had every right to be terrified, she managed to show comfort to another person who needed it.”

Derek, who has awakened from a 400 year long sleep, cannot stay away from Sophia and he keeps her like a caged bird in his treetop penthouse.  Her humanity has captured his attention, and even though her blood calls to him, he makes every effort to battle his desires.  As she teaches him about technology and he begins to show her respect, their bond intensifies.  Sophia is a naive character who is led by her emotions easily, and in many ways, she falls for the guy who acts like her protector — whether its teenage Ben at home or Derek the powerful vampire on The Shade.

“I know an excuse when I hear one.  Don’t you dare deceive yourself into believing that you’re the victim.”

A mantra that Ben has used many times to snap her out of her anxiety trances, Sophia finds it can be useful in more ways than one, but even as she tames Derek’s inner beast, she fails to see how she is a victim and needs to take action.  One failed escape attempt is all it takes for her to become complacent, which does little for the tension in the book.  While the characters, setting, and world are intriguing, there is little back story, which can leaving the feud between Derek and Lucas seem empty and can leave the lore of this vampire series feel incomplete.

A Shade of Vampire by Bella Forrest provides an engaging way to spend the afternoon, but unless there is more back story in the subsequent novels less telling, rather than showing, it would be hard to sustain interested beyond two more books.  There are 18 books in this series.  It boils down to wanting more from the setting and lore beyond the main characters who are dynamic and troubled.

About the Author:

Bella Forrest is the million-bestselling author of the “A Shade of Vampire” series.

Filed Under: challenges, fiction, New Authors Challenge, purchased, Read in 2015, reviews Tagged With: , , ,

Under the Dome by Stephen King (audio)

September 17, 2015 by

Source: Public Library
Audiobook, 34.5 hours
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Under the Dome by Stephen King, narrated by Raul Esparza, is an experiment to uncover what would happen in a small, 200 year old Maine town, Chester’s Mill, if a dome trapped them under glass for observation.  Some are trapped in the town by their own circumstances, like drug addiction and lack of ambition, while others remain in the town because they can be top dog in a smaller pond.  Dale Barbara, however, is an outsider who had enjoyed his time in town until he was told in no uncertain terms that he should leave.  Too bad the dome blocked his escape.

As many know, this was turned into a television series, and while it varies widely from the book, there are still some core elements that remain.  Fear, greed, and self-preservation drive many in the town to do unspeakable things, and some of the worst were already in positions of power, like Jim Rennie.  There are horrors within the dome walls — and some of them are very graphic in nature — but it is the world that King builds that will have readers riveted.  These characters could be in any small town you’ve lived in or visited, from the nosy neighbor to the mean girls torturing the smart kid.

Under the Dome by Stephen King, narrated by Raul Esparza, is a really well done audio book that will make readers hold their breath and pray for good outcomes, even when there is no hope.  Rather than rely too heavily on supernatural or alien elements, King focuses on the reactions of the townspeople and their inability to see beyond their own issues.  Their myopic view is one element that will have readers pounding their fists in frustration, and while Rennie is easy to hate, it is clear that there are great things at work than the greed of one man.

About the Author:

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes Doctor Sleep and Under the Dome, now a major TV miniseries on CBS. His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King. (Photo Credit: Denver Post)

Filed Under: audiobooks, borrowed copy, fiction, Publishers/Publicists, Read in 2015, reviews, Simon & Schuster Tagged With: , ,

The Uncertainty Principle: Poems by Roxanna Bennett

September 16, 2015 by

Source: Tightrope Books
Paperback, 126 pgs.
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The Uncertainty Principle: Poems by Roxanna Bennett is a debut collection of poems in which the observation of events can have an impact on its outcome on the human and atomic level.  It is broken down into five sections — The Dominant O, Come From Away, Symptoms of the Disorder, The November Revolution, and Diminishing Returns — and each section delves deeper into the murk to uncover the momentum or the setting of events in motion.  Was it the abuse in childhood that forced her to be bitter and angry or was it being stood up that made her demand more power over her own life?

From “The Bottle Genie” (pg. 26-8)

I’m the empty window panes in a scissored newspaper, finger
of air beneath the door. I’m the cold chisel killing the torch singer,

the alembic that distills you to vapour. I’m what analyzes your
labelled slides, you in my eyes, magnified. I’m your cellar door.

Observation is not the mere passing of time for these narrating personas; it is an art form and a curiosity seeking to be quenched, even in the darkness of human suffering. There is a deep need to get at the root of a person, a situation, a motivation, a hurt. Beyond those who are observing, there are those who self-reflect, looking at the choices made and the life they live but from the outside — detaching themselves from those lives. Like in “Uprising” (pg. 31), “Limits of middle age fence/her in, a dozen lives ride/on her decisions. Memories,//raw beauty of teenage selves, memories,/youth that saw thoughtless uprising,/” where the woman is a decision-maker for those around her — probably her children and husband — and she is looking back to a time when she was not bound by her constraints and was free to turn on a dime and do something new without fearing the consequences — at least not having to fear how the consequences would impact those who rely on her.

From “Diminishing Returns” (pg. 121)

“We have navigated our worth
by the map of skin worn by another.”

…

“Hours dark wing-beats over the contours of her face.
We are the sum of all our choices, the origin of grace.”

Bennett also has a great series of poems in different sections of the collection that rely on echo, in which lines or phrases from one poem appear at the start of the next. These also ratchet up the tension in this collection, as readers are taken on a journey through rough waters and the unpredictability of the churning sea keeps them guessing. The Uncertainty Principle: Poems by Roxanna Bennett is a wounded animal howling in the dark, trying to make sense of the harm that has come and laid its insides bear for the alley cats to sneer and pick at, but it also is an examination of those trials and how they can define us or not, depending on the choices we make.

About the Poet:

Roxanna Bennett studied experimental arts at the Ontario College of Art and Design and creative writing at the University of Toronto. She lives in Whitby, Ontario.

 

 

 

 

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2015, review copy, reviews Tagged With: , ,

The Same-Different: Poems by Hannah Sanghee Park

September 15, 2015 by

Source: Academy of American Poets (purchased)
Paperback, 72 pgs.
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The Same-Different: Poems by Hannah Sanghee Park, 2014 Walt Whitman Award winner, straddles the line between myth and reality, as Park examines some global myths from China and India to Norway and Greece.  She uses phonemes to uncover the secrets in the words she’s chosen to get at the heart of their meaning to not only reach an origin but to generate a response.  Upon first reading, these poems seem like an exercise in word play, but reading more deeply encourages readers to see the similarities and differences inhere in the words chosen and how those nuances should be celebrated.

From "Bang" (pg. 3)

Just what they said about the river:
rift and ever.

And nothing was left for the ether
there either.

And if anything below could mature:
a matter of nature.

Here the interplay of words peeks beneath the surface of creation myths from the big bang theory to the story of creation in scripture. Rather than focus on the age-old battle between whether creationism or evolution is the correct theory of what happened, Park asks “to have left the world,/to what is left of it –/could you have anything left to cove?” Rather than battle for the correct theory and covet the glory of being correct, shouldn’t we be more focused on the awe of it all and our minor part in it? Park forces readers to question their perceptions of what is important about life, not just what happens in their own lives but also the life around them.

& A (pg 22)

Being a matter
of importance, there

is no mastering
this but to bind you,

thrash and all, to the 
mast.  O you won't reach

irresistible song,
but the rope will teach

you the body's give.
Go down to the bone,

then tell me again
there what matters.  It

will give you every
-thing you need to know

about what I cannot tell you and then,
just maybe then, could it be enough.

Similarities and differences are looked at with new eyes, and in many ways, those differences can be dangerous. However, these poems suggest that even in these perceived dichotomies there is beauty, something to be savored and to be loved. In the final section of poems — Fear — the sum of the poems reads like a single force, gyrating and churning the seas of perception until the final lines. Park wonders aloud what it means to be the fear-driven species that strives to become the sole survivor and upon reaching the summit what is there left but more fear. From “Beyond the meadow, the horizon fails” (pg. 47), “what then to our victor’s highest marks?/Only fear regrouping in your heart of hearts.” And yet, despite all this dreariness and dark, Park leaves readers with a hope, a bleak hope — “everything in life is a placeholder.” The Same-Different: Poems by Hannah Sanghee Park is stunning in its twists and turns, but it will require several reads and recitation aloud in some cases. But the gems within these lines and phrases are well worth the work.

About the Poet:

Hannah Sanghee Park was born in Tacoma, Washington and earned a BA from the University of Washington and an MFA from the Iowa Writers’ Workshop. She is the author of a chapbook, Ode Days Ode (Catenary Press, 2011). She is the recipient of fellowships and awards from The Fulbright Program, 4Culture, The Iowa Arts Council/National Endowment for the Arts, and the MacDowell Colony. Her work has appeared in various journals and publications, including LVNG, Petri Press, Poetry Northwest, and Best New Poets 2013. In 2014, Park won the Academy of American Poets’ Walt Whitman Award.

Park lives in Los Angeles, where she attends the Writing for Screen & Television Program at the USC School of Cinematic Arts.

 

 

 

 

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, purchased, Read in 2015, reviews Tagged With: , , ,

Dark Sparkler by Amber Tamblyn

September 11, 2015 by

Source: Harper
Paperback, 128 pgs.
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Dark Sparkler by Amber Tamblyn, an actress herself, has embarked upon an ambitious collection that looks at the narcissistic and self-mutilating world of Hollywood through the eyes of actresses’ whose lives ended prematurely by their own hands or through the actions of others.  From the famous Marilyn Monroe to the less well-known Barbara La Marr, Tamblyn calls into question the need for perfection among female actresses and how hard it is to find work once these actresses reach a certain age.  There’s also one poem about Lindsay Lohan, which readers may have various reactions to, including shock, dismay, and possibly laughter. (if you want to read what happened when she read the poem, beware it is a bit of a spoiler about the poem)

From "Thelma Todd" (pg. 3-5)

At the bar I run into Nancy,
drinking away her forties,
her eyes are flush broken compasses.
Lost between age fifteen and fifty.

Fermented blood.
Deep-sea drinker.

I do not look into her ocean.
The fish there float to the bottom.
I fear I'll go down there too,
identifying with the abyss.
Washed up.
Banging on the back door of a black hole.

These poems are at best depressing and at worst horrifying. These sparkling actresses are snuffed out by the pressures of Hollywood, but they also have their own demons chasing them. Tamblyn’s sense of the tragic is acute when exposed in lines like these: “But first she said, I’m sorry, Charles, it’s over between us,/tied together the sheets of their love letters,/climbed out the window of his soul.//” (from “Dominique Dunne,” pg. 25) and “I’m going to floss my teeth with the public hair/of the Hollywood night air,/memorize my lines before I snort them.//” (from “Bridgette Andersen,” pg. 30-1) These women’s lives and those of living actress continue to become objectified, and it’s hard to imagine living with that on a day-to-day basis. In many ways, the collection almost suggests to those female actresses who have lived in Hollywood longer, continue to work, and do not fall into a spiral of depression that they are the exceptions.

There is a sense of fight in these poems, as if Tamblyn is calling attention to these tragic stories not only to encourage female actresses to shun these arbitrary pressures, but also to call attention to the public’s role in these tragedies. Celebrity lives have become fodder for the American public, and these poems want to demonstrate the darkness that can follow such attention. Dark Sparkler by Amber Tamblyn is an ambitious collection of poems that will have readers thinking about their own roles in celebrity gossip and objectification.

About the Poet:

Amber Rose Tamblyn is an American actress, author and film director. She first came to national attention in her role on the soap opera General Hospital as Emily Quartermaine. She also starred in the prime-time series Joan of Arcadia, portraying the title character. Her feature film work includes roles in The Sisterhood of the Traveling Pants, The Grudge 2, The Ring, and 127 Hours; she had an extended arc as Martha M. Masters on the main cast of the medical drama House, M.D. She also had a starring role on the CBS sitcom Two and a Half Men during its eleventh season as Jenny, the illegitimate daughter of Charlie Harper.

 

 

 

 

Filed Under: ARC, challenges, Harper Collins, New Authors Challenge, poetry, Poetry Reading Challenge, Publishers/Publicists, Read in 2015, reviews Tagged With: ,

LOVE: A Philadelphia Affair by Beth Kephart

September 10, 2015 by

Source: Purchased
Hardcover, 176 pgs
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LOVE: A Philadelphia Affair by Beth Kephart (this has a gorgeous cover) is a collection of essays, many of which were published in the Philadelphia Inquirer, that read not like essays but mini-memoirs. It has been a pleasure to read about Philadelphia — a city I was fortunate to visit briefly and not spend enough time in — through the eyes of someone who loves it dearly. All of its nooks and crannies, its alleys, its rivers, its art, its history — it is all laid bare with Kephart’s fondest memories and recollections. The city comes alive in her hands — it breathes.

The graffiti, the artisans, the food markets, and the University of Pennsylvania are moving through these pages like the Schuylkill River, leaving its gleaming beauty behind in its wake.  She says in the preface, “Love: A Philadelphia Affair is about the intersection of memory and place.  It’s about how I’ve seen and what I’ve hoped for, what ‘home’ has come to mean to me.  It’s about train rides, rough stones, brave birds, rule breakers, resurrectionists, unguided and mostly solo meanderings.  It is experiential, not encyclopedic.  Reflective, not comprehensive.” (pg. x)  In this way, Kephart has enabled readers to ruminate on their own memories, which may or may not be of Philadelphia and only tangentially related to her own.  I’ve remembered train journeys to NYC, ice cream I loved as a kid made in a small Massachusetts town, and a journey to Valley Forge that was at once solemn and beautiful.

“There’s something about standing on the platform watching the curve for the Silverliner.  Something about feeling the rumble in the sole’s of one’s feet.  Something about the rituals of travel.  Leaving and returning — that’s where I’ve lived.  I’m sympathetic to the crossties of the tracks.” (pg. 7-8; “Time In, Time Out”)

Kephart establishes the tone for these essays in these lines, telling her readers that she will straddle the past and present, the before and the after, and the moment and the remembering of the moment.  Many of us do this as our minds wander between where we are and where we have been, noting the connections that are only apparent to us until we voice them aloud.  And in “Psychylustro,” we, like the train, become museums — a collection of our own artifacts, memories, and temporal importance.

One minor thing readers may notice, there are only a few photos at the start of each essay, and more photos would have been a lovely addition.  However, LOVE: A Philadelphia Affair by Beth Kephart is a love story involving a city, but it’s also a testament to the love we hold and can freely give through art and action — so long as we can check our ego and greed at the door.  We all want recognition and love, but we need to also realize that these do not come without our own generosity.  It is not just the generosity that we show toward others, but also to ourselves and the world around us.

About the author:

Following the publication of five memoirs and FLOW, the autobiography of Philadelphia’s Schuylkill River, I’ve had the great pleasure of turning my attention to young adult fiction. UNDERCOVER and HOUSE OF DANCE were both named a best of the year by Kirkus and Bank Street. NOTHING BUT GHOSTS, A HEART IS NOT A SIZE, and DANGEROUS NEIGHBORS were critically acclaimed. In October YOU ARE MY ONLY will be released by Egmont USA. Next summer, Philomel will release SMALL DAMAGES. I am at work on a prequel to DANGEROUS NEIGHBORS, a novel for adults, and a memoir about teaching.

Filed Under: essays, nonfiction, purchased, Read in 2015, reviews Tagged With: , ,

Lives of Crime and Other Stories by L. Shapley Bassen

September 9, 2015 by

Source: L. Shapley Bassen
Paperback, 194 pgs.
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Lives of Crime and Other Stories by L. Shapley Bassen is an odd little short story collection in which the characters are hit with an unimaginable situation and they must cope with the ripples that disturbance creates.  Like many short story collections, some stories will resonate more easily than others.  The title story, Lives of Crime, has a surprise ending, while others are a little more predictable and some are cryptic.  Bassen provides a wide range of characters in a variety of dark situations, including one in which a student’s idea could be published under a credentialed professor’s name, rather than his own.

One of the best stories in the collection, Triptych, involves the restoration of artwork and the lonely life one restorer. Once she finds happiness with someone in her building and things seem to be going well, fate intervenes and turns her world upside down.  As echoes of the art world play out in reality, Bassen creates a series of devastating events that could leave some depressed in the corner.  However, like other stories in the mix, the reader is held at arms length from the characters by the narrative style.

Lives of Crime and Other Stories by L. Shapley Bassen is a collection of vignettes in the lives of those who are unaware that their fate is about to be taken out of their hands.  Each story is intriguing, but many felt unfinished or like they had abruptly finished before the reader was satisfied.  However, the unique situations and characters do provide readers with a lot to ponder, particularly about how they would react in similar situations.

About the Author:

L. Shapley Bassen‘s half dozen plays include Atlantic Pacific Press’s 2009 prizewinner, a comedy, The End of Shakespeare & Co , directed by Pulitzer judge George W. Hayden (Audio excerpt published online). Two more prize winners, from the Fitton Center in Ohio, the one-acts Next of Kin and The Reckoning Ball (the day Brooklyn’s Ebbett’s Field was torn down), were produced in 1998 and 1997. Next of Kin has also been published twice recently in Prick of the Spindle and Ozone Park Journal and was produced in 1999 at NYC’s The American Theatre of Actors. Ms. Shapley-Bassen was a 2011 Finalist for the Flannery O’Connor Short Fiction Award, and currently (2013) she is Fiction Editor at The Prick of the Spindle. In 2009, she was on the team of the first 35 readers for successful start-up Electric Literature. She was co-author of a WWII memoir by the Scottish bride of Baron Kawasaki and won a Mary Roberts Rinehart Fellowship. Her stories, book reviews, and poems appear in many lit magazines and zines, including The Rumpus, Horse Less Press, The Brooklyner, Press 1, Melusine, New Pages, and Galatea Resurrects. She is a reluctant ex-pat New Yorker living in Rhode Island, now at work on a new play, Dramatic Anatomy.

Filed Under: ARC, challenges, fiction, New Authors Challenge, Read in 2015, reviews Tagged With: , ,

The Small Backs of Children by Lidia Yuknavitch

September 8, 2015 by

Source: Public Library
Hardcover, 240 pgs
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The Small Backs of Children by Lidia Yuknavitch is carnal and grotesque in ways that are vastly unsettling and may be tough to read for many.  Told from a variety of artistic points of view, the story begins with a young girl whose world is literally atomized in war-torn Eastern Europe and the photograph of her that makes the career of one narrator.  While the girl and the photo play a major role in the story, they are not the crux of Yuknavitch’s story.  They are merely a vehicle through which she explores the selfish need for artistic expression and the distortions that emerge.

“We are who we imagine we are.
Every self is a novel in progress.
Every novel a lie that hides the self.
This, reader, is a mother-daughter story.” (pg. 11)

The narration is urgent, like a slapshot in the gut at nearly every turn. While the writer’s friends and family seek to save the girl from the life she has been thrown into after the death of her family, it is clear that a birth has happened. It is the birth of art within the gruesome world the girl inhabits, and it is the birth of connection beyond art and family ties.  The girl reaches from within and from without to recreate her life to be reborn — not as a victim, but as a warrior.

“Pity the small backs of children, he heard her saying.  They carry death for us the second they are born.” (pg. 59)

The stories that begin at the heart of this girl, like the spokes in a wheel, turn and turn, spiraling out of control on a wagon that is hurtling toward a cliff, unless someone can stop it or redirect it. Will these players be destroyed? Will they be saved? Can this “blast particle … looking for form” endure the weight of these stories and their implications?

The Small Backs of Children by Lidia Yuknavitch pushed the envelope repeatedly, searching for the edge and spilling over it with its haunting images, desperate characters, and narcissistic art-making. It is the crucible of pain and suffering that molds us and pushes us to become, to move beyond the child of mere potential into something more tangible that can be criticized and critical. This crucible does not define us, however, unless we allow it to, and Yuknavitch is shoving readers toward a greater understanding of art and themselves.

**Beth Kephart reviewed this book, and I just had to get it from the library.***

About the Author:

Lidia Yuknavitch is the author of the widely acclaimed memoir The Chronology of Water and the novel Dora: A Headcase. Her writing has appeared in the Atlantic, the Iowa Review, Mother Jones, Ms., the Sun, the Rumpus, PANK, Zyzzyva, Fiction International, and other publications. She writes, teaches and lives in Portland, Oregon with the filmmaker Andy Mingo and their renaissance man son Miles. She is the recipient of the Oregon Book Award – Reader’s Choice, a PNBA award, and was a finalist for the 2012 Pen Center creative nonfiction award. She is a very good swimmer.

 

 

 

 

Filed Under: 2014 War Challenge With a Twist, borrowed copy, challenges, fiction, Harper Collins, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2015, reviews Tagged With: , ,

The Race for Paris by Meg Waite Clayton

September 4, 2015 by

tlc tour host

Source: TLC Book Tours
Hardcover, 336 pgs.
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The Race for Paris by Meg Waite Clayton is riveting from the start and a careful blend of fact and fiction about WWII and the female reporters and photographers who were often relegated to the field hospitals and sidelines while their male counterparts were allowed closer to the front and on reconnaissance missions.  Clayton’s characters tough cookies, and they have to be as they face the possibility of death once they’ve ignored their orders to remain at the field hospital.  Liv Harper, an Associated Press photographer know for her blurred faces, and Jane, a reporter for the Nashville Banner, find themselves accompanied by Fletcher, Liv’s husband’s friend.  Fletcher is a British military photographer who often goes it alone in the field to gather intelligence with his photos for the Allied forces, but he’s had a flame burning for Liv ever since he met her.  This unlikely trio is determine to make it to Paris before the other reporters to photograph and tell the tale of its liberation.

“That was the way it was, covering war.  The little bits of detail you could get on paper or on film were just that, little bits that didn’t tell the whole story.  And you couldn’t possibly capture the whole of it no matter how far back you stepped.” (pg. 217 ARC)

Liv has secrets too, and only Jane is aware of some of them.  While Fletcher and Liv are striving toward the front as if chased by ghosts, Jane is tagging along, not so much for the good of her career as someone who cushions the blows that they receive along the way.  She becomes the sounding board for each of them, while she keeps her own council.  Jane is a strong woman, though timid, while Liv is a wild wire set to explode.  Fletcher has taken it upon himself to protect them both, though his desire for Liv often steers him into danger.  While Clayton’s triangle here could be construed merely as a romantic tug-of-war, it is isn’t.  There are more nuanced dynamics at play here, as WWII has touched Fletcher and Liv in very different ways and Jane is observing it as it plays out.

The Race for Paris by Meg Waite Clayton looks through the lens of journalists during one of the most sweeping, horrifying, and tense wars in our world history to provide an encapsulated view of the fighting, the discrimination against female journalists, and the battles dedicated people had to endure to achieve their goals.

About the Author:

Meg Waite Clayton is the New York Times bestselling author of four previous novels: The Four Ms. Bradwells; The Wednesday Sisters; The Language of Light, a finalist for the Bellwether Prize; and The Wednesday Daughters. She’s written for the Los Angeles Times, the New York Times, the Washington Post, the San Jose Mercury News, Forbes, Writer’s Digest, Runner’s World, and public radio. A graduate of the University of Michigan Law School, she lives in Palo Alto, California.

Find out more about Meg at her website, and connect with her on Facebook and Twitter.

 

 

 

 

Filed Under: 2015 War Through the Generations - Read Any War, ARC, challenges, fiction, Harper Collins, historical fiction, New Authors Challenge, Publishers/Publicists, Read in 2015, reviews, tlc book tours Tagged With: ,

The Story of Beautiful Girl by Rachel Simon (audio)

September 3, 2015 by

Source: Hachette
Audiobook, 12 hours
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The Story of Beautiful Girl by Rachel Simon, narrated by Kate Reading, is rough story with a shining light of hope at its center.  Beautiful girl, who has a developmental disability, meets a deaf African-American man at the School, which is really just an institution for disabled people, in 1968.  Spanning about 40 years, readers are taken on a mysterious journey with beautiful girl, Lynnie, and with Homan as they seek to achieve self-actualization, while still hoping that their dearest wishes will come true.  After a fateful escape from the school and leaving her baby with Martha at a farmhouse nearby, Lynnie is recaptured and returns under the secret tutelage of Kate, who helps her learn to speak again.  As Lynnie grows as an artist and as a young woman, she still harbors the desire to see the man she loved, even though she did not know his name, and her baby again.

Lynnie and Homan are drawn incredibly well and with a compassionate hand by Simon, and the narration by Kate Reading is superb.  Readers will be drawn into their hardships, their hopes, their dreams, and their friendships along the way, and like them, readers will hope for the best possible outcome.  Despite speech difficulties, learning to read, learning sign language, and overcoming harsh disappointments, Lynnie and Homan never become more than human, while they have buried their hopes inside and think about them, they face their disappointments as many of us would.  They despair, they cry, they worry, and they dream.

As a sister of a disabled brother, Simon’s novel hit home in a lot of ways because we knew about these institutions and my parents had decided to keep my brother home and found him area programs that would help him when they could afford them.  The abuse that the disabled suffered in these institutions was nothing short of horrific, and I cannot imagine how my brother would have endured those things.  Lynnie and Homan are discriminated against, made fun of, and more, but its the moments of kindness, compassion, and love that field their journeys.

The Story of Beautiful Girl by Rachel Simon, narrated by Kate Reading, is stunning, compassionate, and emotional.  It is a testament to a world in need of healing and greater inclusion and understanding.  I’m only sorry that it took me so long to listen to this phenomenally touching story.

About the Author:

Rachel Simon is an American author of both fiction and non-fiction. Her six books include the 2011 novel The Story of Beautiful Girl, and the 2002 memoir Riding The Bus With My Sister.

 

About the Narrator:

Kate Reading has been a freelance narrator for over twenty years. She received an Audie Award for Bellwether by Connie Willis; an Audie nomination for The Gathering Storm by Robert Jordan and Brandon Sanderson, recorded with her husband, Michael Kramer; and an Audie nomination for Blow Fly by Patricia Cornwell. She has also received numerous Earphones Awards from AudioFile magazine, which has named her Narrator of the Year and, for two years running, Best Voice in Science Fiction and Fantasy for her narration of Jim Butcher’s Codex Alera series. As Jennifer Mendenhall, she has worked as a stage actor in the Washington, D.C.

Filed Under: audiobooks, challenges, fiction, Hachette Books, New Authors Challenge, Publishers/Publicists, Read in 2015, review copy, reviews Tagged With: , , ,