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Medic Against Bomb: A Doctor’s Poetry of War by Frederick Foote

Source: NetGalley & Grayson Books
eBook, 82 pgs
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Medic Against Bomb: A Doctor’s Poetry of War by Frederick Foote is a collection of poems from a retired U.S. Navy physician, who also is the director of the Warrior Poetry Project at Walter Reed National Military Medical Center.  Beneath the carnage depicted in many of these poems, there is a compassionate undercurrent.  Some of these poems are about the battle scars — physical and emotional — that shape today’s warriors, but they also are about sacrifice, discipline, and human comfort spawned from work on the hospital ship Comfort and the care of sick and wounded Americans.

From “Mountain Burial”

knowing we can’t retrieve
this well that’s now gone dry.
She lives in a field of green
whose thousand blades wave free,
scattered from us by war,
the ender of destinies.

From “Uncle Jim”

They say everything’s been written; it hasn’t.
Darkness and light are vast, and poets have barely begun.
Even when it hides, the hand knows when it’s writing a final death.

Foote’s narrator is a compassionate medic, but he is well aware of the carnage of war, facing it daily in surgeries and helping soldiers come to terms with the losses they have suffered. There is compassion for the soldiers as well as for the enemies, particularly those also marred by war. These poems are less trying to make sense of war, but geared toward demonstrating compassion and understanding. They pay homage to the dead, a way to honor their collective and individual sacrifices. Foote also includes some great notes about the different terms used, including Fedayeen, which refers to a generic fighter, and Mujahadeen, which refers to someone fighting for a religious cause. There also are great tidbits about events that occurred during the war that many may not know, including villagers who tossed unwanted children — particularly those with cognitive disabilities — onto Medevacs to get rid of them (“The War Child”).

Wife on the ICU

I watch at night and walk at dawn
forever in flight like the soul of a bird
the monitor shows a thin green line
I walk at night and watch at dawn
not knowing the end of the road I’m on
down which, possessed by a voice unheard
I watch at night and walk at dawn
forever in flight like the soul of a bird.

Medic Against Bomb: A Doctor’s Poetry of War by Frederick Foote is a collection of poems that is less focused on battles and who the enemy is and more on the compassion necessary to treat those men, women, and children who are scared by war — whether they are soldiers, bystanders, or the enemy. Some poems are better paced than others, but there are some gems that will have readers looking at war with a new perspective.

About the Author:

Frederick Foote is a poet and physician who lives in Bethesda, MD, USA. His work has appeared in Commonweal, JAMA, The Progressive, and many other journals. Click the tabs for a sample of these poems.

 

 

 

 

 

 

 

 

 

 

 

 

 

Vessel: Poems by Parneshia Jones

Source: Milkweed Editions
Paperback, 96 pgs
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Vessel: Poems by Parneshia Jones is a stunning collection that explores the vessels we are given to travel through the world in in a literal and figurative sense.  We are born and given a name, but what do those names come to mean to us and how is that different from the meaning of the name to our parents?  Jones explores the meaning of her own name in “Definition,” after the poetic narrator introduces the girl she believes herself to be at the beginning.  She effectively juxtaposes this carefree and fun-loving girl with the expectations of the name she is given.

From “Girl” (pg 3-4)

daydreaming, pretend out loud
Girl.

Singing off-key, flowing T-shirt hair,
microphone brush and missing front teeth.

From “Definition” (pg.7)

Parnassus …
2. (Literature/Poetry)
a. the world of poetry
b. a center of poetic or other creative activity

Parneshia …
I. 1980–daughter of high school sweethearts (prom queen and football captain).
2. (Woman/Poet)
a. rooted in her Midwest, in her poetry
b. growing up in Mama’s kitchen and stacks of dusty books
3. (Woman/Poet) twenty years later, the Poet searches the
definition of her name … who knew

While she is young, the narrator is content to just be, but as she grows older, she seeks a part of herself that she was unaware of, only to be surprised by how connected she already was.  And as the collection continues through its stages, so too does the evolution of the narrator from a child seeking a fair trade with her friend to switch names because her friend’s name is shorter, until she realizes that names often reflect who we are on the inside.  In this tale of growing up, the narrator becomes a young woman who fondly remembers those who helped her grow, like her grandmother who “lifts the quilt/sewn fifty years ago by her mother, signaling me to join her.”  And that girl slid “into the pocket of the quilt,/letting my grandmother’s hands/cradle me back to child,” ultimately “creating a human quilt.” (page 14-5)  These are the memories she can hold onto when the reality of life hits her hard, and she begins to realize that love and other things are not as they are in the movies.

Jones includes poems that explore what happens when we come of age, but also what we remember about our pasts and how important it is to keep the patchwork of our own family histories intact, just like those in a quilt.  While the larger world remembers the bigger stories of poets pushing the envelope and Blacks who became president, we have to be the ones to record our own histories and remember that we, as vessels, carry all of those stories inside of us and that they are part of who we were, are, and will be.  Vessel: Poems by Parneshia Jones is beautiful, nostalgic, questioning, and lyrical.  Like in “Legend of the Buffalo Poets,” “There is a rumble in his roaming./ Part bison, part thunder,/ he is a stampede of words,/ raising mountains from rooted earth.//” and we should “Love our delirious souls/running wild in this concrete jungle.”  (Litany: Chicago Summers, pg. 60-1)

One of the best poetry collections I’ve read in 2015.

About the Poet:

After studying creative writing at Chicago State University, earning an MFA from Spalding University, and studying publishing at Yale University, Parneshia Jones has been honored with the Gwendolyn Brooks Poetry Award, the Margaret Walker Short Story Award, and the Aquarius Press Legacy Award. Her work has also been anthologized in She Walks in Beauty: A Woman’s Journey Through Poems, edited by Caroline Kennedy and The Ringing Ear: Black Poets Lean South, edited by Nikky Finney. A member of the Affrilachian Poets, she serves on the board of Cave Canem and Global Writes. She currently holds positions as Sales and Subsidiary Rights Manager and Poetry Editor at Northwestern University Press. Parneshia Jones lives in Chicago.

 

 

 

 

 

 

 

 

 

Pictograph: Poems by Melissa Kwasny

Source: Milkweed Editions
Paperback, 80 pgs
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Pictograph: Poems by Melissa Kwasny is a collection of prose poems in which cave drawings, pictographs, and petroglyphs the poet found in Montana come to life.  Readers are looking over her shoulder as she looks closely at these images while she wonders about the people who created them.  We begin near a cave in “Outside the Live Cave Spot” where we observe the opening as “lopsided, irregular dripping down like a lock of hair over someone’s eye.”  Things here are obscured from view, like the picture is not full.  It is just like the narrator of the poem, we get a glimpse of the life that was here, but something has been lost as humanity has moved away from pictorial communication to words on a page and online.  Many of these prose poems examine this sense of loss, a part of our culture that has disappeared into the ether, but it is still with us, as we can imagine and remind ourselves of what those lives must have been like.

From “Pictograph: Bird Site, Maze District” (pg 16)

“We recognize a figure, a brother, a twin, who is punished
for our disabilities, our own strangeness.  We are removed from
our families or we remove ourselves.”

From “Sign With Convergent Nested Elements” (pg 28)

“Sometimes things shine forth with their own
magnitude. Brushstroke of the mountain above the bank. As one ages,
it seems to me, one begins to separate from the body. One sees its frailties, it needs at a remove. Dimly lit, not important to return to.”

The narrator continues on this journey of discovery, which leads her to self-discovery. She examines not only the past, but also the faith it must have taken for those people to have lived and continue onward — a faith that she finds wobbles in herself.  The narrator is discovering more than she bargained for, making connections not only with the past but with the nature present before, like the mountain chickadee who wobbles before her in “The Wounded Bird.”  Here she is identifying with this bird’s struggle for life and noting her own inability to come to terms with god.

Pictograph: Poems by Melissa Kwasny contains some really stunning images and examinations of human evolution and struggle, but readers may connect with just a few poems in the collection at first.  “Kayak,” for instance, is the most removed from the idea of studying these ancient drawings in that the narrator is in the water surrounded by nature, but the effect is similar in that we have the power to blend in or to disturb or even to merely stand out by being ourselves, which can cause others to take flight.

About the Poet:

Melissa Kwasny is the author of the acclaimed poetry collections The Nine Senses (Milkweed Editions, 2011) Reading Novalis in Montana (Milkweed Editions, 2009), The Archival Birds (Bear Star Press, 2000), and Thistle (Lost Horse Press, 2006), which won the Idaho Prize in 2006. She is also the author of Pictograph, forthcoming in 2015. She is the editor of Toward the Open Field: Poets on the Art of Poetry 1800–1950 (Wesleyan University Press, 2004). Widely published in journals, including Willow Springs, Threepenny Review, Ploughshares, Poetry Northwest, Bellingham Review, Crab Orchard Review, and River Styx, she was recently the Richard Hugo Visiting Poet at the University of Montana and a Visiting Writer at the University of Wyoming. Kwasny received the Poetry Society of America’s 2009 Cecil Hemley Award for a series of poems that appears in The Nine Senses. She lives in Jefferson City, Montana.

 

 

 

 

 

The Robot Scientist’s Daughter by Jeannine Hall Gailey

Source: the poet
Paperback, 82 pgs
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The Robot Scientist’s Daughter by Jeannine Hall Gailey, which will be on tour with Poetic Book Tours this month, is a collection that blends invention with a cautionary tale.  Imaginary friends and close connections we make as children often help fill in the holes we have because of our own family dynamics, and the robot scientist and his daughter are no different.  While the scientist experiments for the pure joy of discovery, the consequences of his actions often take a backseat even if those consequences are widely devastating.  In the author’s note, Gailey says, “One reason I wrote this book was to raise awareness that nuclear research is never harmless; that the half-life of the pollution from nuclear sites is longer than most human lifespans; that there is, from reading my father’s research as well as my college classes, no truly safe way to store nuclear waste.” (pg. 6)

These poems will definitely make you think deeper about nuclear research and the effects of not only disposing of waste, but also the impact of atomic bombs and nuclear meltdowns.  Some of Gailey’s signature references to comic book characters and myths are present in these poems if you know where to look, like Dr. Manhattan who found himself transformed by an accident in a lab — an accident that resembles one caused by physicist Louis Slotin — and his modified outlook on humanity, which resembles the attacks of conscience felt by Oppenheimer.  While there are references to the Manhattan nuclear project, the bulk of the collection focuses on the Oak Ridge National Laboratory in Tennessee.

America Dreams of Roswell

The forbidding sugar of hot desert sand
and hallucinations of mushroom clouds

linger in a city where you can still get pie
with a fried egg on top, where you might catch

a glimpse of UFO dazzle, even the lampposts bloom
into alien heads, where barbed wire might keep out enemies

of the American dream, where the tiny famous lizard’s legs
cling to sad, solid rock.  On the Trinity site, that sand

turned to green glass.  The scientists were unsure
about igniting the whole earth’s atmosphere, nevertheless

the violet light demanded goggles; the shadows
of ranch houses burned into the ground.

Like most young girls, our narrator tries to fit in, which is hard in a secretive community where the government has sought waivers from its workers and those living and working in the community cannot speak to anyone about the research being done. Even children get a sense of being cloistered, being penned in.  While some poems are about the past and the nuclear research at the Tennessee labs, some poems take a more recent approach in examining the fallout from the Fukushima disaster, the direct result of a earthquake-generated tsunami.  From butterflies born without eyes to the beautiful disaster that is the art of an explosion, the poet calls into question human curiosity and the vanity that sometimes comes with that, in which the scientist believes only good will result from research and experiments, despite historical evidence to the contrary.

The Robot Scientist’s Daughter by Jeannine Hall Gailey has a gift of putting the bigger questions into a more manageable world within her poems.  From “They Do Not Need Rescue,” “No one needs rescue here in America’s Secret City./…/Not the children/dying of leukemia quietly in hospitals funded/by government grants, uncounted because/their numbers might seem damning.//”  We want to bury our sins and hide from the truth, but it cannot be secreted away, no matter how hard we try.

About the Poet:

Jeannine Hall Gailey is the Poet Laureate of Redmond, WA and the author of Becoming the Villainess, She Returns to the Floating World, and Unexplained Fevers, available spring of 2013. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily, and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, The Iowa Review, and Prairie Schooner. She teaches part-time at National University.

 

 

 

 

 

Paradise Drive by Rebecca Foust

Source: Press 53
Paperback, 114 pgs
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Paradise Drive by Rebecca Foust, selected as the 2015 winner of the Press 53 Award for Poetry, is a collection of contemporary sonnets in which a pilgrim tackles the challenges of the modern world, including debt, divorce, addiction, and more.  Sonnets are one of the more challenging forms of poetry because of their rhythms and rhyme schemes, but Foust is never shy in her word choice nor the selection of each poem’s topic.  Her pilgrim is like Dante in the Divine Comedy, who searches for truth, beauty, and love, but unlike him, those concepts can manifest in very different ways.  In Foust’s modern version, the Pilgrim comes from a place of instability in which her father “smelled like failure because/he could not pay the bills.” (“The Prime Mover,” pg. 15)

From the seven deadly sins overheard at a party to party etiquette, the shallowness of Pilgrim’s cloud is seen through judgmental eyes, even as the Pilgrim seeks solace in the bathroom with the newspaper.  She buries her head in the sand to avoid the realities of the world around her — the lack of depth and mindfulness — and she’s paralyzed with fear and inaction.  The juxtaposition between her upbringing with the new life of high-end parties, among the elite with their own yachts and mansions, is stark.

From “Wrath, Talking about ‘The Change'” (page 10)

‘Menopause is a bitch and, trust me, not
one in heat. Black cohosh and primrose,
soy, and those compounded creams
you rub on your belly. Yuck, and none of it
works–I still hot-flash like a neon sign
in a full grand mal fir, I still rail

From “Indentured” (page 14)

Pilgrim’s own teeth, like her parents’, are soft
as chalk and will not bleach quite white.
She recalls how her father used to swoop
into the room, vanting to suck her blood,
his bridge boiling Polident blue in a cup

The search for more begins as a slow burn as Pilgrim recognizes the folly of the high-end Fifth Avenue “subway coat” and the use of the Escalade to drive the kids to sports.  There is the danger that she will fall in love with that life and all that it offers, even if it is shallow and unfulfilling.  With references to Hamlet and other classics, Foust has created a ripe mixture of classic and contemporary poetry within a classic form, which readers can and will spend hours ruminating over.  The urgent need to undergo a pilgrimage is tempered by Pilgrim’s awareness that the journey will take an emotional, spiritual, and moral toll.  In spite of those challenges, she sets off.

Paradise Drive by Rebecca Foust is a masterful work about the search for meaning in meaninglessness and the search for fulfillment in a world abound with distractions and shallowness.  Foust is a rare talent and her sonnets are masterful, but modern and fresh.

About the Poet:

Rebecca Foust‘s book Dark Card, won the 2007 Robert Phillips Poetry Chapbook and was released by Texas Review Press in June 2008, and a full length manuscript was a finalist in Poetrys 2007 Emily Dickinson First Book Award. Her recent poetry won two 2007 Pushcart nominations and appears or is forthcoming in Atlanta Review, Margie, North American Review, Nimrod, Spoon River Poetry Review, and others.  She also is the new Poetry Editor for Women’s Voices for Change, which will feature a different woman poet (over the age of 40) each week in its “Poetry Sunday” column.

Check out this interview with Rebecca in SFWeekly.  Here’s another review.  For your viewing enjoyment, Foust reads “the fire is falling.”

 

 

 

 

 

 

 

 

 

A Peculiar Connection by Jan Hahn

Source: Meryton Press
Ebook
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A Peculiar Connection by Jan Hahn is a Pride & Prejudice variation that will have readers guessing until the very end, biting their nails as they hope for a happy ending for Mr. Darcy and Elizabeth Bennet.  Lady Catherine de Bourgh shows up on the Bennet doorstep with an ominous warning, that a union between Darcy and Elizabeth would be “a sin against Heaven itself!”  Lizzy’s world is shattered, but she’s unaware how shattered it will become as she’s thrown into Darcy’s path repeatedly and his determination refuses to let what Lady Catherine exposes be reality.  Is he on a fool’s errand to uncover a family secret long buried or is his resolve just what Elizabeth needs to keep hope alive?

“Circumstances can shatter expectations as easily as dropping a china cup upon a slate floor splinters its beauty into misshapen shards of pottery.”

The playful banter between them continues in Hahn’s book, as Lizzy and Darcy try to maintain propriety and adjust to their new reality.  And despite the challenges they face, both are determined to meet the challenge head on, though in different ways.  Lizzy is hopeful that she can learn to accept the revelations of Lady Catherine, while Darcy is determined to disprove them.  Hahn utilizes some of Austen’s iconic characters in new ways and weaves in new characters into a seamless narrative.

“‘You are clever enough.  I believe you will select a name for me.’

‘I suppose there is always “Fitz” or “Fitzy.”‘ I cut my eyes at him to see how he responded to my mockery.

‘I call my cousin “Fitz,” and no one shall ever call me “Fitzy.” I forbid it.'”

A Peculiar Connection by Jan Hahn will take readers on a journey into the illustrious past of Pemberley, through the country and city, and even on a sea voyage to Ireland.  Hahn has done a beautiful job demonstrating the tensions a secret of this magnitude would create between Darcy and Elizabeth, who have only recently become aware of their romantic feelings for one another and begun to hope.  She dashes those hopes quickly, but takes them on a realistic journey that tests their faith in love, romance, and themselves.  It is one of the best variations I’ve read in a long time.

Jan Hahn headshotAbout the Author:

After leaving a long career in the world of business, Jan Hahn began writing stories based on Jane Austen’s Pride and Prejudice in 2002. Her first novel, An Arranged Marriage, was published in 2011 by Meryton Press and won Best Indie Novel from Austen Prose that year. Her second novel, The Journey, was selected by Austen Prose as one of the Top Five Austen Inspired Historical Novels of 2012, and it won the Favorite Pride and Prejudice Variation/Alternate Path award from Austenesque. In 2014, Austen Prose listed Ms. Hahn’s third novel, The Secret Betrothal, among the Best Austenesque Historical Novels. She is a member of JASNA and lives in Texas. Visit her Facebook, her Blog, Meryton Press, and on Goodreads.

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Dorothy Must Die by Danielle Paige

Source: Public Library
Hardcover, 452 pgs
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Dorothy Must Die by Danielle Paige is a twisted rendition of The Wizard of Oz, with a lot of references to the classic movie of the same name starring Judy Garland.  Paige has brought Amy Gumm to Oz the same way that Dorothy arrived, but unlike the happy ending in the story Amy knows, Oz has found itself sapped by Dorothy’s lust for magic.  Given that this is book one in a young adult trilogy, readers can expect that despite the title, obstacles are greater than they first appear and the story will drag on.  However, Paige keeps too much information close to the vest, leaving the main protagonist and the reader too much in the dark.  With the pacing bogging down in parts for extra long training sessions and discussions about things that don’t advance the plot or characterization much, readers may find their mind wandering and wishing Amy would just get on with her mission from the Revolutionary Order of the Wicked.

“I first discovered I was trash three days before my ninth birthday — one year after my father lost his job and moved to Secaucus to live with a woman named Crystal and four years before my mother had the car accident, started taking pills, and began exclusively wearing bedroom slippers instead of normal shoes.” (page 1)

Amy is a young woman with image issues and someone who has spent too much of her young life being an adult when her mother wallowed in her self-pity.  When she arrives in Oz she may seem tough to the munchkins and others, but on the inside she’s unsure of just about everything.  Consistent reminders not to trust anyone force her to rely on herself and her own instincts, which in some cases prove not to be so good.  This journey story is rife with twisted characters from Oz, magic, and indecision, but it also creates an alternate universe that will leave readers wondering what happens next because this is not the story they remember.

“Relying on a rat to guide me through a magic maze pretty much summed up my last twenty-four hours.  I felt out of control, isolated, and uncertain where I was headed.  I plunged forward regardless.  Sometimes the path was narrow and claustrophobic, the hedges so high I couldn’t even see their tops.  Then I’d turn a corner into a sweeping cobblestone boulevard where the topiary walls were short enough that it seemed like I might be able to dive over them with a running start.”  (page 384)

Dorothy Must Die by Danielle Paige, our March book club selection, was an interesting twist on a story many of us already know, and while the book’s twisting of characters worked better for characters like the Scarecrow than they did for the Lion, Paige has built a believable construct from a world consumed by greed.

About the Author:

Danielle Paige is a graduate of Columbia University and the author of Dorothy Must Die and its digital prequel novellas, No Place Like Oz and The Witch Must Burn. Before turning to young adult literature, she worked in the television industry, where she received a Writers Guild of America Award and was nominated for several Daytime Emmys. She currently lives in New York City.

What the Book Club Thought:

We discussed this one and our February pick, The Immortal Life of Henrietta Lacks, at the same meeting.

Everyone seemed to enjoy Skloot’s book and we had a great discussion about medical ethics and privacy as well as whether we’d want our names to be known if our cells ended up helping cure disease or wipe out the human race.  It was a lively discussion, even with those who did not have a chance to read the book.

Most people liked Dorothy Must Die for the most part, though several said the pacing was off and a couple members mentioned that the best drawn of the characters was the Scarecrow.  Some expressed an interest in reading the second book in the series, but we’ll have to wait until next month’s nomination period to see if that happens.  Otherwise, some will likely read the second book on their own.

Ella by Mallory Kasdan, illustrated by Marcos Chin

Source: Viking
Hardcover, 56 pgs
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Ella by Mallory Kasdan, illustrated by Marcos Chin, is a cute story about a six-year-old girl who lives in a hip hotel and who has a male nanny.  Ella is precocious and smart, but she’s also curious and mischievous.  She’s clearly a handful for her male nanny, and I don’t think that would be any different for any other nanny.  Kasdan packs in a lot of information in short lines and images, with Ella engaged in recycling and using technology on a regular basis, but she also loves to jam and create music.  Chin’s images are alive with character and musicality through his use of color and shape.  The book is visually and verbally engaging, and what’s best is that the words used throughout the book are easy to follow for readers who are just learning words by sight and reading with their parents.

Kasdan’s story may seem a little fanciful, especially as Ella does things that many 6 year olds wouldn’t be able to do or even be allowed to do.  To think that she wouldn’t is false, however, given that children are inquisitive and adventurous, willing to go with the flow and try anything they find interesting.  As long as kids are engaged, they are all about the task at hand and even tasks that are not necessarily for them.

Ella by Mallory Kasdan, illustrated by Marcos Chin, is a fun read for little girls that have big dreams, and I hope that there are more books on the horizon with this quirky, fun, and intelligent little girl.  A lot of what goes on and the characters she meets are more than their appearances convey, and that’s a great lesson for kids to learn.

About the Author:

Mallory Kasdan is the author of ELLA, which will be published by Viking Children’s Books in January of 2015. The grooviest six year old since Eloise ruled The Plaza in the 1950’s, ELLA lives at The Local Hotel with her Manny, her pets and her scooter.  She is artsy, of course.  

Mallory is also a professional voice actor for television and radio, represented by Don Buchwald and Associates.  She writes essays about parenting and has produced arts & culture pieces for public radio. Once upon a time Mallory was a book publicist and accompanied RuPaul on a 5-city book tour. Mallory lives in Brooklyn with her family, not in a hotel and with no room service to speak of.  

About the Illustrator:

Marcos Chin is an illustrator living in Brooklyn. His drawings have appeared inmagazines, book covers, and advertisements in the USA and around the world. Whenever possible he tries to sneak his two dogs, Shalby and Rita, into his drawings. Marcos teaches illustration at the School of Visual Arts in New York. Visit his website.

Doll God by Luanne Castle

Source: Poet Luanne Castle and Poetic Book Tours (my online tour company)
Paperback, 82 pages
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Doll God by Luanne Castle reflects on the passage of time and the impressions we leave behind.  Imagine the dolls you or your sisters or friends had as children and how much they were loved and cared for … imagine the stories that were created for them and the lives they shared.  Now, imagine what has become of those dolls, where are those talismans of hope and joy?  Are they buried in an attic or a closet, were they left behind in a field to become so much detritus?  Is that all they are?

from “Debris” (page 57)

And now, I can’t get the image
out of my mind:
dried paint chipping,
the spread of mold pockmarks,
velour paper edges fraying, canvas rips, a gradual
flaking into sand, then dust sifting down
to be layered over by debris
of another generation
always the shifting sand
like a dust storm

Castle asks these questions and more in her collection, seeking answers to how our pasts are shaping us even now and how those pasts have faded with the passage of time.  From large toddler dolls to doll gods, Castle evokes an adult sensibility within a child-like wonder, and the anxiety that raises up in the verse is tangible, just as the fear of time passing too quickly can hit us when we least expect it.  She causes us to reflect on our triumphs, our past joys and innocence, as well as to let it go into the ether to be rewritten by future generations.

This emotional collection will take a toll on its readers, but the journey will leave them changed in terms of perspective and renewed in that they will want to live more fully and enjoy each moment in the moment.  Reading these poems once will reflect one meaning, but upon subsequent readings, the poems leave readers to ruminate on their own lives.  Doll God by Luanne Castle is multi-layered, with bright spots in the darkness of loss.  Castle has a wide range and more great things are sure to come from this poet.

About the Poet:

Luanne Castle has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and Creative Writing at the University of California, Riverside; Western Michigan University; and Stanford University. Her poetry and creative nonfiction have appeared in Barnstorm Journal, Grist, The Antigonish Review, Ducts, TAB, River Teeth, Lunch Ticket, Wisconsin Review, The MacGuffin, and other journals. She contributed to Twice-Told Children’s Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. Luanne divides her time between California and Arizona, where she shares land with a herd of javelina.  Follow her on Twitter.

 

 

 

 

The Immortal Life of Henrietta Lacks by Rebecca Skloot (audio)

Source: Public Library
Audiobook, 12.5 hours
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The Immortal Life of Henrietta Lacks by Rebecca Skloot, narrated by Cassandra Campbell and Bahni Turpin, was our February book club selection.  Henrietta Lacks was a black woman who felt something was wrong, some lump was growing insider her, and that lump she had was eventually diagnosed as a kind of cervical cancer.  Her treatment commenced, but she bore it all on her own, telling very few in her family about it.  She also continued to bear children throughout the process.  Lacks has since become immortal in that her cancerous cells were collected and cultivated by scientists and renamed HeLa.  Those cells were used in the fight against polio and a number of other diseases.  While she was unable to see the fruits of her cells’ labors, she is in a way immortal.

Rebecca Skloot injects herself into this narrative, which becomes part memoir as she recounts her interactions with Lacks’ children, especially Deborah.  Skloot discovered that this family had been bombarded by requests for information long before she decided to write a book about Lacks and her cells, which had made them less than willing to speak to her.  Despite the many set backs and the paranoia that often ruled Deborah’s reactions to her questions, Skloot made headway and even took family members on road trips in ways that brought the true past of their mother back to the family.  In many ways, this is not just a story about Henrietta Lacks, how her cells helped science and cured disease, or about medical ethics, but it also is a story about a family regaining its connections and its past.

The audio production was well done, especially differentiating between Deborah’s thoughts and that of the author, making them easily discernible.  This audiobook also included an interview with the author about her research and her interactions with the Lacks family, as well as her writing process, which was fascinating.  And although the story shifts from the past to the current research, the book’s narrative flows well and is immediately engaging for those with an interest in science, medical research, and the history of HeLa.  But even then, this is a human interest story about how a family struggles to learn about their mother and her cells and what happened in the past.

The Immortal Life of Henrietta Lacks by Rebecca Skloot, narrated by Cassandra Campbell and Bahni Turpin, packs a punch — hitting the heart of medical research and the debate about who cells belong to, what rights patients have to their own cells, whether there should be more restrictions on their use, and whether compensation should be offered to those who donate their cells.

About the Author:

Rebecca Skloot is the author of the #1 New York Times Bestseller, The Immortal Life of Henrietta Lacks. Her award winning science writing has appeared in The New York Times Magazine; O, The Oprah Magazine; Discover; and many other publications. She specializes in narrative science writing and has explored a wide range of topics, including goldfish surgery, tissue ownership rights, race and medicine, food politics, and packs of wild dogs in Manhattan. She has worked as a correspondent for WNYC’s Radiolab and PBS’s Nova ScienceNOW.

Book Club had to be postponed due to a snowstorm, but I cannot wait for the discussion in March!

The Trigger by Tim Butcher (audio)

Source: Public Library
Audiobook, 10 hrs.
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The Trigger: Hunting the Assassin Who Brought the World to War by Tim Butcher, narrated by Gerard Doyle, is a mixture of travelogue and a sort-of-biography of Gavrillo Princip, the man who killed Archduke Franz Ferdinand and set the wheels in motion for World War I.  Princip has been considered a radical in many texts, but Butcher seeks to remedy that image and bring to life a more rounded view of the assassin, who eagerly sought the unification of the Slav people in a single nation of their own.

Butcher travels as Princip had traveled from his days growing up and in school and until he joins a group aimed at creating a unified nation free from foreign rule.  Moving from the feudal frontier village of his birth through the mountains in the northern Balkans to Belgrade and Sarajevo where Ferdinand was murdered.  While the story of Princip is engaging, the constant reflections on Butcher’s life as a war reporter in the 1990s during a more modern war in Bosnia draws parallels while pulling readers out of the story about the assassin.  Butcher meets some well-meaning people on his journey and some have no information about Princip, while others have pre-formed perceptions of the teen.

Doyle does an excellent job narrating and maintains the readers attention with his inflections and enthusiasm for the subject.  Butcher’s reminiscences about growing up in Britain after WWI and reporting on modern war are distracting.  The most interesting parts of the story are obscured by the travelogue for the most part and could have been reduced significantly to ensure the history shines through.  Readers interested in the history of the region and why Princip assassinated Ferdinand would be better served by another account of the man’s actions.  The Trigger: Hunting the Assassin Who Brought the World to War by Tim Butcher, narrated by Gerard Doyle, takes too much time outlining the travels of Butcher and his past, focusing merely one-third on Princip, how he was shaped, and why he assassinated the archduke.

About the Author:

Tim Butcher is a best-selling British author, journalist and broadcaster. Born in 1967, he was on the staff of The Daily Telegraph from 1990 to 2009, covering all major conflicts across the Balkans the Middle East and Africa. Recognised in 2010 with an honorary doctorate for services to journalism and writing, he is based with his family in the South African city of Cape Town.

Scent of Butterflies by Dora Levy Mossanen

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Source: TLC Book Tours and Sourcebooks
Paperback, 288 pgs
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Scent of Butterflies by Dora Levy Mossanen is a novel of vengeance as an Iranian Jewish woman, Soraya, convinces her husband, Aziz, to let her go to America on an assignment.  As with many revenge tales, Soraya spends a great deal of time building her trap, complete with sweet nectar, only to find herself ensnared in her own web.  Readers will be holding their breath as she weaves her garden of plants in America, making it lush and beautiful to attract her prey.  She spends most of her days cultivating the land around her and taking photographs of American and Iranian men to make her husband jealous.

“Humans get buried under earthquake rubble, break their bones in tornadoes, drown in stormy seas.  Butterflies, despite their fragility, are hardly affected by most of these natural disasters.  Not only that, they are capable of migrating unimaginable distances.  They simply float with the wind, staying on track with uncanny tenacity until they arrive at their intended destination, just as my friend did.”  (page 50)

Growing up in Iran and enjoying certain freedoms, Soraya is taught to become independent, but once those freedoms are taken away following the revolution, she has little choice but to obey the strict tenants of her religion.  Her Baba has called her an artist since she was a little girl, but like many things in her life, there is an undercurrent of deception.  As she flees Iran and her pain, she tries on new identities before settling back into her own.  Readers will be at once baffled by her actions and heartbroken for her, but will they understand that this passionate woman has lost her entire world when her husband betrays her with another woman?  Sympathy from the reader can be a tough balance in a story of revenge, but Mossanen has created a character bucking the repression of her culture and the tumultuous nature of a country with conflicting identities.

Scent of Butterflies by Dora Levy Mossanen is complex and a lush novel for the senses that will have readers debating how far a woman scorned would go to right a betrayal and how far she would go to retain her freedom.  Very well written and absorbing, readers will be attracted by the decadent honey in Soraya’s web.

About the Author:

Dora Levy Mossanen was born in Israel and moved to Iran when she was nine. At the onset of the Islamic revolution, she and her family moved to the United States. She has a bachelor’s degree in English Literature from the University of California-Los Angeles and a master’s in Professional Writing from the University of Southern California.

Dora is the bestselling author of the acclaimed novels Harem, Courtesan, and The Last Romanov. Her fourth and most provocative book, Scent of Butterflies, was released January 7, 2014. She is a frequent contributor to numerous media outlets including the Huffington Post and the Jewish Journal. She has been featured on KCRW, The Politics of Culture, Voice of Russia, Radio Iran and numerous other radio and television programs. She is the recipient of the prestigious San Diego Editors’ choice award and was accepted as contributor to the Bread Loaf Writers’ Conference. Dora Levy Mossanen’s novels have been translated into numerous languages world-wide.