Quantcast

Bless the Daughter Raised by a Voice in Her Head by Warsan Shire

Source: NetGalley
Paperback, 96 pgs.
I am an Amazon Affiliate

Bless the Daughter Raised by a Voice in Her Head by Warsan Shire is a collection that pushes readers to their limits with her beautiful, tragic poems. Their dark beauty with their sometimes violent images reach inside us, pull out our hearts, and ring them until there is little left but open love and empathy.

In the opening poem, “Extreme Girlhood,” the birth of a girl is a sign that suffering is to come, whether it is from parental expectation, abuse from within the home, and other malodorous events. But “Mama, I made it/out of your home/alive, raised by/the voices/in my head.//” the narrator reminds readers that there is another side to that dark tunnel. In this poem, Shire has set up the reader for a wild, emotional ride, but if we can just hold onto that hope, we’ll be OK.

Part poetry collection about abuses and darkness, part collection about accepting the people we are, Shire is unafraid to call out our platitudes and attitudes:

From "Assimilation"

...
The refugee's heart has six chambers.
In the first is your mother's unpacked suitcase.
In the second, your father cries into his hands.
The third room is an immigration office, 
your severed legs in the fourth,
in the fifth a uterus -- yours?
The sixth opens with the right papers.

I can't get the refugee out of my body,

There is always that push and pull between the homeland of the past (a home nostalgia tells us is placid) and the new home refugees are seeking (a home that is not as welcoming as expected, if at all). Shire tells us in “Home” to remember that “No one leaves home unless home is the mouth of a shark. You only run for the border when you see the whole city running as well.” and “No one would leave home unless home chased you.” When times are troubling, refugees sometimes would love to return home, but “home is the mouth of a shark. Home is the barrel of a gun.”

Unbearable Weight of Staying

I don't know when love became elusive.
My mother's laughter in a dark room.

What I know is that no one I knew had it.
My father's arms around my mother's neck.

A door halfway open.
Fruit too ripe to eat.

Shire infuses her poems with her Somali culture, paying homage to rituals and loved ones, while at the same time exploring the struggles of her homeland with famine, the murder of women, kidnappings, and more.

 Filial Cannibalism

From time to time
mothers in the wild
devour their young,
an appetite born of
pure, bright need.
Occasionally,
mothers from ordinary
homes, much like our
own, feed on the viscid
shame their daughters
are forced to secrete
from glands formed
in the favor of men.

Bless the Daughter Raised by a Voice in Her Head by Warsan Shire is a stunning collection in which “the trapdoor to heaven/opens its mouth” and “girlhood an incubation for madness.” There are so many themes in these poems from racism to gender bias, but is Shire’s search for grace that holds these poems together.

RATING: Cinquain

About the Poet:

Warsan Shire is a 24 year old Kenyan-born Somali poet, writer and educator based in London. Born in 1988, Warsan has read her work extensively all over Britain and internationally – including recent readings in South Africa, Italy, Germany, Canada, North America and Kenya- and her début book, ‘TEACHING MY MOTHER HOW TO GIVE BIRTH’ (flipped eye), was published in 2011. Her poems have been published in Wasafiri, Magma and Poetry Review and in the anthology ‘The Salt Book of Younger Poets’ (Salt, 2011). She is the current poetry editor at SPOOK magazine. In 2012 she represented Somalia at the Poetry Parnassus, the festival of the world poets at the Southbank, London. She is a Complete Works II poet. Her poetry has been translated into Italian, Spanish and Portuguese. Warsan is also the unanimous winner of the 2013 Inaugural Brunel University African Poetry Prize.

Mailbox Monday #635

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has it’s own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Leslie, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

This is what we received:

Born in a Second Language by Akosua Zimba Afiriyie-Hwedie from NetGalley.

Born in a Second Language investigates how translation shapes and alters both language and identity as speakers travel through space and time.

In this book, languages are a means of conjuring an existence, of full expression and of defining who one becomes. Home exists on a spectrum: Botswana, Zambia, Ghana, one’s body, music, mother, mother tongue etc.

Akosua Zimba Afiriyie-Hwedie’s book is an exploration of African and female identity, navigating what it means to be in-between identities, languages and homes and how those in-between spaces brush up against each other, and are in themselves, a home too.

Home Is Not a Country by Safia Elhillo from NetGalley.

“Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X

From the  acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home.

my mother meant to name me     for her favorite flower
its sweetness     garlands made     for pretty girls
i imagine her    yasmeen     bright & alive
& i ache to have been born her     instead

Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn’t different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can’t, and suddenly her only refuge is gone.

As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows.  And the life Nima wishes were someone else’s. . . is one she will need to fight for with a fierceness she never knew she possessed.

HOWEVER, we do need another host for MM.

We’re looking for a new host to help us with Mailbox Monday — if you have experience with WordPress or Mr. Linky, feel free to apply.

What did you receive?

African American Poetry: 250 Years of Struggle and Song edited by Kevin Young

Source: NetGalley

Ebook, 1170 pgs.

I am an Amazon Affiliate

African American Poetry: 250 Years of Struggle and Song edited by Kevin Young is a compendium like no other, exploring the wide breadth of African American poetry from songs to poems and much more. There are eight sections in this collection and there are the familiar, often anthologized poems we’ve come to know, but there are also the unfamiliar poets who have been obscured by American culture for far too long. The struggle is real and it continues 250 years later, and it will likely continue into the next several decades (I’m being optimistic — I would like to see less struggle sooner).

“For African Americans, the very act of composing poetry proves a form of protest,” says Kevin Young in the introduction. From Phillis Wheatley and Lucy Terry, whose untitled poem “Bars Fight” was first composed orally and shared for generations before being in print, to the present day poets, Young says the collection covers those who experienced bondage first hand, modernist movement, the Harlem Renaissance, the Chicago Renaissance, wartime and postwar poets, Beat poets, political poets, poems about ancestry, and so much more. Young says the collection contains “poems we memorize, pass around, carry in our memory, and literally inscribe in stone.” Folk songs, ballads, and poems that have never been published. You can imagine the treasure trove within these pages.

Normally, I would share excerpts from this collection but I prefer that you discover these for yourself. I want you to journey into the African American Poetry: 250 Years of Struggle and Song edited by Kevin Young on your own without preconceived notions of what you’ll find there. There is so much more than Langston Hughes. This is a collection that should be brought to classrooms as young as elementary schools. These are the poems and truths that need to be taught so that we can learn from the past and move forward as a nation to a brighter future.

RATING: Quatrain

Mailbox Monday #588

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has it’s own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Leslie, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what we received:

African American Poetry: 250 Years of Struggle and Song edited by Kevin Young from NetGalley.

A literary landmark: the biggest, most ambitious anthology of black poetry ever published, gathering 250 poets from the colonial period to the present

Only now, in the 21st century, can we fully grasp the breadth and range of African American poetry: a magnificent chorus of voices, some familiar, others recently rescued from neglect. Here, in this unprecedented anthology expertly selected by poet and scholar Kevin Young, this precious living heritage is revealed in all its power, beauty, and multiplicity. Discover, in these pages, how an enslaved person like Phillis Wheatley confronted her legal status in verse and how an antebellum activist like Frances Ellen Watkins Harper voiced her own passionate resistance to slavery. Read nuanced, provocative poetic meditations on identity and self-assertion stretching from Paul Laurence Dunbar to Amiri Baraka to Lucille Clifton and beyond. Experience the transformation of poetic modernism in the works of figures such as Langston Hughes, Fenton Johnson, and Jean Toomer. Understand the threads of poetic history—in movements such as the Harlem and Chicago Renaissances, Black Arts, Cave Canem, Dark Noise Collective—and the complex bonds of solidarity and dialogue among poets across time and place. See how these poets have celebrated their African heritage and have connected with other communities in the African Diaspora. Enjoy the varied but distinctly Black music of a tradition that draws deeply from jazz, hip hop, and the rhythms and cadences of the pulpit, the barbershop, and the street. And appreciate, in the anthology’s concluding sections, why contemporary African American poetry, amply recognized in recent National Book Awards and Poet Laureates, is flourishing as never before. Taking the measure of the tradition in a single indispensable volume, African American Poetry: 250 Years of Struggle and Song sets a new standard for a genuinely deep engagement with Black poetry and its essential expression of American genius.

What did you receive?

Tapping Out by Nandi Comer

Source: NetGalley
Ebook, 96 pgs.
I am an Amazon Affiliate

Tapping Out by Nandi Comer relies heavily on imagery and language tied to lucha libre, or Mexican freestyle wrestling, as she explores the roles of identity, changes in our identities, and the masks that we often wear when faced with violence, trauma, and other situations. The poems are like the high-flying maneuvers of the wrestlers in lucha libre and many times Comer references the colorful masks of the wrestler-narrators in the poems to explore unsettling realities of migrant and immigrant experience. There are bumps and bruises along the way, and it’s hard to turn away from Comer’s poems. Reality is harsh and she displays it all.

From "Rudo"

I am always undoing the language of my body.
my arms, my hair say
Black. Dark. English only.

From “Tecnico :La Mascara,” “In a year you can go to a mall or grocery store, walk through the dust of a market and everyone will know the bottom lip and callused forehead I have kept so long inside. M’hijo, before I let go of your face, someone will have to rip me apart.” Here the wrestler is concerned about how they will be remembered and how long it will take them to return to regular society because to be unmasked in the ring is career ending. There is a deep exhaustion throughout these poems — whether exhaustion from the identities assumed and being outside of the true self or from the fighting for just a piece of happiness and fleeting joy. But the wrestlers, just like the immigrants and minorities, do not have the option of “tapping out” from their lives. They have no choice but to keep fighting — or face death head on.

Tapping Out by Nandi Comer is a collection of narrative poems that melds the Mexican wrestling world with the realities of immigrants and minorities. It’s match after match, fear around the corner at every turn, and constant exhaustion in fighting to live. To ignore these narratives, is to ignore the humanity of all of us. To ignore the injustices of the world, is to be an ostrich with its head in the sand.

RATING: Quatrain

About the Poet:

NANDI COMER received a joint MFA/MA in Poetry and African American and African Diaspora Studies at Indiana University. She has received fellowships from the Callaloo Creative Writing Workshop, Cave Canem, Vermont Studio Center, and Virginia Center for the Arts. Her poems have appeared in Detroit Anthology (Rust Belt Chic Press, 2014), Blue Shift Journal, Crab Orchard Review, Green Mountains Review, Pluck!, Prairie Schooner, and Southern Indiana Review.

Photographs from the Edge: A Master Photographer’s Insights on Capturing an Extraordinary World by Art Wolfe, Rob Sheppard

Source: NetGalley
ebook, 288 pgs.
I am an Amazon Affiliate

Photographs from the Edge: A Master Photographer’s Insights on Capturing an Extraordinary World by Art Wolfe, Rob Sheppard, which will be published in September 2016, is stunning. Wolfe is a clear talent at capturing nature, tribes, and animals and his composition is unique and lively. It’s clear that the equipment he uses and his forethought about the scene enable him to capture even unexpected beauty. Rather than work as a career photojournalist, he has taken a harder, more independent path. While this has left him to be creative and take on projects that others might not, it also has some consequences, such as not being in his home more than he is on the road. However, it is a choice he never regrets, and readers will see why when they view the phenomenal images in this book.

His love of photography is infused in every picture he takes, and it is these pictures that enable us to put ourselves in different locations and view them as they are, without industry and interference from the modern world.  Even photos at a distance are created with composition, lighting, and subject in mind.  It is clear that he loves what he does, and he equally loves the subjects, shining a new light on even the ones most photographed, like penguins.  Photographs from the Edge: A Master Photographer’s Insights on Capturing an Extraordinary World by Art Wolfe, Rob Sheppard is a book that everyone will want to have in hardcover to cherish Wolfe’s art — to hold it, to view it up close, and to reach inside and experience the world through his eyes.

RATING: Cinquain

About the Photographer:

The son of commercial artists, Art Wolfe was born in 1951 in Seattle, Washington, and still calls the city home. He graduated from the University of Washington with Bachelor’s degrees in fine arts and art education in 1975. His photography career has spanned five decades, a remarkable testament to the durability and demand for his images, his expertise, and his passionate advocacy for the environment and indigenous culture. During that time he has worked on every continent, in hundreds of locations, and on a dazzling array of projects. You can view his stunning photographs online and buy.

Lost and by Jeff Griffin

Source: NetGalley
eBook, 170 pgs
I am an Amazon Affiliate

Lost and by Jeff Griffin, published by University of Iowa Press, feels more like a scrapbook than a poetry collection, and while there were poems included, most everything in the book are scraps he gleaned from his travels into the desert. Some of these pieces are lists, photos, and other scraps, including a letter from a woman to her alcoholic partner. While these items may reflect communities that have once thrived in the desert and are now abandoned, the collection is not what most readers would expect and there is little to link these pieces together.

From GoodReads:

Ever since he was a child sitting in the back of his parents’ car, Jeff Griffin has been taking explorative journeys into the desert. In 2007, as an art student, he started wandering the back roads of the Mojave Desert with the purpose of looking for a place to reflect in the harshly beautiful surroundings. What he found were widely scattered postmodern ruins—abandoned trailers and campers and improvised structures—whose vanished occupants had left behind, in their trash, an archaeological record.

While Griffin’s efforts to create an artistic rendering of these emptied communities, trailers, and lives, the pieces could have been better tied to one another with some text, explanation, or other commentary from Griffin. In many ways, the collection could have benefited from a demonstration of how Griffin was influenced or inspired by these pieces to create his own art — though the book itself is his modern art from those journeys into the Mojave Desert. Lost and by Jeff Griffin, published by University of Iowa Press, just didn’t work for me, but perhaps I’m not the target audience for this one.

About the Poet:

Jeff Griffin is a graduate of the Iowa Writers’ Workshop and an associate at Griffin Moss Industries, Inc., and he operates the publishing house Slim Princess Holdings. He lives around Nevada.

Medic Against Bomb: A Doctor’s Poetry of War by Frederick Foote

Source: NetGalley & Grayson Books
eBook, 82 pgs
I am an Amazon Affiliate

Medic Against Bomb: A Doctor’s Poetry of War by Frederick Foote is a collection of poems from a retired U.S. Navy physician, who also is the director of the Warrior Poetry Project at Walter Reed National Military Medical Center.  Beneath the carnage depicted in many of these poems, there is a compassionate undercurrent.  Some of these poems are about the battle scars — physical and emotional — that shape today’s warriors, but they also are about sacrifice, discipline, and human comfort spawned from work on the hospital ship Comfort and the care of sick and wounded Americans.

From “Mountain Burial”

knowing we can’t retrieve
this well that’s now gone dry.
She lives in a field of green
whose thousand blades wave free,
scattered from us by war,
the ender of destinies.

From “Uncle Jim”

They say everything’s been written; it hasn’t.
Darkness and light are vast, and poets have barely begun.
Even when it hides, the hand knows when it’s writing a final death.

Foote’s narrator is a compassionate medic, but he is well aware of the carnage of war, facing it daily in surgeries and helping soldiers come to terms with the losses they have suffered. There is compassion for the soldiers as well as for the enemies, particularly those also marred by war. These poems are less trying to make sense of war, but geared toward demonstrating compassion and understanding. They pay homage to the dead, a way to honor their collective and individual sacrifices. Foote also includes some great notes about the different terms used, including Fedayeen, which refers to a generic fighter, and Mujahadeen, which refers to someone fighting for a religious cause. There also are great tidbits about events that occurred during the war that many may not know, including villagers who tossed unwanted children — particularly those with cognitive disabilities — onto Medevacs to get rid of them (“The War Child”).

Wife on the ICU

I watch at night and walk at dawn
forever in flight like the soul of a bird
the monitor shows a thin green line
I walk at night and watch at dawn
not knowing the end of the road I’m on
down which, possessed by a voice unheard
I watch at night and walk at dawn
forever in flight like the soul of a bird.

Medic Against Bomb: A Doctor’s Poetry of War by Frederick Foote is a collection of poems that is less focused on battles and who the enemy is and more on the compassion necessary to treat those men, women, and children who are scared by war — whether they are soldiers, bystanders, or the enemy. Some poems are better paced than others, but there are some gems that will have readers looking at war with a new perspective.

About the Author:

Frederick Foote is a poet and physician who lives in Bethesda, MD, USA. His work has appeared in Commonweal, JAMA, The Progressive, and many other journals. Click the tabs for a sample of these poems.