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Astride a Pink Horse by Robert Greer

Astride a Pink Horse by Robert Greer is a thrilling ride steeped in the mystery of the west and its ties to the Cold War and nuclear missiles.  Elgin “Cozy” Coseia and Freddie Dames are college buddies who were drafted to major league baseball teams before an accident stopped Cozy’s career very short and they went into business as journalists in Denver.  A murder of a former Air Force Master Sergeant Thurmond Giles, a former nuclear-missile maintenance technician, has these boys running the bases faster than they ever did in college baseball, as they play tag with local law enforcement in Wyoming and team up with Major Bernadette Cameron of the Air Force.  The back-and-forth investigation has the journalists and Cameron working closer than her superiors want her to be, but a murder and possible national security breach are at the top of all of their agendas.

Greer intricately weaves in the story of the murder with anti-nuclear protesters from the 50s and 70s, a WWII Japanese-American internment camp survivor, and a hospital equipment transporter into the story in a way that keeps readers guessing as to how they are all connected to one another and possibly the murder.  Giles is far from well liked by anyone given his large ego and his womanizing, and navigating civilian and military investigations into not only the security breach at Tango-11 a decommissioned missile silo, but also the murder of Giles.

“‘As the pitiful-looking beast approached me, faltering with each step, I realized that it was carrying a rider who was charred almost black from head to toe.  I watched for a few moments as animal and rider, unaware of my presence, veered to my left and walked toward the river to disappear into the yellow haze.  Thoughts of my wife and children, coworkers and countrymen, worked their way through my head, but it was the image of the charbroiled rider astride a pink horse that stayed with me the rest of the day.'” (page 159 ARC)

Greer’s characters are eccentric and downright odd at times, especially WWII Japanese-American internment camp survivor Kimiko Takata who’s battling dementia and her nephew Rikia, who is paranoid that his math colleagues are eager to steal his work and ultimately the glory that he knows it will come with.  Egos are big with some of Greer’s characters, but what sets some of them apart is their purpose, like Freddy Dames’ search for the biggest story that will make his Web-based news service shine.  Cozy and Cameron are strong-willed and used to working alone, but in this case, they come to realize that standing alone all of the time can be too comfortable and lonely at the same time.

Astride a Pink Horse by Robert Greer is well crafted mystery that will leave readers guessing for most, if not all, of the book.  His characters are unique, eccentric, and witty, which helps keep the pace fast and the suspense thick.

The novel is a standalone, but Greer also has a mystery series with CJ Floyd.

About the Author:

Robert Greer is a native of Columbus, Ohio, who spent his formative years in the steel mill town of Gary, Indiana. He graduated from Miami University at Oxford, Ohio, in 1965 with a Bachelor of Arts degree and subsequently earned degrees in dentistry, medicine and pathology from Howard University and Boston University. He is a professor of pathology, medicine, surgery, and dentistry at the University of Colorado Health Sciences Center where he specializes in head and neck pathology and cancer research. He also holds a masters degree in Creative Writing from Boston University and an Honorary Doctorate of Humane Letters from Miami University, his alma mater. Greer has lived in Denver for thirty years.  Visit his Website.

This is my 36th book for the 2012 New Authors Challenge.

Mailbox Monday #175

Mailbox Mondays (click the icon to check out the new blog) has gone on tour since Marcia at A Girl and Her Books, formerly The Printed Page passed the torch. This month’s host is Martha’s Bookshelf.

Both of these memes allow bloggers to share what books they receive in the mail or through other means over the past week.

Just be warned that these posts can increase your TBR piles and wish lists.

Here’s what I received over the past two weeks:

1.  My Cross to Bear by Gregg Allman, which came unrequested from the publisher William Morrow and for which I will find a new home.

As one of the greatest rock icons of all time, Gregg Allman has lived it all and then some. For almost fifty years, he’s been creating some of the most recognizable songs in American rock, but never before has he paused to reflect on the long road he’s traveled. Now, he tells the unflinching story of his life, laying bare the unvarnished truth about his wild ride that has spanned across the years.

The story begins simply: with Gregg and his older brother, Duane, growing up in the South, raising hell with their guitars, and drifting from one band to another. But all that changed when Duane and Gregg came together with four other men to forge something new—a unique sound shaped by soul, rock, and blues and brimming with experimentation; a sound not just of a band, but of a family. . . .

2.  The Cottage at Glass Beach by Heather Barbieri, which is for a TLC Book Tour in May.

Married to the youngest attorney general in Massachusetts state history, Nora Cunningham is a picture-perfect political wife and a doting mother. But her carefully constructed life falls to pieces when she, along with the rest of the world, learns of the infidelity of her husband, Malcolm.

Humiliated and hounded by the press, Nora packs up her daughters—Annie, seven; and Ella, twelve—and takes refuge on Burke’s Island, a craggy spit of land off the coast of Maine. Settled by Irish immigrants, the island is a place where superstition and magic are carried on the ocean winds, and wishes and dreams wash ashore with the changing tides. . . .

3.  Bridge of Scarlet Leaves by Kristina McMorris from the author for review.

Los Angeles, 1941. Violinist Maddie Kern’s life seemed destined to unfold with the predictable elegance of a Bach concerto. Then she fell in love with Lane Moritomo. Her brother’s best friend, Lane is the handsome, ambitious son of Japanese immigrants. Maddie was prepared for disapproval from their families, but when Pearl Harbor is bombed the day after she and Lane elope, the full force of their decision becomes apparent. In the eyes of a fearful nation, Lane is no longer just an outsider, but an enemy.

When her husband is interned at a war relocation camp, Maddie follows, sacrificing her Juilliard ambitions. Behind barbed wire, tension simmers and the line between patriot and traitor blurs. As Maddie strives for the hard-won acceptance of her new family, Lane risks everything to prove his allegiance to America, at tremendous cost. . . .

4.  Ninepins by Rosy Thornton from the author for review.

Deep in the Cambridgeshire fens, Laura is living alone with her 12-year old daughter Beth, in the old tollhouse known as Ninepins. She’s in the habit of renting out the pumphouse, once a fen drainage station, to students, but this year she’s been persuaded to take in 17-year-old Willow, a care-leaver with a dubious past, on the recommendation of her social worker, Vince. Is Willow dangerous or just vulnerable? It’s possible she was once guilty of arson; her mother’s hippy life is gradually revealed as something more sinister; and Beth is in trouble at school and out of it. Laura’s carefully ordered world seems to be getting out of control. With the tension of a thriller, NINEPINS explores the idea of family, and the volatile and changing relationships between mothers and daughters, in a landscape that is beautiful but – as they all discover – perilous.

5.  Next to Love by Ellen Feldman, which Audra at Unabridged Chick sent for me to read.

It’s 1941. Babe throws like a boy, thinks for herself, and never expects to escape the poor section of her quiet Massachusetts town. Then World War II breaks out, and everything changes. Her friend Grace, married to a reporter on the local paper, fears being left alone with her infant daughter when her husband ships out; Millie, the third member of their childhood trio, now weds the boy who always refused to settle down; and Babe wonders if she should marry Claude, who even as a child could never harm a living thing. As the war rages abroad, life on the home front undergoes its own battles and victories; and when the men return, and civilian life resumes, nothing can go back to quite the way it was. . . .

6.  The Aleppo Codex by Matti Friedman, another unsolicited copy from Algonquin that I will be finding a new home for.

In an age when physical books matter less and less, here is a thrilling story about a book that meant everything. This true-life detective story unveils the journey of a sacred text—the tenth-century annotated bible known as the Aleppo Codex—from its hiding place in a Syrian synagogue to the newly founded state of Israel. Based on Matti Friedman’s independent research, documents kept secret for fifty years, and personal interviews with key players, the book proposes a new theory of what happened when the codex left Aleppo, Syria, in the late 1940s and eventually surfaced in Jerusalem, mysteriously incomplete. . . .

7.  The Revised Fundamentals of Caregiving by Jonathan Evison, which also came unsolicited from Algonquin.

Benjamin Benjamin has lost virtually everything—his wife, his family, his home, his livelihood. With few options, Ben enrolls in a night class called The Fundamentals of Caregiving taught in the basement of a local church. There Ben is instructed in the art of inserting catheters and avoiding liability, about professionalism, and how to keep physical and emotional distance between client and provider. But when Ben is assigned to nineteen-year-old Trev, who is in the advanced stages of Duchenne muscular dystrophy, he discovers that the endless mnemonics and service plan checklists have done little to prepare him for the reality of caring for a fiercely stubborn, sexually frustrated adolescent. As they embark on a wild road trip across the American West to visit Trev’s ailing father, a new camaraderie replaces the traditional boundary between patient and caregiver. . . .

What did you receive in your mailboxes?

National Poetry Month Winners….

Click for all the posts from the 2012 tour, including those from Savvy Verse & Wit

Even though National Poetry Month is over and the blog tour has ended, I’ve still got a couple poetry items to wrap up.

First, thanks to everyone who participated this year, and I hope to see you all again in 2013. I’d like to recruit more poets, academics, and poetry readers to provide guest posts to other tour stops and to offer up their own blog stops on the tour. So if you’re interested, feel free to email me at any time.

We had some great guest posts and reviews, and you can visit any of the posts or tour stops by clicking on the tour button.  All of the links have been added to the Mr. Linky.  If I missed a post from you, please feel free to add it.

Second, I want to congratulate the winners of the National Poetry Month Blog Tour giveaway.

Congrats to Liviania from In Bed With Books and Lilian of Circus Toybox

Congrats to Jill from Rhapsody in Books

Congrats to Lilian from Circus Toybox

Congrats to the five winners of the Trembling Pillow Press Journals: Elizabeth, Gerry, and Parrish Lantern.

Congrats to the nine winners of Real Courage by Michael Meyerhofer: Leslie from Under My Apple Tree, Anna from Diary of an Eccentric, Kathy of Bermudaonion, Diane, and Chris.

There are some winners I still have not received an address from, please send it along so I can mail out your prizes.

148th Virtual Poetry Circle

Welcome to the 148th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the 2012 National Poetry Month Blog Tour.

Today’s poem is from Gary Soto; Happy Cinco de Mayo:

A Red Palm

You're in this dream of cotton plants.
You raise a hoe, swing, and the first weeds
Fall with a sigh. You take another step,
Chop, and the sigh comes again,
Until you yourself are breathing that way
With each step, a sigh that will follow you into town.

That's hours later. The sun is a red blister
Coming up in your palm. Your back is strong,
Young, not yet the broken chair
In an abandoned school of dry spiders.
Dust settles on your forehead, dirt
Smiles under each fingernail.
You chop, step, and by the end of the first row,
You can buy one splendid fish for wife
And three sons. Another row, another fish,
Until you have enough and move on to milk,
Bread, meat. Ten hours and the cupboards creak.
You can rest in the back yard under a tree.
Your hands twitch on your lap,
Not unlike the fish on a pier or the bottom
Of a boat. You drink iced tea. The minutes jerk
Like flies.

	         It's dusk, now night,
And the lights in your home are on.
That costs money, yellow light
In the kitchen. That's thirty steps,
You say to your hands,
Now shaped into binoculars.
You could raise them to your eyes:
You were a fool in school, now look at you.
You're a giant among cotton plants.
Now you see your oldest boy, also running.
Papa, he says, it's time to come in.


You pull him into your lap
And ask, What's forty times nine?
He knows as well as you, and you smile.
The wind makes peace with the trees,
The stars strike themselves in the dark.
You get up and walk with the sigh of cotton plants.
You go to sleep with a red sun on your palm,
The sore light you see when you first stir in bed.

What do you think?

Guest Post & Giveaway: Graham Parke’s Unspent Time

Unspent Time Launch Party

Get free books and win a Kindle Fire or a Kindle Touch



Warning: reading this novel may make you more attractive and elevate your random luck by about 9.332%*
(* These statements have not been evaluated by any person of consequence!)

From the award winning author of ‘No Hope for Gomez!’ comes a collection of impossible tales. Permeating the cracks between the past and the present is the realm of Unspent Time; time that was allotted but never spent. This is where we find the stories that could have been true.

Read how to enter below.

Excerpt

Sunday brunch; the table overflowing with food and drink, the fine china and silverware laid out, the clock ticking away painfully slow minutes before father finally speaks. “Well son,” he says, “isn’t it about time you got yourself a job?”

John looks up from his plate. “Dad,” he says, “I have a job.”

Father nods thoughtfully, chewing his medium rare steak. “I guess it’s about time you moved out then. Found a place of your own. Planted some roots.”

John is baffled. “But dad, I moved out five years ago. In fact, this is the first time I’ve been back.” He looks over at mother, who shrugs and says, “You know dear, your brother has his own business. He set up an accountancy firm.”

John rolls his eyes. “That’s me, mom. I set up an accountancy firm. John Williams and Associates.”

“That’s good to hear,” father says. “Always said you should run your own business. You have a keen business sense. You always had.”

“I just wish he’d find himself a girlfriend,” mother complains.

“What do you mean?” John smiles apologetically at Annabel. “I have a girlfriend, mother, she’s sitting next to you. She gave you flowers at the door, remember?” He points at the vase. “You put them in water.”

Mother waves it away with a warm smile. “Sorry dear, I meant a proper girlfriend.” She squeezes Annabel’s hand. “You know what I mean, don’t you dear?”

Annabel opens her mouth, but can’t think of anything to say.

“Didn’t you used to have dark hair,” father says suddenly, “and not quite so many arms?” He looks John over carefully. “Yes, yes,” he says, “you definitely look different. Did you get shorter?”

“That’s enough!” John gets up. He gestures at Annabel to do the same. “If you cannot behave like civilized human beings, then we’re going! I can’t believe you’d treat Annabel and myself this way. It’s appalling!”

Father throws down his napkin and stands as well. “Serves you right, young man,” he says. “Serves you right for not going home for five years and then ending up in the wrong house!”

… continued in Unspent Time

How to enter:

For the launch of the new novel I decided to discount it to $0.99 for the month of May (PC and eBook), give away some exclusive content, and raffle off two Kindles. All entrants will get:

  • An exclusive spin-off novelette (not available for purchase anywhere!)
  • Making of Gomez: behind the scenes eBook
  • Signature for their paperback or kindle edition
  • Chance to win a Kindle Fire or a Kindle Touch


(Prizes can be traded for Amazon gift certificates if you already own them.)
Just email your receipt to [email protected] to enter.
Each purchase counts, so stock up on birthday presents (for people you don’t like that much, for instance) The discount ends May 31, but be sure to send the receipts no later than June 1st.


(Or order the books from any bookstore.)
Coupon code for the month: ZB77D

And then get by tweeting about your purchase:

Sound bites from Unspent Time:

“I’m looking into my past lives. I’m convinced some of them still owe me money.”

“I’m very polite by nature, even the voices in my head let each other finish their sentences.”

“I didn’t actually want to do it,” Kiala told the boy. “The universe just kind of conspired to force me to make a fool of myself. It does that quite a lot, actually.”

“Sadly, my socks are like snowflakes, no two are exactly alike.”

Here’s what reviewers had to say:

“A veritable page turner of nonstop laughs!” — Reader Views
“An unputdownable read. a Coens Brothers’ film in book form.” — BookReview.com
“Extremely witty and clever writing.” — California Chronicle
“A Party for your Brain!” — Warren Baxter

Bio:

Graham Parke is responsible for a number of technical publications and has recently patented a self-folding map. He has been described as both a humanitarian and a pathological liar. Convincing evidence to support either allegation has yet to be produced.

www.grahamparke.com
www.grahamparke.blogspot.com
GoodReads
Facebook

The Last Brother by Nathacha Appanah, translated by Geoffrey Strachan

The Last Brother by Nathacha Appanah, translated by Geoffrey Stachan is a quiet novel that hits the heart, twisting it until tears pour from the reader’s eyes.  Beginning slowly with the main character awaking from a dream, the novel builds to a crescendo, followed by still powerful diminuendo of reflection.  Appanah and Stachan’s translation provide a sense of distance from the characters at first, but pull readers in through the magic of the dreams and the jungle, generating the sense of hollowness and fullness of love in tension.

Set in Mauritius, Raj is in his 70s and is looking back on his time as an abused child in a poor family and the one friend he made following a major disaster that struck his small village of Mapou, which forced his family to leave and live near the island’s Beau-Bassin prison.  Raj’s family is poor, but happy as his two other brothers — Anil and Vinod — look out for him, even though he is the middle brother.  He is the one chosen to attend school, which he gladly shares with his brothers when he returns home to share the chore of obtaining water from the well.

“. . . in the old days at Mapou we used to crouch down, eating our mangoes with both hands, with the juice trickling down our forearms, quickly catching it with our tongues.  In the old days at Mapou we ate the whole mango, the skin, the little, rather hard tip that had held it to the branch and we sucked the stone for a long, long time until it was rough and insipid, good only to throw on the fire.” (page 44)

The connection between the brothers is severed and Raj is forced to leave his home with his parents as his father begins working as a guard at the Beau-Bassin prison, where in 1940 Jews were exiled during WWII.  Raj is still a child by modern standards at age 9 when he discovers the true wrath of his father and the world around him.  His father is easily displeased, particularly when drunk, and he often beats his children after taking whatever displeasure he has out on his wife.  In many ways, this rage shapes the boy that Raj becomes — secretive and imaginative.  He spends afternoons in the jungle, hiding and observing, especially once he learns of the prison and the bad man his father says are imprisoned there. It is his father’s rage and beatings that send Raj to the hospital inside the prison to recover and where he meets David.

Much of Raj’s life after leaving Mapou has been empty, but meeting David awakens in him his childhood and renews feelings of brotherhood.  The Last Brother by Nathacha Appanah and translated by Geoffrey Stachan is stunning in its double entendre as the story of the last brother Raj and his own last “brother” David.  Raj is a deeply complex character as he looks at the past, his regrets about the choices he made and promises he could not keep, and his hope that the future will learn about the past so as to maintain the memory of those who have been lost.

About the Author:

Nathacha Devi Pathareddy Appanah is a Mauritian-French author. She comes from a traditional Indian family.

She spent most of her teenage years in Mauritius and also worked as a journalist/columnist at Le Mauricien and Week-End Scope before emigrating to France.

Since 1998, Nathacha Appanah is well-known as an active writer. Her first book Les Rochers de Poudre d’Or (published by Éditions Gallimard) received the ” Prix du Livre RFO”. The book was based on the arrival of Indian immigrants in Mauritius.

She also wrote two other books Blue Bay Palace and La Noce d’Anna which also received some prizes for best book in some regional festivals in France.

***I read this because of Anna’s glowing review at Diary of an Eccentric.

This is my 35th book for the 2012 New Authors Challenge.

Guest Post: Do Photos Lie? by Joshua Graham

Today, I’ve got Joshua Graham, author of Darkroom, visiting today to talk about photography, the media, and whether everything is as it appears.  Like photographs and media stories, humans often hide their secrets, but what we condemn in others may not necessarily be the same things we condemn in ourselves.  I’ve been fascinated with this concept ever since dabbling into photography and reading Believing Is Seeing by Errol Morris (my review).

About Darkroom:

After scattering her mother’s ashes in Vietnam, photojournalist Xandra Carrick comes home to New York to rebuild her life and career. When she experiences supernatural visions that reveal atrocities perpetrated by American soldiers during the Vietnam War, she finds herself entangled in a forty-year-old conspiracy that could bring the nation into political turmoil. Launching headlong into a quest to learn the truth from her father, Peter Carrick, a Pulitzer Prize Laureate who served as an embedded photographer during the war, Xandra confronts him about a dark secret he has kept–one that has devastated their family.

Her investigations lead her to her departed mother’s journal, which tell of love, spiritual awakening, and surviving the fall of Saigon.

Pursued across the continent, Xandra comes face-to-face with powerful forces that will stop at nothing to prevent her from revealing the truth. But not before government agencies arrest her for murder, domestic terrorism and an assassination attempt on the newly elected president of the United States.

Darkroom is a riveting tale of suspense that tears the covers off the human struggle for truth in a world imprisoned by lies.

Doesn’t this book sound awesome?! Without further ado, please give Joshua Graham a warm welcome and stay tuned for my review later in the month.

This photo and the photographer’s commentary inspired the epitaph in the opening pages of my novel, Darkroom.

“I won a Pulitzer Prize in 1969 for a photograph of one man shooting another. Two people died in that photograph: the recipient of the bullet and GENERAL NGUYEN NGOC LOAN. The general killed the Viet Cong; I killed the general with my camera. Still photographs are the most powerful weapon in the world. People believe them, but photographs do lie, even without manipulation. They are only half-truths.” –Eddie Adams, Photographer

Read more here at TIME Magazine.

Adams, who believed Brig. Gen. Loan’s contention that the man he shot had just murdered a friend of his, a South Vietnamese army colonel, as well as the colonel’s wife and six children. “How do you know you wouldn’t have pulled the trigger yourself?” Adams would later write in a commentary on the image.

Often the media puts things together in ways that have little to do with the truth. Impressions are fabricated for various agendas, and unfortunately most are created to boost the ratings with sensationalism. But what happens when the truth is distorted or even buried completely? And what happens if the contained truth is uncovered?

This is not just a global concern, but a personal one as well. Do we try to cover up our weaknesses and failures at the expense of authenticity or integrity? We cry foul when politicians and elected officials are caught doing this, but do we ever ask how we are doing the very same thing, in our own personal lives?

Constantly looking over your shoulder, trying to contain a secret that no one must ever know has got to be one of the worst prisons anyone can face, especially because it is self-imposed. There’s a reason why the scriptures say, “The truth shall set you free.” And this is what Darkroom is all about.

Take a moment to examine yourself and see if you’re sitting in a self-imposed cell. And consider the freedom you’ll enjoy because of the truth.

Thanks, Joshua, for sharing your thoughts on truth and fiction.

About the Author:

Joshua Graham is the award winning author of the #1 Amazon and Barnes & Noble legal thriller Beyond Justice. His latest book, Darkroom, won a First Prize award in the Forward National Literature award and was an award-winner in the USA Book News “Bests Books 2011” awards. Connect with Josh at his Website, Facebook, and on Twitter.

Domestic Violets by Matthew Norman

Domestic Violets by Matthew Norman is written very frankly and is told from the point of view of corporate cube dweller Tom Violet, whose father just happens to be the famous writer Curtis Violet who has just won the Pulitzer Prize for Fiction.  Tom is having marriage problems, hates his corporate job as a copywriter, and continues to have daddy issues; he’s on the precipice.  At work, he cuts into his enemy Greg every chance he gets and flirts with his underling, copywriter Katie.  He’s filling his days with useless interactions and writing that has no meaning for him.  He’s aimlessly adrift, but still wants his father’s approval, but how far is he willing to go to get it.  Will he become his father and chase after younger and younger skirts?  Will he become pretentious and full of himself, while looking down at other writers?  Norman’s character is adrift, but blissfully unaware of it until he loses his job and his thin connections to the “real” world.

“Then I realize that despite what both of them must suspect about me and my abilities as a man, Anna and Allie are looking at me.  They’re waiting for me to do something.  Waiting for me to protect them.  Even Hank is looking at me now, perfectly still, the rigid statue of an ugly little dog.”  (Page 9)

Like the characters his father writes about in his novels, Tom acts on impulse and very rarely worries about the consequences, and in fact, on occasion, thinks that the consequences will be positive.  The banter between Tom and Greg is highly entertaining and almost surreal because in a normal work environment wouldn’t Tom have been fired after how many complaints were filed against him by Greg?

“She tried to read it, but she had to put it down, stunned that she’d married a man who is so bad at writing books.  On almost every page, there’s something egregious to change.  There are typos, cliches, errors in logic, rambling sentences, and narration where there should be dialogue.”  (Page 163)

When Tom uncovers the truth about his family and his father, he’s faced with a hard choice.  He has to either move on and forgive or continue to flounder in self-pity, regret, and indecision to the point at which decisions will be made for him.  Norman has a clear grasp of what it means to be a writer, full of self-doubt and self-confidence at the same time, and his characters are dynamic and incredibly flawed.  Although there are moments when readers will not like Tom or his father, there are other moments where their hearts will soften for him.

How do you domesticate a writer, who is trained to run wild, at least in his imagination?  Domestic Violets by Matthew Norman is about finding peace with oneself and their family even if events are beyond their control and immutable.  It’s an adventure for readers and writers alike, and a true page turner.

***This is a book I picked up thanks to so many great reviews, including those from Booking Mama, Rhapsody in Books, Book Chatter, and Literate Housewife.

Author Matthew Norman

About the Author:

Matthew Norman is an advertising copywriter. He lives with his wife and two daughters in Baltimore. His first novel, Domestic Violets, was recently nominated in the Best Humor Category at the 2011 Goodreads Choice Awards. Read more on his blog or follow him on Twitter.

 

This was a stop on The Literary Road Trip because the author lives in Baltimore and the novel takes place in Washington, D.C., Maryland, and Virginia.

 

 

This is my 34th book for the 2012 New Authors Challenge.

Some Long Awaited Winner Announcements

Congrats to all of you. 

And there is still time to enter the National Poetry Month giveaways through the end of TODAY!

Winner is Anna of Diary of an Eccentric

Winner is Heather of The Maiden's Court

Winner is Sophia Rose

Winner is Dawn from She Is Too Fond of Books

Winner is Janel from Janel's Jumble

Winner of Dr. Seuss Giveaway is The Girl from Diary of an Eccentric; check out that hat.

Every Possible Blue by Matthew Thorburn

Every Possible Blue by Matthew Thorburn, whom I interviewed for 32 Poems, will be published by CW Books in May.  His poems read like paintings that visually leap from the page to create vivid scenes in the readers mind, from moments in a Jazz club with trumpets blaring to mannequins in the stores down Fifth Avenue in New York.  Moreover, these poems have the feel of the 20s and 30s with references to Greta Garbo and Barbara Bel Geddes.  It is like stepping back and forth in time to experience what has past and what is still vivid and relevant today, while at the same time creating a “blue” mood, a longing for the simpler moments of the past.

From "Now is Always a Good Time":

. . . But Hoagy Carmichael does
a funny thing at the piano and my heart

swings open like a Murphy bed.  Now a hint
of stale Nag Champa tickles my nose, or is this
Chanel No. 5 letting go of someone's taut tan wrist?"
From "Self-Portrait in Secondhand Tuxedo"

. . . Now he's breathing a sweet
something in someone's ear (only her ear
makes it into the picture) and there's

hardly room for me to pull up a stool
in this last corner I'm shading in: my antsy hands,
my waistcoat pooching over my waist.

I'm keeping company tonight with the bust
of Charlie Darwin, that lush.  He sniffs
the pale bud in my button-hole.  . . .

Readers will like when Thorburn directly references the paintings described or referenced in his poems as they can search the internet and gaze at images while reading. Like many of the scenes in his poems, there are mundane situations afoot, but with at least one element that is surprisingly awkward, which can be the narrator himself or other scene stealers.

There is a great deal of upheaval here and yet there is a sense of hope that continues to propel the narrator forward, and some of that can be attributed to the alliteration in some of these poems that make them musical and continuously moving (i.e. “Upper West Side Toodle-oo”).  What readers will love most about Every Possible Blue by Matthew Thorburn is the tug-of-war that happens between the past and future, lost faith and renewed hope, and failure and new opportunity.  A very human collection that delves into the internal struggles we face daily at every turn and yet still find a way to move forward.

Author photo by Takako Kim

About the Poet:

Matthew Thorburn is the author of three book of poems, Every Possible Blue (CW Books, forthcoming 2012), This Time Tomorrow (Waywiser Press, forthcoming 2013) and Subject to Change (New Issues, 2004), and a chapbook, Disappears in the Rain (Parlor City, 2009). He is the recipient of a Witter Bynner Fellowship from the Library of Congress, as well as the Mississippi Review Prize, two Dorothy Sargent Rosenberg Poetry Prizes, and fellowships from the Bronx Council on the Arts and the Sewanee Writers’ Conference.

His poems have appeared in literary journals such as The Paris Review, American Poetry Review, Poetry, Prairie Schooner, Poet Lore, Michigan Quarterly Review and Pool. He is a regular contributor to the reviews section of Pleiades. His critical writing has also appeared in Jacket, The Laurel Review, Poetry Daily, Rowboat: Poetry in Translation and Rattle, among others.

A native of Michigan, Matthew Thorburn has lived in New York City for more than a decade. He is currently working on two new projects: a book-length poem that tells the story of one year, and a collection of poems about losing faith and possibly finding it again.

 

***For today’s National Poetry Month Blog Tour stop, visit Travis Laurence Naught on Facebook.

 

 

 

This is my 33rd book for the 2012 New Authors Challenge.

 

 

This is the 15th book for my 2012 Fearless Poetry Exploration Reading Challenge.

Interview With Poet Arisa White

As National Poetry Month winds down with the month of April, I hope the tour was able to inspire you to read different poetry books and poets.  Today, I’ve got a special edition to the blog tour, an interview with poet Arisa White, author of Hurrah’s Nest, which I reviewed earlier last week.

I really enjoyed the variation in this collection, the imagery, and the personal story.  If you’re looking for poetry that makes you think, but is entertaining at the same time, White’s work is for you.

Without further ado, please welcome Arisa White:

1. What are your poetic roots? When did you begin reading and writing poetry and who has influenced you?

My family is an artistic bunch. There are poets, rappers, and writers, and dancers, and shit-talkers, which takes skill and craft as well! It’s in the blood and some of us have been fortunate to have the opportunity to pursue those dreams.

When my aunt, the oldest of seven, found out that I was writing and publishing poetry, she would call me on the phone and read me her poems and tell me her ideas for writing a memoir. It’s beautiful to be a source of inspiration for a woman I admire.  My paternal uncle Aubrey has a book of poetry published called Implantation. It’s funny how you look back on your life and can see that this has always been your path.

I began writing poetry in elementary school, really took a liking to limericks in junior high, and in high school I won a city-wide contest for a poem I wrote about women’s history month and I just kept going from there. I frequented the Brooklyn spoken word scene and was influenced by Jessica Care Moore, Mahogany, Saul Williams, Carl Hancock Rux, even the movie Love Jones had a positive impact.

My first book of poetry was an anthology of women poets, given to me by my global studies teacher. From that book, I memorized “Nikki Rosa” by Nikki Giovanni. Even at one point, I interned and was mentored by a local Brooklyn poet, India DuBois (I wonder how she’s doing?) who wrote Jazz and the Evening Sun. It is when I went off to Sarah Lawrence, I feel like the reading and delving into the craft of poetry began.

2. Hurrah’s Nest is a lot about the scars that shape us. How much of your poems are autobiographical?

Hurrah’s Nest is an autobiographical collection, rendered poetically. Mostly and lately, I have been writing from personal experiences–through the lens of self.  I’m making sense of what’s going around me, as well as to investigate what is going inside of me. Who am I? I feel that urgency to know, even more so, having relocated to the West six years ago and removed from the people, places, and things that I have defined myself with and by. The poems I’m writing now are an expression of my heroic journey.

3. As an MFA graduate, how do you feel the degree has helped you and/or hurt you? And what made you decide to obtain your MFA from UMass Amherst?

The MFA degree was what I wanted to get–I wanted to be skilled in my art. To be seen as an artist. I wasn’t really thinking about how I could use it. I don’t think I have consciously used my degree to get a job or a teaching gig–it’s been my writing and experiences I have relied so much on to open doors for me. In the end, it all works together.

I loved my MFA program at UMass, Amherst. It’s a three-year program and it’s a perfect amount of time. I received a three-year fellowship that covered my tuition, health care, and I gained valuable teaching experience. Also, the time to write was priceless. When deciding on MFA programs, this was my criterion, in order of importance: region, financial support, and faculty. At the time, I was living in NYC and I wanted to be somewhat close to my hometown. Also, I didn’t want to add to my debt. I really wanted to be financially supported so that I could concentrate on writing. UMass, Amherst, has a great faculty (Peter Gizzi, James Tate, Dara Wier) and is a part of the five-college system (Amherst College, Smith College, Hampshire, and Holyoke). In addition to my graduate course work, I took poetry and dance classes at Smith–I had a wonderful time during my graduate years. Because I did not have the distraction of NYC, I really focused in on my writing and point of view. Hurrah’s Nest is essentially my thesis (thank you, Dara!).

4. Poetry is often solitary, more so than other art forms on occasion, because it is deeply personal, but there are efforts like the Split This Rock Poetry Festival and others that attempt to bring poetry to the masses and to bring about a social connection and call attention to a particular cause. Do you feel the need to do the same in your work? If so, why or why not? What do you think of these poetic movements?

I totally feel the need to call attention to particular causes in my writing. As a poet, it is how I engage–by interrogating how we relate or are not relating to each other and the social, economic, and political ramifications that has on certain groups within our culture. Poetry can be humanizing and restorative and believing that gives my poetry purpose, gives me purpose.

In thinking about the work I’ve created and want to create, I’m moving from the personal and to a social “I”. Hurrah’s Nest looks closely at the family unit, where it all starts, where we form a sense of self and how that self relates to others and the world. Then we step outside of the home and often time are in the habit of repeating what we have been told about who we are and what we can do.

I think we have to know our particular stories, so we can take responsibility for how they shape and recreate experiences. My second collection, A Penny Saved, which will be published by Willow Books in 2013, is about a woman who was held captive in her home for 11 years. I loosely based the collection on Polly Mitchell, a Nebraskan woman who finally escaped from her home and husband, with her four kids, in 2003. It’s mind blowing what we do to each other!

I’m in the process of adapting Post Pardon, a chapbook length long poem that explores the post-partum experience, into a libretto. My composer friend Jessica Jones is writing the music. And then, I’m applying for grants and residencies to write a series of eclogues that depict the lives of four sexually-exploited minors and their pimp, in an urban setting. For me, I’m very much focused on writing about women in extreme situations, calling attention to those realities.

5. What are you reading now in poetry and what poetry would you recommend others read and why? Also feel free to share anything about your upcoming poetry collections and projects?

Right now, I’m reading me and Nina by Monica Hand and Ardency by Kevin Young.

I would recommend others read Bitters by Rebecca Seiferle, Cranial Guitar by Bob Kaufman, Sleeping with the Dictionary by Harryette Mullen, leadbelly by Tyehimba Jess, Brutal Imagination by Cornelius Eady, Don’t Let Me Be Lonely by Claudia Rankine, and anything by Medbh McGuckian, because these poets have these fresh ways of saying/seeing things, a charge that makes you love and appreciate poetry, and an intelligence that makes me jealous! There are so many more poets whom I’m discovering too–so I recommend: never stop reading.

Thanks Arisa for answering my questions. I look forward to reading A Penny Saved and your eclogues.

***For Today’s National Poetry Month Blog Tour stop, visit Reading Rendezvous.

147th Virtual Poetry Circle

Welcome to the 147th Virtual Poetry Circle!

Remember, this is just for fun and is not meant to be stressful.

Keep in mind what Molly Peacock’s books suggested. Look at a line, a stanza, sentences, and images; describe what you like or don’t like; and offer an opinion. If you missed my review of her book, check it out here.

Also, sign up for the 2012 Fearless Poetry Reading Challenge because its simple; you only need to read 1 book of poetry. Please visit the stops on the National Poetry Month Blog Tour from April 2011 and beginning again in April 2012.

Today’s poems is from William Stafford:

Once in the 40's

We were alone one night on a long
road in Montana. This was in winter, a big
night, far to the stars. We had hitched,
my wife and I, and left our ride at
a crossing to go on. Tired and cold--but
brave--we trudged along. This, we said,
was our life, watched over, allowed to go
where we wanted. We said we'd come back some time
when we got rich. We'd leave the others and find
a night like this, whatever we had to give,
and no matter how far, to be so happy again.

What do you think?

***For Today’s National Poetry Month post, go to Wordcoaster.