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When All My Disappointments Came at Once by Todd Swift

When All My Disappointments Came at Once by Todd Swift, published by Tightrope Books, are poems about a series of mid-life crisis in literature and throughout history, with some less grandiose crises in the mix.  There are new takes on the midlife crisis, with the narrator in “The Shelf” trying to take on the life of another through their writing, only to find the words fit falsely and do not ring true.  But in others, like “Michael Kohlhaas,” reference the vengeful exploits that go off of the deep end to the point that the narrator cannot be brought back from the brink.  With a wide breadth of topics, Swift covers a lot of historic and emotional ground in his poems, though clearly some of these poems will require additional research into some of the historic and literary elements referenced, especially if they are not familiar.

From "In Memory of F.T. Prince" (page 15)

Desire ages, ages hardly at all,
Edges, like those of a book,
Curled at the beach, where waves,
Sent by the summer, brush

The salt away, finely-combed,
And it is homosexual love
That holds us in its palm,
That cuts and dries the hair

Beautifully rendered, Swift harkens to the original poem written by Prince about soldiers bathing in a river during World War II, but he also takes a new twist on the scene, pinpointing the desire that can rise up when all that surrounds you is death. Where is the beauty, where is the love — you find it where you can, at least to a certain extent. While some of these poems are dark and harrowing, others are sad, suspenseful, and heart-pounding as Swift takes readers on a journey through several devastating events in history and literature.

However, there are moments in the collection where Swift shows his humor, like using two rhyming lines in “Hunting Party” to make the celebratory scene after the hunt more comical, poking fun at the midlife crisis aspect depicted in the poem. In others, there is a ray of hope even as the narrator loses faith in God. These poems have a wide range of perspectives to offer, and Swift is masterful in some poems and cryptic in others. When All My Disappointments Came at Once by Todd Swift is an interesting examination of midlife crises, the emotions tied to that, and the rays of hope and comedy that can emerge from those incidents.

About the Poet:

Dr. Todd Swift is Lecturer in English Literature and Creative Writing, at Kingston University, London. He is Director and Editor of new small press Eyewear Publishing. Published by the age of 18 in The Fiddlehead, Swift is the prolific author of eight collections of poetry and many more pamphlets. He is editor or co-editor of a dozen anthologies, most recently Lung Jazz: Young British Poets for Oxfam, with a preamble from David Lehman. His poems have appeared in numerous international publications, such as Poetry (Chicago), Poetry Review (London), and The Globe and Mail (Toronto). He has been Oxfam’s poet-in-residence, based in Marylebone, since 2004. His widely-read blog, Eyewear, has been archived by The British Library.

Please click on the National Poetry Month Blog Tour image for today’s tour stop:

This is my 7th book for the Dive Into Poetry Challenge 2013.

 

 

This is my 18th book for the 2013 New Authors Challenge.

No Ocean Here by Sweta Srivastava Vikram

No Ocean Here by Sweta Srivastava Vikram, published by Modern History Press, is a collection of poems about the subjugation of women and all of its forms, across not only the Middle East and Africa, but also throughout the various parts of Asia and South Asia.  These poetic portraits are often prefaced by some facts about a particular woman’s story encapsulated in the poem or about statistics of crimes against women in various countries.  Not all of the poems are prefaced, but even those that are could stand on their own and speak for the women they represent.  Beyond the violence and inequality women deal with on a daily basis, these poems also shed light on the women-on-women violence and the silent acceptance among older women of continuing these traditions with the younger generations.

From War (page 12; which is related to Sri Lankan battles)

The sun was shining on shells
of burnt-out houses in their neighborhood.
Her mother, sister, and she were drinking

coffee, thanking bees for leaving them alone
when three men in uniforms entered

their house under the pretense of search.

All cavities of the women's trust were emptied out
when each man selected a victim:

Vikram’s poetry not only provides a story that is easily accessible on the surface, but she also provides themes and hardships that call for closer inspection.  In this way, her collection would make an excellent book club pick, which could be even further enhanced by additional materials on the subjugation of women across the globe even today. Her poetry speaks of social injustice in a way that shocks the reader, but also pays homage to those who have suffered with the deft strokes of her imagery.  Some poems are stronger than others in terms of theme and imagery, while others are more in-your-face and full of surface meaning.

No Ocean Here by Sweta Srivastava Vikram is a vast ocean of pain, discomfort, and horror that should make women in the modern world, including those inside and outside the United States, stand up for themselves and others. Beyond that, it should make men stand up and take notice that their actions and those of other males in societies across the world should not be tolerated — and ended.

About the Author:

Sweta Srivastava Vikram is an award-winning poet, writer, novelist, author, essayist, columnist, and educator. She is the author of four chapbooks of poetry, two collaborative collections of poetry, a novel, a nonfiction book, and a book-length collection of poems (upcoming). Her work has also appeared in several anthologies, literary journals, and online publications across six countries in three continents. Sweta has won two Pushcart Prize nominations, an International Poetry Award, Best of the Net Nomination, Nomination for Asian American Members’ Choice Awards 2011, and writing fellowships. A graduate of Columbia University, she lives in New York City.

This is my 6th book for the Dive Into Poetry Challenge 2013.

 

Click on the image below for today’s National Poetry Month Blog Tour post:

Lisa Loeb’s Songs for Movin’ and Shakin’: The Air Band Song and Other Toe-Tapping Tunes by Lisa Loeb and Ryan O’Rourke

Lisa Loeb’s Songs for Movin’ and Shakin’: The Air Band Song and Other Toe-Tapping Tunes by Lisa Loeb and Ryan O’Rourke comes out this month and is billed as a book and CD of songs to get kids off the couch and moving and grooving.  The book is for ages 4-7 and is an illustrated 24 pages long.

From the publisher:

This spectacularly fun songbook will get kids off the sofa—guaranteed! Singer Lisa Loeb will have kids movin’ and groovin’ with her sparkling second collection of songs and activities—plus a CD with five all-time children’s favorites and another five original tunes. It’s sure to stir up some fun, as budding musicians discover the joys of playing in an air band (“Turn it Down”); see how to face down scary creatures (“Monster Stomp”); and practice relaxing yoga poses (“Hello, Today”). Ryan O’Rourke’s whimsical illustrations light up Lisa’s lyrics—and will delight young readers, movers, and shakers.
Songs include: Turn it Down (The Air Band Song)* • Father Abraham • Miss Mary Mack • Monster Stomp* • Going Away* • Do Your Ears Hang Low? • Everybody Wake Up* • Hello, Today* • Peanut Butter and Jelly • Head, Shoulders, Knees, and Toes. (*original song)

You might remember Lisa Loeb from her famous songStay:

The CD-single of “Monster Stomp” was a toe-tapping delight for both my young daughter and us as we road in the car to and from the store, and it includes kids that join in and roar for the monster calls. My daughter had fun roaring right along with the song, while my husband and I were making stomping noises and, in my case, waving my hands in the air as part of the monster dance. As we’ve only heard the one song, I really can’t say what the book is like or the other songs, but if this single is any indication of how fun and interactive they are, I think this would be a sure winner for this age group.

Monster Stomp2

Click on the National Poetry Month Blog Tour Button to see today’s post:

Survival Skills: Stories by Jean Ryan

Survival Skills: Stories by Jean Ryan is stunning, absorbing the reader into the lives of her characters — animal and human — and forcing them to contemplate wider questions of what it means to love, change, and grow.  The collection melds nature and human nature flawlessly as Ryan explores the parallels between the natural world and the human world.  For an example of this, please check out my short story spotlight of the story “Greyhound.”

There are moments when characters connect with animals in ways that are astonishing, like a goose that follows a human who never feeds it in “Migration,” and the love between a woman and an an octopus in “A Sea Change.”  But each of these stories is more than a moment in time, and in some cases, they examine a lifetime in just a dozen or so pages.  Ryan has a gift for creating characters and relationships that are realistic, without leaving the reader wondering what’s next by the end of the story.  Encapsulating the right moments and memories, she demonstrates her short story creating skills in a way that ensures readers remember her characters vividly.

“She had read that many Canada geese were no longer bothering to migrate, particularly those in populated areas.  The margins between people and wildlife were beginning to blur, and there was something unnerving about the intersection:  pigeons living on dropped French fries; raptors nesting on sooty skyscrapers; geese, sated and lazy staggering through city parks.  How many generations would pass before their wings grew stunted and useless?  Fly, she thought, staring at the flock.  Fly before it’s too late.”  (page 69 ARC)

There are so many well written and emotional stories in this collection, and it’s clear that Ryan is a observer of not only nature and how it operates, but also how humans have shown similar attributes and skills.  But these characters are more than just studies in how they interact and resemble other animals in the wild, they live and breath the calm experiences of the world around them, sometimes without even realizing its influence.  There are subtle messages about slowing down, enjoying the moment and loved ones while they are here, but there are also calls to action.  Act on that love or that need for change, do more than just survive, which is interesting given that one of the stories is called “Survival Skills.”

Survival Skills: Stories by Jean Ryan, which will be published in April 2013 by Ashland Creek Press on paper from Sustainable Forestry Initiative Certified sources, is a highly enjoyable collection that will get readers thinking about their own lives, the nature around them, and even their own pets, but most of all, readers will be entranced by these stories.

***If you haven’t read novels or short stories from Ashland Creek Press, you are missing out on some really great finds.  Might I suggest you start with Ryan’s collection?***

About the Author:

Jean Ryan, a native Vermonter, lives in Napa, California.  A horticultural enthusiast and chef of many years, Jean’s writing has always been her favorite pursuit. Her stories and essays have appeared in a variety of journals, including Other Voices, Pleiades, The Summerset Review, The Massachusetts Review, The Blue Lake Review, Damselfly, and Earthspeak. Nominated twice for a Pushcart Prize, she has also published a novel, Lost Sister.  Visit her Website.

This is my 17th book for the 2013 New Authors Challenge.

Every Man Dies Alone by Hans Fallada, translated by Michael Hofmann

Every Man Dies Alone by Hans Fallada, translated by Michael Hofmann, is not an epic love story of triumph over evil, but a psychologically and emotionally jarring, dramatized examination of German society as Hitler garnered more and more power, conquered more nations, and turned his own people against themselves.  Otto and Anna Quangel have one son and he was taken from them when he went to the front for the Fatherland.  This event changes everything for them, and their journey begins anew even as they strive to maintain some normalcy.

Meanwhile, Eva Kluge has made a decision to kick her husband out of her life for good and to sever all ties.  He’s a drunkard, a gambler, and a womanizer, and he deserves nothing less than to be kicked to the curb.  However, Enno Kluge only becomes more debased when he encounters Emil Borkhausen — another drunken criminal, but one with a focus on how to best screw the next person over for his own benefit.  There are the Nazi Party members, the Persicke’s and Judge Fromm, as well as Frau Rosenthal, and Inspector Escherich, who all come into contact with many of these characters at times when fates are decided.

“No, it wasn’t a letter, it was silly, useless chatter, and not even true at that.  She wasn’t safe at all.  Never in the last ghastly months had she felt herself in such danger as in this quiet room.  She knew she would have to change here, she wouldn’t be able to escape herself.  And she was afraid of who she might turn into.  Perhaps she would have to endure even more terrible things to come, she who had already changed from Lore to a Sara.”  (page 80)

Early on, readers will find Fallada’s style unusual, especially when the author interjects himself into the story to explain the fate’s of minor characters and because each chapter is given a heading, which are unnecessary and mostly give away the contents of those chapters — even those chapters that are a mere three pages and major plot points occur.  There also are moments in the narrative where points of view are switched without a break in the text or a new section beginning, which can leave some readers feeling a little lost or frustrated.  However, later on, these transitions smooth out a bit more and fade away as chapters begin to designate points of view switch.  With that said, Fallada has created a world as close to the real Germany under the Third Reich as can be fictionalized without readers having to read a nonfiction book or having to live through the torture and constant fear themselves.  Although some aspects are overly melodramatic on some occasions and some of the minor characters were a bit superfluous, readers will be swept up in the fear, the pain, and all of the other emotions tied to the Gestapo’s investigations, German residents’ spying, and death of loved ones and dreams.

“‘Who wants to die?’ he asked.  ‘Everyone wants to live, everyone–even the most miserable worm is screaming for life! I want to live, too.  But maybe it’s a good thing, Anna, even in the midst of life to think of a wretched death, and to get ready for it.  So that you know you’ll be able to die properly, without moaning and whimpering.  That would be disgusting to me…'” (page 294)

Fallada throws in hiding a Jewish woman, the spying neighbors, the conspirator cells against the Third Reich, and the high-and-mighty Nazi members.  What’s great is how well all of these subplots, characters, and themes mesh together to highlight the struggle of coping with loneliness, the possibility of death, and the hopelessness of fighting something bigger than oneself because it is right and decent.  While readers may not agree with everything that these characters do, the fear that pervades the German Reich effectively influences each character differently.  Every Man Dies Alone by Hans Fallada, translated by Michael Hofmann, is a wide ranging look at how small actions can lead to either small changes in others or spur wider change.  But it also demonstrates the strength of love that may not be as obvious on the surface or to outsiders.

This is my 16th book for the 2013 New Authors Challenge.

 

 

About the Author:

Born on July 21, 1893, Hans Fallada was one of the famous writers in the first half of the 20th century. Most of his novels were written in German and only 11 of them were translated in English, one of them was “Every Man Dies Alone.” The said novel was first published in 1947. But it was only in 2009 that it was translated in the English language by Michael Hoffman.

Shortly after Fallada completed it, he died in Berlin due to heart failure on the 5th of February 1947.

What the Book Club Thought: (Beware of spoilers)

Every Man Dies Alone by Hans Fallada was our March book club pick, thanks to our resident WWII expert Anna from Diary of an Eccentric.  Anna and one other member loved the book and planned to give it five stars, while one member was unsure whether he would rate it three or four stars.  As I had not finished the novel prior to discussion, I had not made up my mind, but was leaning toward four stars, which is where I finally landed.  Two other members did not read the book and one did not finish.  Our youngest member did not participate in this discussion or read due to the content of the novel.

Most of the members enjoyed Fallada’s characters Otto and Anna Quangel and their work with the postcards to open the eyes of fellow Germans to the atrocities of the Reich, while one member vehemently hated Enno Kluge and another member thought Borkhausen was comical.  I agree that Borkhausen was a bit comical, especially given his outrageous decision-making and the events that befell him.  Some members agreed that the writing style was tough to get used to, and that the beginning half was slower than the latter third of the book, which was a fast-paced wrap up of the events and more.  One member did not think the final chapter was necessary, while Anna said that maybe the final chapter was to end the novel on a good note.  I have to agree with Anna that I liked the final chapter in the novel because it wrapped up some loose ends and really ended the novel on a more hopeful note.

One aspect of the novel that was brought up was the role of the cyanide pill in providing solace to one character and torture to another.  It was interesting to see how someone could feel free knowing that the cyanide pill was available, while another character could only feel free once the pill was eliminated from the equation.  I was intrigued by Inspector Escherich, and found him to be one of the most dynamic and complex secondary characters in the book.  It almost would have been more interesting to have seen more of him, but not totally necessary.

Overall, there seemed to be a mixed reaction to the writing style, but overall about half of the members enjoyed the novel.  I did wonder about how prepared one could make himself or herself for death given the circumstances these characters find themselves in, and I also wonder how much of Fallada’s experiences with loneliness and persecution are infused in the novel as well, particularly in the case of Rosenthal and the Quangels.

Short Story Friday: Greyhound by Jean Ryan

Survival Skills: Stories by Jean Ryan is a slim volume, but each of the stories packs a visual and analytical punch as she draws parallels between what it means to be human and the behaviors found in nature.  While I’m still absorbing these stories at a slow pace, I wanted to share a bit about the short story, “Greyhound.”

The narrator seeks out a gift to cheer up her significant other, and finds herself at a greyhound rescue.  These dogs are retired from dog racing after just a few years and mostly due to injury, but Clara’s Gift is special because she chose to stop running at a young age.  While she is like the other greyhounds, shying away from human touch and affection at first, there is a certain intelligence in her eyes.  She meets her new owner, Holly, and the home they will all share, but coaxing does not win the dog over. Ryan paints a cohesive picture of this new family and its tentative steps around one another, but she also draws parallels between Holly and the dog — both wounded and unsure — and how they need to be approached to come out of their shells.

“…she rarely imparts information about herself; most of what I know about her I’ve had to piece together.  If she has fallen short of her goals, if she yearns for something more than me and this house we’re constantly mending, she doesn’t burden me with it.”  (page 10)

Wounded animals generally have a couple of base reactions — lash out or retreat — and in the case of “Greyhound,” retreating seems to be the best option.  While the narrator enjoys fixing things, like the house, there are some things that cannot be fixed, but must heal on their own.  The experience with the new dog teaches her to back away, to patiently wait on the sidelines, something that she’s clearly not accustomed to doing.  Even her role as a homeopathic seller imparts to the reader her desire to fix things, to offer comfort to others, and to provide aid where needed, even if it isn’t.

Ryan’s subtle style builds with each page of this story, and her links between nature and humanity become stronger with each connection.  “Greyhound” is just one powerful story, and I look forward to finishing this collection.

What are your thoughts on short stories?  Do you find them as powerful as novels?

About the Author:

Jean Ryan, a native Vermonter, lives in Napa, California.  A horticultural enthusiast and chef of many years, Jean’s writing has always been her favorite pursuit. Her stories and essays have appeared in a variety of journals, including Other Voices, Pleiades, The Summerset Review, The Massachusetts Review, The Blue Lake Review, Damselfly, and Earthspeak. Nominated twice for a Pushcart Prize, she has also published a novel, Lost Sister.  Visit her Website.

My City, My Los Angeles by Jeryl Brunner

My City, My Los Angeles by Jeryl Brunner, author of My City, My New York (my review), is another book, published in April 2013, that offers some stunning sights and out-of-the way places for tourists to visit.  In Los Angeles, Brunner finds that the actors, actresses, and other celebrities that live there have a lot of advice and stories to share.  Shaun White and Luanne Rice are just some celebs offering their advice in the section on Beaches, Gardens, Hideaways, and Secret Spots, while Lisa Ling and Josh Groban are among those offering advice on the best places to eat.  There’s also advice from nocturnal places to stores, markets, and spas, and sexy spaces to saunters, sails, rides, hikes, and drives.  What’s interesting is that more than one celebrity has said that it takes about 20 years to get used to living in Los Angeles, including Ruth Vitale.

For a newbie to Los Angeles, Brunner’s guide will likely make them feel like an insider, while still ensuring that they hit all the top touristy spots.  In addition to information about each location discussed by the celebrities, readers are given an inside look into the impressions and reasons why celebrities enjoy a particular space and what that space provides them.  Molly Shannon says about the Annenberg Community Beach House, built by William Randolph Hearst for his mistress, “I love the idea that I’m swimming in the mistress’s pool.” (page 4)  Readers will enjoy the back stories as actors and others talk about how they came to Los Angeles, and how they take stay-cations with their spouses to enjoy the sights around them that they normally don’t get to see because they are too busy.

Pink’s has the best hot dogs.  I like the spicy polish because I’m spicy Polish,” says Richard Dreyfuss.  (page 37)

From producers to city councilmen, Brunner has interviewed a wide range of Los Angeles residents to ensure readers get the most varied information possible.  What’s clear from all of these accounts is that LA is right in the middle of everything from beaches to mountains and hiking as well as museums, gardens, some of the best food, and more.  In the more category is the one story of how Celebrity Autobiography began with Eugene Pack and Dayle Reyfel just reading out loud at a fun space from memoirs of celebrities for fun, and then it grew organically from there.  This story and others seem to be a testament to how artists can create fun and a rewarding project without realizing it — all in a space devoted to nocturnal fun, mingling, and most likely drinking.

One of my favorite openings to a section is in Stores, Markets, & Spas, where Brunner quotes Patti Smith’s plea that we not abandon the paper book and Natalie Compagno’s connection to books from a young age and her determination to buy a closing bookstore devoted to books on travel.  Readers will want to sink into Mandy Patinkin’s Beverly Hot Springs and visit any of the farmer’s markets in the LA area, as well as the unforgettable The Cheese Store of Silver Lake.

My City, My Los Angeles by Jeryl Brunner will make readers’ mouths water for the food in the city and for the relaxation to be had on the beaches and in the mountains.  But more than that, she provides an insider’s look at an American icon.  It makes me want to visit LA, how about you?

***Now I’d love to see one about Washington, D.C.***

About the Author:

For author and journalist, Jeryl Brunner, a good interview is like a tango – complex, soulful, fiery, exciting and illuminating. And she’s been dancing for years, contributing to a variety of publications including O, the Oprah Magazine, National Geographic Traveler, Travel + Leisure, Delta Sky, Elle.com, ForbesTraveler.com, Four Seasons, People, Us Weekly, Brides, Parade, AOL and Huffington Post.

The Yellow Birds by Kevin Powers

The Yellow Birds, a debut novel by Kevin Powers, is a powerful look at the confusion soldiers experience while abroad during the Iraq War between 2004-2005.  Private Bartle and Murphy become connected and friendly, but their friendship is tenuous at best as it relies on the anxiety and adrenaline of war to sustain it.  What do these two men really know of each other than their age, the fact that one has a girlfriend and mother back home and that the other has only a mother, and that they both joined up with the promise of a new future ahead.

“I couldn’t have articulated it then, but I’d been trained to think war was a great unifier, that it brought people closer together than any other activity on earth.  Bullshit.  War is the great maker of solipsists:”  (page 12)

Powers attempts to examine the ideas of “freedom” and “free will,” especially through the actions of the soldiers, with Murph seeking out time in his day to watch a female medic from afar without interacting — creating memories that are not beyond his control.  But what does this control say about the notion of freedom, particularly since Murph is attempting to take, at least partially, control of his own memories.  At one point early in the novel, meanwhile, Bartle says, “I remember feeling relief in basic while everyone else was frantic with fear.  It had dawned on me that I’d never have to make a decision again.  That seemed freeing . . . ” (page 35)  Does freedom from decision-making mean that soldiers are free and that their will is free to act as it pleases?  It’s a catch-22 for without will, there are no decisions.

Beyond the calls to assess freedom and its consequences, Powers is asking the reader to question the ideas of right and wrong, miracles, and circumstance.  What does it mean when a bullet strays from you and hits another?  In Bartle’s case, he sees no meaning; it just happens.  In this way, Powers illustrates how far removed Bartle has become from morality and emotion, something that many soldiers experience.  Even his attempts to reconnect with Murph are faulty, and while many may view Murph as fragile, there is something more human and less robotic about him than Bartle.  One is the foil of the other as the war has worn them both down, and their differences — no matter how pronounced — are a testament to the ability of Powers to demonstrate the ways in which war can take its toll on the human psyche.

The Yellow Birds by Kevin Powers is less an emotional book than it is a psychological one, though the shift between years is well documented, it can be distracting to pinpoint where the events fall in a time line.  However, while the style is something that takes a bit of getting used to, it does showcase the mind of soldiers when they return from war — as trauma makes it harder to think of events in a linear fashion.  Powers includes not only the gruesome details, but also the beauty of the foreign land in which these soldiers find themselves battling the enemy.  The juxtaposed images make the horrors of war even more heartbreaking and tough to take.

About the Author:

Kevin Powers was born and raised in Richmond, VA. In 2004 and 2005 he served with the U.S. Army in Mosul and Tal Afar, Iraq. He studied English at Virginia Commonwealth University after his honorable discharge and received an M.F.A. in Poetry from the Michener Center for Writers at the University of Texas at Austin in 2012.

 

 

This is my 15th book for the 2013 New Authors Challenge

LEVEL 2 by Lenore Appelhans

LEVEL 2 by Lenore Appelhans (aka Presenting Lenore, a blogger I’ve read for a long time and even met a few times in person) is part one of three in the Memory Chronicles.  Appelhans is creating an alternate afterlife to the one many current religions teach, but her afterlife has roots in mythology and a modern twist.  Felicia Ward’s life is cut short, but readers are kept in the dark about that aspect until the end, which really doesn’t impede the story.  Dipping in and out of her memories with her family, friends, and boyfriend, Felicia remains connected with her earth life and to the emotions she felt there.  In many ways, the chamber in which she relives and calls up these memories is her life line to the past, preventing her from examining her surroundings more fully and questioning the new reality she finds herself in.

“And now I can’t sleep.  Except, that is, when I access my memories of sleeping.  You wouldn’t believe how many times I’ve combed through the seventeen years and 364 days of my life, searching for those rate uninterrupted, nightmare-free stretches of slumber.  Because sleep is my only real break from this endless reel of memories, both mine and those I’ve rented.”  (page 1-2)

Felicia’s experiences are guarded and her memories of the traumatic events in her life are revealed slowly in this first-person point of view novel, which provides a sense of suspense that becomes a bit overwrought toward the end as the reader is anxious to learn how she died and what happened between her, Autumn, and Julian, as well as how she met Neil and what happened to him.  However, a lot of the story is focused on Level 2, its structure, and its purpose as it is revealed to her through someone she already had trust issues with on Earth, so information from him is highly suspect from the beginning, which should lead readers to expect or suspect the twists at the end of the novel.

“In moments like this I wonder whether we are bound together by true feelings of kinship or if we’ve merely clung to each other these past ten years out of obligation, fear, or lack of other prospects.  Her huge doll collection made her the ideal friend back when we first met at out post in Ecuador and at our subsequent stint back in D.C., but since we both got to Frankfurt a year ago last summer, after four years apart, I’m starting to think maybe I’ve outgrown her.  That’s what moving so often can do to you.  It makes you continually question your place in the world, and seek out those few who understand what you’re going through.”  (page 120-1)

The hives in Level 2 are reminiscent of the Matrix movies (as well as the elements of a rebellion), which makes them lack some originality, but there is a back story to its creation that was more imaginative and unfortunately is less detailed than some readers may want, though there are more books planned for this series, which could lead to additional description and better world building.  Meanwhile, Appelhans does raise some questions about the reliability of memory and whether it can be manipulated by others or by the owner of those memories to change the outcome or modify the perception of certain events.  This aspect of the story is very unique and psychological, a part of the story that should be expanded.

Felicia is a strong character at some points and weak at others.  She’s especially weak when navigating the Level 2 environs with someone she does not trust, and says more than once that she is too weak to go off on her own, even when she really isn’t as weak as when she first woke.  However, her fear of the unknown is something that propelled her on Earth and still seems to propel her in this new environment, so it is at least understandable and will hopefully be explored/overcome in future books.  Autumn is a bit one-dimensional, which makes it hard to see why Felicia is so torn about the friendship, though that could be attributed to the memories Felicia reveals to the reader.  Felicia’s relationship with Julian and Neil are both explored, though there really isn’t a love triangle.  LEVEL 2 by Lenore Appelhans is a solid debut, young adult fiction novel that hovers around bigger issues of memory and anchoring oneself with self-confidence without overtly addressing them.  It is fast-paced and suspenseful, but some readers may prefer a deeper exploration of these themes and/or a more linear story line than the dipping in and out of Felicia’s memories.

About the Author:

Lenore Appelhans’ novel, LEVEL 2, will be published by Simon & Schuster in fall 2012.  She blogs at Presenting Lenore about books and loves to travel.  She’s been to 55 countries so far, and she currently lives in Frankfurt, Germany, with her 3 fancy Sacred Birman cats and her husband.  Check out her interview during Dystopian August, a video discussion, the Reader’s Guide.

This is my 14th book for the 2013 New Authors Challenge.

Short Story Friday: Rules for Virgins by Amy Tan

It’s Friday again, and as promised, here is one of the occasional Short Story Friday features. Today’s feature will focus on Amy Tan’s e-short story, Rules for Virgins.

Rules for Virgins by Amy Tan is a short story in which a virgin courtesan is being told the ins and outs of the profession.  Set in 1912 Shanghai, Magic Gourd is explaining the ways in which courtesans gain favor with the wealthiest of men.  Violet, a young woman whose mother owned a similar house of women, is being tutored in the ways of beguiling and pampering not only the men they want to attract, but the other women in the house so that competition does not become deadly.

“While you are still a virgin courtesan, you must know all the arts of enticement and master the balance of anticipation and reticence.”

The way in which the story is told is in the form of teacher-student, and while Magic Gourd is harsh at times and provides unabashed detail about the expectations of men.  She exposes the inner workings of the house and the other women’s jealousies, but she also explains the function of the “mosquito press” in spreading rumors that build the reputations of new girls and houses.

“Few men are capable of preserving their ideal self.  If he is a scholar, what philosophical principles were sacrificed to ambition?  If he is a banker, what oath of honesty was dirtied by favors?  If he his a politician, what civic-minded policies were destroyed by bribes?  You must cultivate his sentimentality for moral glory and help him treasure his myth of who he was.”

The narration is reminiscent of Tan’s earlier work, but in this case, the women are not related by birth, but by situation, and the older, wiser Magic Gourd is imparting her wisdom to the younger courtesan.  Rules for Virgins by Amy Tan is a great look into this mysterious world of entertainment and enticement, but it seems too short and would have been great to see Violet begin to navigate this world at the guiding hand of Magic Gourd.

About the Author:

Amy Tan is an American writer whose works explore mother-daughter relationships. Her most well-known work is The Joy Luck Club, which has been translated into 35 languages. In 1993, the book was adapted into a commercially successful film.

The Best of PUNK Magazine by John Holmstrom and Bridget Hurd

The Best of PUNK Magazine by John Holmstrom and Bridget Hurd, with a foreward from Deborah Harry (yes, the singer from Blondie) and Chris Stein (co-founder of Blondie), is a compilation of the best articles and artwork from the magazine, and it opens with a fun depiction of New York City — “The PUNK Map of N.Y.C.: For jerks who just don’t know their way around.”  The drawings of the rivers and the streets and the realistic, and yet, out there cartoons are likely to generate smirks, if not genuine smiles.

As someone born in the late 1970s, but in love with punk music and Blondie, this collection is something that provides not only more background about the emergence of punk, but also the  whimsical fun and sort of not-a-care-in-the-world feel of the genre.  PUNK magazine had a lot to live up to as the voice of 1970s New York, but it also had a lot to break away from in terms of what was expected of a music magazine.  Clearly, PUNK was a magazine dedicated to snarkiness in all its forms — visual and textual — and it worked well.  It was gritty, it was real, and the glamor was no where in its photos or its comics, but that seems to be why the magazine stood out.  There was a whole lot of youthful exuberance in the beginning of this magazine as nicknames were handed out and spaces were renamed — like the PUNK Dump.

The opening interview with Lou Reed is just the tip of the mosh pit with this magazine.  Reed is so candid, it’s almost like he forgot he was being interviewed by a magazine, and it is unlikely anyone told him the interview would be turned into a comic strip.  The comics are filled with typical masculine and bathroom humor at times, but the drawings are enough to carry the jokes beyond their static line.  A really cool moment in the collection is the results of the Patti Smith Graffiti Contest, where some are so tasteful and others are just outrageous.

By the third issue, the magazine’s editors knew they were a hit when the Ramones snagged a record contract in part because of the magazine’s coverage of their band.  One particular gem in the collection is Holmstrom’s explanation of punk:  “sound — faster and louder; humor — like the novelty songs of the 1950s and 1960s; fashion — no glam, just the classics: shades, blue jeans, t-shirt, sneakers; minimalism — less is more.  No bombast; attitude — similar to the hippie ethos “Do your own thing but let me do mine,” but more like: “F**k you! I don’t care what you do, just leave me alone!”; do it yourself — publish your own ‘zine, make your own record; retro rock/conservatism — mining the tradition of rock ‘n’ roll from the 1950s and early 1960s, while rejecting everything after the hippies took over in 1967.”

The Best of PUNK Magazine by John Holmstrom and Bridget Hurd is a great compilation, but you may not want to leave it on the coffee table with conservative parents or in-laws around.  It’s got some bawdy humor, creative ideas, fantastically candid photos and interviews with punk rock stars of the time, and so much more.  Reminiscent of MAD Magazine and the like, but it really has a garage feel about it — a passion of the listener, the true fans of PUNK.

About the Author:

John Holmstrom is a cartoonist and writer and co-founder (with Legs McNeil) of Punk magazine. He illustrated the covers of the Ramones albums Rocket to Russia and Road to Ruin, and created the characters Bosko and Joe, which were published in Scholastic’s Bananas magazine from 1975-1984, as well as in Stop! Magazine, Comical Funnies, Twist, and High Times. Holmstrom’s work and unmistakable artistic style has become the key visual representation of the Punk era.

This is my 13th book for the 2013 New Authors Challenge.

Six Sisters’ Stuff: Family Recipes, Fun Crafts, and Much More & 4×4 Dinner Giveaway/Challenge

Six Sisters’ Stuff:  Family Recipes, Fun Crafts, and So Much More! is a flexible paperback cookbook that not only includes gorgeous photos of entrees, appetizers, and desserts, but also a variety of crafts to keep your kids occupied and to dress up the table.  Camille, Kristen, Elyse, Stephanie, Lauren, and Kendra are biological sisters and know what it means to have a busy life, but they still make time for family dinners and this book includes 100 easy-to-follow recipes using ingredients commonly found in your pantry.

The full-color photos in this cookbook will make your mouth water even if you’ve just eaten dinner.  From the main meals to the slow cooker meals, these women have made cooking for a family incredibly easy and simple with these recipes.  There are salads, sides, and breads, plus dessert — oh, the dessert.  (I made one for book club, see photos and reaction below)  But this book is not only about the food and having family meals together, but it also is about spending time with family whether it’s on a road trip or inside on a rainy day (I’ll be testing these out in the coming weeks).

There are projects ranging from creating simple decorations like a snowman out of blocks and felt bows to more complex projects like bookshelves made out of pallets.  These projects are sure to occupy family members and make the house look more beautiful.  The sisters also offer advice on spring cleaning, which may seem like common sense but for a first time homeowner with a new kid the task can be overwhelming.  There also are healthy snack ideas, fun date ideas to keep the romance alive, and a weekly breakdown on how to build a 72-hour emergency kit for the entire family.

Six Sisters’ Stuff:  Family Recipes, Fun Crafts, and So Much More! is appealing to look at, create from, and learn.  It’s not only about cooking a healthy meal in a short amount of time with the ingredients on hand, but it’s also focused on ensuring that family time becomes a priority.  Readers will have no choice but to dig in and start creating.  Delicious family recipes ready to fill watering mouths and simple crafts to spruce up any busy home.

My baking experience with Mom’s Chocolate Marshmallow Brownies:

As is usual with me, I was pulled in a hundred different directions and had to improvise the recipe, though I do plan to make this recipe the way it is written at some point.  I wanted to make these for book club in February, but with little time, I turned to my favorite box brownie mix, Ghirardelli Dark Chocolate Brownie mix, which never fails me.  And I quickly found the brownie pan I chose would require me to use 2 boxes, which met the hubby had to run out and get a second box.

But then I made the Chocolate frosting from the recipe for on top of the marshmallows.  The recipe called for 2-3 cups of powdered sugar, but I found out quickly that 2 cups was too little because the frosting was soupy, so I had to make it 3 cups for the right consistency.  Once I got the frosting made, i spread it on top of the marshmallows (which I really didn’t need the whole bag of).

The pan must have still been a bit warm because the frosting melted a little too much over the marshmallows, making it an even gooier mess than I expected, but it didn’t seem to matter to the book club members who were eager to try it.  I just had to have the first piece, and one of the corners, since those are my favorite!  I took a close up of one piece to share with everyone.  YUM!

Six Sisters photoAbout the Six Sisters:

In February 2011, we started our blog SixSistersStuff.com. After years of living close to one another, we were being pulled in many different directions- one sister moved to the West coast, another sister followed her husband to medical school, one moved away to college, and another sister had just lost a baby. We needed each other now more than ever and we used our blog as a way to stay in touch.

Before we started blogging, we were constantly calling each other for recipe ideas, craft projects, and ways to keep our children entertained during those long winter days. The blog was the perfect way for us to share those ideas with each other and we were having so much fun doing it. We are all busy, whether it’s with our kids, jobs, school, husbands, community involvement, or something else eating up our time, so all the recipes and projects you will find on this blog are quick and easy! Our recipes are family favorites that use ingredients that can commonly be found in your pantry and our crafts and home decor projects can be made with little or no money. We don’t claim to be amazing chefs- we just know the importance of feeding your family a home-cooked meal and sitting down to eat it together.

 

This is my 12th book for the 2013 New Authors Challenge.

 

 

About the 4×4 Dinner Challenge:

4X4 dinner challenge

  • Pledging to accept the 4×4 Dinner Challenge means the family will eat together at least four times per week for four weeks.
  • Families are encouraged to register online, and they will receive meal tips, ideas for family activities, and helpful recipes to make meeting the challenge easy.

To win a copy of this colorful cook book, do the following:

  1. Like the Six Sister’s STUFF Facebook page and join the 4×4 Dinner Challenge
  2. Click the 4×4 Family dinner banner on the Website (on the right sidebar) and leave a comment joining the challenge.
  3. Come back here and leave a comment on this post about what you’d like to check out in Six Sisters’ Stuff.

Deadline to enter is March 10, 2013, at 11:59 PM EST.