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Call Us What We Carry by Amanda Gorman

Source: Gift
Hardcover, 240 pgs.
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Call Us What We Carry by Amanda Gorman, which was the August read-a-long, is the first poetry collection by the youngest poet laureate to read at a presidential inauguration. Her poems read much like a spoken word poet would recite them. She plays a lot with poetic form, crafting lines into images of whales and masks, and placing poignant lines on the stripes of the American flag. Some of these image-focused poems work well, but others just seem to fall flat.

From "Cut" (pg.26-27)

Disease is physiological death,
Loneliness is a social one,
Where the old We collapses like a lung.
From "War: What, Is It Good? (pg. 118-124)

War, like a whale, is all consuming-
Everything fits into its mesh mouth.
Like a whale, a virus can wolf
Down the globe whole.
The bullet is a beast, as are we.
Our invisible battles
Are the hardest ones to win.

***

The first step in warfare & pandemics is the same:
Isolation, to rupture the channels of communication of
virus/violence."
Later in that poem on mask vs. no mask (pg. 144)

Why it's so perturbing for privileged groups to follow
restrictions of place & personhood.
Doing so means for once wearing the chains their power
has shackled on the rest of us.

Gorman tackles a lot of issues in this collection from slavery and racism to the COVID pandemic and its parallels with the 1918 Spanish flu. Water imagery and references to the slave ships travel throughout the collection, connecting the struggles together into the anchor that many still carry.

There is a lot of struggle and darkness in these poems, but she answers the call of how to move on with love, empathy, and connection. Gorman reminds us that there is hope for change, and that we can make those choices. We are not all that we carry with us.

From "School's Out" (pg. 17-8)

Their feet stomp at our life.
There is power in being robbed
& still choosing to dance.

Call Us What We Carry by Amanda Gorman is strongest when it is passionate and honest, when the poems don’t rely too heavily on physical images or erasure to create declarative poems. Her honesty shines brightest in her youthful passion and I am eager to see more from this poet.

RATING: Tercet

This was our August read-a-long selection for the 2022 Poetry Reading Challenge. You can find those discussions below:

About the Poet:

Amanda Gorman is the youngest inaugural poet in U.S. history, as well as an award-winning writer and cum laude graduate of Harvard University, where she studied Sociology. She has written for the New York Times and has three books forthcoming with Penguin Random House.

Born and raised in Los Angeles, she began writing at only a few years of age. Now her words have won her invitations to the Obama White House and to perform for Lin-Manuel Miranda, Al Gore, Secretary Hillary Clinton, Malala Yousafzai, and others. Amanda has performed multiple commissioned poems for CBS This Morning and she has spoken at events and venues across the country, including the Library of Congress and Lincoln Center. She has received a Genius Grant from OZY Media, as well as recognition from Scholastic Inc., YoungArts, the Glamour magazine College Women of the Year Awards, and the Webby Awards. She has written for the New York Times newsletter The Edit and penned the manifesto for Nike’s 2020 Black History Month campaign. In 2017, Amanda Gorman was appointed the first-ever National Youth Poet Laureate by Urban Word – a program that supports Youth Poets Laureate in more than 60 cities, regions and states nationally. She is the recipient of the Poets & Writers Barnes & Noble Writers for Writers Award, and is the youngest board member of 826 National, the largest youth writing network in the United States.

All the Rivers Flow into the Sea and Other Stories by Khanh Ha

Source: the author
Paperback, 210 pgs.
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All the Rivers Flow into the Sea and Other Stories by Khanh Ha, winner of the EastOver Prize for Fiction, are stories in which cultures seem insurmountable until there’s an undercurrent of emotion the breaks through those external barriers. Underneath these stories is the roiling tide, pushing and pulling these characters toward and away from one another.

“He makes me homesick. I realize I’m in a foreign country. I can speak its language, live its habits, think its thoughts, but I’ll never be part of it.” (pg. 178, “The Children of Icarus”)

In the opening story, “The Woman-Child,” there’s a tension between a young Vietnamese man, who returns to Vietnam as part of his research of how shrimp farmers are affecting the waterway, and a young woman who cooks for her fisherman father and feels like the woman at the inn is like a mother. He grew up in America and looks at her through an American lens, but she is a young, independent woman who wants to show no weakness in front of him. These moments of passionate tension and the strength of independence enable the tension to break without the characters themselves breaking under the weight.

“I stared at him. He could have stabbed me and still not have hurt me as much as the tone of his voice did.” (pg. 62, “The Dream Catcher”)

Ha’s characters are complex and struggling against cultural expectation and tempting passions. They are looking for their path, but often find they are pulled into a direction they never expected. There is a tumbling of light and dark into a gray sea that flows between each character who is being tossed on their adrift boat. Ha reminds us that tragedy touched everyone, but it is not always apparent on the surface.

All the Rivers Flow into the Sea and Other Stories by Khanh Ha is another collection that will capture your imagination. From the magical market to the tragedy of lost lives, Ha’s stories are fairy tales in which characters face tragedy head on and seek solace in life and the blessings they have. I didn’t want to reach the end of this collection.

RATING: Cinquain

***Also check out Ha’s poem, a Book Signing Horror Story.

Other Reviews:

About the Author:

Multi award winning author Khanh Ha is the author of Flesh, The Demon Who Peddled Longing, and Mrs. Rossi’s Dream. He is a seven-time Pushcart nominee, finalist for the Mary McCarthy Prize, Many Voices Project, Prairie Schooner Book Prize, and The University of New Orleans Press Lab Prize. He is the recipient of the Sand Hills Prize for Best Fiction, the Robert Watson Literary Prize in Fiction, The Orison Anthology Award for Fiction, The James Knudsen Prize for Fiction, The C&R Press Fiction Prize, and The EastOver Fiction Prize.

Mrs. Rossi’s Dream was named Best New Book by Booklist and a 2019 Foreword Reviews INDIES Silver Winner and Bronze Winner. All the Rivers Flow into the Sea & Other Stories has already won the EastOver Fiction Prize. Visit him on Facebook and Twitter.

ENTER THE GIVEAWAY HERE.

A Room of Your Own by Beth Kephart, Illustrated by Julia Breckenreid

Source: Purchased
Hardcover, 32 pgs.
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A Room of Your Own by Beth Kephart, illustrated by Julia Breckenreid, is a gorgeous book that explores all the different kinds of room we can find in our lives for creativity. Those rooms can be in the house, in the garden, in a barn, in a bath tub, in a cabinet, in a tree, under the bed, or even simply in the pages of a book.

Kephart was inspired by Virginia Woolf’s essay, A Room of One’s Own, to write this children’s picture book, which is beautifully illustrated by Breckenreid. The images are colorful and alive. Readers follow Virginia from her home and into the gardens where the steel sky gives way to blue. She sits and thinks and dreams and then comes the question for the reader: “Where do you go to think, to dream, to be?”

There’s an illustrated imagining of what those places could be and maybe are for many. And the illustrations bring these places to life and demonstrate that each place is important for each person and that no two places are alike, but all are vital for self, imagination, and more. Some of the rooms are not even rooms at all, but moments between action or in action. Below is my favorite illustration in the entire book:

A Room of Your Own by Beth Kephart, illustrated by Julia Breckenreid, is a delight, and I love that Virginia Woolf is here in these pages, but that the story gives way to the reader and explores the places they could have that are all their own.

RATING: Cinquain

About the Author:

Beth Kephart is the award-winning author of three dozen books in multiple genres and an award-winning teacher at the University of Pennsylvania. Her new memoir in essays is Wife | Daughter | Self (Forest Avenue Press). Her new craft book is We Are the Words: The Master Memoir Class, from which this essay was adapted. More at bethkephartbooks.com.

Admit This to No One by Leslie Pietrzyk

Source: Purchased
Paperback, 255 pgs.
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Admit This to No One by Leslie Pietrzyk is a stunning collection of short stories that are interconnected in ways that will surprise you. All of these stories are in and around Washington, D.C. One of the stories also appeared in the anthology, This Is What America Looks Like (my poem is in there, too, and is how I discovered this collection was being published!)

Pietrzyk’s prose will lull you into a false sense of security before she strikes with lines that upend her stories or characters. Readers go into each story believing they know who these powerful and not-so-powerful characters are, but eventually, the story reveals what we all refuse to admit — we need and crave love and acceptance, even if we do things to make it so hard for people to love and accept us.

From “Till Death Do Us Part”: “What that money adds up to is a satisfying figure, almost a super-tremendously huge figure. That’s me knowing how much he loves me, which might be pathetic if the figure weren’t so satisfyingly huge.” (pg. 15)

From “Wealth Management”: “Winning seems like enough, or all there is anyway, and it’s these thoughts that are in his head during the drive home as Chloe stares straight ahead, eyes glittery with tears she won’t dare let him see.” (pg. 42)

The Speaker of the House looms large in the collection, with his influence reaching far outside the capital, whether his impact on his illegitimate daughter or his first-born daughter or his trusty right-hand woman. Fatherly relationships play a central role in this collection, as do the influences of men on how women perceive themselves, want to be seen, and struggle to be while maintaining their independence.

Like the churn and turbulence of the Potomac River, Pietrzyk provides a glimpse into what political life in D.C. looks like, but she also demonstrates the emptiness and tense tightrope walking that it requires. Admit This to No One is a short story collection for the modern age and definitely one you won’t put down before turning the final page.

RATING: Quatrain

About the Author:

Leslie Pietrzyk is the author of the novel Silver Girl, released in 2018 by Unnamed Press, and called “profound, mesmerizing, and disturbing” in a Publishers Weekly starred review. In November 2021, Unnamed Press published Admit This to No One, a collection of stories set in Washington, DC, which The Washington Post called “a tour de force from a gifted writer.” Pietrzyk’s collection of unconventionally linked short stories, This Angel on My Chest, won the 2015 Drue Heinz Literature Prize and was published by the University of Pittsburgh Press. Kirkus Reviews named it one of the 16 best story collections of the year, Her previous novels are Pears on a Willow Tree and A Year and a Day. Short fiction and essays have appeared in Southern Review, Ploughshares, Gettysburg Review, Hudson Review, The Sun, Shenandoah, Arts & Letters, River Styx, Iowa Review, Cincinnati Review, TriQuarterly, New England Review, Salon, Washingtonian, Southern Indiana Review, Washington Post Magazine, and many others. She has received fellowships from the Bread Loaf Writers’ Conference and the Sewanee Writers’ Conference, and in 2020, her story “Stay There” was awarded a Pushcart Prize. Pietrzyk is a member of the core fiction faculty at the Converse low-residency MFA program and often teaches in the MA Program in Writing at Johns Hopkins University. Raised in Iowa, she now lives in North Carolina.

Beach Read by Emily Henry (audio)

Source: Purchased
Audible, 10+ hrs.
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Beach Read by Emily Henry, narrated by Julia Whelan, is laugh-out-loud funny, but also deeply serious. While both January Andrews and Augustus Everett are struggling with writer’s block and personal traumas, there’s a quirkiness to their interactions with people. Henry has a knack for creating oddball situations. How does one broke romance author find herself broke and living her her father’s house on Lake Michigan where he romanced another woman while married? And how does a curmudgeonly literary fiction author find himself in such a small town where his friends take over his house once a year to throw him a birthday party he doesn’t want? Oh, did I mention they are now neighbors?

What do writers who don’t have anything particularly in common do? Why they make a bet that they cannot write a book in each other’s genre! Typical writers, challenging each other with seemingly insurmountable tasks.

I’m not going to share much more than this about the book because I want you to discover all the quirkiness for yourself. My one quibble was that the writing challenge seemed to fizzle out and the reveal was not quite as good as the other resolutions. But this did not detract from my enjoyment of the banter between these two writers and the unraveling of their past hurts and more.

Beach Read by Emily Henry, narrated by Julia Whelan, is a fun summer read that will have you laughing, shaking your head at these two, and smiling all the way to the beach. But you won’t catch me jumping into a cold lake for anyone.

RATING: Cinquain

Other Reviews:

About the Author:

Emily Henry writes stories about love and family for both teens and adults. She studied creative writing at Hope College and the now-defunct New York Center for Art & Media Studies. Find her on Instagram @EmilyHenryWrites.

Just Haven’t Met You Yet by Sophie Cousens (audio)

Source: Purchased
Audible, 10+ hrs.
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Just Haven’t Met You Yet by Sophie Cousens, narrated by Charlotte Beaumont, is a delightful weekend getaway with Laura, a writer for a lifestyle platform (read sponsored content). She heads to Jersey, England, from London to seek out her parents’ love story. on the plane she ends up meeting an attractive man who stoops to pick up her tampons. But she thinks nothing of this meet cute as she strives to find all the places her parents took pictures during their summer of romance. As a writer of happily ever after (HEA) stories, she has a cinematic notion of love.

While Laura is clearly to focused on HEA stories and finding love, her story demonstrates that she needs to learn to accept reality and learn how to find her own direction. When she falls into Ted’s cab and commissions him on her quest, she has no idea how things will change for her.

I cannot tell you how many times I laughed during this book. There are so many hilarious moments. Laura does have her cringy moments where I wondered what on earth she was thinking and whether she is really that clueless. Her boss, Suki, is a maniac and hard-nosed editor. Laura gets herself in hot water when her priorities shift away from that of Suki’s.

Is Laura’s meet cute with the man, Jasper, whose suitcase she ends up with after her flight to Jersey or is it something less cinematic? Jasper is a well-mannered perfect fit in terms of likes and dislikes, but there’s just no zing. Along the way, Laura meets plenty of colorful relatives and Ted’s family and friends. She finds herself immersed in Jersey’s culture and falling in love with the horizon again — much like that summer of love her parents had.

Just Haven’t Met You Yet by Sophie Cousens, narrated by Charlotte Beaumont, is a delightful romantic comedy that I couldn’t help smiling as the narration continued. Laura does grow throughout, and some of that is painful. Ted is a scruffy man at the start who improves upon acquaintance. Cousens is an author I’ll definitely read again.

RATING: Cinquain

About the Author:

Sophie Cousens started her career in television, where she produced, among other things, The Graham Norton Show, Big Brother, Ant and Dec and Russell Howard’s Good News. Sophie currently lives in Jersey where she now writes full time. She lives with her husband Tim and has two small children who keep her occupied with important questions such as ‘but did Cinderella have a toothbrush?’ and ‘do giraffe’s know they have really long necks?’ She yearns for a time when she will be able to add a miniature dachshund to the party.

Crazy Brave by Joy Harjo

Source: Purchased
Paperback, 171 pgs.
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Crazy Brave by Joy Harjo, which does include some poems, is what I would imagine a dream walk to be. Harjo shifts from moment to moment in a surreal walk through her memories. She explores her Native American heritage through the eyes of a young child and a woman who is looking for her place in a family and culture where women’s decisions/desires are secondary.

“In the end, we must each tend to our own gulfs of sadness, though others can assist us with kindness, food, good words, and music.” (pg. 23)

“I imagine this place in the story as a long silence. It is an eternity of gray skies. It runs the length of late elementary school through adolescence.” (pg. 63)

Throughout the memoir, there is a cleaving. A family broken apart by a step-father who seeks control over all in his dominion, even children who are not biologically his own and forces them to make adult decisions at too young an age. But there is also the breaking apart of a woman in that she needs to separate herself from that past and her current life to find a voice buried inside and trying to break free.

“For the true warriors of the world, fighting is the last resort to solving a conflict. Every effort is made to avoid bloodshed.” (pg. 150)

Harjo teaches that through pain and suffering there is still beauty and love. Loving oneself can provide the peace we seek, and it also enables us to find our own voices and trails. While she suffered from her mother’s decisions and her father’s abandonment, there is still love there for a family who gave her life. This is not a complete life story, but it is a journey — it is Harjo’s path to poetry. Crazy Brave by Joy Harjo is a homage to those that came before, a nod to her present, and a dream for a future.

RATING: Quatrain

About the Poet:

Joy Harjo is an American poet, musician, playwright, and author. She served as the 23rd United States Poet Laureate, the first Native American to hold that honor. She was also only the second Poet Laureate Consultant in Poetry to have served three terms.

Sarah Rising by Ty Chapman, illustrated by DeAnn Wiley

Source:
Hardcover, 40 pgs.
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Sarah Rising by Ty Chapman, illustrated by DeAnn Wiley, is a book in which Sarah goes with her dad to a protest for justice. Her father tells her that they need to stand up for people when the police don’t protect them. The simplified message is a strong one for young kids ages 5-8, and the illustrations are very realistic, particularly from the point of view of a young child.

Sarah learns what it means to protect others when a Monarch butterfly is swatted down and she saves it from a police officer who yells at her to get back. And although she loses her way for a bit, the crowd is welcoming and safe, protecting her until she can be reunited with her family. This part will be scary for young kids like it is for Sarah, but it is a reality kids will likely face in a protest.

Chapman’s overarching message is to stand up for justice and what is right, which is important. As a parent, I was concerned about Sarah being lost in a crowd of strangers. It is a little too simplistic to assume the crowd would protect her until she finds her family, but this also could be a discussion for parents to have with their children about the dangers of strangers and getting lost in a crowd.

Sarah Rising by Ty Chapman, illustrated by DeAnn Wiley, is a story about what it means to stand up for others, but kids will likely view Sarah’s being lost as the main point. This happened with my daughter, but their perspectives are often different than an adult perspective. She thought the point was to care for kids who are lost and return them to their loved ones, rather than about standing up for justice. Our conversation took a different turn than the author might have intended.

RATING: Tercet

About the Author:

Ty Chapman is a Twin Cities-based author, poet, puppeteer, and playwright of Nigerian and European descent. He is passionate about art that speaks to the Black experience in America. His recent accomplishments include being named a Loft Literary Center Mirrors and Windows fellow and publishing poetry through multiple journals. Follow Chapman at these locations:

Web: tychapman.org

Twitter: @TyChapmn

Instagram: @ty_chapmn

Facebook: /TyChapmn

About the Illustrator:

DeAnn Wiley is a Detroit-based artist who has been painting traditionally for over five years. She recently broke into the digital art world and shares her artwork with a large online audience. She is an advocate for social justice and is dedicated to making art that is authentic and intentional in empowering Black, queer, fat, and disabled people.

Follow Wiley at the locations below:

Web: DeeLaSheeArtistry.com

Twitter: @DeelasheeArt

Instagram: @DeelasheeArt

Facebook: /DeeLasheeArtistry

People We Meet on Vacation by Emily Henry

Source: Purchased
Paperback, 364 pgs.
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People We Meet on Vacation by Emily Henry has a title that I found misleading because it is not about people that Alex and Poppy meet on vacation but the versions of themselves that they meet on vacation. Alex and Poppy’s friendship blossomed after an awkward rideshare home one summer — yes, they are from the same little Ohio town, but have very different perspectives on that kind of life.

What makes this book work is the banter between Alex and Poppy, even if it seems they are so different that it is impossible to think how this relationship would work in real life. Poppy is a travel writer for R+R Magazine and he’s a high school English teacher. She’s battling “millennial ennui” and much of the book is told from her erratic point of view.

After we meet these protagonists, we spend a lot of time with Poppy. She’s tough to take sometimes, which is probably because she doesn’t know who she is. She knows she loves travel and writing, but she’s still hiding from her family (not because she doesn’t love them) and she’s keeping others at arms length. Even her fun relationship with Rachel seems a bit too close to the surface. Poppy is clearly struggling with self, and this all comes to a head on her last vacation with Alex.

“For the first time in my life, the airport strikes me as the loneliest place in the world.” (pg. 318)

Henry creates a narrative that alternates from the present to the past (Poppy and Alex have gone on previous summer vacations together). In many ways there is a countdown to the reveal of why they don’t speak when we see Poppy during her “career” crisis. It is a predictable reason, but the interactions between Poppy and Alex on this final vacation are worth the wait. You can see why their differences are complementary. You can see why they love each other and take vacations together. You see how each has grown but still has more growing to do as individuals.

People We Meet on Vacation by Emily Henry did not make me want to go on vacation with Alex and Poppy. In fact, their messy friendship kind of made me want to stay home. However, I did enjoy the journey and reading this one with a buddy. I will be picking up other Emily Henry novels, like Beach Read and Book Lovers, because I find quirky characters engaging, even if I don’t envy their lives.

RATING: Tercet

About the Author:

Emily Henry writes stories about love and family for both teens and adults. She studied creative writing at Hope College and the now-defunct New York Center for Art & Media Studies. Find her on Instagram @EmilyHenryWrites.

Scale Model of a Country at Dawn by John Sibley Williams

Source: the poet
Paperback, 85 pgs.
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Scale Model of a Country at Dawn by John Sibley Williams, winner of the 2020 Cider Press Review Book Award, is a collection that defies categorization. The opening poem, “The Gift,” establishes the poet’s framework for the collection, crafting a gift for the reader that will endure despite his loss and contain the harsh and beautiful moments of life. “Just a rough little box built from my bones/to keep the bones you’ll collect in.//” (pg. XIII)

Although there are more personal stories and imaginings within these poems, Williams is taking us (the reader) on a journey into the darker underbrush, the innate desire to seek out and understand the underbelly of humanity and life. “We all need something to scream into,” he says in “Ordinary Beasts.” This poem leads us to the build up of frustration and anger that can come with being part of society, family, and life in general. He further examines this darkness in humanity with “Like a plague of locusts,” in which it is clear that our presence and our actions have led to changes in the landscape: “This is not the sky/our grandmothers taught us to pray to;//this canvas of bald trees & splintered/schools not like anything//we can shape a childhood from./” (pg. 6)

Williams is building to something in this collection; he’s not espousing a particular philosophy or way of thinking. He’s merely building the framework that is humanity in all its emotions and faults. In the title poem, “Scale Model of a Country at Dawn,” he lays down what it means to be a father and raise a “man,” but the choice always remains with the son, just as it did with him as a boy. How do we take what has been taught and modeled for us and become our own person?

As It Is on Earth (pg. 26)

It's like that sometimes. A man bends
so completely he begins believing in
his own holiness. An empty house
kids are too scared to vandalize sees itself
in time as haunted. Even the moon
our dogs wail to each night as if in prayer
fears a response is expected. The war
my brother brought home & the home he 
pined for in war converge in an unruly
absence. Is it finally fair to say like gods
we make images to pour ourselves into?
Like rivers, how they tend to move
farther from the source? What skin
remembers & the mind reimagines:

between them a truth serrated as light.

Throughout Williams’ collection, there is a tension between what we desire and what is reality and between what we envision and what becomes. “Sinkholes” is a gem of a poem that illustrates this idea of ideals and memories versus reality and the uncontrollable. The “scale model” is the start of the country, but how we build it and repair it is the legacy. “Like the sky, roofs are meant to leak, bow./& replacing the buckets every night is a ritual//” (pg. 78, “Restoration”)

RATING: Cinquain

Other Reviews:

About the Poet:

John Sibley Williams is the author of seven poetry collections, including Scale Model of a Country at Dawn (Cider Press Review Poetry Award), THE DROWNING WORKS (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.

The Fervor by Alma Katsu

Source: Purchased
Hardcover, 320 pgs.
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The Fervor by Alma Katsu is the perfect balance of suspense, supernatural, and historical fiction. Meiko and Aiko Briggs are interned in Minidoka during WWII, while Meiko’s husband, Jamie, fights overseas as a pilot. The story shifts from 1944 to 1927 where we learn a little bit about Meiko’s family history and her father’s atmospheric research. What her father uncovered while working on a remote Japanese island Shikotan will come into play later.

Readers also will meet Archie and Elsie, the preacher and his wife, who were family friends of the Briggs. Something comes between the foursome when the war breaks out. When white motes appear and explosions happen in remote places across the United States, a fervor starts to take hold.

“She looked at the smoldering heap, which still billowed and heaved in the night air, like a breathing creature, tentacled and ashen.” (pg. 35-6)

Working in the background is an intrepid reporter who uncovers a secret balloon in the woods with strange writing. She starts to piece together the fervor taking hold in small, remote towns across America. No one is immune, not even the preacher. Katsu’s interned characters are strong, but they shouldn’t have to be. They are Americans and love their country, and Mr. Briggs is sacrificing himself for freedom.

The Fervor by Alma Katsu is a work of fiction, but she captures the atmosphere of WWII in America and the fervor that caught up so many and led to the interment (read imprisonment) of American citizens. I’ve read a number of books about this period and these camps, but there should be more about this time period taught to students across the country. We need more brave souls to examine our not-so-great history, so that a new/old fervor doesn’t take over and lead to more dark U.S. history.

RATING: Cinquain

Other Reviews:

About the Author:

Alma Katsu is the author of The Taker, The Reckoning, and The Descent. She has been a signature reviewer for Publishers Weekly and a contributor to The Huffington Post. She is a graduate of the Master’s writing program at the Johns Hopkins University and received her bachelor’s degree from Brandeis University. Prior to the publication of her first novel, Katsu had a long career as a senior intelligence analyst for several US agencies and is currently a senior analyst for a think tank. She lives outside of Washington, DC, with her husband.

Kill It With Fire by Marianne Bellotti (audio)

Source: Purchased
Audible, 7+ hrs.
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Kill It With Fire: Manage Aging Computer Systems (and Future Proof Modern Ones) by Marianne Bellotti, narrated by Katie Koster, is an audiobook I read to prepare for an interview with the author for work. So this review will be a bit unusual. Bellotti’s book is about modernizing technology, but not for the sake of getting the latest and greatest. Her book is about enterprises taking a careful look at their current operational systems, which are the backbones of many businesses today, and determining how best to maintain, upgrade, or modernize them for current business needs and the future of the business.

I found this audio to be at times engaging and circular. There are arguments made early on that are reiterated later in the book, which makes sense when you consider this is a business focused book making an argument for interdisciplinary teamwork in the world of technology that focuses on ensuring technology is not only maintained but evolved over time to meet future business needs.

Bellotti offers a lot of wonderful advice on how to work to modernize systems without burning down the entire place and starting over from scratch. Like she says, technology that is doing the job most effectively is the best option for the business, but for that technology to be at its best, it also needs to be updated and maintained.

Kill It With Fire: Manage Aging Computer Systems (and Future Proof Modern Ones) by Marianne Bellotti, narrated by Katie Koster, is a good resource for businesses trying to get a handle on the latest systems and options out there while still ensuring their business hums along as effectively as it can.

RATING: Quatrain

About the Author:

Marianne Bellotti is a software engineer and relapsed anthropologist. Her work focuses on how culture influences the implementation and development of software. She runs engineering teams and teaches other people how to tackle complex systems. Most of her work has focused on restoring old systems to operational excellence, but she also works on the safety of cutting edge systems and artificial intelligence.