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The Scrapbook of Frankie Pratt by Caroline Preston

The Scrapbook of Frankie Pratt by Caroline Preston is just that, a scrapbook of a young woman in the 1920s who is striving to make something more of her life than simply becoming a wife and mother.  Following WWI, many things have changed as women seek greater liberty from their “normal” lives — seeking suffrage, going to college, having careers.  Of course, there are boys and men because women always seek companionship, but educated women are looking for equals in a relationship, not a child to care for and guide.

Frankie Pratt has a deep sense of loyalty and responsibility to her mother, but at Vassar she becomes more independent and self-reliant after a few stumbles.  While this book is told through images and very little text, readers can see how Pratt grows from a naive young woman with big dreams into an educated woman with even bigger dreams.  It’s just plain fun to journey with Pratt from New Hampshire to Vassar College and from college to New York City and Paris.

Preston incorporates typewriter-written text among a variety of newspaper and magazine cut outs, paper dolls, photographs, and other elements to tell Pratt’s story.  The scrapbook creates a fairy tale like quality to the story, which is just how it should be given Pratt’s adventures.  One aspect of the book that’s missing is textured pages and more tactile scrapbooking materials or some semblance of that feeling readers would get with an actual scrapbook.  However, that’s a minor complaint given that the author easily captures readers’ hearts with little text and very visual pages.  The Scrapbook of Frankie Pratt by Caroline Preston represents a snapshot of one young woman’s life at a time when things are quickly changing for women and the world.  It’s a little powerhouse of intimate moments that coax emotional attachment and pure joy.

About the Author:

Author of the New York Times Notable Book Jackie by Josie, Caroline Preston pulls from her extraordinary collection of vintage ephemera to create the first-ever scrapbook novel, transporting us back to the vibrant, burgeoning bohemian culture of the 1920s and introducing us to an unforgettable heroine, the spirited, ambitious, and lovely Frankie Pratt.

Check out this video about the making of the scrapbook.

This is my 73rd book for the 2011 New Authors Reading Challenge.

Mental_Floss The Book: Only the Greatest Lists in the History of Listory Edited by Ethan Trex, Will Pearson, Mangesh Hattikudur

Before I get to today’s review, I want to wish all my U.S. readers a Happy Thanksgiving. It is a holiday that should be shared with friends and family, and if possible please consider volunteering some of your time or food to those in need this season.

I hope everyone has some great food and fun with friends and family. Have a great holiday. My family will be joining Anna’s for some dinner and fun.

Ok, now for today’s review, which would make an excellent gift for the trivia buffs in your life.

Mental_Floss The Book: Only the Greatest Lists in the History of Listory edited by Ethan Trex, Will Pearson, and Mangesth Hattikudur is a collection of lists that span the 10 years that Mental_Floss has been in the business of collecting information that is odd, off-the-beaten path, and just down right funny.  The Website has not only trivia games, but also quizzes, blogs, and amazing facts (Here’s one of my favorites, especially since Muppets are the order of the day in my house these days — particularly Elmo)

The lists included in this book range in topics from impressing diplomats, presidents or other important people to how to lighten the mood in the emergency room.  There are lists for nearly every occasion.  Naturally, readers and writers will enjoy the list entitled “Lists for People Who Can’t Write Good,” which tells a tale of writers betting that Ernest Hemingway (though it may have been another writer) could not write a six word sentence that was a complete story with a beginning, middle, and end.  In the end, the other writers lost when the sentence written said, “For Sale.  Baby Shoes.  Never worn.” (page 183)

Another of the most witty entries in the collection is “What 10 Fictional Characters Were Almost Called,” which includes anecdotes about Bram Stoker, Gone With the Wind, and other famous novels’ and authors’ characters.  The editors also have lists of alternate names for famous novels, like 1984 and The Great Gatsby.  There are also famous words that were created by authors, Latin terms that you think you understand the meaning of, and little known stories about some famous writers.  Another of my favorites are the phrases attributed to Mark Twain that he actually did not say, like “It is better to keep your mouth shut and appear stupid than to open it and remove all doubt,” and phrases he did say, such as “Never put off till tomorrow what may be done day after tomorrow just as well.”

Mental_Floss The Book: Only the Greatest Lists in the History of Listory edited by Ethan Trex, Will Pearson, and Mangesth Hattikudur will whet anyone’s appetite for knowledge and fun facts to impress their friends with or to just have fun.  Trivia fans would love to add this to their collections, and readers should consider putting this on their wish lists this holiday season.  Flex those brains and join the fun.

More ways to Mental_Floss:

For more with mental_floss, become a fan on Facebook, follow them on Twitter, and visit their website: www.mentalfloss.com.  And of course, don’t forget to take the quiz on their Facebook page!  Or take it below:

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Twilight: The Graphic Novel Volume 2 by Stephenie Meyer and Young Kim

Twilight: The Graphic Novel Volume 2 by Stephenie Meyer and Young Kim is the second (my review of Volume 1) in the series providing Meyer’s fans with even more Edward and Bella, but in visual form.  Kim’s images are sharp and well shaded, but there are only a few splashes of color, mostly red.  The story line is basically the same, with Bella and Edward running from James and Victoria.

There is a bit more back story of Carlisle and James here, and some of the scenes are modified to adapt it for the graphic novel and speed up the action.  Kim is a deft talent with her shading and life-like images.  She takes the story to a new visual level, making her characters almost 3-D with their depth.  Twilight fans who cannot get enough of this saga will love to add these books to their collections, and others might simply enjoy the art in these volumes, especially how the clothes move with the vampires and humans so realistic that readers would wish to feel the fabric.

There are odd moments in the novel where “conversation bubbles” are empty except for an ellipses, which may be unnecessary, given the depth of Kim’s talent to create believable facial expressions.  Meyer is surely capitalizing on her saga’s fame, and she’s looking to her character notes and sketches to offer her readers more than just the same story.  Is there enough in these graphic novels to satisfy the less-than-die-hard fan?  Maybe.  What is the real gem in Twilight: The Graphic Novel Volume 2 is Kim’s talent as an artist.

The Taste of Salt by Martha Southgate

The Taste of Salt by Martha Southgate is the tumultuous tale of Josie Henderson and her family.  Josie is a successful scientist at Woods Hole Oceanographic Institution, but the journey that helped her achieve her dream was wrought with sadness and anger.  Her brother “Tick,” once her ally against their alcoholic father, has just emerged from another stint in rehab and seeking her help, which brings to the forefront everything Josie has tried to push aside and avoid.

The narrative begins in Josie’s point of view and then shifts to that of her mother, her father, her brother, and her husband Daniel.  Southgate is trying to tell a well-rounded story about heartbreak and disappointment, but readers may find the additional points of view unnecessary.  Even without the other perspectives, Josie’s voice is solid enough to carry the entire story.

“Nothing had changed and everything had changed.  I worked better than I had in months on my grant, suddenly inspired;” (Page 160)

Salt can build up and make the mouth water with its bitterness, but often the hunger for salt can take over.  In this way, Southgate’s novel is about that hunger that comes when we search to fill an emptiness within us with the nearest object or pleasure (i.e. alcohol, drugs, sex).  Josie’s brother and father are addicted to alcohol and/or drugs, but while Josie has become successful in her career and married an intelligent man, she’s looking to fill her own holes.  Her addiction is different from that of her father and brother, but no less dangerous.

“Life weighs a ton.  That’s why I love the water.  Nothing weighs anything there.”  (Page 7)

Southgate’s characters are multi-faceted and struggling.  Josie has pushed her issues to the back, but they are still a weight around her neck, dragging her down.  Tick knows he’s lost and continues to struggle for level ground, but their father has found redemption through the 12-step program and more.  He hit rock bottom and lost it all.  The story arc here is not surprising, and Josie doesn’t really lose her critical streak of other’s life decisions, even when she is choosing wrongly for herself.  However, perhaps that’s one of the problems with addiction.  Meanwhile, there seems to be a particular emphasis on race, but its connection to the addiction story line is not clearly drawn and leaves readers wondering what truths Southgate is trying to uncover.  It almost feels as though race is a crutch being used by the main character to justify her actions, which is bothersome.

Through frank prose, Southgate dives deep into the psyche of addicts to explore the turmoil created and the pull of home even when you try to run from the past.  The Taste of Salt is an exploration of the love and bitterness of addiction, how it tears families and individuals apart, and the depth of love that keeps families moving forward.

About the Author:

Martha Southgate is the author of four novels. Her newest, The Taste of Salt, is published by Algonquin Books. Her previous novel, Third Girl from the Left, won the Best Novel of the Year award from the Black Caucus of the American Library Association and was shortlisted for the PEN/Beyond Margins Award and the Hurston/Wright Legacy award. Her novel The Fall of Rome received the 2003 Alex Award from the American Library Association and was named one of the best novels of 2002 by Jonathan Yardley of the Washington Post. She is also the author of Another Way to Dance, which won the Coretta Scott King Genesis Award for Best First Novel. She received a 2002 New York Foundation for the Arts grant and has received fellowships from the MacDowell Colony, the Virginia Center for the Creative Arts and the Bread Loaf Writers Conference. Her July 2007 essay from the New York Times Book Review, “Writers Like Me” received considerable notice and appears in the anthology Best African-American Essays 2009. Previous non-fiction articles have appeared in The New York Times Magazine,O, Premiere, and Essence.

 

I originally read this for Book Club at Devourer of Books, with Linus’s Blanket.

 

 

This is my 70th book for the 2011 New Authors Reading Challenge.

Camp Nine by Vivienne Schiffer

Camp Nine by Vivienne Schiffer is told from the point of view of Cecilia “Chess” Morton as she looks back on her time in Desha County, Arkansas, during the late 1940s when Camp Nine was erected near her childhood home.  As a child, she grew up without a father, but she had a mother who doted on her, though she often butts heads with Chess’ grandfather, who owned half, if not more, of the town, Rook.  Her grandfather controlled much of Chess’ land inheritance and sold a good portion of land, which he deemed useless, to the government for Camp Nine, which he was told would hold German prisoners of war captured during WWII, which was in full swing at the time the story takes place.

Chess is a curious child, but often her inquisitiveness gets shut down by the adults around her who dismiss her desire to know about her family, particularly the feud between her mother and Mr. Ryfle, who tends the grandfather’s land and often makes empty promises about helping Chess’ mother plant her land.  There is a great deal of mystery in the early stages of the novel, including her mother’s past in California and why Camp Nine is being used to house Japanese Americans.  Chess also laments the unspoken code of behavior expected of Blacks, like Ruby Jean who helped raise Chess’ mother.

“‘That river over there is the mightiest river in the world.  It wouldn’t do for there to be just any dirt around here.  The dirt here must have its own strong personality.  It won’t back down to the river.  It won’t back down to men.  You have to understand it and work with it.  Not against it.'”  (Page 121)

Schiffer crafts a narrative that stands apart from other accounts of WWII as it seeks to inject emotion into a situation that many Americans were removed from by hundreds of miles or more.  WWII was fought on distant shores, but its effects were devastating to Americans who soon became objects of suspicion.  However, this story is not just about the internment of Japanese Americans, but of the impact their internment had on the small towns in which their camps were built — kicking up racism and exacerbating classism.  In many ways, Schiffer has developed the setting into an additional character given that its bisected into two halves by the railroad tracks, with the enemy on one side and the townspeople on the other.

Chess’ mother is more progressive than other residents of Rook, but her ideas and actions have farther reaching consequences than she expects.  Schiffer’s characters are engaging and real, and set against the backdrop of this tumultuous time, a young girl is growing into adulthood and realizing that the world is vastly more complicated than she expected.  Camp Nine is captivating and raises questions about perception:  What we think of ourselves when faced with family secrets?  How we’d react in the face of injustice?

I’d consider this similar to Tallgrass by Sandra Dallas.

About the Author:

Vivienne Schiffer grew up in the Arkansas Delta town of Rohwer, site of the Rohwer Relocation Center, on which Camp Nine is based. She is an attorney and has practiced law for twenty-eight years in Houston, where she lives with her husband Paul and their family. Schiffer is currently at work on her second novel.

To visit the other stops on the TLC Book Tour, please click the icon at the right.

This is my 68th book for the 2011 New Authors Reading Challenge.

The Conference of the Birds by Peter Sis

The Conference of the Birds by Peter Sis, an acclaimed children’s author and illustrator, has taken his skills to a 12th century Sufi epic poem of the same name written by Farid ud-Din Attar, who was not only a poet but a mystic.  Often these types of poems have a hidden spiritual meaning, and Sis deftly captures the essence of Attar’s poem with illustration.

In this illustrated version of the epic poem, the pictures speak for the poet, Attar who wakes from a dream to realize he’s a hoopoe bird.  Once he transforms, he calls all of the birds of the world together to find their true king, Simorgh, by flying through the seven valleys — The Valley Of Quest, The Valley Of Love, The Valley Of Understanding, The Valley Of Detachment, The Valley Of Unity, The Valley Of Amazement, and The Valley Of Death — to reach Mountain Kaf.

In the beginning, the transformation of Attar is shown much like animated cartoons would have been created, with the flipping of each panel where each image has slight differences to create the illusion of movement.  Once the birds agree to take the journey, it is clear that it will take them through a number of valleys that will test their resolve, with each bird’s skills and weaknesses hammered by adversity and uncertainty.  Sis creates vivid birds of various colors and species.  Even if the pages of this book were not textured, readers could see the feathers and layers on these birds.

And there are many layers to these birds, their feathers, and their story.  The poem sheds light on the inner spiritual journey each of us travels, the trials that we face, and the perseverance it takes to stay on course and believe in ourselves.  For some the journey is too hard, and they turn back, but for others, it is important enough to move onward despite the risks and sorrow.  Like the poem, The Conference of the Birds by Peter Sis is multilayered, with great attention to detail from the feathers on the birds, the birds making up the larger birds, and the trees that create the mountains.  A gem of a book from an illustrator and writer who sees beyond just the words to the world it creates and the messages it brings.  Likely to be on the best of list for the year.

As an aside, I read this a couple of times carefully and with my infant daughter. She loved feeling the pages and looking at the vivid imagery, and I can tell you that keeping her attention for an entire book is difficult. This is great for kids and adults. Sis has created something of lasting beauty.

About the Author:

Born in Brno, in the former Czechoslovakia, in 1949, Peter Sís is an internationally acclaimed illustrator, author, and filmmaker. Most recently, in 2007, he published The Wall: Growing Up Behind the Iron Curtain, which was awarded the Robert F. Sibert Medal and was also named a Caldecott Honor Book. Peter Sís was named a MacArthur Fellow in 2003. He is the author of twenty children’s books and a seven-time winner of the The New York Times Book Review Best Illustrated Book of the Year.  Please check out his Web page.

Please check out this video interview from BEA:

According to the Seattle Post-Intelligencer, Sis pays homage to traditional Islamic art and its figurative representations and geometric patterns as the valleys are depicted as a series of mazes.  (Seriously, read that review, it is stunning).

 

If you’d like to check out the rest of the tour, please click on the TLC Book Tour icon at the right.

 

 

This is my 29th book for the Fearless Poetry Exploration Reading Challenge.

 

This is my 66th book for the 2011 New Authors Reading Challenge.

To Join the Lost by Seth Steinzor

To Join the Lost by Seth Steinzor is a modernization of Dante’s Inferno, and the irony that Dante takes a lawyer with him on his next visit should not be lost on readers.  Seth infuses his epic poem with modern tools and vices from bulldozers to politics.  Traveling the same path as Dante into the depths of Hell’s nine circles, Seth sees those trapped in between and those who have sinned in a multitude of ways.

With each canto there is a flavor of “famous” sinners, but also references to the poet’s own sins and regrets.  Where the epic poem is strongest is where Steinzor references his own troubles, his own lack of faith, his own indecision, and his own failures. “loading racks and shoving them along a/track of stainless steel into a/box of stainless steel — lower the lever,/close the gate — punch the big red/button, wait — shuddering, hissing — raise/the gate, releasing white clouds –/reach in, extract a rack of formerly filthy,/now gleaming and steaming glasses, or shiny,/clunky porcelain, or scratched-up aluminum/knives, forks, and spoons so hot//” (page 18 of Canto II)

Yes, the poem references some events, many the most horrific in nature (i.e. the Holocaust), and yes, this may seem trite and unnecessary, but these are the moments that most of humanity knows either first hand or through study.  These historic instances of unmitigated evil correlate to the references Dante makes from his historical knowledge, such as the reign of Julius Caesar and family wars that existed during that time.  However, Dante relies heavily on mythology and religious text to craft each of his cantos, though there are references to his own love, Beatrice, within the poem.  This is how Steinzor’s and Dante’s poems are similar.

Unlike Dante who uses mythology and Catholicism to make his points, Steinzor relies more heavily on Buddhism.  “. . .  That flat little pebble’s the/world of your daily awareness.  The pond is/everything else.”  (page 43, Canto VI)  The line break after “is” signifies a Buddhist precept of being in the here and now without thought to the past or the future — to be in the moment.  Many parts of this epic poem are enjoyable, but are bogged down in parts by movement through the circles with Dante and similar pungent smells.  However, Steinzor’s verses shine beneath the mire with vivid imagery in stunning ways occasionally.  “crowd of moving parts that, overlapping,/layer almost to opacity,/the eye drawn in, each figure a mottled window/into unimaginable//dimension, an almost empty pane.”  (page 23 of Canto III) or “Then, suddenly, he dived down smack/upon the landfill — a belly-flop! I sat/on his back, and he body-surfed across/the writhing mass.  We regained our feet near an/idling ‘dozer.” (page 44 of Canto VI)

To Join the Lost by Seth Steinzor modernizes Dante’s Inferno in a way that is personal for the poet and tackles some of histories most evil moments and most controversial politically.  Some readers will not enjoy the comments about a former president or other topics touched upon in this epic poem, but the gems in this epic are the more personal aspects of the piece.

***Stay Tuned tomorrow for my Interview with Seth Steinzor.***

About the Author:

Seth Steinzor has been writing poetry nonstop since his teens. To Join the Lost is his first book.  Visit his Website.  Here’s a preview of one Canto.

 

 

Please check out the other stops on the tour by clicking the TLC Book Tours image at the left.

 

 

 

This is my 28th book for the Fearless Poetry Exploration Reading Challenge.

 

This is my 65th book for the 2011 New Authors Reading Challenge.

Jane Austen Made Me Do It Edited by Laurel Ann Nattress

Laurel Ann Nattress, the woman behind Austenprose.com, is now the editor of Jane Austen Made Me Do It, a collection of Jane Austen-inspired short stories (check out the tour).  Authors not considered Austenites per se, like Frank Delaney writes with Diane Meier and Adriana Trigiani join those known for their Austen spinoffs, like Amanda Grange, Jane Odiwe, Alexandra Potter, and more.  The collection even includes the winner of the Jane Austen Made Me Do It short story contest — Brenna Aubrey’s “The Love Letter.”  But some Austen retelling favorites like Abigail Reynolds, Mary Simonsen, and Eucharista Ward are notably absent.  However, this only begs the question as to whether there will be another anthology in the future as the Austen subgenre continues to grow.

It is only fitting that the collection begins with the woman who started my journey onward into the world of Jane Austen and subsequent retellings and inspired novels, Syrie James with “Jane Austen’s Nightmare.”  The short story personifies every writer’s nightmare — that the characters will not like how they have been drawn and will seek justice.  From characters perceived as too perfect to those with a great number of flaws, Austen meets them all in her nightmare set in Bath, a city she despises.  Kicking off the collection here is a great introduction to all of Austen’s novels and characters and to her own fears and character as we know her to have been, possibly.

“Austen’s rise to fame has been steady since her nephew James Edward Austen-Leigh’s biography, A Memoir of Jane Austen, introduced ‘dear Aunt Jane’ to broader readership in 1869, but recently, two elements have been her strongest catalyst:  the Internet and a wet shirt.”  (page xii)

There are stories for five of her six novels, and Mansfield Park, though mentioned in passing or referred to slightly, is the one left out as an inspiration for a complete story.  Each author tackles a different novel and/or theme from the ridiculousness of ghost stories in “A Night at Northanger” by Lauren Willig to the trials of living with one’s in-laws, like in “Nothing Less Than Fairy-Land” by Monica Fairview.  Clever renderings of finding love in the most unlikely places in Beth Patillo’s “When Only a Darcy Will Do” are joined by modernized stories of renewed love and patience.  These stories are perfect for those looking for more Austen and for those who are unsure whether they would like Austen retellings/continuations.

There are outstanding stories and those that are not quite as good, but let’s be clear, if you love all-things Austen, you want this collection and there are no stories here that you will want to miss.  Writing Austenesque stories requires a certain level of imagination, while at the same time a certain commitment to her characters as she has created them.  Each of these writers does just that.  Jane Austen Made Me Do It has enough clever wit and modern sensibility for any reader, and would suit those looking for prime examples of how a short story can capture the heart.

About the Editor:

A life-long acolyte of Jane Austen, Laurel Ann Nattress is the author/editor of Austenprose.com a blog devoted to the oeuvre of her favorite author and the many books and movies that she has inspired. She is a life member of the Jane Austen Society of North America, a regular contributor to the PBS blog Remotely Connected and the Jane Austen Centre online magazine. An expatriate of southern California, Laurel Ann lives in a country cottage near Snohomish, Washington. Visit Laurel Ann at her blogs Austenprose.com and JaneAustenMadeMeDoIt.com, on Twitter as @Austenprose, and on Facebook as Laurel Ann Nattress.

My Soul to Take by Tananarive Due

My Soul to Take by Tananarive Due is the fourth book in her immortals series and is set in the year 2016 when governments are striving to keep terrorists at bay and plagues secret to reduce the threat of panic.  Glow, a type of blood that is warm to the touch, is being touted as the solution to the pandemic and disease problem, but the United States has banned the drug for its terrorist ties and unknown origins.

Fana, an immortal, and her father, Dawit, hope to help the human race by offering the healing powers of their blood, but they are stopped at every turn by a rival faction of immortals who oppose the sharing of blood with mortals, led by Michel.  Complicating the situation even further is Fana’s attraction to mortal Johnny Wright and her betrothal to Michel.  Due has crafted a unique world in which these characters struggle not only for the life and death of humanity, but with greater questions of acceptance and compassion.  She even sprinkles her novel with technology gadgets that could be in our very near future, which is a nice touch.

“Fana was grateful that Mom had raised her with mortals in her family, closest to her heart.  Her cousin, aunt, and best friend were all mortals, so she hadn’t grown up with the feelings of superiority shared by her Life Brothers, and even her father.  She tried not to feel it, anyway.  Fana always began her meditations by asking for humility so she would not lose herself.” (page 64)

While readers will enjoy the intricate details throughout the novel about the Immortals and their way of life, something is missing — it is hard to connect with the characters without having read the previous books in the series.  Complicating matters is the emergence of Phoenix, a former music star, and her family, who are dealing with the deaths of a fraternal grandmother and maternal father that haunt them.  As quickly as readers become involved in her story, they are quickly shifted away from it and immersed in the immortal world.  When readers are returned to Phoenix’s story, they may feel like they have to flip back to recall what has happened to her.  This format does a disservice to the character — whose story line does intersect with Fana’s early on — and makes it difficult to reconnect with the character and her story and how it connects to the Immortals story line.

Due has a talent for creating other worlds, environments where immortals are gods, but have secreted themselves and their innovations away below the ground.  There are some that want to save humanity, and others that see humanity as ants to be squashed.  Through a great deal of biblical allusion, she creates an allegory for the Book of RevelationsMy Soul to Take is a slowly, unwinding battle of wills, but mortals refuse to sit on the sidelines and watch.  A pleasurable read that could be enhanced by reading the previous books in the series.

About the Author:

Tananarive Due (pronounced tah-nah-nah-REEVE doo) is the American Book Award-winning author of nine books, ranging from supernatural thrillers to a mystery to a civil rights memoir.

She has a B.S. in journalism from Northwestern University and an M.A. in English literature from the University of Leeds, England, where she specialized in Nigerian literature as a Rotary Foundation Scholar. Due currently teaches creative writing in the MFA program at Antioch University Los Angeles. Due has also taught at the Hurston-Wright Foundation’s Writers’ Week, the Clarion Science Fiction and Fantasy Writers’ Workshop, and the summer Imagination conference at Cleveland State University. She is a former feature writer and columnist for The Miami Herald.

Due lives in Southern California with her husband, Steven Barnes; their son, Jason; and her stepdaughter, Nicki.

This is my 63rd book for the 2011 New Authors Reading Challenge.

Mr. Darcy’s Undoing by Abigail Reynolds

Mr. Darcy’s Undoing by Abigail Reynolds is the latest in her “What If?” series of Pride & Prejudice variations that seeks to uncover how far Darcy will go to woo Lizzy if after his disastrous proposal she accepts one from another man.  Darcy has made his arrogant speech about loving Lizzy against his better judgment and has proposed they get married, and she has refused by the time this book opens.

Lizzy has a dilemma before her; she had hoped to marry for love, but with her sister Jane’s hopes of marrying Mr. Bingley dashed and her continued depression about losing him, Lizzy realizes that she no longer has the luxury to marry for love and must find a suitable man with means to save her family from ruin upon the death of her father.  She takes the responsibility on when a family friend Mr. Covington begins to show interest in her.  After accepting his proposal and resigning herself to a marriage based on necessity and fondness, which she hopes will grow into love, Mr. Darcy arrives on the scene with Mr. Bingley and things get more complicated as she realizes her true feelings for Darcy.

“He inquired after her family as Darcy looked on sardonically, wondering what Elizabeth could possibly see in this dull fellow.  It grated on his nerves every time Covington called her by her name or allowed an admiring look to rest upon her.  Nevertheless, he gave no thought to leaving; as vividly unpleasant as this might be, nothing would induce him to leave Elizabeth alone with Covington while he had a choice in the matter.  There was a certain ironic humour, he reflected, in finding himself as her chaperone.” (page 68-9 ARC)

Told from both Lizzy and Darcy’s point of view, readers get a well-rounded glimpse at the feelings and frustrations they feel about their situation, especially after Lydia runs off with Wickham.  What’s new here is that Lizzy is deflated and more vulnerable, but she remains strong at her core in her convictions.  Scandal has hammered her family’s reputation and she realizes that she is at the center of it and believes that everyone would be best off without her.  Darcy must not only convince her of his love, but that she has not permanently injured her family’s reputation and that she is not a pariah who can destroy his reputation.

“The two men eyed one another for a moment, then Darcy said in a more normal voice, ‘Do you still object to Georgiana’s presence here? I would like her to have the opportunity to get to know Elizabeth.’

‘Good God, Darcy, are you actually asking my opinion? There is a first time for everything!'”  (page 176 ARC)

Reynolds introduces Mr. Covington, Mrs. Covington, and makes sure that fan favorites, like Mr. Bennet and Colonel Fitzwilliam, are as bright as Lizzy and Darcy.  Each character is vivid and dynamic.  However, Lady Catherine, Mr. Collins, and Charlotte Lucas do not make appearances, but are talked about in passing.  Reynolds is a master at throwing Lizzy and Darcy into new situations that threaten to keep them apart, but the overarching theme is always that love conquers all.  Austen would be proud that Reynolds has taken her characters, helped them evolve into better versions of themselves, and taken them on new journeys.

Mr. Darcy’s Undoing by Abigail Reynolds is infused with bawdy conversation, conflict, societal disapprobation, and classic characters with modern sensibilities.  Darcy and Lizzy are no longer pinned down by Regency norms, but are pioneers of modernity and unbridled love and passion.  Reynolds is masterful in her homage to Austen and her wit, while catering to readers’ desire for romance and strong protagonists.  Likely to be one of the first Austen spinoffs to make the end of year “Best of” list.

Her Sister’s Shadow by Katharine Britton

Her Sister’s Shadow by Katharine Britton is aptly titled given that Lilli Niles has always felt like she is living in the shadow of her “perfect” sister Bea.  Bea takes on a guardianship role when Lilli is about 15 after their father dies and their mother loses touch with reality.  Lilli resents her “perfect” sister’s hold over the family and is even more angry about how Bea lords it over her when she wins crew races and is considered perfect by her mother.  Couple all of that resentment with hormones of adolescence and you can imagine the volatility.

Told in alternating chapters between the past and the present when Lilli returns to White Head, Mass., after 30 years when her sister Bea calls and needs her, Her Sister’s Shadow vividly tells a story of healing after a significant rift between sisters.  Readers will feel the angst of a young Lilli who has just discovered boys and wants to grow up more quickly and the awkwardness of Lilli and Bea who attempt to reconnect after 30 years.

“When she was a girl, after the accident, she would go down onto the rocks, pick her way carefully along their slick surface, and shout her grief and guilt into the deep bass notes of that foghorn.  Her kitchen, all stillness in pools of white light, offered no such camouflage.”  (page 4)

Britton creates characters that are real, flawed, and seeking redemption through their actions even if they are unaware of it.  While Lilli’s relationship with Bea is strained, her relationship with Dori, her younger sister, is sweet and unbreakable.  Lilli’s relationship with Charlotte is more like a mother-daughter dynamic in which Charlotte is a caretaker and empathetic.  There is a great deal at work in these female relationships; their complexity is stunning and palpable.  Each sister is drawn realistically, causing readers to become attached to each one.  It is through this relationship with the reader, that Britton tugs tears out and causes wistful smiles to curl.

Bea’s shadow is not the only one looming over this book.  Britton has crafted a devastating novel through which readers and characters must journey to reach out of the fog and into the light.  Her Sister’s Shadow has a gorgeous setting steeped in coastal imagery that mirrors the churning ocean waves of these relationships which every so often smooth out to reflect the stars and beauty of calm.

About the Author:

Katharine Britton has a Master’s degree in Creative Writing from Dartmouth College. Her screenplay, Goodbye Don’t Mean Gone, was a Moondance Film Festival winner and a finalist in the New England Women in Film and Television contest. Katharine is a member of the League of Vermont Writers and PEN New England. She teaches writing at Colby-Sawyer College, and is an instructor at The Writer’s Center.

When not at her desk, Katharine can often be found in her Norwich garden, waging a non-toxic war against the slugs, snails, deer, woodchucks, chipmunks, moles, voles, and beetles with whom she shares her yard. Katharine’s defense consists mainly of hand-wringing, after-the-fact.

Please follow her blog and Facebook.

To Enter for 1 copy of Her Sister’s Shadow by Katharine Britton: (US/Canada only):

1.  Leave a comment about what kind of relationship you have with your sister or whether you would enjoy having a sister if you don’t have one.

2.  Follow Katharine Britton on Facebook and leave a comment for another entry telling me you did so.

3.  Facebook, Tweet, or Blog about the giveaway and leave a comment with each for up to three more entries.

Deadline Oct. 28, 2011, at 11:59PM EST

 

To visit the other stops on the TLC Book Tour, click on the icon at the right.

 

This is my 62nd book for the 2011 New Authors Reading Challenge.

Guest Post: Abigail Reynolds Ponders 200th Anniversaries of Jane Austen Novels

Abigail Reynolds is a master at answering the What If? question when it comes to Mr. Darcy and Elizabeth Bennet’s romance in her re-tellings.  Whether Mr. Darcy decides to hold his tongue at the Meryton Assembly or doesn’t botch his proposal to her in Kent, Reynolds finds new ways to keep this couple and readers guessing as to whether they will get together.  Mr. Darcy’s Undoing is the latest in her What If? series of books and seeks to uncover how far Darcy will go to woo Lizzy if after his disastrous proposal she accepts one from another man.

Today, Reynolds will share with you what inspires her to write her re-imaginings and what the significance of this year’s 200th anniversary of Sense & Sensibility by Jane Austen means to her.  Without further ado, please welcome Abigail.

This year’s Annual General Meeting of the Jane Austen Society of North America (JASNA) was dedicated to the 200th anniversary of the publication of Sense & Sensibility. It’s a major event in the Janeite world. Although Pride & Prejudice was the first novel Austen wrote, Sense & Sensibility was the first one published, so it’s our first bicentennial publication event. Pride & Prejudice, Austen’s best known and most popular book, won’t have its 200th anniversary of publication until 2013.

I write variations on Pride & Prejudice, novels in which I’ve taken the original and changed one key event. In my latest release, Mr. Darcy’s Undoing, the change is a whopper. Elizabeth Bennet, rather than remaining single until she encounters Darcy at Pemberley, becomes engaged to another man, a childhood friend whom she cares for and trusts, but doesn’t love. This changes the plot quite decisively, creating dramatic tension about how Darcy and Elizabeth will reach their happy ending. That’s the trick of a variation: to find something that changes the events of the novel but doesn’t interfere with the ending. Most changes I could make to the plot don’t produce dramatic effects. If Darcy doesn’t attend the Meryton Assembly, he’d have the same reaction to Elizabeth at a later date. If Elizabeth didn’t travel to Kent where she re-encounters Darcy, the events there would just take place whenever they next met, or they would never meet again and the ending would be different. I couldn’t make a book out of those.

When I’m asked which Austen heroine I resemble most, it’s an easy call. I’m definitely an Elinor, and as a result, Sense & Sensibility will always be very dear to my heart. It’s tied with Persuasion for my 2nd favorite Jane Austen novel. I’ve often considered doing a variation on it, but it’s hard to find an appropriate turning point to change. Part of that is because the novel follows three romances rather one – Marianne/Willoughby, Marianne/Colonel Brandon, and Elinor/Edward Ferrars. To create a balanced variation, something would have to occur to interfere with all three of those romantic possibilities, but without causing a change in the ending. That’s very tricky, given the complexity of relationships between many of the characters. Another issue for me is that, being an Elinor, it would be hard for me to portray Elinor fairly or Marianne as effectively as I’d like. Persuasion is a more promising candidate for a variation simply because of the possible turning points in it.

Truth be told, aside from attending the JASNA celebration, the 200th anniversary of Sense & Sensibility hasn’t affected me much simply because it’s been overwhelmed by another anniversary for me as an author of Pride & Prejudice variations. It’s also the 200th anniversary of the events of Pride & Prejudice. The Meryton Assembly took place on October 15, 1811. November 12 will be the 200th anniversary of the day Jane Bennet rode through the rain to dine at Netherfield park with the Bingley sisters. I’m involved in a project with many of my fellow authors of Austen-inspired novels at the Austen Authors website wherein we’re tracking the events of Pride & Prejudice in real time. Dubbed the P&P200 project, we take turns portraying missing scenes from Pride & Prejudice and existing scenes from different points of view, and we post them on the 200th anniversary of the given event. It’s turned out to be a fascinating project, not only in making me consider the time frames involved in the book in a different way, but in making me look more closely at secondary characters, and discovering they have backstories of their own that I’ve never considered. It’s a different kind of anniversary celebration, but it’s been enriching my understanding of Jane Austen, and that’s what all my writing is about.

Thanks for hosting me today!

Abigail, thank you for sharing your thoughts with us today on Sense & Sensibility and Jane Austen.  Stay tuned for my review of Mr. Darcy’s Undoing at the end of the week.