
To check out what everyone has received over the last week, visit the blog and check out the links. Leave yours too.
Also, each week, Leslie, Vicki, and I will share the Books that Caught Our Eye from everyone’s weekly links.
Here’s what I received:

Jane Austen’s six novels are true classics, still immensely popular some 200 years after their first publication. But although the celebrated stories never change, the covers are always different. Jane Austen Cover to Cover compiles two centuries of design, from elegant Victorian hardcovers and the famed 1894 “Peacock” edition to 1950s pulp, movie tie-in editions, graphic novels, foreign-language translations, and many, many others. Filled with beautiful artwork and insightful commentary, this fascinating and visually intriguing collection is a must for Janeites, design geeks, and book lovers of every stripe.

At the age of eighteen, James Brandon’s world is shattered when the girl he loves, Eliza, is forced to marry his brother. In despair, he joins the army and leaves England for the East Indies for the next several years. Upon his return, he finds Eliza in a debtor’s prison. He rescues her from her terrible situation, but she is dying of consumption and he can do nothing but watch and wait. Heartbroken at her death, he takes some consolation in her illegitimate daughter, who he raises as his ward. But at the age of fifteen, his ward goes missing. Devastated by the thought of what could have happened to her, he is surprised to find himself falling in love with Marianne Dashwood.
What did you receive?



3. Tiny Stories tote.




9. Bicycles: Love Poems by Nikki Giovanni from the library sale.







I do a lot of my writing in my head before I commit anything to paper. When I’m writing my Jane Austen retellings, I start by rereading the original novel. If it’s a nice day, I do this outside, often going to a nearby stately home or formal garden so that I can soak up the elegant, leisurely atmosphere of days gone by. As I read, I let my mind wander over all the questions that occur to me. What was Henry like as a child and young man? What kind of relationship did he have with his parents and siblings? What was life like for him when his mother died? When did he discover a love for Gothic novels? Where did he read them?
Sometimes I will start writing longhand, on a large notepad, and I often do this out of doors if the weather is good. I’ve written quite a few scenes sitting on the bench in the photo, which is at a nearby stately home. Then, once I’m in full flow I move onto the computer. My study is very plain, because once I get down to the actual business of writing, I don’t like distractions. The walls are a neutral colour without any pictures and there is no furniture apart from essential office furniture. My desk is large because I’m an untidy worker and I need space for all my notes, as well as my research books. I start off in an organised fashion, making neat notes in a word document, but I soon resort to scribbling things down on any piece of paper that comes to hand – an envelope, a copy of the Radio Times, anything. If I’m out, I make notes in a notebook I keep in my handbag, except when I forget it, which is often. Then I will scribble ideas down on an old receipt, train ticket or in fact anything that can be written on. I end up with a jumble of papers on my desk and I daren’t throw anything away in case it turns out to be vital.
About the Editor:





