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The Hunger Games by Suzanne Collins

Suzanne Collins’ The Hunger Games is a young adult novel set in the future after the collapse of the world and its rebuilding by The Capitol. To maintain order, The Capitol hosts The Hunger Games each year in which 2 tributes–a boy and a girl–are chosen from each of the 12 districts to compete to the death. Once all other tributes have died in the arena, the winner is set for life in terms of food–in a world without much food–position, money, etc.

“My quarters are larger than our entire house back home. . . . When you step out on a mat, heaters come on that blow-dry your body. Instead of struggling with the knots in my wet hair, I merely place my hand on a box that sends a current through my scalp, untangling, parting, and dying my hair almost instantly. It floats down around my shoulders in a glossy curtain.” (Page 75)

The heroine of this novel, Katniss Everdeen steps up and takes the place of her sister. She and her fellow tribute, Peeta Mellark, are sent to The Capitol with their mentor and the last member from District 12 to win The Hunger Games, Haymitch. Once in The Capitol, Katniss and Peeta are groomed, presented, prepped, and molded to meet the television standards for The Hunger Games. The dynamic between these two tributes shifts throughout the novel, and in some case, like an undercurrent, it tips the plot on its ear.

“And just as the knife cuts through, I shove the end of the branch as far away from me as I can. It crashes down through the lower branches, snagging temporarily on a few but then twisting free until it smashes with a thud on the ground. The nest bursts open like an egg, and a furious swarm of tracker jackers takes to the air.” (Page 190)

Collins does an excellent job developing these young teens and staying true to the normal responses teens could have in this surreal world she creates. Katniss is a brave, but lonely girl striving to be noble, while Peeta struggles to remain the sweet boy next door and stay alive amidst the brutality of The Hunger Games. Collins’ characters are well-developed, and readers will enjoy the outrageous antics of the drunken Haymitch, the superficial Effie Trinket, and others.

The Hunger Games is an amazing look at a post-apocalyptic world through the eyes of teenagers. Collins is a masterful young adult novelist, and readers will be quickly absorbed into the world she creates. Readers will grit their teeth, bite their nails, and shake their heads as Katniss and Peeta struggle to survive amidst determined, skilled tributes from the 11 other districts.

Collins goes beyond the entertainment factor of most young adult novels to depict real-life situations in which young love buds and confuses, alliances are made, lies are told, and truth surfaces when characters least expect it. The Hunger Games is not only for teens, but also adults, though parents should be warned there is violence and innuendo.

Thankfully, readers won’t have to wait too long for the sequel, Catching Fire, which comes out in September 2009.

Also reviewed by:
Devourer of Books
Hey Lady! Whatcha Readin’
My Friend Amy
Diary of an Eccentric
Beth Fish Reads
Muse Book Reviews
5-Squared

The Last Prince of the Mexican Empire by C.M. Mayo

Happy Cinco de Mayo! Today is the day to celebrate Mexican heritage and culture, and what an appropriate way to celebrate with my review of C.M. Mayo‘s in-depth look into one of Mexico’s most turbulent times when its government was plagued by invaders (the Yankees and the French), in-fighting, and disease, like yellow fever.

The Last Prince of the Mexican Empire by C.M. Mayo and published by Unbridled Books is a historical novel that chronicles the short reign (about 3 years) of Maximilian, the undercurrent of political ambition, the clash of cultures, and internal familial machinations.

The novel opens in Washington, D.C., with Alice Green who meets and falls in love with Angelo de Iturbide, a secretary for the Mexican Legation. They marry and move to Mexico, where Alice (known as Alicia in Mexico) gives birth to their son, Agustín de Iturbide y Green. Leaving the Mexican shores, readers will journey across the Atlantic to Trieste, Italy, to meet Maximilian von Habsburg who reluctantly agrees to become the Emperor of Mexico. There are a number of nuances political and otherwise that can get confusing for readers unfamiliar with some of Mexico’s history, but these instances are easily overcome as the story unfolds. It is clear from the use of multiple perspectives in this novel that the main character is not Maximilian, Agustin, Alice, Angelo, the Iturbides, the French invaders under Napoleon III, or the Republican upstarts led by Benito Juarez. The main “character” of this novel is Mexico and its future and how that future is shaped by all of these players, their decisions, and in some cases their indecision.

“There are eleven passengers, packed tighter than Jalapenos in a jar. Before reaching the coast, how long will they be trapped in this wretched contraption, two weeks? Five? The roads, if they can be called that, are troughs of mud. Last week La Sociedad reported that, past Orizaba, an entire team, eighteen mules, had fallen into the muck and suffocated.” (Page 93)

Mayo is an impeccable researcher and craftswoman who fleshes out historical figures in a way that remains true to their historical actions and creates characters who are well-rounded and memorable for readers. Her ability to juggle multiple points of view is unparalleled–from the perspective of Agustin’s nanny to Maximilian himself.

One of the most captivating sections of the novel occurs between pages 147-153 in which Maximilian is preoccupied with matters of state and the Iturbide family’s sudden breach of a contract with the emperor with regard to their son Agustin. Mayo weaves in Maximilian’s frantic thoughts, rants, and arguments with his physical tossing about in his bed, as he mashes the pillow into submission, kicks off the sheets, and sits upright in bed as he determines the best course of action to save face and depict Mexico as a strong nation.

Readers will agree that her prose is poetic, as she notes in her interview, here.

“Out the window, birds were being blown about in the sky, and in the distance, rain clouds draped like a filthy rag over the sierra.” (Page 135)

Overall, this epic novel takes on a convoluted period in Mexico’s history and the complicated families ruling or eager to rule in the mid-19th Century. Mayo does exceptionally well with multiple points of view, description, and character development to create a vivid dramatization. The Last Prince of the Mexican Empire would make a great book club selection and discussion.

Check out these images of Maximilian’s Miramar Castle in Italy.
Check out these images of Maximilian’s Chapultepec Castle in Mexico.

Check out an excerpt from The Last Prince of the Mexican Empire, here.

For book clubs of 12 members or more, please check out C.M. Mayo’s guidelines for a telephone discussion with her.

Check out her book tour information to see if she’ll be reading and signing books near you.

Also Reviewe By:
Caribousmom
Rose City Reader
Drey’s Library
Devourer of Books

About the Author:

C.M. Mayo is the author of The Last Prince of the Mexican Empire (Unbridled Books, 2009), a historical novel based on the true story; Miraculous Air: Journey of a Thousand Miles Through Baja California, the Other Mexico (Milkweed Editions, 2007) and Sky Over El Nido (University of Georgia Press, 1995), which wonn the Flannery O’Connor Award for Short Fiction. Founding editor of Tameme, the bilingual Spanish/English) chapbook press, Mayo is also a translator of contemporary Mexican poetry and fiction. Her anthology of Mexican fiction in translation, Mexico: A Traveler’s Literary Companion, was published by Whereabouts Press in March 2006.

Check back after May 17 for more goodies about C.M. Mayo’s reading in Bethesda, Md., and a possible giveaway.

***Giveaway Reminders***

Giveaway for Eleanor Bluestein’s Tea & Other Ayama Na Tales short story collection, here; Deadline is May 6, 2009, 11:59 PM EST.

1 copy of Rubber Side Down Edited by Jose Gouveia, here; Deadline is May 15 at 11:59 PM EST

Rubber Side Down Edited By Jose Gouveia

Jose “JoeGo” Gouveia’s Rubber Side Down: The Biker Poet Anthology is one of the best contemporary poetry anthologies on the market. These poems will appeal to not only deep thinkers, but also readers looking for detailed aesthetics. While most of us will never know what it’s like to be hounded by cops, some of these poems will allow readers to live the biker life vicariously.

Bikers tend to be like brothers, easily accepting of their members no matter what location they find themselves in. These poems signify the lonely road these poets travel, the hardships they face, and the beauty of the road.

“Harley United” (Page 36)
by Richard Vagnarelli

Not to them
Do tortured tones
Of twisted two stroke
Twins appeal;
Racer’s crouch
Grand prix attire
Bright plastic
Wheel to wheel.

Who can deny
The virtues
Of obsession
In a marque,
Symbolic of
The freedom
Sought by those
In dark glasses.

Seated low
In upright posture,
Arms held high,
Feet to the fore,
Proud to live
Astride a legend
Rooted deep
In biker lore.

And in common
With like riders,
Who in the aura
Have delighted,
They remain an
Elite brotherhood,
Alike,
Harley united.

In addition to the poems celebrating brotherhood and connection, some of these poems celebrate famous bikers like Evel Knievel, the evolution of bikes, and women enchanted by the biker life. Some of these poems rhyme, and rhyme well–with an easy rhythm. These poems have a life of their own, and many of them will make you want to read them out loud for emphasis like in “Highway Poets (theme poem)” by K. Peddlar Bridges (page 80) where the lines read: “We’re motorcycle riding/Engine blasting/Line chasing/Gravel chewing/Bug spitting//HIGHWAY . . . POETS!”

Others are simply laugh-out-loud funny, readers should buy a copy simply to read “The Six-Legged Moose.” (I’m purposefully not including this poem in the review to entice you to get this anthology.)

Rubber Side Down is a compilation of witty verse dealing with a number of issues including how bikers deal with aging and the prospect of no longer riding and the freedom of riding and how it makes it difficult to settle back into a “normal” life. Moreover, Rubber Side Down is set up in a format that provides readers with poems and photos of actual bikers in alternating sections, which enables readers to ponder the poems while examining the visual context of these poets’ lives. Each of these biker poets knows poetic style and form and how to break convention without losing their audience, and Rubber Side Down will appeal to more than just bikers and their families.

“WTHEFM” (Page 99)
by: Susie Howard

No, it ain’t a radio station,
but I listen to it like its playing my favorite
moldy oldies, yeah,
I know the words, snap my fingers
to its back beat I can use it,
the rhythm of too many days
turned in or out, a place named
for itself, like “KCUB its a Bear”.

No, it ain’t the style on my FM dial
I heard over there when home was
for away and dry was a dream cause I sat on my helmet
in the hole, my feet turning to sludge in my boots to
keep the same from happening to my ass,
nodding off to the memory of her
soft thighs, the bow from her bra.

No it ain’t the voice from the box,
that bitch, Hot-Jane-Barbarella,
the Stones or little miss
sunshine Hanoi Rose harmonizing
with, “Have decided to
mid-Tet Offensive cease-fire.”
Its all beaucoup okay, G.I.,
tallRoundEyeCharlieScreamingEagle.

No it ain’t the drone of all the
shitty jobs I’ve had, been laid
off from, kicked out of, walked
on since I got back till my best
friend is the guy at the Port Authority turnstile
booth who lets me through
for a warm night on the benches,
so long as I move now and then.

No it ain’t the sweet sing song of
my kids, scared of me at night when they tried to
climb in my bed but
I freaked out, ready to kill, with
demons before me where my kids
should have been, cause she took
them to hide which was right.

No it ain’t the buzz in my brain
when I hear, the 60’s–
remember when Little Anthony was Imperial,
when my best friend checks in for methadone treatment,
(after forty years, it ain’t
no treatment), when they say,
“Son, we’ve got PTSD”.

No it ain’t a radio station.
When it doubt, you got to dance.
Its just a backward glance.
A trip from then to now.
A long lost life since Hell.
I’m over the comments.
What The Fuck Moments.
Wanna make a request?

Rubber Side Down packs a punch and made me want to get that ape hanger I’ve always talked about and go for a ride.

Want to go for a ride with these bikers? Here’s your chance; I’m offering to buy one copy of Rubber Side Down for one commenter. (Yes, this is international)

1. For one entry, comment in the form of a poem (no, it doesn’t have to be great; or I might have mercy on you and count your comment as an entry even if it isn’t in poem form.) about why you want to read this anthology.

2. Follow this blog or if you are a follower tell me in the comments.

3. Spread the word about the giveaway on your blog, Twitter, Facebook, etc. and leave a comment here with a link.

Deadline is May 15, 2009, 11:59 PM EST

***THIS GIVEAWAY IS NOW CLOSED***

Also Reviewed By:
Minds Alive on the Shelves

***Giveaway Reminders***

A giveaway of The Mechanics of Falling by Catherine Brady, here; Deadline is May 1 11:59 PM EST

5 Joanna Scott, author of Follow Me, books giveaway, here; Deadline May 4, 11:59 PM EST.

Giveaway for Eleanor Bluestein’s Tea & Other Ayama Na Tales short story collection, here; Deadline is May 6, 2009, 11:59 PM EST.

Sex at Noon Taxes by Sally Van Doren

Sex at Noon Taxes by Sally Van Doren arrived in my mailbox from the American Academy of Poets. Van Doren’s volume won the Walt Whitman Award from the Academy. I read the title and spent a great deal of time pondering it before I opened the book. Is the sex at noon taxing or is it taxed at noon? There is a play on words here.

The book is broken down into four parts.

Sex at Noon Taxes is the first poem in the book, and the inscription mentions a painting by Ed Ruscha (at right). Here are some of my favorite lines from Van Doren’s poem: “avalanche turns snowfall into/uncorraled horseshoes.//”

The images in Van Doren’s poems leave the reader thinking, not because they are difficult to understand, but because they expel a number of meanings in a minimalist fashion.

As a writer, I’m always fascinated with how writers take on the craft in their work whether it’s punctuation or poems themselves. Some of my favorites from this volume include “Preposition,” “Conjunction,” and “Pronoun/Punctuation.” I’ll leave those a mystery, but I will share with you some of my favorite lines from “Gephyrophobia.” “If there is a bridge,/I cannot see it,/but I know I want/to cross it, to walk/” As you can see from the language, it is simple, tells a story, and holds an undercurrent of something deeper.

A lot of these poems display playful language and at times it is musical. Molly Peacock says that Van Doren’s poems’ “vocabulary fizzles off the page.”

About the poet:

Sally Van Doren was born and raised in St. Louis, Missouri. She is a graduate of Phillips Academy and Princeton University and received an M.F.A. from the University of Missouri-St. Louis.

Her poems have appeared in many journals, among them: Barrow Street, Boulevard, Cincinnati Review, Colorado Review, LIT, Margie, Parthenon West Review, Poetry Daily, Pool, River Styx and Southwest Review. She was a semi-finalist in the 2006 “Discovery”/The Nation Poetry Contest. Her poem, “The Sense Series,” was the text for a multimedia performance at the Contemporary Art Museum St. Louis.

Van Doren has taught creative writing in the St. Louis Public Schools and curates the Sunday Poetry Workshops for the St. Louis Poetry Center. She divides her time between St. Louis and Cornwall, Connecticut.

***Reminder: You can win a copy of Wingbeat by Marilyn Meredith, go here. Deadline is Oct. 22

The Host

Stephenie Meyer‘s The Host is a fantastic science fiction novel for even those who do not read science fiction. While Meyer creates another world to immerse her characters in, the storyline is believable and captivating. Melanie Stryder, her brother Jamie, and Jared Howe along with all of humanity are thrust into a fight for their way of life and their humanity in Meyer’s first attempt at an adult novel. I hope this too becomes a movie someday.

***Spoiler Alert***

Melanie Stryder is a tough go-getter who is caring for her brother while on the run from the Seekers. She meets up with Jared unexpectedly, and they both mistake one another for a soul–or a human possessed by an alien soul. Jared, Jamie, and Melanie end up on the run together, sort of like an instant family in these desperate times. She falls in love with Jared and vice versa. However, once they are separated when Melanie seeks out her cousin Sharon, all hell breaks loose. Melanie is captured and implanted with the Wanderer.

Wanderer struggles to gain full control over Mel, but it becomes a loosing battle for some time. When she finally gets into a routine at her Calling as a teacher at the San Diego university, Wanderer begins to grow uncomfortable with her host and her seeker. The seeker constantly follows her and harasses her about whether she has learned about any other humans that Mel may have been with or hiding. Wandered grows weary of these interrogations and makes an attempt to head east to Tuscon, Ariz., where she will see her Healer, who attached her to Melanie.

On her way through the desert, Wanderer decides its time to pull over, get something to eat, argue with Mel, and then decipher the lines on a map from Mel’s memories to find a possible hiding spot for Jared and Jamie. Mel wants to be assured they are alive and to keep her promise to Jamie that she would return. Wanderer is not entirely comfortable with the plan, but succumbs to the urge because she has grown fond of Jared and Jamie through Mel’s memories.

Once Wanderer and Melanie enter the cave dwelling of the rebels, they both face serious harm and torture. Jared is angry and frustrated and elated to see Melanie’s body, but he is distraught that Wanderer is inside. Ian and Kyle, the brothers, are ready to kill Mel to prevent Wanderer from telling the Seekers where they are. The believe they are the last human rebels on the planet and they want to survive at all costs.

***End Spoiler Alert***

The interplay of the characters at the end of the book in the last 250 pages is infectious. You get caught up in the intrigue and the action. While the action is great, the evolution of the characters is fantastic in this novel. Wanderer remains true to herself and is altruistic to the end, and her anger toward Melanie softens and transforms. Melanie’s anger toward her softens and transforms as well; there grows an understanding between the two who share one body. Their friendship grows as does their affection for one another, and this friendship helps turn around the reactions and actions of the other humans in the caves.

Many of the reviews I saw have talked about the love between Jared and Melanie and Wanda and Ian, but I think that this book is more about how many people judge books and people by their covers before they get to know and understand them.

Souls take over the planet because humans are too violent to truly enjoy their world, and by taking them over, the souls are doing humanity a favor. Humans view the takeover as an invasion as the souls take over bodies and push the personalities and human minds out of those bodies, essentially killing those humans. However, souls are not all bad and in many ways they do not realize the extent of the devastation they cause on Earth because previous hosts have been so different and less individualized–less human. Humans also are not all bad and prone to violence as Wanda learns with Ian and others in the book.

After reading Breaking Dawn, I sped through this book. I didn’t find any ruts in the narrative and the action was well worth the ride. The one drawback for me was the intractable characters of Sharon and Maggie, who do not evolve at all. They maintain their hatred of the Wanderer regardless of her altruistic behavior and her hardcore work ethic.

If you have reviewed The Host, please send me your link and I will add it.

Also Reviewed By:
Suey at It’s All About Books
Maw Books
Book Escape
Reading Adventures
J. Kaye’s Book Blog
Booking Mama
Marta’s Meanderings
Wrighty’s Reads

Breaking Dawn

Stephenie Meyer‘s Breaking Dawn is the last book in the Twilight series and is a jam packed book of 750 pages. Edward and Bella are some of the best characters I have come across in a vampire series in some time, and Jacob just rounds out the group. The supporting characters in the series are varied and just as captivating. Breaking Dawn begins where book 3, Eclipse, left off. This is not my favorite of the novels, and if you are a Twilight fan you will read it regardless of my review, but if you are looking for pure escapism and a good, though outrageous story, this book is for you. I still think a good 200-300 pages could have been pared out of this novel and sections reworked to make them tighter and more evolutionary in terms of character development.

***Spoiler Alert***

We resume Bella and Edward’s story with the wedding. They are getting married; she has begrudgingly agreed to it. There is not a whole lot of description of her dress or much of the preparations other than to say that Alice has gone all out. Since Book 1 in Breaking Dawn is from Bella’s point of view, it should not surprise readers that the descriptions of her dress and other things are sparse. Bella is not a frilly type of girl. On their honeymoon, they make love like married couples, regardless of their age or agelessness. While I expected everything up until this point, I was not expecting these characters I love to be as static or flat as they were throughout this section of the book. The plot plodded along and the characters went through the motions, but there was little tension, passion, and feeling between these two.

The first twist in the book was predictable from my stand point because it was foreshadowed early enough on in the book with seemingly misplaced stories about immortal children. Bella and Edward conceive a child, but no ordinary child–she is half human, half vampire. This is nothing new. I have read the genre for some time, and this is a “legend” that has been worked into a number of novels, though many writers prefer to think of vampires as unable to sire children with or without human lovers.

Renesmee, their daughter, was predictable in her need for blood. I surmised this early on in Bella’s ordeal carrying this child. The child’s name is elementary and sappy according to many Internet blogs I have read thus far, but I can tell you that it fits perfectly with Bella’s character, though I’m surprised that Edward did not chime in with his opinion on the matter. The immovable force that is Edward is largely absent from this novel, which made it disconcerting and diminished the evolution of this book. A lot of this first section of the book could have been condensed into a tighter package, and the characters of Bella and Edward should have retained some of their tension and passion-play from the previous books, even though they are now man and wife.

The ordeal with carrying the baby to term should have been wrought with greater conflict between the newlyweds than it was. Most of the time Edward was passively sitting beside his wife, helpless. While this shows his inability to solve all of Bella’s problems and to always protect her, it was a bit too much of a character shift. It should have evolved; we should have felt his resolve slip away as he grew more resigned to Bella’s fate and her decision.

I liked the interactions between Rosalie and Bella–that was a twist I had not expected. I did not expect Bella to turn to Rosalie in this respect or if she did, I did not expect their bond to be so steadfast and hardy. What a great addition and new dynamic to the expanding Cullen network.

Book 2, which is from Jacob’s point of view, threw me for a loop because I was expecting a section from Edward, the father of Renesmee. Instead, Meyer brings us back to our good friend Jacob and his feelings after his “alone” time in the wilderness. His point of view is lively and more on track with the character development Jacob experienced in the first three novels. This section had me riveted more so than the first part of the book. Yes, Jacob still loves Bella in the most passionate and unrequited way, but you can’t turn those feelings off, especially if you are a teenager and have raging hormones. Those expecting Jacob to just shut those feelings off is deluding themselves. Just because the “love of your life” marries someone else, does not meant that you can forget about them or turn off your feelings.

The best part of this section of the book is the debate about free will and the collective mind. . .which is better to have for battle and living one’s life? The battle for free will is strong throughout the series, particularly with Jacob and the shapeshifters. Jacob believes in free will, which is why he can no more order Seth and Leah back to La Push than order himself to forget Bella. However, while he admires and supports the ideal of free will, he is still bound by his nature. He must imprint and to imprint upon Renesmee was inevitable because Bella always thought of him as family regardless of her love for Edward. Jacob finds imprinting on young children disturbing, but now he is forced into a similar situation as Quil. This dichotomy is fantastically played out in the La Push community and particularly among Jacob and several other shapeshifers. In terms of the best written sections of the book, those can be found in Jacob’s point of view.

Book Three, which is from Bella’s point of view, is all over the place, and Meyer had a ton of ground to cover. Bella was expected at the Volturi when she was finally transformed into a vampire, but a vision appears that suggests that that visit may be unnecessary since Irina spied Renesmee and assumed she was one of the forbidden immortal children. This sets up a whirlwind of events in which Alice and Jaspar vanish for parts unknown and the rest of the family rounds up as many vampire friends as possible to witness the growth and maturity of Renesmee to prove to the Volturi that she is not an immortal child, but a half-breed.

While there are many things in this section that I found far-fetched even for a fantasy novel, like Bella’s ability to stave off hunger and behave contrary to all other newborn vampires, I did enjoy Bella’s struggles with her mind shield and her bravery in trying to save all of those she loved. I think the struggles before and after the Volturi arrived would have been more poignant if she had collapsed or expressed some deep thirst for blood.

Finally, the build up of suspense while Bella and Edward and their friends waited for the Volturi was fantastic, though the descriptions and intimate details of all the friends and their pasts may not have been necessary. However, for a breach of vampiric law this substantial, bloodshed of some kind should have been called for, at least for Irina’s death. She was part of the Cullen family or so the Denali clan claims. The discussion and minor battles between Bella’s mind shield and Jane and Alec were not enough to satisfy the tension that had built up over the last month in the Cullen household.

***End Spoiler***

Happily ever after was an inevitability between these characters, and as a writer, I can understand wanting to satisfy the expectations of as many readers as possible, which is a difficult if not impossible task. I commend Meyer for trying to pack so much into the novel, and I think that the path she choose for them was appropriate. Bella is much more likable as a vampire, though she is still sometimes utterly ridiculous in her actions. I can see how she never really fit in as a human and was a perfect fit for the vampire family. Edward remains the same as he was in the other books, though more lustful. However, his endearing remarks to Jacob were a bit premature for me. Jacob’s development throughout the series is nearly complete, but he has further to go. If there were to be another book in this series, it should be about his evolution and his role in Renesmee’s life.

Finally, I wonder what the cover has to do with the title, Breaking Dawn (which I assume relates to the breaking dawn of their new future together as a family), and the book itself. The white queen could be Renesmee or it could be Bella, but who is the blood red pawn? Is the pawn Edward or is the pawn Renesmee. The white statue of the queen suggests vampire to me, while the red pawn suggests shapeshifter or human. Any thoughts dear readers?

Also Reviewed By:
It’s All About Books by Suey
Becky’s Book Reviews
Book Escape
Book Room Reviews
The Bookworm
Maw Books
The Written Word
Diary of an Eccentric
A Patchwork of Books
Book Addiction

If I have missed you, please send me your link and I will add it.

Darkness With a Pinch of Sugar Sweetness

Human Dark With Sugar by Brenda Shaughnessy arrived in the mail from the American Academy of Poets and I was pleased because I haven’t read a book of poetry in some time. I think that it is only fair that I review this book on this, the last day of National Poetry Month. This second book of poetry from Shaughnessy won the James Laughlin Award.

The first section of the book is Anodyne, also known as a pain-killer. This section of the book is not euphoric by any means. It is almost as if she is attempting to kill the pain with the sharpness of her words. For instance in “I’m Over the Moon:”
“How long do I try to get water from a stone?/It’s like having a bad boyfriend in a good band.// Better off alone. I’m going to write hard/and fast into you, moon, face-f**king.//”

The second section of the book is Ambrosia, from the Greek mean of food or drink of the gods that confers immortality on the consumer. Is the narrator of Shaughnessy’s poems interested in immortality? One of my favorite poems from this section is “Three Sorries,” particularly the “1. I’m Sorry” section of the poem:

“Soon 1. born 1970
2. Cried: all along
3. Loved: you really so very much and no others

blurred into: 1. begging off for the dog-years behavior
2. extra heart hidden in sock drawer
3. undetected slept with others”

It seems as though she really is not sorry for her actions or the events leading up to the incident. It’s amazing how many of these poems appear apologetic and wistful on the surface, but then turn to sarcasm and bleakness.

The third section is Astrolabe or astronomical instrument to surveying, locating, and predicting the positions of the sun, moon, and stars. I think the best illustration of this concept is Shaughnessy’s “A Poet’s Poem.”

“I will get the word freshened out of this poem.// I put it in the first line, then moved it to the second./ and now it won’t come out.// It’s stuck. I’m so frustrated,/ so I went out to my little porch all covered in snow// and watched the icicles drip, as I smoked/a cigarette.//” The poem ends quizzically: “I can’t stand myself.”

“No Such Thing as One Bee” is another poem that illustrates this need to pinpoint a location. Shaughnessy uses a narrator that is unsure of where they are in life and how they fit into the greater scheme. Where it is a busy worker bee or a bee that goes out to collect pollen. I guess you could almost equate it to the Bee movie with Jerry Seinfeld.

Overall, this is one of the better poetry books I have read in some time. I love the sarcastic and bleak language used by Shaughnessy in her poems. It’s the darkest side of humanity she examines, and she tries not to sugarcoat it, but sometimes, she just can’t help herself.

Surfing Through Life

Body Surfing by Anita Shreve is not one of my favorite novels, but I enjoyed the meditative way in which she weaves the love triangle between Sydney, Jeff, and Ben. What I enjoyed most about the love triangle is that it is done in such a way that it takes the whole book to see the outcome and the third angle in the triangle.

***Spoiler Alert***

Sydney loves to body surf in the ocean, and this becomes a metaphor for how she lives her life. She tends to get swept up by the circumstances she finds herself in, whether it’s the odd jobs she has held or the men she becomes involved with. She’s been married two times previously when we meet her in the book, and she has taken time off from graduate school after the death of her second husband to tutor a young girl, Julie Edwards, for the SATs over the summer.

She has a relatively calm time at the New Hampshire beach cottage, which has appeared in several of Shreve’s other novels–including one of my favorites The Pilot’s Wife. The house’s history is not lost on the character of Mr. Edwards in this book, and he has even become a sort of historian of the house. It has been great to see the stories that emerge from this single cottage over the years. I wonder if Shreve will set another novel in this cottage; I would enjoy visiting it again.

Suddenly, Sydney is thrust between two brothers and their competitive behavior. The competition is not overt, but alluded to throughout the book. The subtlety here may be hard to sift through, but reading Shreve’s works in the past, I’ve become more attune to her visual cues and descriptions to uncover the internal struggles and hidden agendas and connections between her characters.

I truly enjoyed the parts after the wedding debacle where Sydney spends time in a Boston hotel to regroup and her meeting with Mr. Cavalli. I think these were eye-opening experiences for the character. Her return to New Hampshire three years later for a psychology conference and her subsequent meeting with Ben is a major turning point for a number of characters, including Sydney and Ben’s mother. I just love the few lines with which Shreve accomplishes the transition in this book and the immediate mutual realization that Ben and Sydney reach together.

***End Spoiler Alert***

Overall, this book held my attention throughout the daily commute and even some evenings at home when I was engrossed in the dialogue and current situations Sydney found herself in. While it is not as well constructed as The Pilot’s Wife, Sea Glass, or The Last Time They Met, I enjoyed my journey back to the oceanside of New Hampshire and the trip back into Boston, even if it was for a brief interlude.

***Please feel free to enter the next National Poetry Month Contest here.

7th Heaven Sure Is a Firey Pit

Despite a bump in the road with 6th Target, James Patterson has picked up the Women’s Murder Club Series in 7th Heaven, and it looks like Lindsay is on the brink of yet another emotional dilemma. In this book, Michael Campion, who has a bad heart and happens to be the son of a former governor, disappears, but a tip comes in leading to a potential suspect. At the same time, a series of homes are set afire, robbed, and their occupants killed; these fires appear to be arson or accidental, but the detectives must follow a gruelling set of leads to discover the truth. Meanwhile, Lindsay Boxer continues to live with her FBI boyfriend, Joe, even though she has yet to say yes to his proposal from 6th Target.

***Spoiler Alert***

While this book has a much cleaner plot and the suspense is kept high for most of the book, I don’t see the attraction Lindsay has to Rich Conklin, her partner. I know that Patterson is setting it up to be a love triangle with Lindsay caught between two men–her partner and her former FBI boyfriend–but I guess I am partial to Joe. I want to see her happy, and after cheering him on and happily applauding his decision to finally move to San Francisco and quite the FBI to be with Lindsay, I want my happy ending for them. I knew once Jacobi was moved up and no longer her partner, another hunk was moving into her life. I wonder if it is her desire for Conklin or her inability to commit that has her so confused about the men in her life. I gather its a bit of both.

This is one thing I have noticed about Patterson’s crime stories–and it bugs me–the main characters who are detectives in police forces never can just have a happy home life. Wives die, marriages end in divorce, partners become lovers, and other activities happen that keep these detectives merely bouncing from bed to bed. I find that disturbing. I would like to see something out of the ordinary from one of his main characters; I would like to see them fall in love, get married, and have families all while remaining on the job and platonic with their partners.

As for the crimes, the Campion case takes a series of twists and turns that even had me baffled for a while, though I finally had it figured. I love the ending to this case, folks. If for nothing else, you should read this book to find out what really happens to Michael Campion. I have to say the conversation with Boxer, Conklin, and Campion’s father was the biggest clue to the ending for me. It was a good point in the story to bring it out as well.

The rash of fires in the area among wealthy families was intriguing and the discovery of who Pidge and Hawk really are was captivating. The only question I have for those characters is what sick and twisted world do you live in that setting fires and killing people can be equated with 7th Heaven? Talk about a disturbing title for a graphic novel/manifesto of crime. It makes one wonder how these minds become that twisted to think hey let’s set fire to homes, rob them, and kill the couples inside rather than sell this really detailed graphic novel that received rave reviews and become rich ourselves. I think in this instance, I would have preferred a bit more detail into how these criminals came to those conclusions. What motivated them to kill, rather than make money and change their lot in life? Then again, I suppose most cops and prosecutors never find that out even if the perps are arrested.

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Also, keep a watchful eye on this book for the newest addition to the Women’s Murder Club. The group is growing. Overall, this was an enjoyable, quick read that kept my interest throughout. While some parts angered me and there is still no resolution to the Joe, Lindsay, Conklin interactions, I would recommend this crime drama, 7th Heaven, as a must read part of the series, just skip over the 6th Target.

Sharpen Those Fangs…

The second part to the Blue Bloods series, Masquerade, is a whirlwind of revelations regarding the Van Alens and the entire Blue Blood society. I was anxious to get my copy from the library and continue reading about these young vampires and their families. I looked forward to Schulyer’s adventure to find her grandfather, Lawrence. However, that journey was short-lived. While I was initially disappointed that the journey started and ended quickly, my disappointment was overcome by curiosity.

***Spoiler Alert***

She finds her grandfather at the behest of her grandmother–a trip that takes her to Venice. She spies people who look like her mother and who remind her of people she should know from her past lives, but disappointments in her quest make her doubt her ability to find her grandfather, who holds the key to defeating the Silver Bloods.

After she finds her grandfather, her disappointment only deepens when he refuses to help her in her quest to uncover the Silver Blood and Blue Blood past and defeat the impending threat to her teenage friends at an elite New York prep school. Returning to New York thrusts her back into the thick of her teenage confusion over Oliver, her conduit and friend, and her crush on Jack Force, who is bound through blood to his sister, Mimi. Schulyer’s desire for the unattainable is palatable in this second book in the series–a desire that most anyone who has had a crush on a boy can certainly relate to.

The adventures in this book are even more dire than the first, with the Silver Blood presence even more apparent despite The Committee’s denials and entreaties that the Silver Bloods were defeated many centuries ago. Schuyler’s coming of age as a vampire is also wrought with risks to herself and her conduit, who soon becomes her familiar—further complicating her feelings for him and his growing love for her.

The intricacies of this world start to unfold quickly in the book, and as you may have guessed Mimi figures in profoundly because after all her rival for Jack’s bond is Schuyler. Jack is a character torn between duty and passion, and his actions clearly define his dilemma–stuck between his lifelong, eternal blood bond with Mimi and his passion for the daughter of Allegra Van Alen, Schuyler.

The history of these character’s past lives unravels quickly to reveal some shocking connections.

***End Spoiler Alert***

It’s a quick read, and held my attention much more than the first book. I was excited to see what would happen next. The end leaves the door wide open for a third book in this young adult series about teenage vampires, and I hope that Melissa De La Cruz does not disappoint. I recommend this book for people who enjoy YA reading and vampires alike. This not a horror series by any stretch of the imagination, not too much gore here. It’s more like a commentary on the teenage relationships in high society and coming of age, just with a vampire twist.

Inner Thoughts of Mr. Darcy

Mr. Darcy’s Diary by Amanda Grange is what you would expect it to be, and naturally, I had to include it as part of my most recent Jane Austen reading. Grange has a great mastery of Austen’s characters in this book. While she utilizes the text of Pride & Prejudice a bit too much for me, the parts where Darcy’s feelings and thoughts are revealed are eye-opening and in line with the character Austen created.

***Spoiler Alert***

The diary begins before Darcy meets Elizabeth (Lizzy) Bennett, and shows us what happened to his sister, Georgiana. The events leading up to the move from Derbyshire to the country with Bingley, his friend, help clarify Darcy’s feelings for his friend, which appears more fatherly. It was interesting to watch the interactions between Darcy and Carolina and Louisa, Bingley’s sisters. I was amazed to find he did not approve of Caroline’s effusive compliments, but knew what motives drove her to make the compliments. Here Grange’s imagination is fast at work, but I would have imagined a bit more acceptance of Caroline’s flattery by Darcy given Austen’s depiction of Darcy’s character prior to his meeting Lizzy.

My favorite parts of the book were his thoughts of Lizzy even when he’s just met her and even when he thought her not beautiful enough to tempt him to dance. His thoughts run away with him a bit, and certainly this is against his will for much of the book. I do like the diary entries that explain his odd behavior at the balls and assemblies; it helped to flesh out his struggle for me, compared to Austen’s Pride & Prejudice.

I also liked his admission that he learned a lot from Lizzy about how to laugh and bear the faults of others in the name of love.

One surprise in the book for many Austen readers will be the “after-wedding” glimpse into the lives of Mr. & Mrs. Darcy. Those were a treat for me.

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I do not want to give too much away about this book because every Jane Austen fan should read it. The one question I had was about the language used in the book, like the use of “blockhead” in the book. Was that a term commonly used in Austen’s time? I’m not sure, honestly. I would have to do further research on that topic to comment further, unless someone else happens to know a reference book or tidbit about it.

I was interested to learn from the author blurb that Grange is considered a historical fiction writer who creatively interprets classic novels. I think she has a firm grasp of the time period in Pride & Prejudice and its society. Darcy’s qualms about Lizzy and her family are well-founded for the time and are vividly illustrated in Mr. Darcy’s Diary. This unromantic hero is romantic once again, though not atop a pedestal as a flawless character–no heroes are ever flawless.

Addendum:

Anna showed me the use of “blockhead” in Mansfield Park by Jane Austen, so that settles that question.

Classic Love Affair and Commentary on Society

Pride & Prejudice by Jane Austen is more than a romantic love story between Mr. Darcy and Elizabeth Bennett, it is also a commentary on the society of the times. It pokes fun at how mothers and fathers “conspired” to marry off their daughters to men for wealth, rather than, dare we call it, affection.

***Spoiler Alert (though everyone should have read this classic by now)**

Elizabeth Bennett may be the heroine of this novel, but her sister Jane, the county beauty, takes center stage as the newest member of the community comes to town–Mr. Bingley. Her mother is immediately set on marrying her daughter to him regardless of his looks or affections for Jane, simply because he is wealthy. Through several machinations, including sending her daughter on horseback to visit Bingley’s sisters in the rain, her mother pushes the two together. Luckily, Jane and Bingley really do enjoy one another’s company. However, several things come into play to separate the lovebirds, which aggrieves her sister Elizabeth.

Meanwhile, Mr. Darcy who is berated and belittled by Mrs. Bennett and Elizabeth on several occasions appears to feel some affection for her in his glances and approaches to Elizabeth, but after being basically called common and not beautiful enough to tempt Darcy to dance, the battlefield between the two is set. And yes, I do mean a battlefield of wits. The interchanges between them and Bingley’s sister Caroline are hilarious and witty.

I want to comment on how this novel not only brings to light the ridiculous tradition of marrying one’s daughter for money and higher societal standing through dialogue and interactions between the wealthiest characters and the most lowly, but it also is a romance between Elizabeth and Darcy. How could a woman so uncivil to a man’s proposal of marriage against all societal predispositions still maintain his affection? How could he see fit to propose to her against society’s wishes when he is a man of position? I can tell you the answer to both of those questions: Pride. They are both proud of themselves and their demeanor and to have anyone think less of them is unthinkable. It spurs them onward to prove the other wrong in every sense of the word, but in the end, these characters realize they are just like one another and no one else would bear their behavior. They are in love with themselves and one another in spite of themselves. They are attracted to one another by circumstance, whether created by themselves or others, and are attracted to one another because of their mutual admiration for the other’s mind and behavior that contradicts society’s wishes and protocols. No one wishes to believe they have faults, but when one finds happiness it is usually with the one person who can tolerate those faults and love that person in spite of them.

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What I love best about Austen is her heroines, written during a time when women were submissive and thought of little as little more than property. The heroines strive within the confines of their place in society to set wrongs right and to voice their opinion with a modicum of decorum. It is not like today’s society where women are so liberated that they use poor language to express themselves, much like proverbial truck drivers. While I enjoy such freedoms, I would love to see another writer in today’s society take on such societal norms and pinpoint their follies as well.

Austen is a woman to be admired even though her body of work is small compared to many males in the current literary cannon. I only wish that a small portion of my writing will garner this much attention after I have left this world. Though I guess I better spend more time writing and less time reading, but that is the rub here. I love both passionately.

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The Bookworm