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A Mother’s Tale and Other Stories by Khanh Ha (giveaway)

Source: the author and Premier Virtual Author Book Tours
Paperback, 150 pgs.
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A Mother’s Tale and Other Stories by Khanh Ha is a collection of stories that explore heartbreak, loss, and healing. Readers of Ha’s work will see some familiar faces, especially Mrs. Rossi, Nicola, Le, and others. These stories weave in and out of the jungles of Vietnam and elsewhere to untangle the unseen connections we have to one another. Some of these connections will not bring the best turn to some lives, while others will highlight the truth of people who are enigmas to us.

“She wondered where all the souls of the dead have gone. I told her perhaps the ghosts needed a medium to show themselves to the living, and the fireflies’ blue lights were that medium, just like earth, water, fire, and air made up the medium of living human beings.” (from “A Mother’s Tale”)

The ghosts of the dead and lost souls are never too far from these stories. They are hovering at the edge as the living try to sort out their lives and come to terms with the past. Some of the stories in this collection shed a great deal of backstory and light onto the story in Mrs. Rossi’s Dream, but I don’t think you need to have read that novel to enjoy these stories, though the stories did elevate my understanding of his multilayered characters in that novel. I particularly loved the insight into Mrs. Rossi’s adopted daughter, Chi Lan. In many ways, I would consider this collection a companion to the novel.

A Mother’s Tale and Other Stories by Khanh Ha offers an array of character studies that explore broken relationships, loss, the effects of war even generations later, but more than that, his work paints a picture of humanity that is at times beautiful as it is dark and traumatic. Once I started delving into this world, it was hard to come out of it without being changed. It was hard to look at life and not see the connections that propel us on our journeys.

About the Author:

Khanh Ha is the author of Flesh, The Demon Who Peddled Longing, and Mrs. Rossi’s Dream. He is a seven-time Pushcart nominee, finalist for the Mary McCarthy Prize, Many Voices Project, Prairie Schooner Book Prize, and The University of New Orleans Press Lab Prize. He is the recipient of the Sand Hills Prize for Best Fiction, the Robert Watson Literary Prize in Fiction, and the Orison Anthology Award for Fiction. Mrs. Rossi’s Dream, was named Best New Book by Booklist and a 2019 Foreword Reviews INDIES Silver Winner and Bronze Winner.  A Mother’s Tale & Other Stories has already won the C&R Press Fiction Prize. Visit him on Facebook and Twitter.

RATING: Quatrain

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Inheritance of Aging Self by Lucinda Marshall

Source: Purchased/GBF
Paperback, 66 pgs.
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*** full disclosure: Lucinda, who is a member of my poetry workshop group, is a great mentor and a golden angel to poets in the poetry community***

Inheritance of Aging Self by Lucinda Marshall explores what it means to age, to see our ancestors in the mirror, and to make peace with the life we’ve led, left behind for others to make sense of, and the life we have in the present. Life is just one patchwork quilt, isn’t it? Yes, Lucinda is a quilter, a natural puzzle maker.

From "My Grandmother's Tea Cups" (pg. 1)

...
I see the you in me
as I become the wearer
of your papery skin,
an inheritance 
with its own design,

Patterns and textures take center stage in Marshall’s poems, weaving together a quilt her family will cherish always. But there are the emotional ties woven in each square, from the anger at aging and loss of youth to the acceptance of the multi-faceted you, a beauty beneath the perception of who you were then, like in “Mirror Image.”

Marshall says in “Contemplation of Succulence in Sonora”: “I do know that erosion changes us–// a whittling away, until only bones and distillation/ remain to provide the grounding” Some of us take longer to find our grounding, drifting from place to place, family to family, friend to friend, but these experiences eventually ground us in who we are and who we are not.

In this effort, we also need to learn how to create our own boundaries to preserve our mental well-being, like Marshall’s “I Do Not Ask” and “Serenity Prayer For Singular Existence” remind us. Boundaries are necessary to ensure burnout is kept at bay, that we can be our best selves when others need us, and that we can fulfill our own desires and dreams, even if others don’t quite understand.

Marshall’s collection hinges on the title poem, which comes midway through the book. Where the narrator comes to terms with aging and the potential for lost memory, lost sense of self, fewer days ahead. It is an unsettling moment when age becomes a reality you can no longer ignore. “she wonders what it feels like to be ashes,// what part of who she is will be left/,” says the narrator of “What Remains.”

Inheritance of Aging Self by Lucinda Marshall is about the universal, solitary journey we all travel on. Don’t be mistaken, we are journeying with our past, present, and future side-by-side and no one can reconcile those facets of our selves but us. We must come to terms with all that we are and what remains, what we leave behind, how others will know us and remember us, and what pursuits will be of greatest importance in our waning years. That “Unicorn” is in the surf, it’s just out of reach unless we’re willing to believe and lunge forth toward it.

RATING: Quatrain

Photo Credit: Jaree Donnelly

About the Poet:

Lucinda Marshall is the author of the full-length poetry collection, Inheritance Of Aging Self (Finishing Line Press,2021) and is available for purchase from Finishing Line Press, Barnes and Noble, and Amazon. Marshall is an award-winning artist and writer whose poetry has appeared in Global Poemics, Broadkill Review, Foliate Oak, The Rising Phoenix Review, and Poetica, among others, as well as in the anthologies “Poems in the Aftermath” (Indolent Books), “You Can Hear The Ocean” (Brighten Press), “Is It Hot In Here Or Is It Just Me?” (Beautiful Cadaver Project), and “We Will Not Be Silenced” (Indie Blu(e) Publishing). Her poetry has won awards from Waterline Writers, Third Wednesday, and Montgomery Magazine.

She lives in Maryland and is the Founder of both the DiVerse Gaithersburg (MD) Poetry Reading, the Gaithersburg (MD) Poetry Workshop, and has served as a volunteer mentor for the Gaithersburg Teen Writing Workshop, part of a program run by the Maryland Writers’ Association.

The Haunted Library: The Hide-and-Seek Ghost by Dori Hillestad Butler

Source: Purchased
Paperback, 128 pgs.
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The Haunted Library: The Hide-and-Seek Ghost (book 8) by Dori Hillestad Butler, illustrated by Aurore Damant, is another caper in which Claire and Kaz are called upon to uncover a ghost at a fellow classmate’s house. Trouble is, the classmate’s mom believes her son is making up the ghost stories so they don’t sell the house and move. Oh, and this classmate has a tendency to play pranks on other students. Kaz doesn’t trust that he is telling the truth about the ghost.

Further complicating the situation is Kaz’s parents, who still view Kaz and Little John as children to shelter, but they’ve been living their lives without them.

The Haunted Library: The Hide-and-Seek Ghost (book 8) by Dori Hillestad Butler, illustrated by Aurore Damant, is another strong book in the series that will keep young readers guessing. We have more books in this series to read, but I think my daughter’s taking a break from the series as we work on her reading skills.

RATING: Quatrain

Liberty-Loving Lafayette: How ‘America’s Favorite Fighting Frenchman’ Helped Win Our Independence by Dorothea Jensen

Source: Author
Paperback, 64 pgs.
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Liberty-Loving Lafayette: How ‘America’s Favorite Fighting Frenchman’ Helped Win Our Independence by Dorothea Jensen is a rhyming narrative of Gilbert du Motier, Marquis de Lafayette, and how he came to the United States to help us fight against the British in the Revolutionary War. In well written rhyme, Jensen will engage young readers in the life of Lafayette as a young man (only 19) eager to fight for freedom.

What I love about this book is that it takes history and makes it come alive for children with verse. It includes portraits and other art from the time of the war and beyond to illustrate the story, and uses some modern phrasing, like “good to go,” to make it relatable to younger generations of readers. While this is a succinct look at Lafayette’s contributions, there are resources, a glossary of terms, and larger explanations, as well as a bibliography, in the back of the book for teachers and parents to use and help children understand history a little better.

Liberty-Loving Lafayette: How ‘America’s Favorite Fighting Frenchman’ Helped Win Our Independence by Dorothea Jensen would be a great addition to classrooms and home libraries, especially for those kids and parents interested in teaching American history. Kids will learn about no only the inspirations for Lafayette’s decision to come to the United States but also about how he played a key role in military successes.

Rating: Quatrain

Hidden Figures: The True Story of Four Black Women and the Space Race by Margot Lee Shetterly, illustrated by Laura Freeman

Source: Purchased
Paperback, 40 pgs.
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Hidden Figures: The True Story of Four Black Women and the Space Race by Margot Lee Shetterly, illustrated by Laura Freeman, is a brief look at the extraordinary lives of these brilliant mathematicians — Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Dr. Christine Darden. My daughter and I read this book together and were learning a great deal about not only the role of math in the building of airplanes and spacecraft, but also the history of the time when segregation still existed and women were not allowed in meetings or even on scientific teams.

In one illustration, my daughter commented about the separate water fountains and noted that the one for “coloreds” looked more like a toilet with a spout than a water fountain. I think this was her interpretation of the differences between those facilities and she was taken aback at how awful just that aspect was. Kids are far smarter than adults sometimes.

As we read, we looked up the real women on the internet to check out more of their accomplishments and look at the projects they worked on, and my daughter was particularly interested in the wind tunnels that Mary Jackson worked with. I think it was because the visual of the giant fan behind Jackson and her team didn’t demonstrate the airplane models being tested. The internet helped with that.

While we loved the illustrations and how vivid they are, we wondered about the earrings the ladies wore — stars, planets, moons — were these accurate to their daily accessories or just a nod to their role in the space race? My daughter also loves learning about the landing on the moon and what was said, and the biographies in the back about each woman was fantastic because we learned more about each of them, though we were saddened to learn that only one of them is still alive, as Katherine Johnson passed away in 2020.

Hidden Figures: The True Story of Four Black Women and the Space Race by Margot Lee Shetterly, illustrated by Laura Freeman, is a delightful introduction to these stellar women and their accomplishments against all odds — racism and sexism. This generated some great discussion with my daughter and since she loves history, it was a great read for us.

RATING: Cinquain

About the Author:

Margot Lee Shetterly is the author of  Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race. She is also the founder of The Human Computer Project, an endeavor that is recovering the names and accomplishments of all of the women who worked as computers, mathematicians, scientists, and engineers at the NACA and NASA from the 1930s through the 1980s. She is a Hampton, Virginia native, University of Virginia graduate, an entrepreneur, and an intrepid traveler who spent 11 years living in Mexico. She currently lives in Charlottesville, VA.

About the Illustrator:

Laura Freeman is a Coretta Scott King Illustrator Honoree. Her work on “Hidden Figures” written by Margot Lee Shetterly, was recognized with an NAACP Image Award for Outstanding Literary Work for Children, reached the New York Times Best Seller list and was listed as one of “Ten Books All Georgians Should Read”. Her art has been honored at the Society of Illustrators in NYC and in the Annuals for Communication Arts and American Illustration.

Crooked Smiling Light by Alan W. King

Source: GBF
Paperback, 40 pgs.
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Crooked Smiling Light by Alan W. King is a powerful chapbook that tackles fatherhood, family demons and traumas, and finds the bright light in the darkness. What King always does well in his verse is to find the hope even in the darkest moments.

In the opening poem, “In Your Dreams,” the young man is dodging not only physical blows from his father and trying to sway away from his emotional jabs. He reminds us that those traumas are the past and in our reliving of them, we can change the ending and manifest that in our own, true lives. King uses these boxing metaphors in a few of the poems and it serves as a way to remind us that life is not a straight line journey from point A to point B — there are a lot of curves and turns along the way.

When the chapbook shifts to his own journey as a father, the light of hope shines brightest. I absolutely loved “The Light Inside.” It’s such a beautiful poem in which the poet is watched as he contemplates “the country of fatherhood,/where experience alone won’t grant you citizenship.//” He’s folding onesies and waiting for his daughter to arrive where “Everything hangs, waiting for you to fill them/the way your mom and I waited for you//” and “patience is the currency/of anything worth having.//”

Parenthood is a tough state but absolutely worth it for those committed to doing it and nurturing young life. And yes, like King says, “parenting is like gardening.” But in that effort, we also have to tend to our own scars and past traumas so that they don’t poorly influence how we tend our own gardens. Crooked Smiling Light by Alan W. King is a love letter to his family, his children, and his own past, as he moves forward as a father and a more whole human being. Love and hope are in every corner of this collection, and there is a push for more out of life and a recognition of simplicity, beauty, and importance.

RATING: Cinquain

About the Poet:

Alan King is an author, poet, journalist and videographer, who lives with his family in Bowie, MD. He writes about art and domestic issues on this blog. He’s a communications specialist for a national nonprofit and a senior editor at Words Beats & Life‘s global hip hop journal.

King is the author of POINT BLANK (Silver Birch Press, 2016) and DRIFT (Aquarius Press, 2012). King’s honors include fellowships from Cave (cah-veh) Canem (cah-nem) and Voices of Our Nations Arts (VONA) Foundation, three Pushcart Prize nominations as well as three nominations for Best of the Net selection.

He’s a graduate of the Stonecoast MFA Low-Residency Program at the University of Southern Maine. His poems and short stories appear in various literary journals, magazines and are featured on public radio. Visit his website, Facebook, Twitter, and on YouTube.

Exquisite Bloody, Beating Heart by Courtney LeBlanc

Source: GBF
Paperback, 101 pgs.
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Exquisite Bloody, Beating Heart by Courtney LeBlanc is a collection that will floor you with its emotional heights and its stunning imagery. The collection’s sections — “This Is What Women Do,” “All I’ve Swallowed,” “Mouthing Your Memory,” and “Exquisite Bloody, Beating Heart” — tackle larger issues facing women today in not only patriarchal society but within our own strictures that we adopt to define who we are. I love that LeBlanc opens this collection with “Autobiography of Eve” because she sets readers up for a great unfolding, demonstrating how women have been conditioned into thinking one way about love, marriage, and how the world works, as well as our place in that world. “Now that the sticky juice/of knowledge ran freely down my chin/” — isn’t the truth always a little bit sticky?

I’m going to try not to gush about this collection, but there are so many poems I love from “We Carry” where women are burdened with keys and households as well as the comments of others, the groceries, the organization and schedules, and the weight of abuse when it happens to “Alternative Names for Woman” where LeBlanc begins with those harsh truths about what we earn, how we’re perceived by others, and what we could become despite those misconceptions and putdowns.

LeBlanc talks to the women who have held onto their trauma, to those who re-traumatize themselves, to those experiencing serious heartbreak, to those who feel lost and she holds out her hands to them, hoping they will take that leap of faith for themselves – to become their true selves in spite of it all. It’s hard work this transformation, but she shows you the way in her poems. The road will never be smooth, but in the end, it may be a journey worth taking to be free and to be your unapologetic self. From “Gasoline,” “I’m peeling/back my skin/revealing/the flint of a match/crawling through my blood/my bones/I’m ready/to burn/this fucking frat party/this America to the ground.//”

Exquisite Bloody, Beating Heart by Courtney LeBlanc is an evolution of love and self. In her last poem, “Eventually Evolution,” she reminds us that change takes time, even if it seems like love can strike in a few seconds of meeting someone.

This is the second book I’ve read by LeBlanc and I have loved both of them.

RATING: Cinquain

About the Poet:

Courtney LeBlanc is the author of the full length collections Exquisite Bloody, Beating Heart (Riot in Your Throat, July 2021),  Beautiful & Full of Monsters (Vegetarian Alcoholic Press, March 2020)The Violence Within (Flutter Press, 2018, currently out of print), and All in the Family (Bottlecap Press, 2016, currently out of print) , and a Pushcart Prize  and Best of the Net nominee. She has an MFA from Queens University of Charlotte. She loves nail polish, tattoos, and a soy latte each morning. Visit her website, Twitter, Facebook, GoodReads, and her publishing house, Riot in Your Throat.

Other Reviews:

Nothing Ever Dies: Vietnam and the Memory of War by Viet Thanh Nguyen (audio)

Source: Purchased
Audiobook, 11+ hrs.
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Nothing Ever Dies: Vietnam and the Memory of War by Viet Thanh Nguyen, narrated by P. J. Ochlan, is an exploration of the lasting impact of war on individuals and the memory of war long after it is fought, incorporating the role of governments, individual and national ethics, and the media and film industry, as well as novelists, etc.

The narration of this book doesn’t do much for the dry academic text, which made this a harder read than it probably would have been in print. I definitely do not recommend this audiobook. The narration is dry and lifeless. With that said, if you are looking for a dynamic look at the Vietnam War and memory, this is more speculation, analysis of previous thoughts on memory and ethical remembering, as well as a look at how the entertainment industry in the United States shapes the views of war over time.

In some ways, Nguyen takes on too many subjects in this book. I feel like the whole section on first-person war-based video games could be a dissertation or a book in itself with data on the impact of these war video games, etc. This happens with other topics as well. This was far too academic and focused on theories and philosophies with little data, which was a drawback for me. I would have preferred more dynamic text and narration, as well as some data to back up some of his arguments.

My overall takeaway from Nothing Ever Dies: Vietnam and the Memory of War by Viet Thanh Nguyen, narrated by P. J. Ochlan, is that to remember war, we need to remember the good and the bad on both sides, not just the humanity of one side and the inhumanity of the other. We need to recall that all actors in war are culpable to some extent and that they are all round “characters” not flat. Humanity is not something that only applies to the righteous or the just act, especially as my grandmother once said, “there is always more to the story than you know and there is no one person at fault.” We all need to be better at accepting our inhuman actions and the humanity of those we do not know or understand well.

RATING: Couplet

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Riffs & Improvisations by Gregory Luce

Source: Purchased/ GBF
Paperback, 36 pgs.
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Riffs & Improvisations by Gregory Luce opens with an apt quote from Wallace Stevens, in which he says music is a feeling, not sound. Luce moves through the music of his collection like a man in love. He loves not only the music, but the music of love.

In the opening poem, “Music to It,” he reaches us through our souls, those moments we all remember when we wanted the music blaring as we moved through our day. He sways and glides on the Metro to an unheard music strumming through his headphones, and he’s unable to stop moving and tapping. Isn’t this why we all love the music we do? Because it moves us, even when we’re in public and perhaps shy about our love of music.

Luce pays homage to what I’ll call “music memory.” In “An air that kills,” he says, “I hear/you whisper underneath/the song, a memory/that pricks without/the power to console.//” Each of us has those songs or riffs of music that recall memories. I cannot get past a song without recalling some memory or moment or loved one who has passed away. There are so many songs that call to us for its melody, its lyrics, its rhythms, but they also are tied to our lives by memory.

From John Coltrain to Richard Strauss, Luce’s improvisations can leave you breathless, swimming in a sea of bourbon and memory swirling in a glass and chinking ice. And you know that there’s a playlist on Spotify for this collection — how could you not have one! I will definitely be listening as I read this collection again. The delightful rhythm of Riffs & Improvisations by Gregory Luce will carry you away, allowing you to lay your head down and dream away in the “light of a love supreme.”

RATING: Quatrain

About the Poet:

Gregory Luce is the author of five books of poems: Signs of Small Grace, Drinking Weather, Memory and Desire, Tile, and Riffs & Improvisations (forthcoming in 2021). His poems have appeared in numerous print and online journals, including Kansas Quarterly, Cimarron Review, Innisfree Poetry Review, If, Northern Virginia Review, Juke Jar, Praxilla, Little Patuxent Review, Buffalo Creek Review, and in several anthologies. He recently retired after 32 years from National Geographic and now lives in Arlington, VA. He is a volunteer writing tutor and mentor with 826DC.

Blue Window/Ventana Azul by Indran Amirthanayagam, translated by Jennifer Rathbun

Source: Publisher/GBF
Paperback, 228 pgs.
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Blue Window/Ventana Azul by Indran Amirthanayagam, translated by Jennifer Rathbun, is a bilingual collection of love poems in Spanish and English that touches the passionate hearts of us all. It is a love letter to lovers, friends, ourselves, and human kind. Amirthanayagam opens the collection with “On my Body,” exploring the weakness of the body to be fooled by love, whether that is the desire of the body to get close to another only to find out it is not love or a person who tattoos their body for love and be stuck with the reminder that it is a failed relationship. Love in this opening poem is both bliss and pain. How true that is.

I love that this collection is both in Spanish and English. It allowed me to reach back into my memory to find those Spanish words I recall from high school and attempt to live in the language Amirthanayagam wrote the poems in. While my translations did not always match what was written in the English poem, the feelings evoked by the poems were the same. The beauty of language is that it can transcend the barriers we have to create connections, much like love can connect us to one another.

There is a deep longing in Amirthanayagam’s poems. His poems are short but full of poetic longing – to embrace those who have moved, those who are no longer with us, the lovers we remember fondly despite the pain of those relationships ending, and even those we have yet to meet.

Keys (pg. 105)

I would have liked to have taught you
to drive, share the stage
when you presented your first book,

write its prologue. Your poems
accompany me to the rhythm of my pulse.
Cars will become more electric

and I will continue loving what
we could have accomplished
in that other time that was within

our reach and is still present,
an open-ended invitation,
the car ready to start.
Llaves (pg. 104)

Me hubiese gustado enseñarte
a manejar, compartir la mesa
cuando presentabas tu primer libro,

escribir el prólogo. Tus poemas
me acompañan al ritmo de mi pulso;
los autos se volverán más eléctricos

y seguiré amando lo que
podríamos haber logrado
en aquel otro tiempo que estaba

a nuestro alcance y sigue presente,
una invitación sin fecha de caducidad,
el auto listo para encenderse.

In “Between Google and Face, a Letter,” Amirthanayagam speaks to the digital distance many of us face now, making love or the cultivation of love more difficult. “Now when I surf the internet/I see that face like a country/behind the Iron Curtain/that’s now rather digital,//bytes of ones, zeroes and light blocking/Cyrano from his beloved. Who will become/his postman and who will make peace”

One of my favorite poems in the collection comes in the back third, “Sustainable Love,” where the longing is ever present from the man who will not cry for his love or clean the office or check the email hoping for messages, as the oceans continue to erode the shore and the man has little choice but to get back to life and his work. “To Wake Up with Moon and Sea” also explores this longing, but instead of another person, there’s a longing for a home country left behind.

Blue Window/Ventana Azul by Indran Amirthanayagam, translated by Jennifer Rathbun, pays homage to love’s beauty, its heartbreak, its longing, and its desire. Fall through Amirthanayagam’s ventana azul and revel in the beauty of love. A collection you’ll turn to in times of sadness and in celebration.

RATING: Quatrain

About the Poet:

Indran Amirthanayagam is a Sri Lankan-American poet- diplomat, essayist, translator and musician in English, Spanish, French, Portuguese and Haitian Creole. A member of the U.S. Foreign Service, he is currently oa a domestic assignment in Washington D.C. Amirthanayagam has been nominated for the 2021 Nobel Prize in Literature. Born in Colombo, Ceylon (now Sri Lanka), when he was eight years old Amirthanayagam moved with his family to London, England, and at age 14, he moved again to Honolulu, Hawaii, where he began writing poetry. He studied at Punahou School in Honolulu and played cricket at the Honolulu Cricket Club. He then studied English Literature at Haverford College where he also captained their cricket team during his last year. He has a Master’s in Journalism from Columbia University. Amirthanayagam writes poetry and essays in English, Spanish, French, Portuguese and Haitian Creole. His Spanish collections include Lírica a tiempo (Mesa Redonda Editorial, Lima, 2020), En busca de posada (Editorial Apogeo Lima 2019), El Infierno de los Pájaros (Resistencia, Mexico City, 2001), El Hombre que Recoge Nidos (CONARTE/Resistencia, Mexico, 2005), Sol Camuflado (Lustra Editores, Lima, May 2011), Sin Adorno, lírica para tiempos neobarrocos (Universidad Autónoma de Nuevo León, Mexico, 2013), and Ventana Azul (El Tapiz del Unicornio, Mexico, 2016). His first collection in French, Aller-retour au bord de la mer, was published in 2014 by Legs Editions. Legs also published Il n’est de solitude que l’ile lointaine in 2017. Sur l’île nostalgique was published by L’Harmattan in Paris in 2020. His works in English include BLUE WINDOW (VENTANA AZUL) (DIALOGOS/Lavender Ink, 2021), THE MIGRANT STATES (Hanging Loose Press, 2020), UNCIVIL WAR (Mawenzi House/TSAR Publishers, 2013), THE SPLINTERED FACE: TSUNAMI POEMS (HAnging Loose Press, 2008), and THE ELEPHANTS OF RECKONING (Hanging Loose Press, 1993). Check out The Poetry Channel he runs.

Dialogues With Rising Tides by Kelli Russell Agodon

Source: the poet
Paperback, 96 pgs.
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Dialogues With Rising Tides by Kelli Russell Agodon is a phenomenal collection and likely one of the best I’ve read this year. You probably won’t read on if that’s all you wanted to know, but please take the time to explore this amazing book with me.

I love that each section of this collection has calls to the sea from “cross rip” to “breaksea.” The opening poem, “Hunger,” calls to the changing tides with “We are all trying to change/what we fear into something beautiful.” There are so many things to fear in the world from the political climate to the climate’s rapid heating and change and the breakdown of society. How do we change our hunger into something beautiful? Agodon further explores this tension in “String Theory Relationships” in which she tells us what we all know — “everyone wants a window or aisle seat and no one wants to sit//in the middle. Call it deniability. Call it the flashlight you keep/by the door never works in emergencies. We are all connected//

Magpies Recognize Themselves in the Mirror (pg. 8)

The evening sounds like a murder
of magpies and we’re replacing our cabinet knobs
because we can’t change the world but we can
change our hardware. America breaks my heart
some days and some days it breaks itself in two.
I watched a woman have a breakdown
in the mall today, and when the security guard
tried to help her, what I felt was all of us
peeking from her purse as she threw it
across the floor into Forever 21. And yes,
the walls felt like another way to hold us
and when she finally stopped crying
I heard her say to the fluorescent lighting,
Some days the sky is too bright. And like that
we were her flock in our black coats
and white sweaters, some of us reaching
our wings to her and some of us flying away.

If this poem doesn’t scream America and humanity, I don’t know what does. There are all of us who watch and those of us who act, and those of us who fly away from pain, emergencies, and the struggle. But part of this stems from the fact that we cannot plan for the apocalypse, as Agodon so aptly notes comes to the party “uninvited with a half-eaten bag of chips.” (“I Don’t Own Anxiety, But I Borrow It Regularly”). These are all in the first section of the collection, and you’ll be floored by not only her imagery but her keen observation of human reactions.

Another powerful poem, “How Damage Can Lead to Poetry,” in this collection tackles a family history of suicide. “Damage creates the thought/of brokenness: my ocean never has enough/songbirds, my life never has enough//song. It’s morning and there’s a whisper in my family/history—I know the suicides, the stories/of strange deaths: brother choking/on a balloon, sister tripping on the church steps/and hitting her head so perfectly//her arteries became a celebration. Bastille Day, New Year’s Eve. And she was. And he was. Gone.//” (pg. 16) Agodon also tackles bigger questions like why we choose to kill what we do, whether that’s an animal, a person, a relationship, her lines boil it down to fear. Because as she says in “Hold Still” she would not kill a butterfly for a million dollars, but “things that frighten us/are easier to kill.”

Dialogues With Rising Tides by Kelli Russell Agodon asks us to look closer at our own actions and reactions to buck social norms, like keeping our emotions tight to our chests, and reach out more often to those around us. We are all connected, we are all affected by the “rising tides,” and we all could use a little more understanding and love, including love of ourselves. This is a must-have collection.

Also, read “Queen Me” in The Los Angeles Review.

RATING: Cinquain

About the Poet:

Kelli Russell Agodon is a poet, writer, editor, book designer, and co-founder of Two Sylvias Press, living in the Seattle area. Her collection of poems Hourglass Museum was a finalist for the Washington State Book Award and was shortlisted for the Julie Suk Award honoring the best book of poems published by a small press. She is also author of the bestselling The Daily Poet: Day-By-Day Prompts For Your Writing Practice, which she co-authored with Martha Silano. She was the winner of ForeWord Magazine’s Book of the Year Award in poetry, and her work has appeared in The Atlantic, New England Review, and O, The Oprah Magazine. She is a co-director of Poets on the Coast, a writing retreat for women. Visit her website.

The Collectors by Alice Feagan

Source: Media Masters Publicity
Hardcover, 32 pgs.
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The Collectors by Alice Feagan is a delightful book about young naturalist explorers seeking the unique and extraordinary things in the forest for their collection inside a tree house. Winslow and Rosie are two young girls who love to explore and be outside. Winslow’s adventurous spirit is coupled with Rosie’s unique ability to describe and draw each forest find in her field journal.

The illustrations in the book are simple and focus on the girls as they take to the forest in search of their last greatest find. I do wish the colors were less muted. We loved looking through their treehouse collection of shells, butterflies, leaves and plants, and bugs. It is a vast collection — they need a ladder to reach the top shelves. My daughter took this book to her room, just to look at the pictures, and while it was published in May, she’s had a long time to linger over these images.

I love that Feagan is encouraging kids to explore the natural world, though my daughter’s first question is where are the parents. They should be watching their kids, especially since they explore so far from the treehouse. She was clearly worried for them. I told her it is fiction and you just have to imagine a world in which these girls know what to do and how to get home – I mean they do pack a compass, a field map, collection jars, and trowels, etc. in their backpack. These are young archaeologists in the making.

The Collectors by Alice Feagan was a fun adventure that shows kids that nature is something to be explored but also something to be cautious of, esp. when they encounter a not-too-happy bear. What these girls learn is that sometimes the extraordinary is not always far from home. Really enjoyable adventure for kids age 5-8.

RATING: Quatrain