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Change Sings: A Children’s Anthem by Amanda Gorman, illustrated by Loren Long

Source: Purchased
Hardcover, 32 pgs.
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Change Sings: A Children’s Anthem by Amanda Gorman, illustrated by Loren Long, is an anthem for change and its images will inspire kids to take action now, rather than think change is something adults have to do. I loved how this book opens with a young girl and her guitar, humming a song – a song of change.

The illustrations in this book are colorful and full of depth, really well shadowed and highlighted. With the opening pages, the young girl is alone on a white background — the white signifying the possibilities around her that aren’t realized and she’s alone, demonstrating that changes starts with each person. This young girl walks by MLK in a mural about dreaming and change, meeting a young musician on the street.

Together, they start small, cleaning up a local park and then helping another young boy, and with each moment of aide they provide, they bring the music of change with them. Gorman’s words speak to the courage it takes to be tolerant and patient with others who are not nice to you; how it is better to build bridges, rather than fences; and all the while building communities of change, hope, and empathy.

Gorman brings together words with Long’s images to create a beautiful picture book about loving yourself, your neighbor, creating community, and making changes in your own hometown. Change Sings: A Children’s Anthem by Amanda Gorman, illustrated by Loren Long, is a delight and I love the simplicity of the words to convey a complex message to kids. It empowers them to take matters into their own hands, creating change in their own backyards.

RATING: Cinquain

American Software by Henry Crawford

Source: Purchased
Paperback, 102 pgs.
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With the increased reliance of society on technology and computers, American Software by Henry Crawford speaks to readers in programming language, a poetic device that transcribes everyday life to magnify its societal implications with precision. The collection even opens with a quote from The C Programming Language, 2nd Edition by Brian W. Kernighan and Dennis M. Ritchie.

I wan intrigued by this collection for one reason, my day job has me writing some technical pieces about mainframes. While I didn’t spy any specific references to mainframes, Crawford does rely on the formats of computing language to craft his poems about life in America. The collection’s opening poem, “Hello World!,” where readers are taken on a trip to one of the most tragic moments in someone’s life (Jackie Kennedy) and they’re whisked away to the automated check out line and the canning of soup, etc., all in the blink of a minute. Comparing that tragic moment in which someone could feel suspended in time and to be moving in slow motion to the current time where automation has taken over demonstrates Crawford’s look at society’s revolution toward speeding up everything.

Several of Crawford’s poems play a bit with perspective — whether as a president in “Lyndon Johnson” you could know every angle of a situation or as a husband and wife in “Living Under Roofs” could you even know your partner’s every thought and desire. Crawford masterfully plays with his poems to create something new, like in “When [Box] Met <Diamond>” where there is an internal conversation about the art of poetry within a conversation between the box and the diamond who meet inside the poem and begin their own conversation and plot to escape.

One of the best poems in the collection, “100 Years of the First World War,” in which references are made to “In Flanders Fields” by John McCrae while the poem itself becomes like a play in which the poet is performing alongside McCrae and his “Soldier’s Song” moment.

The use of computer programming tags and symbols can make it harder to decipher the meaning of these poems, but discerning readers will enjoy the play in these poems. Let’s talk with the computer before the screen goes out. American Software by Henry Crawford tackles a lot of America’s societal issues in an automated world — the disconnect between people, the death penalty, wonder, and the pull between life and death.

RATING: Quatrain

About the Poet:

Henry Crawford is a poet living and writing in the Washington, DC area. His work has appeared in several journals and online publications including Boulevard, Copper Nickel and the Southern Humanities Review. His first collection of poetry, American Software, was published in May of 2017 by CW Books, his second collection, The Binary Planet, is to be published by The Word Works in 2020.

The Refugees by Viet Thanh Nguyen (audio)

Source: Purchased
Audible, 5+ hrs.
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The Refugees by Viet Thanh Nguyen, narrated by the author, is a collection of short stories, with some seeming to be autobiographical or at least inspired by his own life here in the United States. Some of these refugees are seen through the eyes of another, and in this way, Nguyen provides us with a dual perspective — how the narrator views the refugee and how the refugees view themselves.

The narration was satisfactory as read by the author, but some of it could have been better served by a more practiced audiobook narrator who could have breathed life into the characters and helped readers “feel” the tensions a little more deeply. The author’s narration really didn’t add anything to these stories, like a trained narrator would have.

Despite the narration falling flat, these stories explore what it means to leave one’s homeland for another and be caught between them — between what happened in that other country and what is happening now as a result of those experiences. But not only has Nguyen given us stories that explore that rift in identity and culture shock of entering a new country to call home, he also explores the family bond and how it can be frayed by the past in Vietnam, dementia, sibling jealousy, and so much more. What are the dreams of these refugees and immigrants, will they be achieved, have the given up, are they settling, can they feel at home in a new country that is so different from where they came from? These are the kinds of questions explored in theses stories, and many of these characters seem to stem from Nguyen’s own experiences and family history.

The Refugees by Viet Thanh Nguyen is probably best read in print or in ebook, rather than on audio, so the nuance of Nguyen’s stories are not lost on the reader. I did enjoy spending time with these characters, but I’ll likely revisit them in print.

RATING: Tercet

Other Reviews:

Billy Summers by Stephen King (audio)

Source: Purchased
Audible, 16+ hrs.
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***trigger warning for sexual violence***

Billy Summers by Stephen King, narrated by Paul Sparks, is beyond the supernatural, horror that this author is known for, but it brings to life new horrors — those of real life. Billy, a former soldier, is a murderer for hire, and he’s looking for one last job so he can begin a new life. The set up for an assassination job is detailed and slow going, but readers will delight in the character building of Billy’s alter egos — the plants in various towns to hide what he is really doing. Masquerading as a writer in an office building, a computer IT guy, and his own Billy Summers’ shtick, which isn’t really how he acts.

In many ways, the face of Summers is similar to King’s characters created in years past — Billy is almost a stand-in for King, one of the ultimate character creators. King does give a nod to his previous writings here later on in the novel with a sneak peak atop a ridge at The Overlook. It is almost like this novel is an homage to all the risks he’s taken in his career and a middle-finger to the industry that counted him out and pigeonholed him. But I could be over-analyzing here.

Paul Sparks does an excellent job with every face of Billy Summers, and the narration is back and forth into Summers’ past in Falluja when he was a sniper. What I’ve always loved about King’s novels is his attention to detail, his ability to create well-rounded characters, and the settings that mirror real, small town life that is often considered pale in comparison to large, city life (a perception that he blows out of the water every time).

The most troubling aspect of the novel, however, is the obligatory rape of a young woman who becomes an acquiescent victim with Stockholm syndrome.  But even here, King is stretching this trope as he builds the sad relationship between her and Billy Summers into a morally ambiguous argument that not all snipers are bad guys. Perhaps, there are some who do draw a line in the sand, and Billy does rationalize his actions.

Even as I say that Billy is a mirror for King, so is the young woman by the final pages. It almost made me wonder if King may be done writing, but then there’s something more to this young lady that makes me confident that King is not done with his fictional worlds quite yet.

Billy Summers by Stephen King, narrated by Paul Sparks, is a multilayered story about a stone-cold, calculating assassin for hire who continually wrestles with his morality. King takes you on a journey that will leave you wondering about your own morality and mortality. Things in real life can run astray at any moment, even in a small town.

RATING: Cinquain

A story of THE WORLD before the FENCE by Leeya Mehta

Source: Purchased/GBF
Paperback, 46 pgs.
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A story of THE WORLD before the FENCE by Leeya Mehta is the migration of the Parsi, the immigration of a young woman from India to America and the feeling of exile and belonging. Several centuries pass in this slim collection of poems, but like the book cover, each person in these poems is on a journey, one that seems to take them away from where they were to a new destination. However, these journeys end up being very circular, bringing them back to the culture and the past they have tried to leave behind. The past is integral to who they are, as is the migratory journey they embark upon.

In the opening poem, “Refugees,” readers are taken to the migration of Parsis in 917 AD in which “the boat is too small” but the past recedes until “the joy and blood that had come before/already turning to myth./” But even in this flight from one place to another, there is a deep-seated worry that things will not change for the better, but Mehta leaves us on the shore of the white beach with their hope. In “Sleep,” we spend time with this family in its new land, leaning into the hope that they can belong on this land, even with the traditions they carry. But their “Welcome” is not as comforting. While they can retain their traditions and the myths of the past, as well as their religion, they are unable to share that with those outside their group.

Mehta is taking us on a journey from her ancestors to the present day, and woven throughout these poems is the angst created by holding onto tradition and letting go to belong somewhere. In “The Towers of Silence,” the narrator says, “But there are places/that I long to describe/in a language I do not know./And the Towers, by our not being in them,/that is our sacrifice.//” These poems speak to the deep sacrifices of migrants as they move from the home they know to a new home that pushes back against their history and traditions.

from "Decorum" (pg. 12-14)

...
I do not know what I should do in a desert;
You cannot assume anything of yourself
Until you have experienced fire.

A story of THE WORLD before the FENCE by Leeya Mehta is just one look at migration and the sacrifices that entails, as well as the need to belong in a new home. There is a fencing off of the past and culture that occurs internally in some migrants, while there is also the fencing off of cultures and groups of people in their new home — separating them from others and preventing them from sharing their own stories and cultures. Mehta is a master storyteller who takes her poetry into the past to demonstrate the richness of a future in a new country.

RATING: Cinquain

I Dream of Empathy by Marianne Szlyk

Source: Purchased
Paperback, 48 pgs
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I Dream of Empathy by Marianne Szlyk is a slim collection of poems that search for empathy, an understanding of how others feel.Her poems speak to the hurts of the past, to the environment, a mother, a husband, and a self. She reflects with sadness for the past and present, but with a sense of hope that things can be better as long as we strive to connect with one another and our environment. There are some poems that are deeply sad, like “She Wonders What Will Become of this City,” in which the narrator says, “She wonders what will become of this city/once the oceans rise and ghost towns form like coral reefs.// The real coral reefs will have crumbled,/all color leaching away into the corrosive sea.//”

Szlyk is an artist of words. She paints full pictures and creates poetic stories to give readers an internal monologue, but also a painting of a life. Like in “Cabin Fever,” she helps the reader see the hopeless feeling of cabin fever, how there is the desire to do something, but nothing inside the home. There is an immobility in that fever. The narrator of the poem is sitting and replaying saxophone songs in her head, while the laundry piles up and the use of the dryer worries her about the impact it will have on the environment.

One of the best sections of the collection are the “Scene from the Blue Room,” where Szlyk explores the relationships between a grandmother, granddaughter, and mother in a series of poems. The love of the sea/lake is passed from generation to generation. The passage of time is distilled into melting ice cream in a cereal bowl and the wafting big band music in the first poem in the series. In the second poem in the series, the granddaughter has made it to the bedside of her passing grandmother, missing her father and their times by the pond/lake, and wishing her relationship with her mother would improve. In the third poem, the granddaughter has grown up and had to sell the house she loved to visit. There’s a sense of closure in that she understands that walls can be painted over.

I Dream of Empathy by Marianne Szlyk is full of surprises and sharp observations about human relationships and how to find empathy or at least understand where others are coming from. She conjures a story where the reader has little choice but to fall in and follow her lead.

RATING: Quatrain

Escape Velocity by Kristin Kowalski Ferragut and Giveaway

Source: Purchased/GBF
Paperback, 90 pgs.
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***full disclosure: Kristin is a member of my poetry writing workshop group***

Escape Velocity by Kristin Kowalski Ferragut forces you into motion with each poem, starting with “You Say We’re Like Magnets.” She illuminates the tension — the push and pull of magnetism — between lovers even if the relationship is not quite in sync. There’s a joy in the tension, the figuring out how pieces fit, how they push each other to grow, and so much more. Ferragut’s poems have a ton of depth, but they are equally smart, beautiful, and witty (with a bit of dark humor).

from "Intermittentamorous" (pg. 20)
...
Identifying as intermittentamorous is exhausting
The on and off, yin/yang, dream
of love versus hope of freedom.

Feels like a long practice to learn to be done,
a sigh and unplugging. Skin intact, space for sleep
and a nod to the vast possibilities in silence.

The first section focuses on reactions and the movement that results from those reactions. Ferragut’s poems are intimate and relatable, whimsical, and a spiraling kaleidoscope of science, love, frustration, and moving forward in life. “A Twenty-Four-Year-Old Getting Two Dozen Roses at Forty-Nine: A Dialogue with Myself,” is a delightful examination of aging and changing perspectives.

from "Drowning" (pg. 39)

What was the cause of death?
What is the difference? When
life is terminal and living on
                  so 
                          long.

Ferragut doesn’t shy away from the hard stuff of life; she meets it head on. “Escape and Loss” explores the sadness and regret that comes with the passing of family and friends. “Guilt hides beneath fingernails;/sorrow clings to laughs’ underbellies,/they will escape despite you./But you might leave regret…” (pg. 41) Her poems will turn the world upside down for you, force you to look through a new lens to find the beauty even in darkness. There is an undercurrent of joy and hope in her poems, and perhaps this is what gives her collection the velocity it needs to let readers escape into the real world and see it through Ferragut’s eyes.

Escape Velocity by Kristin Kowalski Ferragut is a journey through life but it’s a window into the darkness to find hope and a way forward when things don’t quite go according to plan. There’s magic in these pages, and I beg you to discover the worlds created in these poems.

RATING: Cinquain

About the Poet:

Kristin Kowalski Ferragut teaches, plays guitar, hikes, supports her children in becoming who they are meant to be, and enjoys the vibrant writing community in the DMV. She is author of the full-length poetry collection Escape Velocity (Kelsay Books, 2021) and the children’s book Becoming the Enchantress: A Magical Transgender Tale (Loving Healing Press, 2021). Her poetry has appeared in Beltway Quarterly, Nightingale and Sparrow, Bourgeon, Mojave He[Art] Review, Anti-Heroin Chic, Fledgling Rag, and Little Patuxent Review, among others. Visit her website.

To Enter the Giveaway:

Leave a comment on this post with an email so I can contact you if you win a copy of Escape Velocity. Deadline to enter is Sept. 10.

Incandescent Visions by Lee Hudspeth

Source: the poet
Hardcover, 68 pgs.
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Incandescent Visions by Lee Hudspeth is a collection with big aspirations, exploring where creativity comes from and how it evolves. It also pays homage to several important people in his life. The collection is laid out in chapters, not sections, much like a memoir would be. One drawback for me was the prologues of each section and the explanation of the poems in the sections; those would have worked better at the end. I prefer to read and reread poems to sit with them, suss out meaning, absorb the feelings they generate.

From Mom

...
Sometimes it's easier to step back and be right here
On the sidewalk
From Stronger

...
In the moment, it's not about the moment
Ghostly priors, messy entanglements
Hanging like links of a heavy chain

There are moments in the collection where the reader will be beside the poet and looking at their own life and the past that haunts them. These poems aim to provide a look at how those pasts can shape us but also at how we have to let them go. There are strong moments in many of these poems, but if the aim is to explore creativity, the strongest poem in the collection is “Framework.” Imagine a blank sheet of paper with a red dot: “I hold the framework in my hands/The framework embraces me in return/It is a portal to other lands/”

Incandescent Visions by Lee Hudspeth is a debut collection with big ambitions that fall a little short, but if the poet’s explanations and prologues were kept out of the collection or to the end of the book, the poems could have stood on their own. Some poems need to be refined. Rhyming poems are generally not something I enjoy, but in this case, Hudspeth does an admirable job. If you’re looking for a collection with heart, Hudspeth opens his to you.

RATING: Tercet

About the Poet:

Lee Hudspeth is an award-winning author and poet, musician, and fellow human being. Incandescent Visions is his first book of poetry. He is the co-author of ten nonfiction books in the field of Information Technology. He has written articles for professional journals like PC Computing and Office Computing. He is the author of over one hundred articles in the online magazine The Naked PC, which he co-founded and co-published. He lives in Southern California with his wife, two sons, and their cat. Find out more about Lee, his books, and his music at LeeHudspeth.com.

The Book of Labyrinths and Mazes by Silke Vry, illustrated by Finn Dean

Source: Media Masters Publicity
Hardcover, 96 pgs.
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The Book of Labyrinths and Mazes by Silke Vry, illustrated by Finn Dean, and being published in September and is certified as climate neutral and FSC certified, is full of history and insight into the differences between labyrinths and mazes, includes fun experiments and exercises, and is beautifully illustrated. The first section explains both and their differences and offers a fun psychological experiment with a spiral. It’s a fun activity for the kids and parents.

In the second section, the book explores Labyrinths in history and myths. You can picture the Minotaur, can’t you? From Egypt to Europe and Asia, labyrinths have fascinated many cultures and have been used for different reasons. Some have been uncovered by archaeologists, while others are still a mystery and may not have existed at all. Kids will love the sample mazes and labyrinths in this section and be eager to try them out.

In the third section, the author explores mazes all over the world. Rulers often built mazes out of hedgerows as a form of entertainment for guests. The author elaborates more on the features of mazes. Throughout every section of the book, the author connects the love of mazes and labyrinths to the often winding journeys of our lives, and our need for patience to make enjoy the journey and take it one day at a time.

The Book of Labyrinths and Mazes by Silke Vry, illustrated by Finn Dean, is a delightful read that has a good deal of history, mystery, and fun activities for kids and parents. The illustrations are detailed and each page has tips and fun facts. There are instructions in how to draw your own maze, which is also a fascinating experiment for both parents and their kids. I see challenges in the future where we create mazes for each other. In the back of the book, there are a list of corn mazes and other ways to find modern mazes in the United States, Canada, the United Kingdom, and Australia.

RATING: Cinquain

The Understudy’s Handbook by Steven Leyva

Source: Purchased
Paperback, 108 pgs.
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The Understudy’s Handbook by Steven Leyva is musically New Orleans, but also a collection of poems about learning a role that you may or may not take on.  It takes on the pomp and circumstance of the city and reveals an underbelly of sadness and want, while paying homage to the beauty of the city and its culture. The dichotomy of New Orleans comes to life in Leyva’s poems.

 From "Inamorata" (pg. 5-6)

...
and a funk in the other
     Nola when your bounce
         leaps from speakers

comes the great gyrate
    the whole line
        all heredity backing it up

...

Where'd you sleep
   last night? In the pines?
        Nola you fat and fine

the quick-quick-slow
        that repeats
         like being sick and tired

of being sick
    and tired or late again
            on last week's rent
...

Leyva’s poems are beautiful songs full of love, passion, and sadness. It’s a collection that pays homage to the past and invents a future. It’s about leaning into a bi-racial skin and finding a path that makes the most of an American life that is not always easy and is not always the most glamorous. It’s about breaking out of the molds assigned to us and creating our own lives and incorporating cultures in ways that make the most sense for our own well-being.

Poems like “Ear Hustle” unearth the dark past of an Americanized New Orleans culture in which powdered faces from beignets are unaware of the ancestors who cut the cane for that sugar. There’s that undercurrent of culture that he explores in his poems, but not to seek a rescue but to pay homage to the sweat and the work — to the understudy of society’s labors. These poems are multilayered, while the surface appears playful and musical. It’s a collection that celebrates rather than shames, though some poems do illustrate some of the shames of American history.

One of my favorite poems in this collection, “Sonnet for the Side Eye,” examines nature’s destructive tendencies (like Hurricane Katrina’s impact on New Orleans) with humanity’s obsession with naming that destruction. Leyva is tackling a great many things in this collection, but this poem in particular takes our obsession with categorizing things head on. So much divisiveness stems from these labels. But how do we as humans get to the point where we no longer label our fellow humans as a way to harm them or treat them as “other?”

Don’t miss The Understudy’s Handbook by Steven Leyva. I heard him read at a poetry event online and had to get my hands on this book, and I wasn’t disappointed.

RATING: Cinquain

Check out this interview with Steven Leyva in ArtsFairfax.

The Weather Pop-Up Book by Maike Biederstaedt

Source: Media Masters Publicity
Hardcover, 14 pgs.
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The Weather Pop-Up Book by Maike Biederstaedt, which publishes in early September, is a great introductory book for elementary school kids to learn about tornadoes, storms, drought, and more. Earthquakes are not touched on, but the author does speak to the benefits of storms and the destruction they can cause. Moreover, the pop-up storms are larger than life and well executed. The book opens and closes easily without any snags.

Younger kids may need help pronouncing some of the terms, but the explanations are on the right level for kids to understand. Older elementary kids will grasp these concepts more easily as they begin to study Earth science in school. This would make a great addition to any teacher’s library to provide students with visual representations. The author does make the push for a move toward renewable energy and more sustainable agriculture, but it isn’t overly preachy.

The Weather Pop-Up Book by Maike Biederstaedt is definitely a good starter book for kids to learn about their environment, natural disasters, energy use, and agriculture. Weather can be something that seems not only destructive but also magical, if you understand it.

Rating: Quatrain

Until the Right One Comes Along by Chris Haley

Source: Poet
ebook, 90 pgs.
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Until the Right One Comes Along by Chris Haley is a highly emotional poetry collection about the search for the right partner. With moments of shallow assessment of other men, Haley’s narrator turns those observations on himself and finds his own appearance lacking. At more than one moment in the collection, the narrator considers himself unworthy of love and unattractive.

“When living is the dynamic you question daily”

“And for so many years I had thought I was not much to look at
Not much to glance Or stare at…

This is less a poetic collection and more of a memoir about the struggle of finding love in a world where instant gratification is prized over longevity and loyalty. He uses prose poems and rhyming verse, though the rhyming verse worked less well when I read it. The prose poems were the stand outs in this collection.

This is journey to find love is full of ups and downs, meeting someone who is the right fit but at the wrong time because you don’t love yourself enough. Meeting many wrong men to find that they only want a one-night stand.

Until the Right One Comes Along by Chris Haley explores the harsh realities of looking for companionship and love in today’s world as a LGBTQ+ person, which makes it doubly hard. It’s an emotional roller coaster, but ultimately, the message is you must first believe you are worthy of love in order to find it.

Rating: Tercet