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Station Eleven by Emily St. John Mandel

Source: Public Library
Audiobook, 9 CDs
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Station Eleven by Emily St. John Mandel, narrated by Kirsten Potter, opens with the on stage demise of Arthur Leander, a famous actor who has a number of wives and feels disconnected from his own son. While a few of the characters are connected with Leander, those connections really don’t matter in the grand scheme of the novel, and many of the tertiary characters met at the beginning die weeks into the epidemic after his death. Mandel may be using the distance from the characters to create a sense that who lives and dies is random and without purpose, but it’s a blunt instrument that leaves little room for connection between the reader and the characters that have adventures in the book.

The Traveling Symphony is the most intriguing with its odd cast of characters and Kirsten Raymonde’s tattoo from Star Trek: “Because survival is insufficient.” She was present on stage as Leander died, and her life since the epidemic is one she would rather not have endured, though she maintains her spirits. As these cast members, for that’s how they are portrayed, deal with the aftermath of civilization, it’s a wonder that any art or creativity remains, especially when there are men like the Prophet willing to engage in bigamy with young girls and spout nonsense to their people about being the chosen ones — so long as they obey him.

Station Eleven by Emily St. John Mandel, narrated by Kirsten Potter, was a 2014 National Book Award Finalist that wowed many, but I felt a bit distant from the action and the characters. While I enjoyed this story and the vignettes and the back and forth between the present and the past in this post-apocalyptic story, Mandel kept me at too far a distance from her characters. She’s attempting to comment on the need for something more than just survival when disaster strikes and how to do it, but much of it is lost in the mire.  Like the traveling artists that take to the pop-up cities and towns after the Georgia Flu kills 99% of the population, readers will feel like they don’t get a deep feel for the places visited or the people they spend time with.  The stories are interesting and kept my attention, but there was too much time spent wondering where it was all going and what the point was.

RATING: Couplet

About the Author:

Emily St. John Mandel was born and raised on the west coast of British Columbia, Canada. She studied contemporary dance at the School of Toronto Dance Theatre and lived briefly in Montreal before relocating to New York.

Her fourth novel, Station Eleven, is forthcoming in September 2014. All three of her previous novels—Last Night in Montreal, The Singer’s Gun, and The Lola Quartet—were Indie Next Picks, and The Singer’s Gun was the 2014 winner of the Prix Mystere de la Critique in France. Her short fiction and essays have been anthologized in numerous collections, including Best American Mystery Stories 2013. She is a staff writer for The Millions. She lives in New York City with her husband.

The Girl from the Paradise Ballroom by Alison Love & Giveaway

tlc tour hostSource: LibraryThing Early Reviews and TLC Book Tours
Paperback, 336 pgs.
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The Girl from the Paradise Ballroom by Alison Love begins before the British become embroiled in war again, at a time when a dancing, music, and art are in full swing.  Hitler is making his moves, and as many foreigners have moved to Britain, they fear becoming targets because of the Fascist’s moves.  In particular, an Italian community, which applauds Mussolini’s focus on making the fatherland great again, has growing concerns that they too will be swept up in the persecutions/internments of foreigners.

“Antonio stood at the bedroom window.  The June morning was mild, almost milky.  It seemed to him that if he stayed perfectly silent, perfectly still, they would pass the house and leave him be.  And yet he knew that they would not.  At any moment — they would knock on the door.  The knock would be loud and hollow: a drumbeat, a summons.  There would be no anger in it, no private hatred.  The men were just doing their job, that’s all.” (pg. 3 ARC)

Antonio and Olivia meet under less-than-ideal circumstances at the Paradise Ballroom, and despite the instant disgust, something simmers beneath he surface for both of them.  In chapters that alternate between their stories from 1937 to 1947, Love weaves a tale of forbidden love, clashing cultures, and the pressures of war.  Antonio is pressured by his brother, Valentino, to join the Fascists, but he does not believe in their cause, and even though he has an arranged marriage, he wants to provide for his wife on his own through his talents.  Olivia is making her way in the world with the talents she has, dancing the tango, but even as she makes some ill-advised choices, she continues onward through the loneliness and pain.

When war is clearly coming, Olivia marries a bohemian Englishman, Bernard, who soon becomes Antonio’s patron, helping him find a musical tutor and gigs in London.  Bernard continues to be consumed with his work with refugees from the countries conquered by Hitler, and his wife is left to fend for herself much of the time.  Her passionate nature cannot be denied for long, and the outbreak of war is the only thing that can suppress it.  Love has created two characters driven by their passion for artistry, but each is confined by different circumstances — a strict moral culture and a fear of loss.

The Girl from the Paradise Ballroom by Alison Love is more than a love story between two or even four characters, it is a look at how fear can cause even the most rational of us to employ terrible tactics to make ourselves feel safe.  Despite a slow build, Love has created a memorable family in the Trombettas, and their struggles become emotional for the reader. 

RATING: Quatrain

GIVEAWAY: To Enter leave a comment with email address about why you want to read this book.  Open to U.S./Canada readers ages 18+

Deadline is May 11, 2016.

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About the Author:

Alison Love is a novelist and short story writer. Her debut novel, Mallingford, published in the UK and Germany, was described in The Times as ‘the kind of book that reminds one why people still like reading novels’, while her second, Serafina, is set amidst the political intrigues of 13th century Amalfi. Her latest novel, The Girl from the Paradise Ballroom, has been published in the UK, the USA and Germany (as Das Lied, das uns trägt). Alison’s short stories have appeared in several magazines and anthologies, and her story Sophie stops the clock was shortlisted for the Bristol Short Story Prize in 2013.

 

 

TransAtlantic by Colum McCann (audio)

Source: Public Library
Audiobook, 9 CDs
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TransAtlantic by Colum McCann, narrated by Geraldine Hughes, reads like a collection of interconnected stories, beginning in 1919 following WWI.  Aviators Jack Alcock and Arthur Brown set course for Ireland from Newfoundland to heal old wounds after WWI, but before readers are engaged enough, the story shifts to 1845 when Frederick Douglass is on an international lecture tour in Ireland about the abolitionist cause. This portion of the book was the most engaging, where Douglass’ fears of being called slurs or targeted for the color of his skin is top of mind, even in nation where the Irish long for freedom from oppression.

The hardships of the famine would seem to bring the Irish and Douglass to the same side of freedom, but there are too many obstacles. As the novel moves to more modern stories, including Senator George Mitchell’s trip to Belfast to broker peace in the late 1990s, the chance meetings and encounters have clearly had lasting effects on history, even if their details have been forgotten or lost.  Connecting all of these stories are women — Irish housemaid Lily Duggan, mother and daughter Emily and Lottie, and Hannah Carson.

The narration by Geraldine Hughes is flawless, and she never once pulled me out of the story.  She carefully narrated each interconnected story, and the novel took on a cohesion that was unexpected.  However, readers may want to pick up a print copy of this so they do not miss any of the nuance in McCann’s writing.

TransAtlantic by Colum McCann, narrated by Geraldine Hughes, is a sweeping book that speaks to the minor moments in our lives and how they can have ripple effects across the ocean and across history.

Rating: Quatrain

About the Author:

Colum McCann is the author of two collections of short stories and four novels, including “This Side of Brightness,””Dancer” and “Zoli,” all of which were international best-sellers. His newest novel “Let the Great World Spin” will come out in 2009. His fiction has been published in 26 languages and has appeared in The New Yorker, The Atlantic Monthly, GQ, Paris Review and other places. He has written for numerous publications including The Irish Times, Die Zeit, La Republicca, Paris Match, The New York Times, the Guardian and the Independent.

M Train by Patti Smith (audio)

Source: Public Library
Audiobook, 6 CDs
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M Train by Patti Smith, narrated by the author, is a poetic and meandering memoir that illustrates how the writing life can not only be rich with inspiration but also frustratingly slow and difficult.  Smith spends much of her time drinking black coffee in different cafes, and as she interacts with those she meets and in her projects, she is still holding on to the pain of loss, as her husband passed away too young.  While the loss of her husband is there with her as she rides the subway (there is an M train in New York City that travels between Queens and Manhattan), travels to Tangiers and other foreign locations, it does not take center stage.

Memories drag her daily ruminations into different directions, and these memories are all that are left of those she loves and who have inspired her as a woman, an artist, a poet, and as a person.  She is obsessed with crime dramas and coffee, and her writing is on napkins, in blank pages of books she’s reading (for the upteenth time), and on scraps and in notebooks.

You can see some elements of the memoir online.

Like the dilapidated bungalow she buys on Rockaway beach just before Superstorm Sandy, Smith endures the everyday erosion of life, the waves that threaten to break us and smash us into pieces.  The only testament to our strength is to continue onward and to move forward through our lives chasing our passions and enjoying every moment we are graced with.  Her empty house on Rockaway is where her memories rattle around, emerging only when necessary, allowing her to look back on how much her life has evolved and how much she wants to hold onto as much of it as she can.

The self-narrated M Train by Patti Smith is numbing in the amount of loss in one person’s life, but her life is not that different from that of others who struggle against the tidal wave of loss.  Memory can help us hold onto those we love, but even those are eroded by time.  Many of us have a hard time moving on, and in her memoir, she explores this in depth.

Rating: Quatrain

Photo: © Jesse Dittmar

About the Author:

Patti Smith is a writer, performer, and visual artist. She gained recognition in the 1970s for her revolutionary merging of poetry and rock. She has released twelve albums, including Horses, which has been hailed as one of the top one hundred albums of all time by Rolling Stone.

Please visit her Website.

 

 

My Life on the Road by Gloria Steinem (audio)

Source: Public Library
Audiobook, 8 CDs
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My Life on the Road by Gloria Steinem, narrated by Debra Winger, is not only about the feminist movement, but also literally about her life as an activist and a woman on the road, who practiced the art of active listening.  Learning in India of a decentralized way of making decisions and interacting, Steinem learned that discussing different points of view on an even plane, without hierarchy, can be much more productive and diplomatic.  Debra Winger is a great narrator because her cadence is very similar to Steinem’s narration of the introductory material.

I love how her parents left their mark on her early on – a mother who wanted a different life than the one she lived and a father who had a hard time staying still, traveling and selling as much as possible.  Her early life and how she travels from one place to the next are captivating, but there are times that the narrative wanders pretty far afield, leaving readers at sea as to what time period they are in until she mentions another year or date.  Steinem, co-founder of Ms. Magazine, has a deep fear of public speaking on her own, though she would speak before groups with others.

Among the most memorable events are the large convention she organizes for the women’s movement, her talk at Harvard University that was mostly male, and her interactions with taxi drivers and others on the streets because she does not drive.  As someone who gets that question a lot about why I don’t drive, this part of the story resonated with me.  I want to be and remain connected to my world, and separating myself in a car alone is not accomplishing that at all.  Steinem says that her adventure begins the moment she walks out the door.

Her discussion of the election process is very similar to what I as a mere voter expected, even though she had more of an insider’s perspective.  In particular, her struggle during the Democratic primary to choose between President Obama and Hillary Clinton was fascinating.  While many people voted because they wanted a woman president and others voted for a black president, Steinem’s thought process was more detailed based upon their track records and their abilities, and more.  For those interested in politics and the political process, these aspects of the book are wonderful, and for those who listen, they will see that they need to adopt Steinem’s ability to listen and examine the minute details of each candidate before voting.

My Life on the Road by Gloria Steinem, narrated by Debra Winger, is engrossing in that it provides a detailed account of the women’s movement, the civil rights movement, and the political process.  How did women get the vote, how did they use and keep it, and are voices of women heard now?  Steinem is optimistic in our ability to change and evolve into a more inclusive society through careful listening toward shared solutions.

***I read this as part of Emma Watson’s Book Club on GoodReads***

About the Author:

Gloria Marie Steinem is an American feminist, journalist, and social and political activist who became nationally recognized as a leader of, and media spokeswoman for, the women’s liberation movement in the late 1960s and 1970s. A prominent writer and key counterculture era political figure, Steinem has founded many organizations and projects and has been the recipient of many awards and honors. She was a columnist for New York magazine and co-founded Ms. magazine. In 1969, she published an article, ” After Black Power, Women’s Liberation”, which, along with her early support of abortion rights, catapulted her to national fame as a feminist leader.

The Difference Engine by William Gibson and Bruce Sterling (audio)

Source: Audible
Audiobook, 14+ hours
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The Difference Engine by William Gibson and Bruce Sterling, narrated by Simon Vance, was our November book club selection and is a steampunk alternate history set in 1855 in England.  Vance is a wonderful narrator as always, so there were no issues in that regard.  The novel seeks to explore the political and societal implications of when Charles Babbage succeeds in building an analytical computer, the Difference Engine, creating a barely recognizable world in which technological advancements are ubiquitous and enabling Britain to become more powerful and the United States to become more fragmented than unified.  However, as the water and the air become more polluted, the wealthy are able to flee outside of London, while the laborers are stuck in the city with the soot and pollution.  The anger this engenders, causes the laborers to become revolutionaries, rising up and calling for anarchy.

Intelligence agencies, difference engines (computers) and secrecy abound in this topsy-turvy world, but on audio, some of the intricacies are lost.  A lot of the narration is spent on describing clothes, surroundings, some of the machines, and mundane actions, like opening containers and whether people are wearing gloves.

Among the minutiae, a mystery about computer punch cards emerges, and everyone seems to want them.  Paleontologist Mallory is the only interesting character, but his segment in the plot ends and the final third of the novel plods along once again.  At least he lasted longer than the other interesting character, Sybil Gerard.  While some believe the cards can be used to place bets and win big, it is clear that’s a red herring.  The tug-of-war between the luddites and the ruling class that espouses the benefits of technology and advancement is often lost in the narration, which takes on several iterations — the only clue that the narrator is an outside observer.

The Difference Engine by William Gibson and Bruce Sterling, narrated by Simon Vance, is convoluted  and mysterious to its own detriment.  Overall, while readers may enjoy Vance as a narrator, this book might get a better reception in print.  However, this particular novel also has a number of confusing plot lines that intersect haphazardly, almost as if the writers were trying to confuse the reader.  Unfortunately, at some point readers may give up caring about uncovering it.  This is an overly stylized novel aimed at a sliver of readers, with a very masculine tone and vaunted scientific jargon and theories.

What the Book Club Thought:

We all agreed that the plot didn’t take up much of the book, and that the mystery reveal at the end was kind of a let down, especially given all that had happened to obtain the punch cards.  Some of the characters were disliked, the choice of a paleontologist was an odd one for some, and a few of us skimmed or did not finish the book.  Those of us who did finish the book thought that it had been more of a world-building exercise.  Moreover, some of the things that happened in the background are things that some of us would have rather had in the main parts of the story.  Overall, none of us really cared for any of the characters too much and thought that the book was wordy at best.

About the Authors:

William Ford Gibson is an American-Canadian speculative fiction novelist and essayist who has been called the “noir prophet” of the cyberpunk subgenre.

Bruce Sterling is an American science fiction author who is best known for his novels and his work on the Mirrorshades anthology. This work helped to define the cyberpunk genre.

All the Words Are Yours: Haiku on Love by Tyler Knott Gregson

Source: Penguin Random House
Hardcover, 144 pgs.
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All the Words Are Yours: Haiku on Love by Tyler Knott Gregson is a collection of haiku poems — though not all of them include references to nature — about love and all of its manifestations. This small collection, however, is just a taste of what love can mean, bring, and be to many of us. These verse reveal a poet who is romantic and optimistic, as these poems espouse not only how passionate love can be but also how transformative and consuming it is.

I am broken down
and shattered into pieces
You are still barefoot
Your soul knew my soul
long before we needed skin
to spend a life in.
Lay down your roots now, 
let them wrap tight around mine,
sink deep in the soil.

In each of these short haiku, readers will get a glimpse of the form and its power to punctuate a feeling or a moment, so that they can stop and listen to their own feelings and thoughts, compare their own past and present loves, and be more introspective. Gregson lays his heart out and is unafraid of those who would poke fun at his cheesy lines or his unabashed love expressed in intimate ways. It’s like peering into his life, watching how he forms attachments, reveres them, and carries them forward.

All the Words Are Yours: Haiku on Love by Tyler Knott Gregson could be a romantic gift for your spouse, boyfriend, girlfriend on an anniversary, as an every day gift, or something special for Valentine’s Day, that most commercial of holidays.  However, Gregson’s haiku also challenges the traditional use of the form, driven by nature imagery, to consider more abstract things as natural because we are aware of them — such as love or the soul.  Some of these haiku also leave you breathless.

Twenties Girl by Sophie Kinsella (audio)

Source: Public Library
Audiobook, 12 discs
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Twenties Girl by Sophie Kinsella, narrated by Rosalyn Landor, is a wonderful breath of fresh air in which readers are introduced to Lara Lington and her great aunt Sadie Lancaster.  Part ghost story and party mystery, at its heart this is a story about respect, family tradition, and history.  Unlike Kinsella’s hilarious Shopaholic series, there is a great deal more heart and emotion in this one.  Lara is struggling in her new line of work as a head hunter, after her business partner left her in a lurch, but once she’s accosted during a funeral by a ghost, she has little choice but to look beyond her own plans and go on an adventure she’ll never forget.

Sadie and Lara make a fantastic team as they try to locate her great aunt’s favorite necklace, and in the meantime, Sadie’s whispers are making their way through many lives with some hilarious results.  Lara has spent a lot of time hoping for the best and pining away for her ex-boyfriend, pretending that all is well.  But when Sadie enters her life, she’s forced to really reassess where she’s been and what she’s been doing with her life.  Sadie, who didn’t think she amounted to much in 105 years and lost the one true love of her life, spent a great many years having fun and barely committing to anything or anyone.  They are opposites in many ways, but they teach each other how to truly live.  Rosalyn Landor is a terrific narrator who does excellent voices for male and female characters, as well as a stellar British accent.

Twenties Girl by Sophie Kinsella, narrated by Rosalyn Landor, is utterly enjoyable from start to finish, and Kinsella’s characters will have readers itching to break out flapper dresses and dance the Charleston.

About the Author:

Madeleine Wickham is a bestselling British author under her pseudonym, Sophie Kinsella. Educated at New College, Oxford, she worked as a financial journalist before turning to fiction. She is best known for writing a popular series of chick-lit novels. The Shopaholic novels series focuses on the misadventures of Becky Bloomwood, a financial journalist who cannot manage her own finances. The books follows her life from when her credit card debt first become overwhelming (“The Secret Dreamworld of a Shopaholic”) to the latest book on being married and having a child (“Shopaholic & Baby”). Throughout the entire series, her obsession with shopping and the complications that imparts on her life are central themes.

Shopaholic to the Stars by Sophie Kinsella (audio)

Source: Public Library
Audiobook, 12.5 hours
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Shopaholic to the Stars by Sophie Kinsella, narrated by Clare Corbett, is a fun romp with Becky Brandon (nee Bloomwood) in the Hollywood hills as her husband, Luke, takes a temporary marketing position with actress Sage Seymour.  Becky is thrilled with the idea of being in Los Angeles, and she suddenly envisions a life of red carpet affairs, movie premiers, and becoming a stylist to the stars.  Becky, Luke, and Minnie are swept up into all things Hollywood, but Luke, naturally, remains the most level-headed.  Despite Becky’s over-shopping issues, which manifest in pre-purchases for stars she either has barely met or never even had any contact with, she’s managed to make some connections and be set on the path of her dreams.

Things get a bit complicated when there is a very public mix-up that fuels and ongoing feud between Sage and her movie-star rival, Lois Kellerton.  However, any potential character arc with Becky has ceased, at least so it seems in this book, and readers are likely to see her return to her old, selfish ways that often got her into too much trouble and places where her own rationalizations sound feeble even to her.  Although she now realizes, at least some of the time, that her rationalizations for purchases and bad behavior are just that, she continues on a path that while amusing, is devastating to those around her, even without her meaning it to be.  She even finds herself wrapped up so tightly in Hollywood’s machinations that she doesn’t think to herself that she should just walk away.

Becky’s head used to be easily turned by the prettiest bobble or the latest fashion, but in this one, her head is turned by attention, as if her husband and daughter do not dote on her constantly.  Her ego is larger than the series at this point, and while readers may want to see what happens after the end of this really open-ended book, they may not want to read more of the same character.  Shopaholic to the Stars by Sophie Kinsella, narrated by Clare Corbett, was fun to listen to and Kinsella is definitely a talent when it comes to writing quips, comebacks, and witty dialogue, but by the seventh book in the series, we want more depth from Becky Bloomwood.  While an entertaining way to spend the afternoon, the series has become a bit stale.

About the Author:

Madeleine Wickham is a bestselling British author under her pseudonym, Sophie Kinsella. Educated at New College, Oxford, she worked as a financial journalist before turning to fiction. She is best known for writing a popular series of chick-lit novels. The Shopaholic novels series focuses on the misadventures of Becky Bloomwood, a financial journalist who cannot manage her own finances. The books follows her life from when her credit card debt first become overwhelming (“The Secret Dreamworld of a Shopaholic”) to the latest book on being married and having a child (“Shopaholic & Baby”). Throughout the entire series, her obsession with shopping and the complications that imparts on her life are central themes.

Sharp Objects by Gillian Flynn

Source: Purchased
Paperback, 254 pgs.
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Sharp Objects by Gillian Flynn, which was our book club selection for August, is a suspenseful, twisted tale for a modern audience of Grimms’ fairytale lovers.  Camille Preaker is a mediocre reporter from a small paper in Chicago, and while her editor remains behind her 100%, he sends her home to Wind Gap — a place she has not visited in nearly a decade — to cover a couple of child murders.  Flynn’s style can be abrasive and abrupt, but it fits the mood of the novel well, instilling suspense and the right amount of creepiness.

“For no good reason, I held my breath as I passed the sign welcoming me to Wind Gap, the way kids do when they drive by cemeteries.  It had been eight years since I’d been back, but the scenery was visceral.” (pg. 7)

This small town has dark secrets, and these secrets are about to explode as Camille and the cop from Kansas City start poking around to find the killer.  Flynn’s narration is clipped and fast moving, and her characters are off-the-chain and some are surreptitiously evil.  Camille’s dysfunctional relationship with her mother is just the tip of the iceberg, and the more she sees about her step-sister’s life with their mother, the more disturbed she becomes.  Identifying with the young victims in the case she’s reporting on, Camille is falling down a dark rabbit hole that could possible swallow her whole.

Sharp Objects by Gillian Flynn is an train wreck that readers will be unable to look away from, but its graphic language and description could be a bit much for some readers.  Fans of Stephen King and other horror writers will find this novel as equally twisted.  As a debut novel, Flynn has clearly made a splash in this genre.

About the Author:

Gillian Flynn is an American author and television critic for Entertainment Weekly. She has so far written three novels, Sharp Objects, for which she won the 2007 Ian Fleming Steel Dagger for the best thriller; Dark Places; and her best-selling third novel Gone Girl.

Her book has received wide praise, including from authors such as Stephen King. The dark plot revolves around a serial killer in a Missouri town, and the reporter who has returned from Chicago to cover the event. Themes include dysfunctional families,violence and self-harm.

Lucky Alan and Other Stories by Jonathan Lethem

Source: Random House
Hardcover, 157 pgs
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Lucky Alan and Other Stories by Jonathan Lethem is an eclectic collection of short stories that range from the experimental to the surreal and traditional, but many of these stories lack the final punch readers make expect from short stories. While characters in these stories may experience smaller revelations, they often fall a little flat in the telling as the prose tends to be overly flowery or down-right boring. Of the collections that should be engaging to the reader given the title alone, they often lack the glitter readers will expect, such as “The Porn Critic.” And even these stories with catchy titles are some of the best in the collection, despite their flaws.

The first story, “Lucky Alan,” chronicles a neighbor who is obsessed with a reclusive Alan in his building and upon his marriage and later his growing family, the neighbor feels less important and pushed aside. In reality, he learns that this friend he tried so hard to win, was not who he thought him to be at all. And after the entire building sides with Alan, it is hard for him to continue living in a place that is unaware of Alan’s true nature. There are more nuances in the story, but they often get lost in the strange dialogue between friends and the situations that seem outlandish even in a large city of eclectic people.

In “The King of Sentences,” Lethem takes a look at the other side of fame, not so much the emphasis on the crazed fan, though there are some here, but on the perceptions we have of these famous people and how they may be very far from reality. In fact, the reality presented here is very scary for those of us who wish to meet those famous stars and writers we love. Meanwhile, “Their Back Pages,” seemed to be riffing off of Survivor and Lord of the Flies, but there are some pieces within the story that worked better than others, which made the overall effect of the story muted and confused.

Lucky Alan and Other Stories by Jonathan Lethem was a collection of stories with a lot to recommend it, but unfortunately, I can’t. I was disappointed with the individual stories and those that worked for the most part just didn’t wow me. Others might have a different view, but when reading short stories, I shouldn’t be falling asleep.

About the Author:

Jonathan Allen Lethem is an American novelist, essayist and short story writer. His first novel, Gun, with Occasional Music, a genre work that mixed elements of science fiction and detective fiction, was published in 1994. It was followed by three more science fiction novels. In 1999, Lethem published Motherless Brooklyn, a National Book Critics Circle Award-winning novel that achieved mainstream success. In 2003, he published The Fortress of Solitude, which became a New York Times Best Seller. In 2005, he received a MacArthur Fellowship.

Longbourn by Jo Baker (audio)

Source: Public Library
Audio, 13.5 hrs.
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Longbourn by Jo Baker, narrated by Emma Fielding, is a look at the servants behind the scenes of Pride & Prejudice by Jane Austen.  Sarah is an orphaned, hard-working housemaid in the Bennet household at Longbourn, but even as she keeps within the confines of her role, she begins to wish for something more.  Baker clearly delineates the roles of the household servants, and depicts the realities of that life with a frankness that cannot be ignored.  While readers may be cheering Sarah on in her dreams of something more, they also realize that dreaming for too much can become a devastating blow when it does not come to pass.  With the arrival of a new footman, Sarah finds herself torn between her feelings for him and that of Ptolemy Bingley, a mulatto servant of the Bingley family.  What readers will find here is that the servants interactions with the main characters of Austen’s work reinforce their flaws for the most part, which is to be expected when writing from the perspective of those in the lower class.

Fielding is a great narrator and does really well with the prose that closely mirrors that of Austen, ensuring that readers get wrapped up in the story.  The only drawback in this story is Ptolemy because he is a character who is under-developed and whose back story becomes a mere catalyst for Sarah’s evolution beyond her current status in the household.  It is almost as if he could have been someone that was talked about among the servants, rather than actually met by Sarah, as she’s only superficially tempted by him and what he represents tangentially.

It is almost as if the naive housemaid believes Ptolemy represents a greater freedom than he actually does, especially given that he was a former slave on a plantation owned by the Bingleys.  To another point, would the Bingleys actually have been plantation owners?  Perhaps not, given that most newly rich families earned their money in business dealings, not that plantation ownership could not be a business dealing.  This part of the story is not fully fleshed out, leaving readers with a very superficial view of his life and current situation.

Austen’s main story is not disrupted by Baker’s novel in any major way, with the girls being married off and some more favorably than others.  What’s strong here is the steady hand of Mrs. Hill and her ability to not only see past her own misfortunes but to also offer hope within her sage advice to Sarah.  Longbourn by Jo Baker, narrated by Emma Fielding, is engaging and captivating, while never putting window dressing on the lives of servants.

About the Author:

Jo Baker was born in Lancashire. She was educated at Oxford and at Queen’s University, Belfast, where she completed a PhD on the work of the Anglo-Irish writer Elizabeth Bowen. Her first novel, Offcomer, was published by William Heinemann in 2001. Her second book, The Mermaid’s Child, is was published in August 2004. Jo Baker has also written for BBC Radio 4, and her short stories have been included in a number of anthologies. From 2001-2003 she was the Artistic Director of the Belfast Literary Festival. She lives in Belfast with her husband, the playwright and screenwriter Daragh Carville, and their son Daniel. The Telling is her third novel.