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Incendiary Girls By Kodi Scheer

Source: Little A/New Harvest and TLC Book Tours
Paperback, 192 pages
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Incendiary Girls: Stories by Kodi Scheer (on Kobo) mixes dark humor — really dark humor — with scientific and anatomical knowledge that makes some of these stories even more creepy.  Like the title suggests, a spark is lit in each of these stories that leads these protagonists to re-examine their lives, relationships, and their perceptions of reality.  From a woman whose Muslim boyfriend turns into a camel to a mother who believes her daughter’s horse is her own mother reincarnated, Scheer expects her readers to be open-minded and willing to think outside the box.  While she explores the notion that the body betrays us, she also sneaks in some sly sympathy and humor at our own inevitable fates, which could be missed upon first reading.

“‘Pose for me,’ you say.  Not that he’s moving much anyway.  Pull out a sketch pad and charcoal, then sit across from him.  Forming the shapes first, the underlying structure, is difficult.  This body is unfamiliar. A cylinder, no, an oval for the main part.  Then there is the question of the hump.  Should you add a half sphere on top?

The sketch looks like a cross between a horse and a llama.” (page 70 from “When a Camel Breaks Your Heart”)

Readers will never forget these stories, like the peeling back of skin to reveal muscles in “Gross Anatomy.” But there is more here than the detailed images that will be etched forever in the mind; Scheer raises questions about identity, genetics, family secrets and more.  When tragedy strikes, people spend an inordinate amount of time making things as good as they can for their own children while burying the hurt of the past, and there are those that prepare for the worst before it even strikes through a series innocuous habits and rituals.

Incendiary Girls: Stories by Kodi Scheer is a small, powerful collection of short stories that hits like a sucker punch in the gut, leaving readers questioning their own emotions and world views.  Like the surgeon cutting along the skin to reveal the muscles below, Scheer sheds light on the disembodiment of humanity by war and science amid the absurdity of our conventional lives.  Unsettling, inventive, grotesque, but ever thought-provoking in her use of magical realism.  Something readers are unlikely to forget by a young, female Kafka that even Gregor Samsa should fear.

About the Author:

Kodi Scheer teaches writing at the University of Michigan.  For her work as a writer-in-residence at the Comprehensive Cancer Center, she was awarded the Dzanc Prize for Excellence in Literary Fiction and Community Service.  Her stories have appeared in the Chicago Tribune, the Iowa review, and other publications.

 

23rd book for 2014 New Author Challenge.

Wilderness: The Lost Writings of Jim Morrison Volume 1

Source: Purchased
Paperback, 214 pages
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Wilderness: The Lost Writings of Jim Morrison Volume 1 is a collection of poems, scribbled notes, photos, and a self-interview from Jim Morrison, lead singer of The Doors.  Like he music produced by Morrison and his band mates, his poetry has a hallucinatory quality.  Foremost a poet who unexpectedly found himself as a lead singer, lyrics of The Doors are in these poems, or vice versa depending on which he wrote first.  Fans of the band will enjoy looking at Los Angeles through Morrison’s eyes in these poems, with several referring to the city as LAmerica.  The seedy sides of L.A. are not glossed over, nor are his nomadic days with his family.  While much of his poetry is psychedelic in nature, dark, and offensive at times about carnal desires, there also is a reverence paid to the military, particularly military veterans, which could be influenced by the fact that his father was a military veteran.  However, like most artists, when compared to one another, the poems often contradict one another, as if the poet is working out some internal struggle of ideas.

“An interview also gives you the chance to try and eliminate all of those space fillers … you should try to be explicit, accurate, to the point … no bullshit.  The interview form has antecedents in the confession box, debating and cross-examination.  Once you say something, you can’t really retract it.  It’s too late.  It’s a very existential moment.” (page 1 — Self-Interview)

There are moments where the poems are lucid and easy to follow, but there are other times when the poems are confusing and make little sense to the reader without some reference point in the literature (i.e. William Blake or Nietzsche) or other knowledge Morrison picked up in his reading and living.  Despite the notes in the back that suggest Morrison often wrote many drafts of his poems (though the editors had a problem with chronology of those unnumbered and undated drafts), many of these poems feel unfinished and unpolished.

Selections from a few untitled poems:

"Men who go out on ships
To escape sin & the mire of cities
watch the placenta of evening stars
from the deck, on their backs
& cross the equator
& perform rituals to exhume the dead" (page 25)

LAmerica

"Androgynous, liquid, happy
Heavy
Facile & vapid
Weighted w/words
Mortgaged soul
Wandering preachers, & Delta Tramps" (page 87)

"Airport.
Messenger in the form of a soldier.
Green wool. He stood there,
off the plane.
A new truth, too horrible to bear.
There was no record of it
anywhere in the ancient signs
or symbols." (page 89)

"Actors must make us think
they're real
Our friends must not
make us think we're acting

They are, though, in slow
Time" (page 117)

As I Look Back

As I look back
over my life
I am struck by post
cards
Ruined Snap shots
faded posters
Of a time, I can't recall (page 201)

Wilderness: The Lost Writings of Jim Morrison Volume 1 is an existential journey of a poet, artist, and musician.  Fans of the band will love this collection, those that want an experience and look at the 1970s in Los Angeles will also love this collection.  Those looking for poetry that wows or connects with them may find it harder to connect with, especially since the poetry is a bit cryptic in purpose.

About the Poet:

Jim Morrison was an American singer-songwriter and poet, best remembered as the lead singer of Los Angeles rock band The Doors.

Book 14 for the Dive Into Poetry Reading Challenge 2014.

 

 

 

22nd book for 2014 New Author Challenge.

For Such a Time by Kate Breslin

Source: Bethany House and TLC Book Tours
Paperback, 432 pages
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For Such a Time by Kate Breslin is a WWII novel set in 1944 Czechoslovakia at the Theresienstadt concentration camp, a Jew work camp where many died from malnutrition, disease, or beatings, that acted as a stopgap for some Jews before reaching Auschwitz.  A miracle saves the life of Hadassah Benjamin from a Nazi firing squad, but the once blue-eyed, blonde finds herself in the middle of a hornet’s nest and forced to live under the assumed name of Stella Muller.  With her shorn locks, she ends up wearing a red wig and is given luxurious clothes, a warm bed, and food as SS-Kommandant Colonel Aric von Schmidt’s secretary.  With biblical quotes of Esther’s story, the parallels are unmistakeable between Stella’s struggles and that of Esther, with even Stella’s uncle bearing the same name as Esther’s cousin, Mordecai.  While the short quotes before each chapter are not strictly necessary to the story, it does offer some basis for the story Breslin is telling and for the strict moral grounds that Stella attempts to adhere to.  As a Jew who feels abandoned by God, it is interesting that she would turn to the bible and the tales a school friend of hers once told her, but her ability to connect with the bible demonstrates the transcendence that good morality can have no matter what religion, especially when she forces herself to break with Jewish traditions in order to remain concealed.

“Stella forced herself to look in the mirror.  Hadassah Benjamin, a Mischling, half Jew, bursting with a young woman’s exuberance, had ceased to exist.  In her place stood Stella Muller, subdued Austrian bookkeeper and suitable stock for the Third Reich.  A frail disguise comprised of no more than a scrap of official-looking paper, a red wig, and beneath her bruises the inherent fair features of a Dutch grandmother.”  (page 49-50)

Aric von Schmidt is the real enigma in this novel — a Nazi that does not hesitate to follow orders, but who still feels affection for Jews in his household.  He’s a man broken by WWI — literally, emotionally, and physically — and although he begins to see the devastation around him, of which he has played a significant part, it is hard for him to reconnect with his humanity without seeing how it would hamper his duties and possibly result in his own death or punishment.  Although he softens with Stella’s guidance, he’s still torn inside as he struggles to balance what he knows is right and what his orders are under the government he serves.

As the war nears its end and the final solution is called for by the Reich, the pressure is on for Stella, her uncle, and young boy named Joseph.  Breslin has crafted a poignant novel about the end of a war that had everyone concerned about their own safety, even the Nazi officers carrying out horrific orders.  She manages to humanize some of these monsters, and while we are not expected to completely forgive these men, it is clear that their decisions were based on their own demons and inabilities to sacrifice themselves for the good of others — a strength that few can muster in times of crisis when saving their own skin is a viable option.  For Such a Time by Kate Breslin is a stunning debut and would make a great book club selection given the moral issues and the emotional impact of the decisions these characters face.

About the Author:

A Florida girl who migrated to the Pacific Northwest, Kate Breslin was a bookseller for many years. Author of several travel articles, award-winning poet, and RWA Golden Heart finalist, Kate now writes inspiring stories about the healing power of God’s love. For Such a Time is her first book. She lives with her husband and cat in Seattle, WA.

Connect with Kate on her website and on Facebook.

10th book (WWII) for the 2014 War Challenge With a Twist.

 

 

 

 

8th book for 2014 European Reading Challenge; It is set in Czechoslovakia.

 

 

 

 

 

13th book for 2014 Historical Fiction Reading Challenge.

 

 

 

 

 

21st book for 2014 New Author Challenge.

When the Cypress Whispers by Yvette Manessis Corporon

Source: TLC Book Tours and HarperCollins
Hardcover, 368 pages
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When the Cypress Whispers by Yvette Manessis Corporon melds the island tranquility of Greece’s Erikousa with the Greek Gods and Goddesses and whispering of the Cypress, creating a modern-day mythology.  Daphne is a modern woman, her heart heavy with the loss of her first husband and her struggles as a single mother rising to the top in New York City’s restaurant scene.  She comes back to her island home to have a traditional Greek wedding, despite her fiance Stephen’s misgivings about constrained traditions, and to reconnect with her Yia-yia (grandmother).

“In hushed, reverent tones, Yia-yia insisted that the cypresses had their own secret language that traveled between the trees on the gentle morning breeze and quieted down again as the afternoon stillness set in.”  (page 4-5 ARC)

The juxtaposition between Daphne’s American life of being always on the go and struggling to make time even for her daughter is clear once she returns to the island.  It is not that as a child life was so much more care-free (though it was), but life on the island is slower and more connected to family and tradition than it is in the business world and career-focused life Daphne was building for herself.  Evie, her daughter, was named for her great-grandmother, but she’s never met her or been to the island until now.  Corporon’s focus on Daphne brings together the family story as it shifts between her childhood, her time in America, and the present time with the wedding planning.  Tensions are increased as a mysterious man, Yianni, begins making assumptions about her and seems too close to her grandmother.  A WWII mystery is revealed and Daphne sees the error of her judgments and realizes that she may have more in common with this mystery man than she first expected.

When the Cypress Whispers by Yvette Manessis Corporon has it all — well-drawn characters, mythology and tradition, love and loss, and the power of family.  An emotional, heartfelt novel about the traditions and cultures that make us who we are and the dangers of committing halfway or only looking at the surface.

Photo credit Dia Dipasupil

About the Author:

Yvette Manessis Corporon is an Emmy Award-winning writer, producer, and author. She is currently a senior producer with the syndicated entertainment news show Extra. In addition to her Emmy Award, Yvette has received a Silurian Award for Excellence in Journalism, and the New York City Comptroller and City Council’s Award for Greek Heritage and Culture. She is married to award-winning photojournalist David Corporon. They have two children and live in New York.

Find out more about Yvette at her website, follow her on Twitter, and connect with her on Facebook.

 

 

7th book for 2014 European Reading Challenge; It is set in Greece.

 

 

 

20th book for 2014 New Author Challenge.

 

 

 

12th book for 2014 Historical Fiction Reading Challenge.

 

 

 

9th book (WWII) for the 2014 War Challenge With a Twist.

 

 

New European Poets edited by Wayne Miller and Kevin Prufer

Welcome to the 2nd day of the National Poetry Month Blog Tour!

I thought that as so much of National Poetry Month seems to focus on classic poets or contemporary U.S. poets, I would review an anthology of contemporary European poets and their poetry. I hope you’ll click the button below to visit with Laura at Book Snob as well.

Source: Public Library
Paperback,
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New European Poets edited and introduced by Wayne Miller and Kevin Prufer is an anthology of European poetry since 1970.  Each poet selected was translated and each poem has the language from which it was translated and the name of the translator below.  Unfortunately, this anthology does not include the poem in its original language, which some readers would prefer as it gives a visual comparison between the texts.  However, the collection does include the short biographies of the poets included, the translators — to which the anthology is dedicated — and the editors, which provides a great reference for finding more of these authors’ works.

Reading through the poems in this collection is like traveling the undulating and varying landscapes of Europe, with climbs through the mountains, sitting in lounges by the seaside, and hunting in the dark forests.  Many of these poems mirror those that are found in American contemporary poetry, but then there are others that are distinctly European in subject matter and style.  In the introduction, the authors talk about the dialogue between poets in American and those in Europe — how poetry informed each style on either side of the Atlantic.  However, that dialogue has mostly stopped, and the authors strive to rekindle that dialogue with this anthology, a real possibility as more reader-poets pick up this volume and begin leafing through it.

From Spain's Luis Garcia Montero's "Poetry"

"Poetry is useless, it serves only
to behead a king
or seduce a young woman." (page 13)

In fact, this collection serves to disprove this early statement in the poetry anthology. Poetry is more than political protest and seduction — it is a connection of the human spirit and an observation of the human condition.  Ranging from the irreverent in “Kiss My Corpse” by Gür Genç of Cyprus to the heartbreaking emptiness of “The Barren Woman” by O. Nimigean of Romania, these poems share a range of emotions that are universal but in a style that is fresh and inviting.

Each poem leaves the reader — more so an American reader — with a sense of understanding and awe and a new way of thinking not only about emotion, life, and living, but also of poetry itself.  New European Poets edited and introduced by Wayne Miller and Kevin Prufer is a collection that should be savored and returned to again and again over time.  Spend a day in one country or two, but visit them often and with an observant eye.

Book 4 for the Dive Into Poetry Reading Challenge 2014.

 

 

14th book for 2014 New Author Challenge.

 

 

 

5th book for 2014 European Reading Challenge; these poems are from a number of different countries, but since the ones that most resonated with me were from Hungary, that’s the country I’m choosing for this one.

This is part of the 2014 National Poetry Month: Reach for the Horizon Blog Tour, click the button for more poetry:

Indian Captive: The Story of Mary Jemison by Lois Lenski

Source: Public Library
Hardcover, 272 pages
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Indian Captive: The Story of Mary Jemison by Lois Lenski is based on the true story of Mary Jemison who was captured as a young 12- or 15-year-old girl in Pennsylvania during the French and Indian War and traveled a great distance from the Ohio River Valley to upper New York to live with the Seneca Indian tribe.  The beginning of the novel outlines the facts that are included in the novel, particularly that the entire Jemison family was captured by Indians in 1758 and that only the two eldest brothers escaped capture and Mary was traded to live with the Seneca Indians.

“Then she saw that with the Indians there were white men, dressed in blue cloth with lace ruffles at their sleeves, speaking French in hurried tones.  She counted.  There were six Indians and four Frenchmen.  Were the Frenchmen wicked, too, like the Indians?” (page 19)

While there is foreshadowing about what happens to Mary — known as Molly to family and friends — the technique is not heavy-handed, though there are moments of repetition that she is the only white girl in the Indian village.  Lenski balances the negativity of life with the white man and Indians, careful not to take sides.  The battles between the French and English across the American wilderness sweep up not only the Native Americans, but also the pioneer and frontier families seeking to build lives for themselves.  Molly learns to fit in with her new family, but always she longs for her true family.  She spends many of her early days crying alone in the woods when she’s sent to fetch water, and its easy to see how devastating this new life could be for a child.

“She was living in two places at once, her body with the Indians, but her spirit where she wanted to be — at home with the white people.” (page 160-1)

The Native Americans expect her to work and adapt to their way of life, and some are more harsh toward her failings and her desire to return to the pale-faces at Fort Duquesne or return to the Englishman that arrive seeking the Iroquois help in their battles with the French.  Indian Captive: The Story of Mary Jemison by Lois Lenski is a good introduction for those ages eight to 12 to the French and Indian war and to the Native American way of life at a transitional period in history.

About the Author:

Lois Lenski was a popular and prolific writer of children’s and young adult fiction. One of her projects was a collection of regional novels about children across the United States.

 

10th book for 2014 Historical Fiction Reading Challenge.

 

 

 

 

8th book (French and Indian War) for the 2014 War Challenge With a Twist.

 

 

 

14th book for 2014 New Author Challenge.

Fever 1793 by Laurie Halse Anderson

Source: Public Library
Paperback, 272 pages
I am an Amazon affiliate.

Fever 1793 by Laurie Halse Anderson is set during the epidemic of Yellow Fever that hit Philadelphia after the British lost to the Colonists in the U.S. Revolutionary War and a new government was taking root in the new country.  Mattie and her family run a local coffeehouse in the city for the politicians and businessmen, with help from Eliza, their freed black employee.  Mattie has big dream — expanding the family business and bringing French finery to America for sale — but her mother is busy keeping the shop running and saving in case of disaster, remaining cautious because she knows all too well that things can get worse like it did when her husband died.

“I tried not to listen to her.  I had not cleared the wax from my ears all summer, hoping it would soften her voice.  It had not worked.”  (page 6)

Anderson relies heavily on source material to provide authenticity to her story of Mattie and her family, and there’s a nice touch of quotes throughout the novel at the beginning of each chapter.  The characters are well drawn and feel like they’ve stepped out of history, with Mattie and her mother resembling any mother-daughter relationship influenced by teenage hormones and changing times.  The love Mattie has for her mother is tested in the worst possible way when the Yellow Fever strikes home, but the love for her grandfather and Eliza keeps her grounded, focused on what needs to be done.

“They told of terror: patients who had tried to jump out of windows when the fever robbed their reason, screams that pierced the night, people who were buried alive, parents praying to die after burying all their children.

I laid my pillow over my head to protect myself from visions of the dead, but I could not breathe.” (page 106)

Mattie’s fear becomes the reader’s fear as she no longer knows where she is or where her family has gone, and the city of Philadelphia and the surrounding towns become unrecognizable.  The city of brotherly love becomes more insulated and fearful, turning away neighbors to protect their own families and resorting to violence to take advantage of those who can no longer defend themselves.  Anderson pulls no punches in her portrayal of disease, competing medical theories, and the decline of a once prospering city struggling with pestilence.

Fever 1793 by Laurie Halse Anderson is a truncated look at the disease that spread through the city like wildfire, taking the lives of nearly 5,000 people or 10 percent of the population.  The author takes historical fact, including the mass burial of fever victims in Washington Square (old potter’s field), and breathes new life into the tragedies endured by a once bustling and budding city.  Mattie is strong-willed and carries herself forward even when all seems lost, relying on the love of those around her and her own gumption to pick up and start again.

About the Author:

Laurie Halse Anderson is the New York Times-bestselling author who writes for kids of all ages. Known for tackling tough subjects with humor and sensitivity, her work has earned numerous American Library Association and state awards. Two of her books, Speak and Chains, were National Book Award finalists. Chains also made the Carnegie Medal Shortlist in the United Kingdom.

Laurie was the proud recipient of the 2009 Margaret A. Edwards Award given by YALSA division of the American Library Association for her “significant and lasting contribution to young adult literature…”. She was also honored with the ALAN Award from the National Council of Teachers of English and the St. Katharine Drexel Award from the Catholic Librarian Association.

Also Reviewed:

9th book for 2014 Historical Fiction Reading Challenge.

Persuasion, A Tearoom Chat Week 3

Anna and I are chatting about Persuasion by Jane Austen this month.  We hope that you’ll join us. 

Click the button below for our 3rd discussion post of Vol. 2, Ch. 1-6.

Here We Are Now: The Lasting Impact of Kurt Cobain by Charles R. Cross

Source: It Books
Hardcover, 192 pages
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Here We Are Now: The Lasting Impact of Kurt Cobain by Charles R. Cross is not a biography, but an an examination of Kurt Cobain’s impact as a musician and artist on the music industry, fashion, and yes on the national dialogue about suicide and addiction.  Cross and Cobain did have friends in common, and he has relied on first-hand accounts and statements made by Nirvana’s members and Courtney Love, his wife at the time of his death.  Cobain’s impact on music is clear from the times Nirvana’s albums made the “best of” lists of magazines, alongside the band’s videos.

“I would argue that no rock star since Kurt has had that same combination of talent, voice, lyric-writing skill, and charisma — another reason he is so significant, two decades after his death.  The rarity of that magic combo is also part of the reason Kurt’s impact still looms so large over music.” (page 11)

This slim volume easily makes the case for Cobain’s impact on music before the onslaught of per-song downloads, and his lasting impressions on the Hip-Hop genre.  Readers will get a true dose of how the music world influenced fashion and how in the case of Grunge, which Cobain never understood how it could be attached to him or his music, was harder to bring to high-fashion houses.  Given that flannel and cardigans in Cobain’s style, which was born out of his monetary troubles, were easily obtained for a few dollars at local thrift stores or even just Kmart, fans were not interested in buying $6,000 trench coats or other high-priced fashion items made to resemble those thrift store finds.

“Many rock stars have an impact on fashion, but Kurt’s influence has truly been a bizarre outgrowth of his fame, and one that will last (even if his music will undoubtedly be his greatest legacy.).  Kurt very much planned his musical career, writing out imaginary interviews with magazines in his journals long before he became famous.  But he never considered that if he became a star, his ripped-up jeans and flannel shirts might one day end up on the runway’s of New York fashion shows.” (page 65-6)

Cross touches upon the studies of suicide rates following Cobain’s death and how his death led to the inclusion of resources in reports on suicide to help those in need.  Here We Are Now: The Lasting Impact of Kurt Cobain by Charles R. Cross is a book that focuses on the influence of a music talent on our culture without offering judgment on his personal choices in life.

About the Author:

Charles R. Cross is a Seattle-based journalist and author. He was the Editor of The Rocket in Seattle for fifteen years during the height of the Seattle music mania.

13th book for 2014 New Author Challenge.

Three Souls by Janie Chang

Source: William Morrow and TLC Book Tours
Paperback, 502 pages
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Three Souls by Janie Chang — a stunning debut — is a sweeping novel set in late 1920s China when factions were battling for supremacy over land, wealth, the people, and politics — the Nationalists versus the Communists.  Song Leiyin is the third daughter in a large and wealthy family, and she loves pleasing her father with her good grades and is dutiful to her sisters and her father’s concubine, known as Stepmother.  She’s young and impetuous, and like her father often acts without taking a breath and thinking before she acts.  When she’s introduced to Yen Hanchin, a poet, her heart is captured by his intelligence and charm, and it doesn’t hurt that he’s translated Anna Karenina, which has been banned by her school but that she’s reading anyway.  Leiyin soon discovers that while her father had a Western education he’s still a very traditional man and not as liberal as some of their social peers, and when she pushes his limits of tradition too far, she has to live with the consequences.

“We have three souls, or so I’d been told.
But only in death could I confirm this.” (page 1)

Chang’s approach to story-telling is not unique, but how it is presented is. We know at the start that Leiyin is dead, but like her we learn through her memories — siphoned through her three souls: yin, yang, and hun — how she came to be in limbo and how she lived her life. She was a young, headstrong girl in love with a Communist leader of sorts, who was also a poet and an editor of China Millennium. While he filled her head with new ideas about what China could become, he also filled her naive head with longing and lust. Her infatuation with him led her to defy her father, and while the consequences were overly harsh, they were in line with traditional Chinese thinking and practices.

Chang’s story unfolds slowly and Leiyin is forced to think about her actions without hindsight, but as an observer of her own life — reminiscent of one’s life flashing before one’s eyes before death. However, her struggle is only beginning as she learns how her actions had farther reaching consequences than she ever imagined.  She must come to terms with her behavior, life choices, and learn that things are beyond her control.

With allusions to the Leo Tolstoy novel, Chang brings to life the class struggles in China, the inspiration the Communist movement strove to ignite, and the tangled web of lies that many leaders on both sides pursued to craft future China.  Three Souls by Janie Chang is epic, heart-warming, and multi-layered, incorporating Chinese tradition, class struggle, and the burden of a life cut too short.

About the Author:

Born in Taiwan, Janie Chang spent part of her childhood in the Philippines, Iran, and Thailand. She holds a degree in computer science and is a graduate of the Writer’s Studio Program at Simon Fraser University. Three Souls is her first novel.

Find out more about Janie at her website, follow her on Twitter, and connect with her on Facebook.

12th book for 2014 New Author Challenge.

 

 

 

8th book for 2014 Historical Fiction Reading Challenge.

Persuasion, A Tearoom Chat Week 2

Anna and I are chatting about Persuasion by Jane Austen this month.  We hope that you’ll join us. 

Click the here for our first discussion post of Vol. 1, Ch. 1-6.

Please see below for part 2 of our discussion for Vol. 1, Ch. 7-12

Today, I’m sipping a Mint herbal tea blend tea, accompanied by 2 Samoa Girl Scout cookies.  Anna had some lemonade.

Serena: Anne assumes that Wentworth has been avoiding her as plans change between the Musgroves and him for where and when they meet.  Do you think that’s the guilt and shame she feels or do you suspect his avoiding her?

Anna: Maybe he was avoiding her, but I noticed more that she was avoiding him, being happy to take care of little Charles so his parents could go to dinner with Wentworth at the Great House. I did get a sense of her anxiety about their initial meeting, and at least when it happened, it was over fairly quickly for her.

Serena: I found it ironic that she thought that he was avoiding her, but in point of fact, it was really the other way around. She wanted to nurse Charles or feign a headache more than she wanted to meet with Wentworth among company. I wonder if she was afraid of her reaction or his?

Anna: I think Anne has a good grasp of holding in her feelings, having lived with Sir Walter, Elizabeth, and Mary for so long and being neglected and isolated. I wonder after their initial meeting and learning that Wentworth barely recognized her, her having lost the “bloom” of youth and all, that it was his reaction she feared. It’s not long before she’s lamenting that they used to mean so much to one another, and now nothing.

Those passages really tugged at me. And throughout this section, as Anne meets Wentworth’s Navy friends, for instance, she’s struck by all that she’s lost. Do you remember anywhere else in Austen being so moved, or do you think this is a sign of Persuasion being a more mature novel, as it was written toward the end of her life?

Serena: I agree that Anne’s avoidance of Wentworth seems to be borne of the fear that he will react in a way that will unease her, and in fact, she does. And meeting those friends and seeing how in love the Crofts are, I think that too weighs heavily on her. As if she didn’t feel bad enough about her decision. I can’t recall anything so blatantly depressing as this in Austen’s other novels. Those still seemed to have a bit of the youthful play in them; this novel is not only more mature in feeling, but also in dramatization.

Anne is still in the background of most everything that happens plot-wise here, but she is in the middle of it just the same. She the observer, but she doesn’t merely observe because everything that happens affects her in some way, particularly when Wentworth enters the picture.

What did you think of her when she says that she could take no revenge because he was the same?

Anna: I think the Musgrove sisters are the youthfulness in this novel. A more elegant and better behaved Kitty and Lydia, even if they do get a little excitable over Captain Wentworth.

I agree that she is an observer and deeply affected as well. Of course, while we see all the emotions and sadness going through her mind, everyone else is oblivious to her pain. Austen does let readers into Wentworth’s head, if only a moment, early on when he’s first introduced, and then there are a few actions here and there that make you see his opinion of her is slowly changing. It’s obvious to us because we know their past, but it’s very subtle when you think that their companions have no clue.

I loved Anne for saying she could take no revenge because I know that I personally, even if just internally, would not have been that nice. That really emphasizes her strength of character and her kindness toward others. After Louisa’s accident, when they’re deciding which of the women will stay at the Harville’s, there’s a passage that indicates that she would care for Louisa for his sake. Imagine watching the only man you ever loved, whom you could have married, seemingly falling in love with another woman, and you would do that for him. Of course, she’s pretty much part of the Musgrove family, so that plays into it as well, but still.

These are things that make it obvious why Wentworth has never found another woman better than Anne. What do you think about him showing attention to both Henrietta and Louisa, without even really caring for either of them? Part of it must surely be his desire to make Anne jealous to an extent, but in that day and age, he was playing a dangerous game.

Serena: I’m not really sure that he was paying attention to them consciously. I think he was baffled by Anne’s presence there and really didn’t want to be rude to the Musgroves. But his attentions never seem overtly in favor of either girl, except when it comes to the incident at the Cobb. There is that one intimate conversation that Anne overhears between Louisa and Wentworth, but I think that was more Louisa’s machinations than his.

While maybe he enjoyed having the attention of two young women and his intentions may be to find a wife, I feel like he was still sorting through his feelings for Anne and not intentionally partial or even aware that he was demonstrating affinity for either of the Musgroves — in some ways, the perception that he is in favor of one or the other or even interested in either seems to be the ideas put forth by Mary, Charles and the Crofts without any real indication on his part.

Speaking of the Cobb, what do you think motivated Louisa to jump from such a height? Was she trying to prove something or was that merely youthful folly on her part?

Anna: Having been so long at sea, he may also just enjoy the sisters’ attention. But he does spend an awful lot of time at Uppercross, so it’s not wrong of those around him to wonder what he’s about, even if he’s not completely conscious of it. There are some things in that conversation he has with Louisa — and he doesn’t know that Anne’s listening — that if I were Louisa, I would’ve thought he liked me.

As for Louisa’s jump, there are several places in the narrative where it shows Louisa being more determined about doing things since that conversation with Wentworth, where he talks about strength of character and not being easily persuaded. So I think that played into it somewhat, but mostly, I think she was being flirty and playful and thought it would be fun. Even when I shake my head at Louisa’s folly, I actually do admire her high spirits.

Now I’ve been dying to know, my dear poetess, what do you think of Captain Benwick’s fondness for melancholy poetry? And what do you think about Anne telling him he should read more prose?

Serena: I knew you would ask me that question.

I think that Captain Benwick is wallowing in his melancholy and poetry — certain kinds of it — can help you do that. Perpetuate a state that you either find yourself in, helping you to see that its a universal feeling, but it also could be perpetuating a mood that he feels obligated to remain in given that he lives with the Harville family. He feels that his mourning should be palpable to them and that while he may be over his “fiance’s” death, he does not want to hurt the feelings of those he is staying with.

Anne’s remedy of prose could be her way of telling him that it has been long enough and that it is ok not to mourn anymore and to think about moving on with life. Whether prose would produce that effect, is another questions. I suppose if he were determined, he could find prose that would help him wallow too.

I find it interesting that Anne thinks about continuing her acquaintance with Benwick even as she’s still feeling saddened by Wentworth’s dismissive attitude toward her. What do you make of that? Is she becoming resigned? What does that say about her character?

Anna: I noticed that his grief seems overplayed, and he was excited to talk with Anne about something I’m sure no one else cares to talk about with him. He seems to want to get out and about more with people, which I thought was evident when the group leaves the Harvilles behind before taking one last walk on the Cobb, and Benwick goes with them.

I didn’t think Anne’s thoughts about Benwick meant she was resigning herself to anything. I thought maybe it was the first time in a long time that someone merely wanted to talk to her in a real discussion. Her sister and the Musgroves want her to just agree with them or to vent their frustrations about one another. She also understands Benwick in a way; they’ve both suffered a deep loss. One might argue that losing one’s fiance to death is more serious than a broken engagement, but he has the chance to find happiness again, and her prospects are dim on that front.

What were your feelings at the end of this section about how things had changed between Anne and Frederick? Do you think Anne has any reason to hope at this point?

Serena: I think that Austen wants us to think that all is lost for Anne, but I think there are enough glimmers — which Anne can see given how well she knows him — that she can still hope for some form of reconciliation. Perhaps a romantic reunification is a bit far-fetched given all that’s transpired with Louisa, up to this point, but I think she should have reason to hope that they could be friends again.

He clearly esteems her, and she clearly still admires him. While I think there are still obstacles to be overcome, many of these — like in most of Austen’s novels — of their own making. His abrupt departure of at the end of volume one seems to be very telling — like he’s now got a lot more to think about with regard to his future and about Anne. I think he’s seeing a more mature woman than he remembers.

What are your final thoughts about his exit? Seems a little like the end of an act in a play, doesn’t it?

Anna: Well, if Louisa’s carelessness was good for something, it was for Wentworth to see Anne take charge and show some of that strength of character he thought she didn’t have way back when. Austen also shows two extremes — Anne being persuaded to break their engagement and Louisa being determined to do something foolish and refusing to be persuaded otherwise.

Yes, it does seem sort of like the end of act. The characters showed some alterations, then of course they’re going to be separated for a time with everything still uncertain, and then the curtain closes.

I must say that I’m loving this book even more the second time around!

Serena: I cannot wait to see what happens in the next section, though I have seen the movies. There is a bit of a flare of the dramatic in this one, that I think was not as prevalent in her other novels. I do like that the characters are changing slowly, and that they have time to think about all that has come to pass.

We hope you’ll help us continue the discussion in the comments!

And please join us next Friday, March 21st, at Anna’s blog, Diary of an Eccentric, to discuss Volume II, Chapters 1-6! Grab a cup of tea!

The Rebel Pirate by Donna Thorland

Source: Berkley/NAL, Penguin Group USA
Paperback, 416 pages
I am an Amazon Affiliate

The Rebel Pirate by Donna Thorland, the second book in the Renegades of the Revolution series, set during the Revolutionary War uncovers the double-dealing spying that occurred on both sides of the war, as well as the privateering that local businessmen resorted to when the British cut the colonies off from trade and banned them from trading with other countries, while levying extraordinary taxes.  Sarah Ward finds her ship, the Sally, boarded by the British crew of the Wasp, and she has little recourse but to dress as a boy to protect her younger brother Ned from being pressed into military service.  Despite being loyalists, she takes the only action she can in expelling the threat and taking the Wasp’s Captain James Sparhawk prisoner.

“Boston’s North Shore had been the haunt of pirates for a hundred years, almost every inlet and harbor a supposed hiding place for their loot.  Blackbeard’s silver was rumored to be buried somewhere in the Isles of Shoals; the hoard of Quelch in a cave at Marblehead; that of Veal in the Lynn Woods.  The American Main was the stuff of pirate legend.” (page 201)

Readers will be captivated by the headstrong and stubborn Sarah Ward as she navigates the town of Salem, which considers her the jilted lover of Micah Wild, a savvy businessman looking out for himself, and her loyalties to her family.  Her father, a pardoned pirate, is captive in his own body, while Mr. Cheap is a loyal shipman who is protective of the family and its interests.  Enter Sparhawk and his reputation as a rake, who is charmed beyond reason by Sarah.  He cannot think straight around her, and against his better principles and naval code, agrees to follow along in her scheme to keep her safe from Wild’s wrath regarding the demolished Sally and the lost French gold.

Thorland’s series is detailed in its history, is trussed up in mystery and romance, and unfolds like a spy thriller as all of the characters become embroiled with one another’s affairs.  These are the kinds of Revolutionary War books readers will love because they are rich in history and imagination.  The Rebel Pirate by Donna Thorland is a captivating book that will have readers up late at night rushing through the pages to finish.  The midnight candles will be burning with this sexy read.

Thorland answered a few questions for the blog tour today:

Q: Sarah and James have such intense chemistry. Is that easy to write? How do you make two characters seem so attracted to each other?

A: I’m interested in love stories where two people meet who have the potential to become true partners in life, and who will challenge one another to become their best selves. That begins with the ability of the hero and heroine to see through the masks they’re both wearing. And I think that’s where chemistry comes from—the process of the hero and heroine stripping each other down to their essential selves. Seeing and accepting each other, as Rainer Maria Rilke put, “whole against the sky.”

Q: What is your favorite thing about writing historical romance?

A: There’s so much to love in this category. But let’s boil it down to its essentials: my favorite thing is going on an adventure with a heroine—a heroine who will be rewarded with love at the end of the story.

About the Author:

Graduating from Yale with a degree in Classics and Art History, Donna Thorland managed architecture and interpretation at the Peabody Essex Museum in Salem for several years. She then earned an MFA in film production from the USC School of Cinematic Arts. She has been a Disney/ABC Television Writing Fellow and a WGA Writer’s Access Project Honoree, and has written for the TV shows Cupid and Tron: Uprising. The director of several award-winning short films, her most recent project aired on WNET Channel 13. Her fiction has appeared in Alfred Hitchcock’s Mystery Magazine. Donna is married with one cat and splits her time between Salem and Los Angeles.

Check out my other reviews for this series:

The Turncoat by Donna Thorland

7th book for 2014 Historical Fiction Reading Challenge.

 

 

 

 

ENTER TO WIN — The Rebel Pirate by Donna Thorland

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