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The Wild Heart of Stevie Nicks by Rob Sheffield (audio)

Source: Freebie
Audible, 2+ hrs.
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The Wild Heart of Stevie Nicks by Rob Sheffield is a hommage to Stevie Nicks of Fleetwood Mac that relies on Rolling Stone magazine’s extensive archives. It is clear from Rob Sheffield’s effusive narrative that he loves Stevie Nicks, considers her songwriting genius, and her style transcendent. He clearly loves Stevie Nicks and he takes listeners on a journey through her music with the band and as a solo artist. I loved learning that Nicks wrote songs and that none of them were earmarked ahead of time for the band or her solo albums. She just couldn’t help but write songs all the time.

I liked the light-hearted nature of this nugget, as I’m not as familiar with Nicks’ work as others might be. I’ve listened to Fleetwood Mac many times, and I enjoy their music, but I was interested in her as an artist, who seemed to be a force in the band and on her own. I would probably seek out a more in-depth look at her work and her life, but this provided a nice overview without too much “romance/breakup” gossipy stuff, which I tend to not like as much.

The Wild Heart of Stevie Nicks by Rob Sheffield is one fan-boy’s love of Fleetwood Mac’s Stevie Nicks told by the man himself. It does provide a great overview for the curious who might not want to be too invested, but if you want something more than squealing about how great she is, you might want to try something different.

RATING: Tercet

Little Kids First Big Book of Rocks, Minerals Shells

Source: Media Masters Publicity
Hardcover, 128 pgs.
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Little Kids First Big Book of Rocks, Minerals Shells from National Geographic Kids is another stunning book from this publisher. The full-color pictures, the facts throughout the book, and just how the book is put together is fantastic. For kids who are curious about the world around them and pick up rocks and stick them in their pockets as they walk through the park, this is a book for them. This book will open their eyes to the wonderful world of rocks, minerals, and shells.

The introduction gives parents some basic information about how the book rolls out its information, from fact boxes to interactive questions for the kids and the parent tips at the back of the book. This book offers parents a starting point for exploring the natural world with their kids and rekindling some of the curiosity they once had as children. I remember taking earth science in school, but this rock cycle graphic is a great refresher about how all rocks can come full circle.

In addition to pictures of mountains and natural formations that are comprised of rock, the book points to man-made structures that use different types of rock. Kids will learn about rocks in their own backyards, as well as rocks they don’t see every day. I learned about rock that floats like an island in the South Pacific. The interactive map of rocks in different locations is a fun matching quiz for parents and kids alike.

Kids also will learn about shells and mollusks and turtles and so much more. Don’t forget about the minerals. We love discovering new minerals and the matching game where kids are asked to match minerals like topaz with their natural forms, rather than their refined gem looks.

My daughter has collected rocks for as long as I can remember and when we visited Myrtle Beach she started collecting shells. This book has so much information, you may get overloaded if you read it in one day, but as a resource you can come back to again and again, it is a gem of a book. We’re always amazed by how National Geographic Kids puts its informational books together and makes them interactive, and Little Kids First Big Book of Rocks, Minerals Shells is no exception.

RATING: Cinquain

Grateful American: A Journey from Self to Service by Gary Sinise and Marcus Brotherton (audio)

Source: Purchased
Audible, 12+ hours
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Grateful American: A Journey from Self to Service by Gary Sinise and Marcus Brotherton, read by the Gary Sinise, explores his upbringing, wayward years, and his stumble into acting and building a theater in Chicago from the ground up. These stories are full of antics, and spontaneity, but they also demonstrate the tenacity of a young man who has found his calling. It is this determination that will carry him not only throughout his acting career, but family trials and his charity work with veterans and children.

Sinise is most well-known for Lt. Dan in Forrest Gump and CSI NY but among veterans, he’s Lt. Dan — yes, military personnel have called him that more than one time. While not a veteran himself, Sinise understands the sacrifices many military men and women make for our country and how heavily the PTSD and wounds weigh on not only those sustaining them, but also those caring for the wounded. Listening to this on audio, I was engaged in the story most of the time, unless he was listing accomplishments.

Despite that drawback, Sinise provides a good look at how his wayward early years and stumble into acting not only set him up for success in film, theater, and television, but also in using that success to help others tasked with protecting our freedoms. While there are moments in the memoir where he references things that later proved false (like WMDs in Iraq), the focus on his work is not political — it is humanitarian. This is the work and the part of the memoir that was the most “real” to me. He seemed to genuinely care about the people he tries to help through his foundations and other organizations, and it is clear that he believes in his purpose.

Grateful American: A Journey from Self to Service by Gary Sinise and Marcus Brotherton is an exploration of one man’s journey away from his own concerns and career to a life of service. He’s clearly done a lot of good from uplifting the morale of troops overseas to providing children with school supplies in war zones and ensuring that veterans return home to a place where they can thrive and do more than just survive from appointment to appointment. This is the work to be proud of, work he plans to continue, and work that will leave a lasting impression.

RATING: Quatrain

Frank: Sonnets by Diane Seuss (giveaway)

Source: Graywolf Press
Paperback, 152 pgs.
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Frank: Sonnets by Diane Seuss is a collection that, at times, tried my patience with its contradictions. But isn’t that what life is — a bucket of contradictions? She says in one of her opening sonnets: “The problem with sweetness is death. The problem/with everything is death. There really is no other problem/” Death is a final stop, and it toys with many of us, taking our friends or family too soon, putting us in situations where death could take us but doesn’t, and it looms in the close distance for us to get there.

Seuss pulls no punches in this collection and remains forthright in her depictions of giving birth, aging, abortion, abandonment by a drug-addicted son, and so much more. Aging is a central theme, even when she speaks of her childhood self. Poetic subjects waste away with AIDS, fade into the distance of space or recollection, or remain behind the larger death that pierces the happiness or contentment she seeks. She explores the falseness of faith in Catholicism, the nationalistic scourge that America finds itself consumed by, and the undercurrent of poverty and it’s traumatic scars. She sees the “undershirt” of it all.

“We all have our trauma nadir,” is the sonnet that guts us. We are her and she us. We all have trauma; we are told to lock it away (get over it); but what place is big enough to hold all of that trauma away so that it will no longer affect us? She adds in a later sonnet, “I can’t live up to normal.” Isn’t normal a fallacy? What exactly is normal and how can you be expected to achieve it when no one knows what it is? Despite these dark topics, it is clear that to live is to live with “sharp things.” Without these traumas and disappointments, where would we be?

Frank: Sonnets by Diane Seuss is a winding trail of darkness that teaches readers about the beauty in that darkness. It is an exercise in owning our own disappointments and traumas and learning how to let them go and move forward with our lives. It is a tough medicine to take, but Seuss is confident that we can take it or nearly die trying.

RATING: Quatrain

To Enter the giveaway: Leave a comment with your email address by June 30. Must be age 18+ and have a U.S. postal address.

Forward by Abby Wambach (audio)

Source: Purchased
Audiobook; 5+ hrs.
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Forward by Abby Wambach, read by the author, explores her need for soccer in her life and her early hatred of the game and her talent. But at its heart, it is also a memoir that explores identity and self-love. A lot of her high school and soccer years are spent trying to be seen, but even as she is seen by the public more and more, she feels more unloved. This vacancy in her heart leads her to destructive behavior and she becomes very unbalanced. There is one moment where she turns the tables on herself — asking herself if she knows who she is.

Her life is a roller coaster of emotion where she is on highs and slumps into lows, exchanging booze for pills. However, I feel like when she decides to kick these habits, they are still there but she places less emphasis on them. She talks a lot about getting fit and kicking habits, but she still allows for medications that can be addictive. I found this a bit hypocritical, especially since they mask a larger problem. I sense that there is still denial here in how these pills mask her underlying issues. It begs the question of whether more time apart from soccer and the publicity would have given her more time for reflection and self-assessment, perhaps growth.

Forward by Abby Wambach is an inside look at a woman who has a hard time letting go of control, cannot have faith in others, and learn to love herself and know that she is worthy of love. Soccer is always there for her, even when she doesn’t want it to be. Soccer fans will love the recounting of her championships, Olympics, and more, but these are wider examples of her need for adrenaline and attention. Wambach struggles to be alone and love herself, but she never really recognizes this in the memoir. I think with more distance and further reflection, she would have written a deeper memoir.

RATING: Tercet

a more perfect Union by Teri Ellen Cross Davis

Source: Purchased
Paperback, 70 pgs.
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a more perfect Union by Teri Ellen Cross Davis opens with “The Goddess of Blood,” a poem emerging from the blood of birth and death, much like a nation ripping itself from it’s parent nation. Davis’s collection doesn’t directly make these parallels but much of it is implied, and the subtlety of it can be overlooked as you get lost in the sensuous language of being a woman, birthing children, and much more in the opening poem. “my sacrifice, a carmine current soaked/the delivery bed.” (pg. 4)

In her narrator’s journey from Washington to Ireland to Kenya, we see a woman who is cognizant of how color is perceived in different situations — the blackest of the blackberries and the darkest current being the sweetest while teasing out deeper tones of darkness in Kenya in the sun is something never considered in the United States. Readers will note in “Black Berries” that there is this sense of forbidden, but we must stop and ask ourselves why is it forbidden when the blackest of berries yields the sweetest, most pleasurable taste?

From "3939 Strandhill Road, Cleveland, Ohio"

. . . Grief unravels

my tightrope. I rage at seeing the ground
rush up, my center of gravity gone.

Davis’ poems leave readers tumbling at times, hearing and seeing the past and the grief, but also the rage at what transpired. It is an anger that boils beneath, and there is a strong sense of family throughout the collection. It is of the utmost importance, so much so, there are gods among us. Stories we haven’t heard. “Baby Girl” is one of the most powerful poems I’ve ever read, and while I don’t want to spoil the read for you, I will say that it could be triggering for those who have experienced sexual assault and other similar traumas. Davis does not shy away from the big issues facing our children today, especially Black boys. In “Knuckle Head,” she takes them head on: “My son cannot continue this path. Black boys/can’t lose control at twelve, eighteen, even forty-three./they don’t get do-overs.”

In the second part of the collection, we’re taken not only a musical journey, but on a journey that creates for us new gods and goddesses — ones that speak the truth no matter how difficult and ones that see sexuality as freedom. “The First Gospel of Prince,” speaks: “The air sears between hips, this melody/is a startled beauty – breathe in halting sips.//” These poems are a musical treat, a homage to musical gods, and a look at how sensuality and sexuality don’t have to be hidden or set aside as we age.

One of my favorite poems, “This Poem Suggests Revolution,” speaks to the America we’ve seen — the one that is asleep at the wheel, coasting along the road with its eyes closed, only startled awake by the “occasional” beeping horn. “If the pursuit of happiness,/life, and liberty came from the creator, she is/about to backhand you in the face.//” We see that anger against an America that is willfully blind to its past and its continued faults. It seethes, but there is still a sense of hopefulness in a “rewriting” of the American story, a move toward an America closer to its ideals. The road is harsh, but the poet, the narrator, and the reader will come away believing in “a more perfect Union.”

a more perfect Union by Teri Ellen Cross Davis was a roller coaster of emotions, as it should be. It begs readers to see the America we are from the perspective of someone we are not (or even may be) and whose history we do share (even if we ignore it) in order to elicit empathy and action. We’re beyond the platitudes here. We are in the thick of the struggle, and we are called to action.

RATING: Cinquain

Don’t forget to check out my interview with Teri.

About the Poet:

Teri Ellen Cross Davis is the author of a more perfect Union, 2019 winner of The Journal/Charles B. Wheeler Poetry Prize and Haint winner of the 2017 Ohioana Book Award for Poetry. She’s a Cave Canem fellow, member of the Black Ladies Brunch Collective, and lives in Maryland.

Becoming the Enchantress by Kristin Kowalski Ferragut, illustrated by Coley Dolmance Ferragut & Giveaway

Source: Author/Publisher
Paperback, 34 pgs.
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(full disclosure: Kristin Ferragut is part of my poetry workshop and I was part of a workshop that helped her hone this story)

Becoming the Enchantress by Kristin Kowalski Ferragut, illustrated by Coley Dolmance Ferragut, uses fairy tale-like elements to explain transgender to younger children. It’s an introductory story to help start conversations with kids about large themes, but at it’s core, this is a story about feeling comfortable in your own skin, loving yourself, and finding acceptance and love in your own family and friends.

The Wizard and their children, the Knight and the Dragon, are getting ready to trick-or-treat. When kids and their parents meet the Wizard and their family, they see a loving family eager to celebrate Halloween together. But kids will hear that the Wizard has an unspoken desire. With a quick costume change, the Wizard and their children are out the door. They are laughing and playing and magical things happen.

The streets may be crowded, but they are having a great time together, especially the Wizard. They receive compliments from strangers about their well behaved children, but many of them mistake the Wizard for a mom. Ferragut has created a magical way in which a transgender person finds not only their identity but peace in their own skin.

The illustrations by Ferragut’s daughter are colorful and expressive. The smile on the Wizard will make children smile. It just exudes such happiness. The final scene in the book is beautifully rendered. I look forward to more of her work.

Becoming the Enchantress by Kristin Kowalski Ferragut, illustrated by Coley Dolmance Ferragut, establishes a starting point for conversations about transgender and finding the home in your own skin and family. It will enable parents to talk to their children openly about their own identities.

RATING: Quatrain

About the Author:

Kristin Kowalski Ferragut is the author of the poetry collection Escape Velocity (Kelsay Books, 2021). She teaches, writes songs, poetry and prose, hikes, and participates in readings and workshops in Maryland, where she lives with her two creative, lively, and supportive children. Her work has appeared in Beltway Quarterly, Fledgling Rag, Bourgeon, Mojave He[Art] Review, Anti-Heroin Chic, and Little Patuxent Review, among others. For more information, visit her website: www.kristinskiferragut.com

About the Illustrator:

Coley Dolmance Ferragut is an animator, digital artist, and actor who investigates themes of class and social justice in her work. A high school senior, this is Coley’s first published book.

GIVEAWAY:

1 copy of Becoming the Enchantress to 1 U.S. reader.

Deadline to enter is June 15, 2021.

Leave a comment with your email so I can contact you if you’re the winner.

Welcome to My Panic by Billie Joe Armstrong (audio)

Source: Purchased
Audible, 1+ hrs.
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**Caution: foul language throughout**

Welcome to My Panic by Billie Joe Armstrong, narrated by the author, reveals some interesting inspiration — Fleetwood Mac as a guilty pleasure — and growing up Billie, one of six siblings with varied musical interests. (love for the Fugazi nod) He speaks about the death of his father, his first friendship in school and how music bonded them, having panic attacks at age 10 and onward, but mostly when he’s alone, and so much more.

To be called a “rock star” was the worst insult for this punk — at least that’s what it felt like when stardom took hold of his life. Armstrong tackles his substance use issues, his panic attacks, and his experimentation in music and his life decisions. Much of his impulsivity seems to stem from a lack of stability in his life — something gain control over his career and life.

Highlights for me were the recorded songs on the Audible. It was a trip into my past and rockin’ out years. I love audio’s that provide some kind of look into the creative mind — whether a singer, writer, photographer, or artist. I would probably say this could have been a far longer memoir with much more detail, but it highlights the biggest influences — as Armstrong sees them — in his life. Welcome to My Panic by Billie Joe Armstrong is a great way to pass the time, and I love the mix of narration with music.

RATING: Quatrain

love, loss, and the enormity of it all by Kelly Catharine Bradley

Source: GBF
Paperback, 68 pgs.
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love, loss, and the enormity of it all by Kelly Catharine Bradley is like a letter to her children and the family who have passed on too soon. These poems weave through the grief and out of it, plunge into it, and emerge from it, but at the root of that grief is love. The poems are like stories told through a lens of motherhood.

From "untitled mom" (pg. 26)

I almost facetimed you this morning
I'd cut my hair to donate it...

but then I remembered
and sobbed

We can experience that grief because we have felt it. The time you forget your friend is no longer here to reach out to, even if you haven’t spoken in many years or the mother you feel with you even though she has passed away. There are other days in grief that we feel ourselves falling into darkness, a darkness we know will be hard to get out of once we’re down there. And mothers also know that they cannot be in that dark place too long when they have children to care for. Bradley takes us on this journey acknowledging the struggle and the sorrow, but also the love and the unexpected joys.

Sunfall (pg. 18)

sunfall
snowfall
moonfall

don't fall

love, loss, and the enormity of it all by Kelly Catharine Bradley is a very intimate collection of poems, mirroring a memoir. For me, the collection was more like reading an diary of moments, but the poems seemed rough or unfinished in some places. In others, I felt the poems resembled those that are popular on Instagram these days. While these poems were less polished, they do provide a look at the roller-coaster of grief.

RATING: Tercet

About the Poet:

Kelly Bradley is a tech writer and Sr. Product Manager in the Washington DC area where she writes stories and creates apps based on data. She wrote her first poem in Second grade, a requiem to her cat, Petey. Her first collection, “love, loss and the enormity of it all” addresses themes of grief, joy, love, heartbreak and perseverance. When not working or writing poetry, Kelly writes songs and rap lyrics, dances to electronic dance music, and hikes year-round with her dog, Winter.

Tidal Wave by Kofi Antwi

Source: GBF
Paperback, 18 pgs.
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Tidal Wave by Kofi Antwi is a slim chapbook that explores themes of identity and the drowned out voices of society. The art work is superb — the cover itself speaks to the power of words in this collection as they rise like a tidal wave.

The opening poem “Out of the Wreckage” sets the stage of loss, with a brother gone and “a belated shower/of roses” — signifying a posthumous recognition of a wrong done to the departed, but it comes too little too late. It mirrors the recent reactions of society when racially charged killings by police occur against Black men across America and as a society we only rise up after the fact before the anger/rage fades and little is done to correct the system.

 from "Sundays" (pg. 6)

the harbor is burdened land, tampered
sea - a ripple in the
current halts it's viability.

at bay we, mourn our past, balance
tomorrow's deficiencies,
dashes of mint dove

Antwi’s poems are mournful but full of hope, a dichotomy that mirrors the society that welcomes all to be free without actual freedom to be themselves. We are burdened by the past and mourn it, but we continue to move forward to balance the good with the bad. However, some of these poems feel rough and unfinished, like there’s something hidden beneath the emptiness and the words chosen haven’t carried the full meaning the poet wishes to convey. This could be intentional, but it didn’t work for me in many instances.

But the strongest poems in the chapbook come at the end from “all hail the city of doom” and “tidal wave” to “birth into a nation” and “recollections of the Gold Coast.” This is where Tidal Wave by Kofi Antwi shines in its analysis of what it means to be an American immigrant full of hope but stepped on and cast aside as a silent minority while chasing an American dream.

RATING: Tercet

Made of Air by Naomi Thiers

Source: GBF
Paperback, 58 pgs.
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Made of Air by Naomi Thiers pays homage to the courage of the feminine — from the woman who’s daughter is disappeared in “Lions” to the woman in “A Kind of Prayer” who hopes her poetry will help tell her intricate story.  In “All or None,” Thiers speaks of Carolyn whose “rays of joy” refused “to leave anyone in shadow.” Each of these women seem to be like the air around us, lifting up others, struggling to survive, pushing back against the heaviest burdens and losses. Their spines may bend from time to time under the weight but there is an internal courage that lifts them higher.

Fear is in your bread
an you must choke it down.
(from "Refugee, 15")
snatched a Sun Chips
and whirled back to her perch,
one crossed leg
bouncing.
Her eyes never lifted.
(from "Feral")

These two poems provide different perspectives on survival. Both are eating with the fear of starvation at their backs, but while the refugee seems to have hope on the horizon despite fleeing the home they know, the feral girl has closed her off to possibility. Thiers work is as complex and as simple as the lives lived around the globe, with the common threads of courage, grief, and perseverance threaded throughout.

Made of Air by Naomi Thiers reminds us that our lives are briefer than we think but as we age, the realization comes more quickly that our time is fleeting. Our mark is made on those lives we touch, the courage we muster when needed, and the love we share together. “The sky and seasons inch the same as in 1976,/as if I’ve stood still while decades slid past,//and I savor the sense of timelessness,/this gem I never knew hid inside my bumpy life./For I feel my own 16-year-old inside, humming/eager, terrified–real as the slow/rain of wild and gentle losses.//” (“The Pearl”).

RATING: Cinquain

Check out her appearance with Jane Schapiro and Miles David Moore at Gaithersburg Book Festival:

Man on Terrace with Wine by Miles David Moore

Source: GBF
Paperback, 90 pgs.
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Man on Terrace with Wine by Miles David Moore reads like the title sounds — a selection of poetic ruminations on life. But these poems are never far from humor or pop culture. Moore has several poems that will make readers stop for a moment to consider — what would it be like if Elvis were in heaven and Hitler was in hell? There are complex emotions explored and the section titles should give you some inclination of what is on the mind of the man sitting on that terrace with win — “It Serves You Right,” “There’s No Crying in Baseball,” and “To Live Completely and a Thousandfold.”

In the first section, Moore’s poems reflect on the idea of “perception,” like what we perceive to be true. A prime example of this is in “A Taste to Die For,” after a quote about Americans’ love for soda and Afghanis love for death. The poem deftly points out, “The man who took aim at you thinks he knows/the things he loves, and the things you love.//” But reading to the end of the poem, it is clear that neither side really knows or understands the other — there is a significant breakdown of communication in favor of perception. In “The Good Fight,” Moore again tackles perception in a reflective piece regarding WWII. The soldier is brave and strong, but in the present, the soldier must relearn how to lace shoes, walk with a cane, and more. “The sky is hazy above you,/a fog of dreams and memories./The decades are your backpack now./” and the soldier must not “look down” or “slip” but for a far different reason today than on the battlefield.

In the second and final section, Moore shifts away from perception into reality — the reality of hurricanes, pop culture (as real as that can be), and so much more. One of my favorite images in these sections comes from “Grandma and the Hurricane” (pg. 41), “The wind is so strong that it blows the constellations around in the sky. Never losing their shape, they are cookie cutters tumbling against each other.” But even in these reality-based poems, there is a nod to the idea of perception — like in “Tom Hanks Was Right,” where the narrator is found thinking about the past and what should have been said and then the narrator is talking to themselves in public. Haven’t we all caught ourselves doing that these COVID days?

Man on Terrace with Wine by Miles David Moore invites readers to be entertained, contemplative, and enjoy life as it comes. This collection is by turns witty and serious, but Moore continues to ask his readers to perceive reality in a way that not only brings joy but also satisfaction. Holding onto reality with a singular perspective can not only be boring, but also limiting.

Rating: Quatrain

About the Poet:

Miles David Moore is a Washington reporter for Crain Communications, Inc. He is founder and host of the Iota Poetry Reading Series in Arlington, VA, a member of the Board of Directors of The Word Works, Inc., and administrator of The Word Works Washington Prize. He is the author of three books of poetry: The Bears of Paris (The Word Works Capital Collection, 1995); Buddha Isn’t Laughing (Argonne Hotel Press, 1999); and Rollercoaster (The Word Works Capital Collection, 2004). With Karren LaLonde Alenier and Hilary Tham, he co-edited Winners: A Retrospective of the Washington Prize, published in 1999 by The Word Works. Fatslug Unbound, a CD of Moore’s poetry read by himself and 14 other poets, was realeased in 2000 by Minimus Productions. His review/essays on the poet John Haines have appeared in The Wilderness of Vision (Story Line Press, 1996) and A Gradual Twilight (CavanKerry Press, 2003).

Check out his appearance with Naomi Thiers and Jane Schapiro at Gaithersburg Book Festival: