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Poe: Stories and Poems adapted by Gareth Hinds

Source: Purchased
Paperback, 120 pgs.
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Poe: Stories and Poems by Edgar Allan Poe, adapted by Gareth Hinds into a graphic novel, is gorgeous from the cover to the very last page. Hinds has a firm grasp of Poe’s macabre style and his illustrations are complementary to Poe’s prose and poems. In many ways, Hinds’ dark imagery enhances Poe’s words for the modern audience. I loved that there were several poems included and not just Poe’s stories. While Gothic horror is often thought of in prose form, many of Poe’s poems are just as haunting and macabre.

Hinds also includes a checklist of Poe’s favorite themes and corresponding images — from death depicted as a skull to insanity depicted as a straitjacket – -that he uses as a key for each story and poem. Hinds also offers some insight into his selections for the collection, which is by no means comprehensive. I loved that he included my favorite story — The Masque of the Red Death — which he says is the least well-known. I’ve always felt that in some ways, Andrew Lloyd Webber’s Mask of the Red Death scene in The Phantom of the Opera was in some ways inspired by this story.

Poe: Stories and Poems by Edgar Allan Poe, adapted by Gareth Hinds into a graphic novel, is a welcome and permanent addition to my personal library. I’ve loved Poe for most of my life, and this volume breathes life and vibrancy into these classics. I cannot recommend this enough, and I’m looking forward to getting more of his graphic adaptations.

RATING: Cinquain

About the Illustrator:

Gareth Hinds is the author and illustrator of critically-acclaimed graphic novels and picture books based on classic literature and mythology. Through his work he shares his love of literature with readers young and old. His recent adaptation of The Odyssey received four starred reviews, and he is the recipient of the Boston Public Library’s “Literary Lights for Children” award. He lives in the Washington, DC area with his wife. When he’s not working on a book he enjoys painting landscapes and practicing aikido.

Mailbox Monday #481

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has it’s own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Leslie, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received this week:

What Should Be Wild by Julia Fine, who I heard speak about the book at Gaithersburg Book Festival.

Cursed. Maisie Cothay has never known the feel of human flesh: born with the power to kill or resurrect at her slightest touch, she has spent her childhood sequestered in her family’s manor at the edge of a mysterious forest. Maisie’s father, an anthropologist who sees her as more experiment than daughter, has warned Maisie not to venture into the wood. Locals talk of men disappearing within, emerging with addled minds and strange stories. What he does not tell Maisie is that for over a millennium her female ancestors have also vanished into the wood, never to emerge—for she is descended from a long line of cursed women.

But one day Maisie’s father disappears, and Maisie must venture beyond the walls of her carefully constructed life to find him. Away from her home and the wood for the very first time, she encounters a strange world filled with wonder and deception. Yet the farther she strays, the more the wood calls her home. For only there can Maisie finally reckon with her power and come to understand the wildest parts of herself.

Poe: Stories and Poems: A Graphic Novel by Gareth Hind, who was at the same book festival.

It is true that I am nervous. But why will you say that I am mad?

In “The Cask of Amontillado,” a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In “The Masque of the Red Death,” a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can’t see his tormentors in “The Pit and the Pendulum,” and in “The Tell-Tale Heart,” a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems — “The Raven,” “The Bells,” and Poe’s poignant elegy to lost love, “Annabel Lee.” The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror.

Punishment by Nancy Miller Gomez, which I received from Rattle magazine.

Nancy Miller Gomez entered Salinas Valley State Prison with a backpack of poems and a fear of being caught in a lockdown. What she discovered was compassion and human connection. The poems and essays in this collection, Gomez’s first, were inspired by her experience teaching writing workshops in jails and prisons. Punishment explores the stories of people serving time in the criminal justice system. It demonstrates the ways creative expression can mend emotional wounds, bridge differences, and reconnect us to our humanity. Punishment is a moving tribute to the redemptive power of poetry.

Freedom City by Philip Becnel, which my dad who never reads bought at the book festival.

After President Trump unceremoniously dies from natural causes, four misfits from Washington, D.C. who call themselves the Fearless Vampire Killers sever the heads of Confederate statues and wage a comedic guerrilla war on post-Trump America. When President Pence enlists droves of fascist volunteers to crush the “alt-left” uprising, the rebels must risk their lives to run the fascists out of D.C.

What follows is not only a battle for survival—but a desperate search for remnants of what once made America great.

Chrysalis: Collected Poems of Joe LoBell by Joe Lobell, which was free on lulu.com.

A collection of thirty-nine poems spanning 1986 through 2016. PRAISE FOR THE POETRY AND PERFORMANCE OF JOE LOBELL: “Lobell is a true original and turns a mean phrase…. His work casts a spell like Lou Reed’s early work or the early readings of Jim Carroll or Patti Smith.” — THE HERALD “With a hipster’s cool detachment Joe Lobell prowls through the mean streets underbelly of New York City speaking words as vivid as a flashing neon light.” —DOWNTOWN EXPRESS “This stuff is excellent.” —ERIC BOGOSIAN “Lobell’s readings contain some of the elements present in the celebrated Beat Generation jazz renderings…. His recitations lock into the rhythms of free-flow rock music and fasten on gritty situations from storytellers loom.” —DAILY FREEMAN

What did you receive?