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Mailbox Monday #481

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has it’s own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Leslie, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received this week:

What Should Be Wild by Julia Fine, who I heard speak about the book at Gaithersburg Book Festival.

Cursed. Maisie Cothay has never known the feel of human flesh: born with the power to kill or resurrect at her slightest touch, she has spent her childhood sequestered in her family’s manor at the edge of a mysterious forest. Maisie’s father, an anthropologist who sees her as more experiment than daughter, has warned Maisie not to venture into the wood. Locals talk of men disappearing within, emerging with addled minds and strange stories. What he does not tell Maisie is that for over a millennium her female ancestors have also vanished into the wood, never to emerge—for she is descended from a long line of cursed women.

But one day Maisie’s father disappears, and Maisie must venture beyond the walls of her carefully constructed life to find him. Away from her home and the wood for the very first time, she encounters a strange world filled with wonder and deception. Yet the farther she strays, the more the wood calls her home. For only there can Maisie finally reckon with her power and come to understand the wildest parts of herself.

Poe: Stories and Poems: A Graphic Novel by Gareth Hind, who was at the same book festival.

It is true that I am nervous. But why will you say that I am mad?

In “The Cask of Amontillado,” a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In “The Masque of the Red Death,” a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can’t see his tormentors in “The Pit and the Pendulum,” and in “The Tell-Tale Heart,” a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems — “The Raven,” “The Bells,” and Poe’s poignant elegy to lost love, “Annabel Lee.” The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror.

Punishment by Nancy Miller Gomez, which I received from Rattle magazine.

Nancy Miller Gomez entered Salinas Valley State Prison with a backpack of poems and a fear of being caught in a lockdown. What she discovered was compassion and human connection. The poems and essays in this collection, Gomez’s first, were inspired by her experience teaching writing workshops in jails and prisons. Punishment explores the stories of people serving time in the criminal justice system. It demonstrates the ways creative expression can mend emotional wounds, bridge differences, and reconnect us to our humanity. Punishment is a moving tribute to the redemptive power of poetry.

Freedom City by Philip Becnel, which my dad who never reads bought at the book festival.

After President Trump unceremoniously dies from natural causes, four misfits from Washington, D.C. who call themselves the Fearless Vampire Killers sever the heads of Confederate statues and wage a comedic guerrilla war on post-Trump America. When President Pence enlists droves of fascist volunteers to crush the “alt-left” uprising, the rebels must risk their lives to run the fascists out of D.C.

What follows is not only a battle for survival—but a desperate search for remnants of what once made America great.

Chrysalis: Collected Poems of Joe LoBell by Joe Lobell, which was free on lulu.com.

A collection of thirty-nine poems spanning 1986 through 2016. PRAISE FOR THE POETRY AND PERFORMANCE OF JOE LOBELL: “Lobell is a true original and turns a mean phrase…. His work casts a spell like Lou Reed’s early work or the early readings of Jim Carroll or Patti Smith.” — THE HERALD “With a hipster’s cool detachment Joe Lobell prowls through the mean streets underbelly of New York City speaking words as vivid as a flashing neon light.” —DOWNTOWN EXPRESS “This stuff is excellent.” —ERIC BOGOSIAN “Lobell’s readings contain some of the elements present in the celebrated Beat Generation jazz renderings…. His recitations lock into the rhythms of free-flow rock music and fasten on gritty situations from storytellers loom.” —DAILY FREEMAN

What did you receive?

Chrysalis: Collected Poems of Joe Lobell by Joe Lobell

Source: Free on Lulu.com
Ebook, 139 pgs.
I am an Amazon Affiliate

Chrysalis: Collected Poems of Joe Lobell by Joe Lobell is a collection of poems that span about 20 years, beginning in 1986. Through careful, detached observance, the narrator of each poem takes an unfettered look at humanity — it’s fruitless hopes and desires and the inevitability of death.

From "City Opus" (pg. 47)

The buildings are like dead gods, and where a
god lies dead, no one speaks, but shadows of
shadows, dreams of dreams commiserate.

Many of these poems read like stories, dark tales of harm and sadness. The beautiful daughter, the well-liked cop, the mountain climber, the lunberjack — no one is immune to the darkness of life. There is a distinct New York city atmosphere to many of the grittier poems, like “Vision of God” about the struggle with addiction and the need for the next fix.

Chrysalis: Collected Poems of Joe Lobell by Joe Lobell is not a collection for those looking to escape the dark city streets. It’s a reflection of reality amped up on its drug of choice — cold hard reality.

RATING: Quatrain

About the Poet:

Poet, Playwright, Performer; multiple appearances at the Nuyorican Café including the Proofrock Festival, Knitting Factory and numerous other venues. As a performer combines Urban Poetry with rock jazz and performance. Collaborated with Jazz Musician, Conductor Composer, Butch Morris on Musical Theatre Play “Fire” produced by the Medicine Show Theatre.  Composed Poetry Radio Play “Times Square” in Collaboration with Jazz Composer and Band Leader Joe Gallant which was performed live on WBAI.  Also appeared in numerous venues with Joe Gallant and Illuminati and the Body Electric Fusion Jazz Band.  Collaborated with Blues Musician Popa Chubby on Poetry Play “City Opus” produced at Medicine Show as well as producing “City Opus” Blues Rock Poetry CD Popa Chubby. Numerous individual readings in NYC, Woodstock, and NY State venues.