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Ellis Island by Kate Kerrigan

August 8, 2013 by

Source: Harper
Paperback, 351 pages
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Ellis Island by Kate Kerrigan is a historical fiction novel set in the 1920s when Ireland is fighting for Home Rule, and Ellie Hogan makes a bold choice to accept a job in New York City to raise the money her husband needs for an operation.  Ellie is not like the other members of her school group; she dreams of fine things and a life outside her little village of Kilmoy.  Her childhood friend, John, and his family become like a surrogate family for her, showing her the kindness she lacks from her own parents who are so insulated that they forget to hug their daughter and encourage her.  Her friendship soon blossoms into love, a childhood love that becomes a motivation for her to impress, to move beyond the bounds of her family.

“I hated insects, but I wanted to feed the blue tit, and I wanted to impress him.  So I kicked back the rock, picked up a wood louse between my thumb and forefinger and carefully placed it into the bird’s open, hungry beak.  As it swallowed it back, I touched the top of its little head with my finger and felt how small and soft and precious it was.  I looked at John and my heart flooded through.  It was the first time I remember sharing love with somebody.”  (page 8)

Young love can be passionate and sometimes it can be ever-lasting.  Because Ellie has finally shared love with someone, she’s able to lock it away inside herself, stoking its growth even when hundreds of miles separate them.  She makes that hard but necessary choice to leave her Irish home to earn the money John needs after he’s injured while part of the Irish Republican Army.  It is this love she turns to when she worries about what lies ahead in a strange country, and it is what she holds onto when she makes frightening decisions that lead her out of servitude into the life of a career woman.  What had been a year commitment soon turns into something much more, but Ellie is ill-prepared for the challenges and temptations before her.

Kerrigan has done her homework, and it shines in the small town feel of Ellie’s Irish home where everyone knows everyone and their business, and where judgments of families’ past actions still haunt the newest generations.  The harsh realities of fighting for independence from British rule are present as John fights for what he believes.  Her trip to NYC and her experiences with Ellis Island and the immigration process feel real, and readers will be just as awestruck by the city as Ellie is.  More than anything, Kerrigan’s novel is about the search for something just over the horizon, obtaining it, and bringing it back to the family and friends who need it most.

“Ireland was in my heart, but under my feet was America.” (page 128)

Ellis Island by Kate Kerrigan is an immigrant story that requires the deepest of sacrifices and commitments but the growth Ellie experiences make her a better woman, capable of selfless generosity even when she has so little.  She’s grown into a woman her father and mother can be proud of, even though she didn’t go about the way that they would have preferred.

About the Author:

Kate Kerrigan is an author living and working in Ireland. Her novels are Recipes for a Perfect Marriage which was shortlisted for Romantic Novel of the Year in 2008 and been translated into 20 languages, The Miracle of Grace, which has been adapted as a film script with funding from the Irish Film Board and Ellis Island, the first of a trilogy which was selected as a TV Book Club Summer Read in Britain and launched in the U.S. with Harper Collins in July 2011. Its sequel City of Hope is published by Pan Macmillan in Britain and scheduled for publication in America by Harper Collins in 2013.

 

This is my 1st book for the Ireland Reading Challenge 2013.

 

 

 

This is my 51st book for the 2013 New Authors Challenge.

Filed Under: challenges, fiction, Harper Collins, historical fiction, Ireland Challenge, New Authors Challenge, Publishers/Publicists, Read in 2013, review copy, reviews Tagged With: ,

Handling the Truth by Beth Kephart

August 6, 2013 by

Source: Purchased from Hooray for Books
Paperback, 252 pages
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The best teachers are those that give of themselves freely to their students and their craft, and with reference books available on various ways to write, what to write, and when to write, many will glance at yet another writing reference and dismiss it out of hand. What does that mean? That those people are fools — for Handling the Truth: On the Writing of Memoir by Beth Kephart, released today, is not a reference, it is a memoir about writing memoir (marking a 6th memoir from her). It is a reference guide written from the perspective of a teacher and writer on how to approach a genre riddled with scandal and debunked by naysayers.  Not only does she peel back the layers that can and should be part of memoir creation, but she also peels back her own experiences and perspective to shed light on the hard work memoirists should expect of themselves.

“Teaching memoir is teaching vulnerability is teaching voice is teaching self.”  (page xii)

“Some of the best memoirs are built not from sensate titillations but from the contemplation of universal questions within a framed perspective.” (page 10)

She shares her favorite places, her favorite music, her favorite memoirs, and her students’ work, and she begs that anyone interested in writing memoir do it because the story must be told and is relate-able to someone outside the self.  Writing the genre requires the writer to be as honest with herself as she can be and to fill the gaps in memory with facts from documents or cross-referencing conversations and moments with those that share the memory.  Reading this reference memoir is like getting to know Kephart on a personal level, but it’s also about getting to know the writer inside you — the one that wants to write the book but doesn’t know where to start.  Although this advice is geared toward those who wish to write their own personal histories, there is sage advice for other writers — fiction writers struggling with what tense to put their book in, for example.

On Mark Richard’s memoir House of Prayer No. 2, she says, “He does it because, in this case, the you is more intimate, more forgiving, more moving than the I ever will be.  It enables Richard to say things about himself and his ungodly circumstance that would be otherwise unthinkable.”  (page 46)

Readers and writers will love the explanations, which are peppered with examples from other writers’ memoirs to demonstrate why certain forms and styles are selected, because at Kephart’s core is a dedicated teacher.  It is these dedicated people who write the best reference books because they put more of themselves and more of their passions into writing them, making them innately more engaging and interesting than other reference guides that merely spout out bullet point advice and little else.  Kephart not only references the memoirs she loves, pulling apart the choices authors made in creating them, but also the ways in which she gets students (and now the readers of her book) to think about memoir and their own lives.  Writing exercises that not only focus on early memories, but also the backgrounds of photos (which can be like those fuzzy memories that have little detail) and poems (from some of my favorites like Ted Kooser).

“A way of eating passes away with your mother.  How you held the sugar on your tongue.  How you stirred the crumbled cheese into the oiled broth.  How you savored the sweet grit of flour in the gravy pot, and the thick pink of the beef, and the heated pear with its nutmeg top, and the brownies with the confectioner’s crust.  You will dig through the freezer at your father’s house, mad for one last frozen roll of checkerboard cookie dough, one Tupperware of thick red sauce, one crystallized slice of eggplant parmesan.  You will burn your fingers with the cold.  Your mother’s cooking will be gone.”  (page 92)

But at all costs, she reminds us that “writing is a privilege,” and that privilege should NEVER be taken lightly.  Effectively, she dispels the myths about memoir, explains what memoir is not, and ensures readers and writers look deeper than the memories and events in their lives to uncover the recurring themes, which could provide insight to others and generate empathy, if not understanding and connection.  More importantly, she reminds readers that memoirs by-and-large leave huge chunks of people’s lives off the page, despite the journaling, writing, and researching done into every aspect.  Handling the Truth: On the Writing of Memoir by Beth Kephart is an intelligent, passionate reference that not only guides writers on how to tackle memoir writing, but also inspires them to read the memoirs of others and to learn from, as well as advising them on how to live with openness and curiosity.

***I don’t have too many writing reference books because I only keep the ones that speak to me and offer the best advice, and each of those is chock full of sticky flags, and Kephart’s book is going on that shelf.***

Also, check out how this book made me almost cry when reading it.

About the Author:

Beth Kephart is the author of 10 books, including the National Book Award finalist A Slant of Sun; the Book Sense pick Ghosts in the Garden; the autobiography of Philadelphia’s Schuylkill River, Flow; the acclaimed business fable Zenobia; and the critically acclaimed novels for young adults, Undercover and House of Dance. A third YA novel, Nothing but Ghosts, is due out in June 2009. And a fourth young adult novel, The Heart Is Not a Size, will be released in March 2010. “The Longest Distance,” a short story, appears in the May 2009 HarperTeen anthology, No Such Thing as the Real World.

Kephart is a winner of the Pennsylvania Council on the Arts fiction grant, a National Endowment for the Arts grant, a Leeway grant, a Pew Fellowships in the Arts grant, and the Speakeasy Poetry Prize, among other honors. Kephart’s essays are frequently anthologized, she has judged numerous competitions, and she has taught workshops at many institutions, to all ages. In the fall of 2009, Kephart will teach the advanced nonfiction workshop at the University of Pennsylvania.

Filed Under: memoir, Penguin, Publishers/Publicists, purchased, Read in 2013, Reference, reviews Tagged With: ,

Gracianna by Trini Amador

August 2, 2013 by

Source: Historical Fiction Virtual Book Tours
Hardcover, 277 pages
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Gracianna by Trini Amador is based on true events of the author’s great-grandmother’s life.  Gracianna is headstrong and determined to achieve her dream of going to America no matter who she leaves behind.  High in the Pyrenees Mountains among her Basque people along northeastern Spain and southwestern France, women tend to be strong, persevering against all odds, while traditionally, men run in fear or have wanderlust.  Amador chooses a third-person, seemingly omniscient narrative in which readers will see and hear the actions and reactions of Gracianna, Constance, and Juan.  Unfortunately, this method lends itself to more telling than showing, leaving the reader at a distance from the characters.

“Once she decided to engage with anyone on a given subject, they would become transfixed by her confidence, and the grasp and depth of her knowledge.  Her sureness came from her strong core.” (page 7)

While the 1940s through WWII is a tumultuous period full of tension and anguish, readers are likely to be pulled in and out of the story as the points of view shift even within chapters between main and minor characters.  From the French Resistance to the concentration camps in Auschwitz, Amador describes the conditions with aplomb, though there are moments where prisoners are asked by newcomers where they have landed in a way that makes it seem like they’ve arrived at a hotel or paradise resort — thus shifting the tone and diminishing the frightening atmosphere readers may expect.

Through the novel, Amador relies on sometimes obvious, and at other times unnecessary headline-like title breaks in the middle of chapters that often foreshadow the action to come.  Readers could find these distracting.  Gracianna is a character that readers want to love and cheer on throughout the novel, but the unusual structure makes that difficult.

In many ways, the author’s style is too focused on Gracianna’s cultural compass and how it guides her actions and decisions, and does little to shed light on her emotional losses and connections with others.  The relationship she has with her sister is tough to get a handle on given the time lapse between when she last sees her in Basque and when Constance shows up in Paris, and her relationship with her husband seems one-sided, as though she is pressured into marriage by the war.  Gracianna by Trini Amador pays homage to the author’s heritage and great-grandmother, weaving a story of fact and fiction that leaves readers looking for more dynamic characters they can connect with.

About the Author:

Trini Amador vividly remembers the day he found a loaded German Luger tucked away in a nightstand while wandering through his great-grandmother’s home in Southern California. He was only four years old at the time, but the memory remained and he knew he had to explore the story behind the gun. This experience sparked a journey towards Gracianna, Amador’s debut novel, inspired by true events and weaving reality with imagination. It’s a tale drawing from real-life family experiences.  Visit him on Facebook and Twitter.

Gracianna Tour Banner FINAL

This is my 50th book for the 2013 New Authors Challenge.

Filed Under: challenges, fiction, historical fiction, New Authors Challenge, Read in 2013, review copy, reviews Tagged With: , ,

The News from Spain by Joan Wickersham

July 30, 2013 by

Source: Public Library, though Beth Kephart’s review had me seek it out.
Hardcover, 208 pages
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The News from Spain: 7 Variations on a Love Story by Joan Wickersham explores what it means to love in its many forms, and how that emotion can be caught up with and distorted by other emotions and desires.  From the woman whose husband is a serial cheater even as she lays partially paralyzed and dependent upon him to the woman who is drawn again and again to a co-worker who is just out of reach, Wickersham demonstrates the power love has over our bodies and the helplessness we feel as we try to fight off that power.  Each story is titled “The News from Spain,” harkening to the segues used in conversation to divert attention or change the subject from something more personal and deeply wounding, as if calling attention away will make relationships and connections easier to bear or ignore.

“What they had together was pleasant.

But still that word continued to bother her, whenever she thought of it.  The fact that it appeared to be lauding, but the thing that it praised was a limitation.”  (Page 40)

There are characters here who are emotionally detached for a number of reasons, but even they find themselves in the midst of relationships, waffling through the navigation of their emotions.  Each character is seemingly stuck in a pattern of love, and these patterns continue infinitely through time as some of them long separated from these emotional or physical affairs continue to mull them over and remember them either fondly or quizzically.  Wickersham explores what it means to love and be loved, but also what it means to hurt the ones we love, to struggle in the quest for giving and receiving forgiveness, and also what it means to move beyond the hurt and pain to find peace and fondness without the bitterness and regret.

In one story, the narrator talks of unrequited love and the emotions running throughout her body becoming an unruly mob when she tries to rein them in after confessing to the man.  And this frenetic movement within her is reminiscent of those first flushes of love — requited or not — and the passions they inflame, but as she professes to continue to love her husband, readers may begin to wonder if it is love she feels at all for this other man or a want for those feelings of passion to reignite her life.  The News from Spain: 7 Variations on a Love Story by Joan Wickersham is at times an emotional roller coaster and at others a dark comedy on the passions of love, but her characters struggles are brought to life in a way that will leave a lasting impression on readers.

About the Author:

Joan Wickersham was born in New York City and grew up there and in Connecticut. Her new book of fiction, The News from Spain: Seven Variations on a Love Story, will be published by Knopf in October 2012. Her memoir The Suicide Index: Putting My Father’s Death in Order (Harcourt 2008) was a National Book Award Finalist. She is also the author of a novel, The Paper Anniversary.

Please visit her Website and her Facebook page.

This is my 49th book for the 2013 New Authors Challenge.

Filed Under: borrowed copy, challenges, fiction, New Authors Challenge, Publishers/Publicists, random house, Read in 2013, reviews, short stories

Emily & Herman: A Literary Romance by John J. Healey

July 25, 2013 by

Source: Arcade Publishing
Hardcover, 238 pages
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Emily & Herman: A Literary Romance by John J. Healey begins with the pretext that the author finds the manuscript among his deceased grandfather’s belongings and that the author’s name has been concealed.  The manuscript is set during the period in which Herman Melville is writing Moby Dick and is enticed by his sometime-mentor Nathaniel Hawthorne to take a trip to Boston and onto New York.  But on the way, which logistically makes no sense, they stop in Amherst to pay a visit to Hawthorne’s friend, the father of Emily and Austin Dickinson.  But the elder children are the only ones at home.  Barely age 20 and far from the hermetic woman she becomes, Emily Dickinson’s imagination is running wild as her esteemed guests propose a journey outside of her home town, an adventure she has a few reservations about, but ultimately decides to go for her brother’s sake, if not her own secretive yearnings to see more of the world.

The Dickinsons having been raised in a stern, Christian home are much more reserved than Melville, who has a reputation for his sea-faring adventures and his amorous encounters with natives.  Hawthorne is slightly less reserved, but still bristles at some of Melville’s more controversial statements about religion and humans’ animal instincts.  Meanwhile, Austin has a secret life outside the home in which he has been sowing his wild oats before committing fully to his soon-to-be betrothed — a more proper fit for the reserved Dickinson family.  Emily, on the other hand, enjoys reading as her escape and her solitude, until she glimpses what life could be outside of her cloistered existence in Amherst.

“‘If I were to answer with honesty, I would say there is wild within all of us, lurking underneath as you say.  It is perhaps our most irksome, mysterious and profound characteristic.'” (page 30)

Based upon the “Master” letters found among Dickinson’s belongings — letters which were never sent — an imagined relationship blooms between Melville and Dickinson.  They match wits on an intellectual level, and Melville finds in her a naive, but thoughtful young woman who is eager to learn and grow beyond what she has been taught.  Despite the changes around them, Dickinson is still confined by the role of a woman and her ruin can come from even just a whiff of scandal — something she is very much aware of even as she speaks most boldly about religion, animal instinct, and more.

The novel’s strength lies in the intellectual connections made over literature and the discussions they have about the world and its machinations.  When Whitman and an escaped slave William Johnson enter their path, even more of the changing world around them is revealed.  While there are some transitional moments that are bumpy, like when William Johnson is first introduced and when the narrative shifts from Hawthorne to Melville and the Dickinsons, the multiple perspectives help to round out the story.

Healey’s novel is graphic about certain sexual encounters, which could be troublesome for some readers — particularly those who do not wish to see Emily Dickinson or any author as objects of desire.  In some ways, perhaps the novel would have been better served had it been told from Dickinson’s point of view, looking backward on her affair with Melville.  The novel raises a number of questions not only about the differences between love freely given and the love codified by marriage vows, but also about how change can be a long, arduous process.  Emily & Herman: A Literary Romance by John J. Healey is more about the world as it changes from one in which strict puritan ideals are the only way to live to one in which slavery is slowly becoming less acceptable.

About the Author:

John J. Healey is the author of the recently published novel EMILY & HERMAN, (Arcade), a love story between Emily Dickinson and Herman Melville. He has been published in the Harvard Review and has directed two documentary films, ‘Federico García Lorca’ and the award-winning ‘The Practice of the Wild’. He lives in the United States and Spain and is currently working on a new work of fiction: ‘riverrun’.

This is my 48th book for the 2013 New Authors Challenge.

Filed Under: challenges, historical fiction, New Authors Challenge, Read in 2013, review copy, reviews Tagged With: ,

What Matters in Jane Austen? by John Mullan

July 24, 2013 by

Source: Public Library
Hardcover, 320 pages
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What Matters in Jane Austen by John Mullan is a detailed look at 12 stylistic techniques and concerns in Jane Austen’s numerous works, including the unfinished The Watsons and Sanditon.  The twelve puzzles Mullan explores range from the importance of age in her books, what characters call one another, and what games characters play to why her plots rely on blunders, what her characters read, and how experimental a novelist she was.  There are moments in the book where Mullan’s examinations become bogged down and overly verbose, but he clearly enjoys picking apart the most innocuous moments in Austen’s novels to support his theories.  Most of the theories he offers and backs up with source material from Austen’s books and letters to family members also are discussed by other scholars, whom he cites.  For aspiring writers, Mullan’s book can be used as a guide for creating those unique moments and nuances in a novel, emulating Austen but adapting it for modern sensibilities.  Although it is not a how-to guide for writers, it does offer some insight into elements of the craft.

“Admission to a bedroom is a rare privilege, for the reader as well as for a character.” (page 29)

“Names are used by Austen, as well as by her characters, as though they are precious material, so we sometimes hear only once, glancingly, what someone’s name is.  Thus the label on the trunk seen by Harriet Smith, directed to Mr. Elton at his hotel in Bath, which names him as Philip (II. v).” (page 46)

“But Austen wants us to think not so much about how characters look, but how they look to each other.  Her sparing use of specification when it comes to looks is striking when looks can be so important.”  (Page 57)

“Meteorology clues us in to the passing of the year.  But it is more than this.  Austen likes to make her plots turn on the weather.  Having arranged her characters and defined their situations, having planned her love stories and hatched the misunderstandings that might impede them, she lets the weather shape events.  It is her way of admitting chance into her narratives.” (page 101)

“The rather few critics who have written on speech in Austen’s fiction have discovered how each of her speakers seems to have their own idiolect — a way of speaking that is individually distinctive.”  (page 132)

Austen is an often underestimated author, especially in light of the writers who dismissed her early on.  Mullan pinpoints the genius of Austen beyond the morays of the time period in which she wrote and the social commentary.  Readers who have read all of Austen’s major works but once are likely to want to read them anew after reading Mullan’s examination.  Even those have read certain Austen books multiple times could find new theories in this book.  It is interesting to see what it means when characters blush, why weather is important, and what seaside resorts mean in Austen’s work.  Mullan also asks whether there is sex in her books.

What Matters in Jane Austen by John Mullan is less about the puzzles of Austen than about her techniques as a writer and creator of fiction.  It was an interesting look at how she stacked up to her contemporaries and offered something more.

About the Author:

John Mullan is a Professor of English at University College London. He specialises in 18th century fiction. He is currently working on the 18th-century section of the new Oxford English Literary History. He also writes a weekly column on contemporary fiction for The Guardian and reviews books for the London Review of Books and New Statesman. He occasionally appears as an 18th-century and contemporary literature expert for BBC Two’s Newsnight Review and BBC Radio 4’s In Our Time. Mullan was a judge for The Best of the Booker in 2008 and for the Man Booker Prize in 2009. He was a Research Fellow at Jesus College, Cambridge and a Lecturer at Fitzwilliam College, Cambridge, before coming to UCL in 1994.

This is my 47th book for the 2013 New Authors Challenge.

Filed Under: Bloomsbury, borrowed copy, challenges, New Authors Challenge, nonfiction, Publishers/Publicists, Read in 2013, reviews Tagged With:

The Nine Fold Heaven by Mingmei Yip

July 19, 2013 by

Source: Mingmei Yip, the author
Paperback, 320 pages
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Skeleton Women‘s Heavenly Songbird Camilla returns in The Nine Fold Heaven by Mingmei Yip (check out Chapter One) after a quick exit from Shanghai in the 1930s into Hong Kong.  She’s hiding out away from the gangsters she betrayed, but this once emotionless spy now must endure guilt and longing.  She does not know the fate of her love Jinying, nor of her lover Gao, but more importantly, she knows that her baby, Jinjin, is alive but not where he is.  Yip has a firm grasp of the atmosphere during this period in Shanghai, a time when gangs ran the government, businesses, and held everyone else at gunpoint.  The corruption, backroom deals, and fear permeate this novel, and Camilla is forced to return to Shanghai even though her life is clearly going to be in danger there.  Using her skills as a trained skeleton woman — which include seduction — she is able to disguise herself and create plausible stories on the spot, but the trick now is not to let her emotions rule her, which in some instances they do, leading to trouble.

“Unwilling to give up, I forced my tired feet to carry me into the hall and through the door to the next room.  Once I had stepped across the threshold, I noticed something different, even eerie, but I couldn’t pinpoint what that was–except it came with an unpleasant smell.  Instead of rows of cribs as in the other room, this one had only one single large bed in which was what looked like a huge lump covered with a black cloud.  I couldn’t tell what it was in the distance, but it was heaving like a collective heartbeat.  I went up to take a closer look.” (page 102 ARC)

While Camilla searches for her baby, she’s also searching for her lovers, but in the midst of her investigations she meets up with an American ambassador who could offer her protection from the gangs and falls into the hands of Rainbow Chang, a gossip columnist and head of the Pink Skeleton Women.  At many times, she is in danger, and in spite of this danger, she’s confident she has the perfect plan for escape, but given that the novel is told from her point of view, readers also will hear her inner demons and learn of her shaky confidence.  Wallowing in self-pity becomes a mantra for Camilla early on in the novel, and it becomes a drone in the background even as the plot moves forward, making it difficult to like the protagonist.  However, her determination to find peace and her family are rewarding and helps build an emotional connection with the reader, especially given her sordid past as a skeleton woman and a sad orphan.

“So after seemingly endless gentle twisting in all the auspicious and inauspicious directions and angles, with the application of just a little strength, the lock finally surrendered with a long-awaited sigh of release.  I couldn’t help but feel satisfaction at the culmination of my courtship of the lock.”  (page 249 ARC)

The Nine Fold Heaven by Mingmei Yip is peppered with poetry, proverbs, and more, and it’s a solid follow-up to Skeleton Women (which does not have to be read first), though the ending could be an opening for a third book.  Yip is talented and understands how to create a story that is deep in its passions and exciting in plot.  While Camilla can be hard to love, her plight is age-old.

About the Author:

Kensington author Mingmei Yip believes that one should, besides being entertained, also get something out of reading a novel. Her new novel is Skeleton Women is about survival, letting go, and finding love and compassion.

Her debut novel Peach Blossom Pavilion is the story about the last Chinese Geisha and also that of courage and the determination to succeed and attain happiness. Her second novel Petals from the Sky, a poignant Buddhist love story, is about wisdom, compassion, when to persist and when to let go. Her third novel Song of the Silk Road is an adventure love story between an older woman and a younger man with a three million award on China’s famous, dangerous route.

For more about the author and her books visit her Website, on Twitter, and on Facebook.

Filed Under: ARC, historical fiction, Read in 2013, reviews Tagged With: ,

Lotería by Mario Alberto Zambrano

July 18, 2013 by

Source: TLC Book Tours and Harper
Hardcover, 288 pages
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Lotería by Mario Alberto Zambrano is an imaginative coming-of-age story for eleven-year-old Luz Castillo that uses the cards from a Mexican game that resembles American bingo.  Each card can be covered in the game once the riddle is called and the players know what card it is based on the riddle, and each card is placed in a tablas in any order or in a standard order.  Like the game, Luz unwinds her memories just before a tragic event lands her in a center and her father arrested.  As she turns the cards over, a memory is triggered, and she writes it down in her journal at the behest of her auntie Tencha.  Like any child traumatized by a startling event, Luz’s memories do not follow any kind of straightforward timeline, but they do reveal a great deal about her family’s immigration, ties to Mexico, and adjustment in America.

“And because quiero can mean either want or love, I asked if it meant “I want you” or “I love you.”  Come here, because I love you,or, come here, because I want you? If you were saying to someone, come to me, then the person you loved wasn’t there, and if you had to tell someone to come to you then maybe he didn’t love you.  And to want someone to come to you is like an order.  If you have to order someone to come to you, how much love is in that anyway?”  (page 13 ARC)

Like the journal entries, Luz’s family life is complex and multilayered with her older sister, Estrella, having been born in Mexico and knowing to smoothly speak Spanish, while Luz is a natural born American who is self-conscious about speaking Spanish aloud even though she knows what those around her say.  While there are moments in this novel when Luz has more adult thoughts, the experiences she has at home with her parents always fighting and her cousins taking advantage of her youth when she visits in Mexico, it is clear that she is mature beyond her years and has given a great deal of thought to her life experiences.

Peppering the story with Spanish words, the meaning of which can be mostly gleaned from the context of the story, Zambrano has crafted a puzzle that will spur readers to keep reading and take the journey with Luz as she uncovers the memories she’s tried to forget about her family.  While Luz has grown up in a typically male-oriented household, it is clear that America has had an influence on the family as her mother takes a job outside the home and never cowers behind her skirts when her husband is out of control with drink.  Despite the hardships, Luz has faced, she still remains optimistic and open to the possibilities of a better life, as she speaks to God in her journal entries about her past and her own confusion and feelings.

Lotería by Mario Alberto Zambrano is well-crafted, stunning, and highly recommended.  It brings to light the horrors of familial dysfunction, abuse, and general family discord through the eyes of a mature child, who strives to cope with it all in the best way possible.  Not only does it highlight the transition of a family from life in Mexico to one in America — with its opportunities and disappointments — but it also examines the dichotomy of family relationships that produce both love and hate.  Zambrano is an author to watch for.

About the Author:

Mario Alberto Zambrano was a Riggio Honors Fellow at the New School and recently completed his MFA at the Iowa Writers’ Workshop as an Iowa Arts Fellow. He is a recipient of the John C. Schupes Fellowship for Excellence in Fiction. Lotería is his first novel.

Find out more about Mario at his Website and connect with him on Facebook.

This is my 46th book for the 2013 New Authors Challenge.

Filed Under: ARC, challenges, fiction, Harper Collins, New Authors Challenge, Publishers/Publicists, Read in 2013, reviews, tlc book tours Tagged With: ,

The Year of Goodbyes by Debbie Levy

July 16, 2013 by

Source: Book Expo America 2010
Hardcover, 136 pages
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The Year of Goodbyes by Debbie Levy is an adaptation of her mother’s poesiealbum (poetry album) into a narrative poem, peppered with images and actual entries, and a WWII historical time line as well as a resource listing and a section catching up with Jutta Salzberg’s family and friends and their ultimate fates.  This powerful hybrid poem/memoir not only examines the horrifying snowball effect of Nazi Germany’s laws against Jews, but also how Jewish children still found ways to maintain their childhood and enjoy the joyous moments they still had.

Salzberg lived in Hamburg, Germany, and was the daughter of a Polish born Jew who emigrated to Germany before the Nazi’s came to power, and the poetry album, much like American autograph books, begins in 1938, which became a pivotal year for Jutta.  Her father was a successful, belt, suspender, etc. salesman, who is eventually dismissed from his job because he’s a Jew. As a young lady on the verge of womanhood, she is capable of not only enjoying gossip and games with classmates, but also understand the deep seriousness of the changes around her.

Parents (page 32)
...
He sags
and I think how Father could use something
to hold him up--
a belt,
a suspender,
a garter...

She also has the ability to question the changes around her within the context of the words from her friends, like respecting one’s elders. Jutta wonders how she can respect someone like Hitler, who is her elder, when he spread such fear and hatred.  There is great tension in this short, narrative poem/journal as a young girl tries to find the silver lining in her circumstances, remember her friends, and enjoy moments with her family, while at the same time worrying that her immediate family will be unable to leave Germany for America as the consulate will not issue them U.S. visas.  The section of the narrative poem that is the most heart-wrenching is when Jews are forced to seek out kindness from strangers in America who just happen to have their same last name.

The Year of Goodbyes by Debbie Levy is powerful and a great testament to her mother’s memory, her own family’s past, and the hope generated by that remembering.  The book is not only a year of goodbyes between Jutta and her family and friends, it also contains information that may not be as well known, including the role of Jutta’s cousin Guy Gotthelf in the French Resistance and the impact of one Jewish man, Herschel Grynszpan, on those left behind in Germany when he avenged the murder of his own family back in Germany.  Lasting, eye-opening, and a must read for young and old.

About the Author:

Debbie Levy writes books — fiction, nonfiction, and poetry — for people of all different ages, and especially for young people. Before starting her writing career, she was a newspaper editor, and a lawyer with a Washington, D.C. law firm. She has a bachelor’s degree in government and foreign affairs from the University of Virginia, and a law degree and master’s degree in world politics from the University of Michigan. She lives in Maryland and spends as much time as she can kayaking and otherwise messing around in the Chesapeake Bay region.  Follow her on Twitter and Facebook.  Also please check out the article on her family’s journey in The Washington Post, and her own article on finding the journal in the same publication.

Also, check out her new book, Imperfect Spiral, which is published today!

Danielle Snyder’s summer job as a babysitter takes a tragic turn when Humphrey, the five-year-old boy she’s watching, runs in front of oncoming traffic to chase down his football. Immediately Danielle is caught up in the machinery of tragedy: police investigations, neighborhood squabbling, and, when the driver of the car that struck Humphrey turns out to be an undocumented alien, outsiders use the accident to further a politically charged immigration debate. Wanting only to mourn Humphrey, the sweet kid she had a surprisingly strong friendship with, Danielle tries to avoid the world around her. Through a new relationship with Justin, a boy she meets at the park, she begins to work through her grief, but as details of the accident emerge, much is not as it seems. It’s time for Danielle to face reality, but when the truth brings so much pain, can she find a way to do right by Humphrey’s memory and forgive herself for his death?

On July 27, 2013, at 3:30 pm for those in the Alexandria, Va., area, Debbie will be with Beth Kephart in a joint event at Hooray for Books.

This is my 45th book for the 2013 New Authors Challenge.

Filed Under: challenges, historical fiction, New Authors Challenge, Read in 2013, review copy, reviews Tagged With: , ,

Letters From Skye by Jessica Brockmole

July 12, 2013 by

Source: TLC Book Tours and Random House
Hardcover, 304 pages
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Letters from Skye by Jessica Brockmole, an epistolary novel that straddles two World Wars, is about falling in love, finding your soul mate, and poetry.  Elspeth Dunn, a Scottish poet on the Isle of Skye, lives a rather cloistered life on her island but one of her books makes its way across the Atlantic to a young man in Illinois, David Graham, who writes her a fan letter.  Over the course of several years beginning when WWI breaks out in Europe, Elspeth and David begin a correspondence that takes on a life of its own.

“It’s the war talking.  I know; I’ve seen it.  They head off, invincible, feeling as if the future is a golden pool before them, ready to dive into.  And then something happens — a bomb, a sprained wrist, a bullet that whizzes by too close for comfort — and suddenly they are grabbing for whatever they can hold on to.  That golden pool, it swirls around them, and they worry they might drown if they’re not careful.  They hold tight and make whatever promise comes to mind.  You can’t believe anything said in wartime.  Emotions are as fleeting as a quiet night.”  (page 33 ARC)

While David is in America struggling through college and hoping to subvert his father’s plans for medical school, Elspeth is busy writing poetry and becoming even more entrenched in the lines her muse is offering.  Her relationship with her brother Finlay is the closest she has, but war does change things.  The more her muse speaks, the more she’s pulled away from the life she’s always known and the more she is challenged to face her fears — including her fear of water.

Through Elspeth and David’s correspondence the wider impact of war is experienced, complete with the tension of the home front as wives and families wait for their loved ones.  But at the same time, the lives of women are broadening as they are able to enter into jobs once thought of as men’s work.  The feminist leanings of Elspeth are clearly front and center in some of her correspondence with David, but it never deters him in his pursuit of her.  The moral high ground has no place in this romantic jaunt across Scotland, London, and France as a young woman and man succumb to their emotional connection on the page.

Letters from Skye by Jessica Brockmole weaves Elspeth and David’s story with that of Margaret, Elspeth’s daughter, and her search for the past.  Margaret has never met her father, and her mother remains close-lipped about her past and her daughter’s father.  But when WWII begins to break out, all of the old transgressions and emotional upheaval of Elspeth’s past resurfaces, threatening to leave her unmoored once again.  But Margaret’s life is far from pristine when it comes to the tentacles of war as her fiance flies for the RAF.  Brockmole’s letters are frank, honest, and engaging as these relationships unfold and enfold, creating a family history that will be hard to forget.  And yes, there is a poem included!

About the Author:

Jessica Brockmole spent several years living in Scotland, where she knew too well the challenges in maintaining relationships from a distance. She plotted her first novel on a long drive from the Isle of Skye to Edinburgh. She now lives in Indiana with her husband and two children.

To learn more about Jessica and her work, visit her Website.

To WIN a copy of this book, leave a comment by July 19, 2013, at 11:59 PM EST; You must be a U.S. resident 18 years and older.

This is my 44th book for the 2013 New Authors Challenge.

Filed Under: ARC, challenges, giveaway, historical fiction, New Authors Challenge, Publishers/Publicists, random house, Read in 2013, reviews, tlc book tours Tagged With: ,

What Changes Everything by Masha Hamilton

July 10, 2013 by

Source: Unbridled Books, unsolicited
Hardcover, 288 pages
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What Changes Everything by Masha Hamilton is a look at the reverberating impact of war on not only the countries directly affected, but also those countries who send people to help refugees and the injured.  Todd Barbery coordinates aid for refugees and hospitals with the help of his Afghan contact, Amin.  Todd is far from his wife Clarissa of about three years and his only daughter Ruby, who is just beginning her own life, but while Clarissa fears for his safety and has wrestled a promise from him that this will be his last rotation in Afghanistan, Todd wishes not to be so closely guarded and insists on moments of freedom.

“Already wearing sweatpants and a T-shirt, she tied the laces to her tennis shoes, tugged a sweatshirt over her head, and slipped downstairs.  Her stomach felt hollow.  Hunger had largely left her during these last days — she’d always been an indifferent eater, but now she found herself forgetting about food altogether until she’d notice her hands were shaking.”  (Page 135 ARC)

Each section is from a different perspective that alternates between Todd, the subject who is kidnapped and the major driver of the plot; Clarissa; Amin; Mandy; and Stela and Danil — a mother and her son, a young graffiti artist who lost his brother to Afghanistan and friendly fire.  While many of these characters’ experiences and lives intersect, Mandy and the letters written by Najibullah — a former ruler of the nation who is held by the UN and not allowed to leave for exile with his wife and daughters — are outside those interactions and direct connections to demonstrate a more compassionate and empathetic side of the story to juxtapose the heartbreak and devastation of war.

“The man turned toward Todd.  He was about twenty-five years old.  He wore a blue-gray turban and a brown vest over his salwar kameez, and his eyebrows were unusually thick, like angry storm clouds hovering over his eyes.”  (page 31 ARC)

There is great compassion and hidden understanding in these fictional lives, and much of that seems to stem from the torture and death of a historical figure, Najibullah, at least as a driving force for Amin.  However, the letters from the former president to his daughters in exile tend to pull the reader out of the rest of the story until the connection is made to Amin, and the novel may have been better served had those letters been truncated and included in Amin’s portion of the story as flashbacks or memories.  The tension with the kidnapping is well done as is the tension between Clarissa and her step-daughter as negotiations continue and the FBI is looking for the go-ahead for a military distraction even though they claim they do not know her husband’s exact location.

Danger is around every corner, or that’s how it should be perceived in this novel, and when it isn’t unfortunate things happen but at other times unexpectedly good things happen as well.  Hamilton’s prose is easy to read and is packed with emotion and perspectives that are rarely examined in war-based fiction.  The novel seeks to be well-rounded in perspective, which is tough given the complexities of the factions in Afghanistan.  What Changes Everything by Masha Hamilton is engaging and hammers home the impact of war not just on the immediate participants and their families, but also those on the periphery and who are actively compassionate in their work and have a need to assist in any way they can.

About the Author:

Masha Hamilton is currently working in Afghanistan as Director of Communications and Public Diplomacy at the US Embassy. She is the author of four acclaimed novels, most recently 31 Hours, which the Washington Post called one of the best novels of 2009 and independent bookstores named an Indie choice. She also founded two world literacy projects, the Camel Book Drive and the Afghan Women’s Writing Project. She is the winner of the 2010 Women’s National Book Association award.  Check out the inspiration behind the book, What Changes Everything.  She is also behind the Afghan Women’s Writing Project.

This is my 43rd book for the 2013 New Authors Challenge.

Filed Under: ARC, challenges, fiction, New Authors Challenge, Publishers/Publicists, Read in 2013, reviews, unbridled books Tagged With: ,

A Small Death in Lisbon by Robert Wilson

July 9, 2013 by

Source: Public Library
Hardcover, 440 pages
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A Small Death in Lisbon by Robert Wilson is a mystery set in Lisbon, Portugal, in the 1990s, but also a novel that has routes in World War II when Germans were looking for an escape route when the war looked to be ending, and not in their favor.  The novel opens with the death of a young teen, Catarina Oliveira, who has a promiscuous past and a less-than-ideal family life.  Inspector Zé Coelho is on the case, which drags him into conspiratorial intrigues and the dark, convoluted past of his home nation.  Shifting back to 1941, Wilson unveils Klaus Felsen, a German businessman who is “recruited” by the German SS for a particular purpose that takes him into Spain, Portugal, and later Africa, as some Nazis, including his recruiter Lehrer, begin to see the campaign against Russia as folly.  Wilson’s novel is about political regimes and how even their single-minded focus can be derailed by the most personal of matters.

Felsen is an opportunist who attempts to make the most of his new position in the SS, doing the best he can to game the Wolfram markets and garner more of the mineral and other materials away from Britain and the allies from neutral countries, like Portugal.  His meeting with a British agent Edward Burton turns ugly, marring his character and leading him down an ever darkening path that sets him adrift.  Coelho, meanwhile, is slowly investigating the murder of young girl, finding that the ghosts in Salazar‘s closet are not so hidden.  The links between the Oliveira girl and the Nazis’ past in Portugal are convoluted and sinister even as publicly the nation remained neutral.

“‘So you’ve seen some of Lisbon,’ he said.  ‘Now when you see Salazar’s capital after dark perhaps you understand my point about the harlot.  Lisbon’s a whore, a peasant Arab whore, who wears a tiara at night.'”  (page 92)

Wilson successfully paints an atmosphere of paranoia among the Germans as the war winds down, and demonstrates through a series of minor characters the tensions between fascism and communism in Portugal following the war.  These political tensions weigh heavily throughout the mystery novel creating a multilayered, interlocking puzzle to be unraveled by Coelho.  Ripe with sex scenes and the underbelly of prostitution in Lisbon, the darker elements of Felsen and later Miguel Rodrigues’s desires come into the light, along with incest, adultery, perversity, and murder.

Unfortunately, these multiple story lines seem forced together toward the end with newer, less important plot lines that could have remained unresolved by Wilson.  Ultimately, the most well drawn character in the book is Felsen, though for the latter third he disappears until the very end when there seems to be no other way to tie up the mystery.  Coelho is a carbon cut out of any police detective and doesn’t seem particularly Portuguese with any respect, which could be due to the time he spent in England with his wife and child.  His time in England, however, may have made him less old-world Portuguese in some sense, but at his core, readers may expect him to still have those old world values, which could leave readers feeling that Wilson’s detective is not authentic enough.  A Small Death in Lisbon by Robert Wilson works as a mystery novel but not as well as one would expect given the high number of coincidences, but the historical parts of this book are deeply engaging and unique.  Overall, a satisfying read that will keep readers turning the pages.

About the Author:

Robert Wilson is the author of nine previous novels, including A Small Death in Lisbon and The Company of Strangers. A graduate of Oxford University, he has worked in shipping, advertising, and trading in Africa, and has lived in Greece and West Africa.

This is my 42nd book for the 2013 New Authors Challenge.

Filed Under: borrowed copy, challenges, fiction, historical fiction, New Authors Challenge, Penguin, Read in 2013, reviews Tagged With: ,