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Poetry Reading Challenge 2019

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It’s that time again when everyone makes lists of books they want to read. We’ve already seen a lot of First Books for 2019, so I’m interested to see what poetry books everyone will be reading this year.

I’m always on the hunt for new poetry read, and I hope you are to. Stop by, join the challenge, let us know how many poetry books or poems you plan to read this year.

When you post about poetry, review a poetry collection, or want to talk about a poem that was powerful, feel free to leave a link below:

No pressure in this challenge, just a lot of sharing.

Wild Embers by Nikita Gill

Source: Purchased
Paperback, 160 pgs.
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Wild Embers by Nikita Gill is a collection of poems to empower women to embrace all that they are — wild or not — and to inspire them to love themselves enough not to fall into the deadly traps of wolves.

One of my favorites from this collection was “Multiverse” in which the poet examines the concepts of time and universes — parallel lives in which things are better. I also loved “Your Heart Is Not a Hospital” in which the idea of fixing lovers and friends is explored. “Learned Helplessness” and “The Bones of Trauma” also are fantastic. These poems are personal and examine the roots of abuse and learning to move forward and love oneself.

Gill takes on some fairy-tale characters and goddesses and recharacterizes them in poetic sketches. But these are not as in-depth or as powerful as those persona poems created by other poets. They barely scratch the surface of these characters and sometimes read like a litany of characteristics we learned about in school. While the purpose and intent are sound — empowering women — the execution fell flat for me. I far preferred the first half of the book that was more personal.

Wild Embers by Nikita Gill is a good first collection, even if the second half of the collection falls a bit flat. The beginning poems are worth reading more than once and sharing with others.

RATING: Tercet

About the Poet:

Nikita Gill is a twenty four year old madness who likes to write short stories that are, kind of like her, barely there. She has recently published her first anthology and is now working on her book of poetry.

The Rain in Portugal by Billy Collins

Source: Purchased
Paperback, 128 pgs.
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The Rain in Portugal by Billy Collins covers a range of emotion, mirroring the title of the collection with the beauty of Portugal and the sadness of the gloomy rain. Some poems are ripe with his characteristic wit, while others (particularly the one about Seamus Heaney) are elegiac. My favorite poems are those in which delightful moments of observation (anticipated or already known) emerge for the reader.

Such as the opening poem, “1960,” where the narrator is listening to an old jazz album, anticipating the moment when a man’s laugh is heard like a discordant note because the album was recorded live in a club. There is that sense of surprise and familiarity because we’ve all had those moments where someone outside of our group is loud enough to be heard over the hum of conversation or the blare of horns. What has happened to this intruder now that time has passed? And yet, it doesn’t much matter because the moment brings you back to a time you remember fondly.

from "Basho in Ireland" (pg. 12)

I am not exactly like him
because I am not Japanese
and I have no idea what Kyoto is like.

But once, while walking around
the Irish town of Ballyvaughan
I caught myself longing to be in Ballyvaughan.

The sensation of being homesick
for a place that is not my home
while being right in the middle of it.

Collins’ poems are nostalgic and questioning, allowing the reader to see how the ordinary can become extraordinary. How do you become homesick for a place you are visiting at that moment and is not your home? As if something has shifted since your arrival that you can’t quite put your finger on. Isn’t that the mystery of existence?

from "Bravura" (pg. 54)

I will never forget the stunner
modestly titled 'Still Life with Roses,'
which featured so many decanters and mirrors
the result was a corridor of echoing replications.

“Sirens” is another poem that has an unexpected turn, but that little gem you’ll have to discover on your own. Collins is examining notions of being present and how one knows when they are there, in that moment and how long does that last? When do you know it has passed? Do you hold on or let it go? What happens if you do one or the other? Themes like these are strongest in “The Present” and “Bags of Time,” but they recur in each poem throughout the collection, leaving readers with much to consider.

The Rain in Portugal by Billy Collins is beautifully rendered with so much to ponder about how time passes even when we’re not paying attention, and how little attention we pay to the things that pass before us and around us. What would happen if we paid a little more attention? Would we get lost in the infinite possibilities? Don’t miss this collection.

RATING: Quatrain

Other Reviews:

About the Poet:

Billy Collins, is an American poet, appointed as Poet Laureate of the United States from 2001 to 2003. In 2016, Collins retired from his position as a Distinguished Professor at Lehman College of the City University of New York after teaching there almost 50 years.

The Poetry of Us edited by J. Patrick Lewis

Source: Media Masters Publicity
Hardcover, 192 pgs.
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The Poetry of US edited by J. Patrick Lewis is a compilation of poetry representing a number of aspects of our country. Broken down by region, the poems speak to New England, the Mid-Atlantic, Southeast, Midwest, Great Plains, Rocky Mountains, Pacific Coast, and the U.S. Territories. Former U.S. Children’s Poet Laureate J Patrick Lewis chose more than 200 poems for the collection to demonstrate the diversity not only of our country, but the poets themselves. The color photos from the National Geographic archives are gorgeous and full bleed in most cases, ensuring this collection packs a visual punch as well.

Reading the poems in the New England section was like coming home, particularly when reading David Elliott’s “Boston Baked Beans: A Recipe,” which includes some wonderful unique speech that Boston is known for, even if not everyone speaks dropping their r’s.

This collection also includes some of my very favorite poems from Langston Hughes, Carl Sandburg, and other classic poets, but there are also contemporary poets throughout, including Ted Kooser, Jane Yolen, Lewis himself, Naomi Shihab Nye, and more.

The Poetry of US edited by J. Patrick Lewis is a wonderful introduction to our country for younger readers, providing them with just a sprinkling of our geographic diversity and a heap of cultural diversity. From the immigrants who come to our shores seeking a home to those who have lived here since the country was born, these poems and images seek to remind us of who we hope to be — a melting pot of diversity. Heartwarming photos of children being embraced in the nation’s capital, sweeping photos of Niagara Falls and mountains of majesty, the collection brings home the unity we can find together if we put our hearts and minds to it.

RATING: Cinquain

About the Editor:

Former Children’s Poet Laureate J. Patrick Lewis grew up in Gary, Indiana and earned a BA at Saint Joseph’s College, an MA at Indiana University, and a PhD in economics at the Ohio State University. Lewis taught in the department of Business, Accounting and Economics at Otterbein College in Westerville, Ohio, until 1998 when he became a full-time writer.

Lewis is the author of more than fifty books of poetry for children, which find their shape in both free and formal verse and engage a wide range of subjects from history to mathematics, Russian folklore to the animal kingdom. His books for children include Spot the Plot: A Riddle Book of Book Riddles (2009, illustrated by Lynn Munsinger); New York Times Best Illustrated Book The Last Resort (2002, illustrated by Roberto Innocenti and translated into more than a dozen languages); The Shoe Tree of Chagrin (2001, illustrated by Chris Sheban), which won the Society of Children’s Book Writers & Illustrators’ Golden Kite Award; and A Hippopotamusn’t: And Other Animal Poems (1990, illustrated by Victoria Chess). His collaborations with other children’s poets have yielded several collections, including Castles: Old Stone Poems (2006, with Rebecca Dotlich, illustrated by Dan Burr) and Birds on a Wire: A Renga ‘Round the Town (2008, with Paul Janeczko, illustrated by Gary Lippincott).

Fly With Me by Jane Yolen, Heidi E.Y. Stemple, Adam Stemple, and Jason Stemple

Source: Media Masters Publicity
Hardcover, 192 pgs.
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Fly with Me: A Celebration of Birds Through Pictures, Poems, and Stories by Jane Yolen, Heidi E.Y. Stemple, Adam Stemple, and Jason Stemple is gorgeous. The photographs and reproductions of artwork are stunning, bring each bird to life for young readers. With these colorful pictures, it will be hard for young readers to turn away, and parents will be able to use this as a resource for not only the biology of birds, but also in geography lessons in which state birds are talked about. The giant state bird map is wonderfully detailed, as are the pages about migration, ancient birds, evolution and extinction, and so much more.

I originally wanted to review this book because poetry is included, and Yolen’s poems are always accessible to a number of audiences. I wasn’t wrong about that here, either, as her poems in this book are a great way to introduce young readers to birds. There also are poems from Heidi E.Y. Stemple, which are equally accessible. I loved sharing with my daughter how Stemple’s poem, “Vee,” not only examines the migration of geese but is also shaped like the “V” formation of geese.

Fly with Me: A Celebration of Birds Through Pictures, Poems, and Stories by Jane Yolen, Heidi E.Y. Stemple, Adam Stemple, and Jason Stemple is a collection that the whole family can share. It was big hit for its colorful pages and its poetry, but there is so much more to explore in these pages.

RATING: Cinquain

About the Authors:

JANE YOLEN is an author of children’s books, fantasy, and science fiction, including Owl Moon, The Devil’s Arithmetic, and How Do Dinosaurs Say Goodnight? She is also a poet, a teacher of writing and literature, and a reviewer of children’s literature.

HEIDI STEMPLE was 28 years old when she joined the family business, publishing her first short story in a book called Famous Writers and Their Kids Write Spooky Stories. The famous writer was her mom, author Jane Yolen. Since then, she has published 20 books and numerous short stories and poems, mostly for children.
Stemple, her two daughters, her mom, and a couple cats live in Massachusetts on a big old farm with two houses.

JASON STEMPLE is an author and photographer. He lives with his wife and children in Charleston, South Carolina.

ADAM STEMPLE is a novelist and musician. He lives in Minneapolis, Minnesota.

Our Situation by W. Luther Jett

Source: Purchased
Paperback, 27 pgs.
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Our Situation by W. Luther Jett is a powerful chapbook in which the poet explores the uncertainty of not only the state of politics in the United States, but also events that jar us from our routine lives and remind us that trauma can occur unexpectedly. Despite the keening (there is a poem with such a title about a dying nation) in the volume, there are glimmers of hope to be had.

"Keening" (pg. 2)

My country is dying and I,
I am singing the night to sleep.

While fireflies rise from their
diurnal graves to torch the dark, I sing.

While the owl's great winds sweep
clean the sightless air, I sing.

From the mountains to the prairies
I sing, and from ocean to ocean, we weep.

We weep together for our song
is as much a lament as it is a battle-cry."

Jett’s imagery in these poems, like in “Spinning,” place the reader at the center of the action. Readers will feel the body in the air after the car makes contact, and the hot breath of the wolf at the narrator’s back in “Canary.” Many of these images are at first subtle until their power creeps up on the reader, and it is perfectly on display in “Canary” and many other poems.

Our Situation by W. Luther Jett does not strike heavily with its message about the current political and social situations we find ourselves in as a nation, like the narrator says in “Canary:” “A wolf is walking/down my backbone — and you don’t/believe me.” and “he’ll lunge and bite — and you/you won’t believe it’s happening/even as you watch me/disintegrate into a smear of viscera./” (pg. 5) And in many ways, Jett gives many the hope they need that we can recover from the darkness, like in “Love Song for A Dismembered Country:” “A voice you have forgotten/will return, wearing/night-colored slippers// Then these words at last/may roll the way honey does/over your parched tongue.//” (pg. 24) Don’t miss this collection.

**Note: Jett is part of a poetry workshop group to which I belong.**

RATING: Quatrain

About the Poet:

W. Luther Jett is a native of Montgomery County, Maryland and a retired special educator. His poetry has been published in numerous journals, such as The GW Review, Beltway, Potomac Review, and Little Patuxent Review as well as several anthologies, including My Cruel Invention and Proud to Be. His poetry performance piece, Flying to America, debuted at the 2009 Capital Fringe Festival in Washington D.C. He has been a featured reader at many D.C. area venues. He is the author of two poetry chapbooks: Not Quite: Poems Written in Search of My Father, released by Finishing Line Press in the fall of 2015, and Our Situation, released by Prolific Press, summer, 2018.

Musings of a Netflix Binge Viewer by Kateema Lee

Source: Purchased
Paperback, 25 pgs.
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Musings of a Netflix Binge Viewer by Kateema Lee speaks to the mind of a grieving daughter easing her sadness with popcorn thrillers, classics, and so much more. Characters pulled from Hitchcock to Kung Fu movies fill these poems with whimsy and darkness, but it is the gray areas that shine brightest. Lee has a knack for blending these iconic characters with real life memories and emotions. Imagine sitting alone in the dark watching late night movies, delving deep into the past and its tumultuous emotions to try to make sense of those disappointments to find peace.

From “Hiatus: Why I Bought a Mustang” (pg. 21)

like Steve McQueen in Bullitt, down sunny,
California streets; then busy streets changed to long,
tree-lined highways, windows down, air
blinding me in short bursts and celebrating
me at the same time. In the dream, my father
was the man he wanted to be, a military hero,

That’s the thing about dreams, we can be anyone we want to be. Much like when we watch movies, we can place ourselves in those alternate lives leaving our cares behind. Our fantasies can find us driving fast in a sports car or visiting different countries with people who have passed on. But there is that “buffering” that happens when our lives seem to be paused or stuck between what came before and what is to come.

Lee’s Musings of a Netflix Binge Viewer is a meditative examination of one’s life and memories through the lens of the movie camera and the lens of our desires for different outcomes. But it is also a review of a life lived and coming to peace with what has passed in order to move forward.

RATING: Quatrain

Other Reviews:

About the Poet:

Kateema Lee is a Washington D.C. native. She earned her M.F.A in Creative Writing at the University of Maryland at College Park. She’s a Cave Canem Graduate Fellow, and she’s a Callaloo Workshop participant. Her work has appeared in anthologies, print, and online literary journals, including African American Review, Gargoyle, Word Riot, and Cave Canem Anthology XIII. When she’s not writing, she teaches English and Women’s Studies courses at Montgomery College.

Hourglass Museum by Kelli Russell Agodon

Source: Purchased
eBook, 108 pgs.
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Hourglass Museum by Kelli Russell Agodon creates its own gallery of art in which human interaction with artists’ work, ranging from Andy Warhol to Frida Kahlo and Georgia O’Keefe, is on display for readers to generate yet another level of interaction and interpretation. These poems are similar to the recursive style of painting in which a painter is seen painting himself inside of painting, etc., or something similar.

Agodon leaves readers with a number of verses to think on, including: “You said, Sometimes I still want to be needed, so I let our kitchen become a flood of time and you” and “To be master of your own fate means sometimes you have to rip up the instruction manual” and “to know the theme parks in our minds are really just a hall of mirrors.”

Even as she explores art that is recognizable, she’s also exploring human behaviors and how in some ways we self-sabotage and in others we seek solace and find little. I found many lines rang true, especially: “Poem: a form of negotiation for what haunts us.”

Hourglass Museum by Kelli Russell Agodon has an apt title in which human interaction with art is explored and the reality remains that our time is finite. She raises questions about societal norms, including the urge to thank fathers for taking their daughters by friends and teachers as if those fathers are not related to their children and not equally responsible for their care. Such innate reactions to simple acts of parenting bring this collection to life, grounding it in the personal.

RATING: Cinquain

About the Poet:

Kelli Russell Agodon is the author of Hourglass Museum (White Pine Press, 2014). She lives in the Seattle area and is the cofounder of Two Sylvias Press. Visit her website.

PR for Poets: A Guidebook to Publicity and Marketing by Jeannine Hall Gailey

Source: Purchased
Paperback, 228 pgs.
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PR for Poets: A Guidebook to Publicity and Marketing by Jeannine Hall Gailey is a comprehensive resource for poets who want to gain a wider audience for their work. For novice marketers, Gailey includes in each chapter an overview of marketing terms and set of action items that poets can tackle within an hour to get themselves started.  What’s beautiful about this book is how well various aspects of marketing are explained from the platform to website to social media interaction.

It’s clear that she’s taken her experience marketing her five poetry collections to create this guide, which poets who have a website or don’t can use to market their art. Overall, much of poetry marketing begins with community. Creating a community online, creating a community in your neighborhood or city, and giving back to those communities through helping other poets with reviews, sharing their books, and even smaller things.

I cannot wait to start putting PR for Poets: A Guidebook to Publicity and Marketing by Jeannine Hall Gailey into action when my manuscript is done and publishable. There are some really challenging parts for me in this book, particularly reaching out to libraries and others to promote my future book.

RATING: Cinquain

About the Author:

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington. She is the author of five books of poetry: Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter and, Field Guide to the End of the World, the winner of the Moon City Press Book Award and the SFPA’s Elgin Award. She also wrote a non-fiction book called PR for Poets to help poets trying to promote their books. Her poems have been featured on NPR’s The Writer’s Almanac and on Verse Daily; two were included in 2007’s The Year’s Best Fantasy and Horror. She was awarded a 2007 and 2011 Dorothy Sargent Rosenberg Prize for Poetry and a 2007 Washington State Artist Trust GAP grant. Her poems have appeared in American Poetry Review, The Iowa Review, and Prairie Schooner.

Punishment by Nancy Miller Gomez

Source: Purchased
Paperback, 28 pgs.
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Punishment by Nancy Miller Gomez is an eye-opening chapbook of poems and essays about what punishment actually is — beyond the concrete walls and bars on the windows and doors. This is a chapbook that packs a serious punch in the gut from the title poem, “Punishment” to the essays on how poetry not only taught the prisoners how to see beyond their four walls but the poet how to see things and people differently.

From "Punishment" (pg. 7)

The men tossed entire libraries. A rage of books.
Lobbed in high arcs like footballs,
or pitched overhand like grenades.

When caged like an animal and treated inhumanely how would you react if you did not have a blanket and the prison was unbearably cold? Would you have an ability to make a reasonable argument with the prison staff, or would you resort to the basest of reactions? Would you give up that which is most precious to you, like a family bible with calming words or a photo album that comforts you in darkness when your family cannot be near? Readers are asked to think about these questions and to see beyond the crimes and the violence of these men to see the humans broken here.

Gomez deftly places readers inside the prison with her students who still tentatively work on poems and show small kindnesses to one another even as they know once outside the classroom they must return to their “hard” selves — no longer showing emotion or kindness. Even though she is given permission to teach poetry to the prisoners, the staff make not effort to welcome her, but in fact remind her in the least subtle of ways that she is under their control and direction and that her freedoms are left outside.

From "Echo" (pg. 15)

by rain and wind. Absence
expands inside him like smoke.

Punishment by Nancy Miller Gomez is an exploration of how poetry and words can provide hope and satisfaction to those who have none. It can help them explore what is good without compromising their prison personas. Gomez is asking the reader to see these men as human beings — men with hopes, deep losses, and so much more.

RATING: Quatrain

About the Poet:

Nancy Miller Gomez grew up in Kansas but currently lives in Santa Cruz, California. Her work has appeared in River Styx, Rattle, Bellingham Review, Nimrod, and elsewhere. She has a Masters in Fine Arts in Writing from Pacific University. She has worked as a stable hand, an attorney, and a TV producer, and volunteers as the director of the Santa Cruz Poetry Project, an organization that provides poetry and writing workshops to incarcerated men and women. For more information on the Santa Cruz Poetry Project, visit their website.

Chrysalis: Collected Poems of Joe Lobell by Joe Lobell

Source: Free on Lulu.com
Ebook, 139 pgs.
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Chrysalis: Collected Poems of Joe Lobell by Joe Lobell is a collection of poems that span about 20 years, beginning in 1986. Through careful, detached observance, the narrator of each poem takes an unfettered look at humanity — it’s fruitless hopes and desires and the inevitability of death.

From "City Opus" (pg. 47)

The buildings are like dead gods, and where a
god lies dead, no one speaks, but shadows of
shadows, dreams of dreams commiserate.

Many of these poems read like stories, dark tales of harm and sadness. The beautiful daughter, the well-liked cop, the mountain climber, the lunberjack — no one is immune to the darkness of life. There is a distinct New York city atmosphere to many of the grittier poems, like “Vision of God” about the struggle with addiction and the need for the next fix.

Chrysalis: Collected Poems of Joe Lobell by Joe Lobell is not a collection for those looking to escape the dark city streets. It’s a reflection of reality amped up on its drug of choice — cold hard reality.

RATING: Quatrain

About the Poet:

Poet, Playwright, Performer; multiple appearances at the Nuyorican Café including the Proofrock Festival, Knitting Factory and numerous other venues. As a performer combines Urban Poetry with rock jazz and performance. Collaborated with Jazz Musician, Conductor Composer, Butch Morris on Musical Theatre Play “Fire” produced by the Medicine Show Theatre.  Composed Poetry Radio Play “Times Square” in Collaboration with Jazz Composer and Band Leader Joe Gallant which was performed live on WBAI.  Also appeared in numerous venues with Joe Gallant and Illuminati and the Body Electric Fusion Jazz Band.  Collaborated with Blues Musician Popa Chubby on Poetry Play “City Opus” produced at Medicine Show as well as producing “City Opus” Blues Rock Poetry CD Popa Chubby. Numerous individual readings in NYC, Woodstock, and NY State venues.

The Minor Territories by Danielle Sellers

Source: Purchased
Paperback, 85 pgs.
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The Minor Territories by Danielle Sellers explores the uninhabited emotional landscapes scarred by loss and trauma. Many of us live our lives as best we can even if the past haunts us, but those memory ghosts are not the places where we live in the now and they are not the places we choose to remember. These are the places that shape us into who we are, determine our strength, and force us to reassess our own outlooks and life paths.

From "A Photo of the Euphrates" (pg. 16)

Since then, his tongue has changed
the river's story. He's killed strangers
on its shore. I imagine him lying
on the dusty floor of a marble palace
at sundown, breathing red air,
waiting for the comfort night gives.
"When Asked to Say Something Nice About My Ex-Husband" (pg. 59)

I recall his chest, how sometimes he tolerated
my head on it, strong as a door
skimming the surface of a dark ocean.

In a deeply personal collection in which she shares words from her own daughter about her absent father, Sellers explores the pain deeply, attentively until a hope emerges, whether in the comfort of the night air in a war zone or the smell of yeast while baking bread and waiting. Her images are vivid and juxtapose the emotional ups and downs of being in love with a soldier and finding them changed after war. Mourning the loss of the person they used to be and yet loving them still. Moving forward in life without them because you must to emotionally survive. Sellers’ poems are love letters filled with heartbreak, love, and so much more — forgiveness.

The Minor Territories by Danielle Sellers is a story told through poems and like all stories leaves a powerful impression in the sand, but it is one that cannot be erased by the tides of time, only partially worn down.

RATING: Cinquain

Other Reviews:

About the Poet:

Danielle Sellers is from Key West, FL. She has an MA from The Writing Seminars at Johns Hopkins University and an MFA from the University of Mississippi where she held the John Grisham Poetry Fellowship. Her poems have appeared in Prairie Schooner, Subtropics, Smartish Pace, The Cimarron Review, Poet Lore, and elsewhere. Her first book, Bone Key Elegies, was published by Main Street Rag. She teaches Literature and Creative Writing at Trinity Valley School in Fort Worth, Texas.