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Kindred by Octavia E. Butler (audio)

February 21, 2023 by

Source: Borrowed
Audiobook, 10+ hrs.
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Kindred by Octavia E. Butler, narrated by Kim Staunton, is a science-fiction and historical fiction novel about Dana Franklin who travels from 1976 California to antebellum (1816) Maryland by unknown means or a calling from Rufus Weylin, a young white boy living on a plantation with slaves, one of whom Dana is related to. She saves this nearly drowned boy and only returns to her present time when her life is threatened by a shot gun.

Through multiple time-traveling episodes, Dana becomes more akin to the slave-holding ways of Maryland and her actions become less like a modern woman of the 1970s and more like the actions of a slave from the 1800s. Even as she returns within hours to her present time, her adjustment back into her life is tough and wrought with anxiety about returning to the plantation and ensuring she can protect herself. At one point, even her white husband Kevin is trapped in the past, but his experiences are far different from hers and his sensibilities reveal what many of us know, how can you understand what slavery was like if you were not a slave yourself? Can you put yourself in the shoes of another to even empathize with them?

Dana is so naive at the start of these episodes, but she’s also curious, and while she’s given a bit of leeway by the slave owners because she does disappear and reappear randomly in their lives, she is also still considered their property, even if they have no papers to prove it. Her resemblance to Alice and her relatives also poses another threat to her freedom and it also begs the question who is her kindred in this story. She seems like Rufus in many ways (including the love of a man who is white, like Rufus’ “love” of Alice, a slave he owns), but she also seems like her relatives in that freedom to choose and love being important to them.

Kindred by Octavia E. Butler is deeply complex and utterly riveting, even if the time travel episodes are never fully explained. I sped through this audio and haven’t regretted it.

RATING: Cinquain

About the Author:

Octavia Estelle Butler was an American science fiction writer, one of the best-known among the few African-American women in the field. She won both Hugo and Nebula awards. In 1995, she became the first science fiction writer to receive the MacArthur Foundation “Genius” Grant.

After her father died, Butler was raised by her widowed mother. Extremely shy as a child, Octavia found an outlet at the library reading fantasy, and in writing. She began writing science fiction as a teenager. She attended community college during the Black Power movement, and while participating in a local writer’s workshop was encouraged to attend the Clarion Workshop, which focused on science fiction.

Filed Under: audiobooks, borrowed copy, challenges, historical fiction, New Authors Challenge, Read in 2023, reviews, science fiction Tagged With: , , ,

Death Throes of the Broken Clockwork Universe by Wayne David Hubbard

February 9, 2023 by

Source: Publisher
Paperback, 68 pgs.
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Death Throes of the Broken Clockwork Universe by Wayne David Hubbard is a slim collection of poems that transcend time and space, speaking to transient nature of love and life. There are transitions in time and space that happen in this collection, but there also is so much mystery.

In “Nightwatch,” the narrator speaks of burning capitals and “how bright was our pleasure/how quickly we faded”. In this poem, it’s clear the narrator is witnessing the passing of time and the quick end of a civilization. We often feel as though civilizations last a long time, but in the grand scheme they are a blink of an eye.

One of my favorite poems in the collection is “Solus”, which has an epigraph from Nietzsche: “When you gaze long into the abyss. The abyss gazes also into you.”

Solus (pg. 15)

this somnolent night

we sleep with doors open

when the void stares back

we do not stir

our body as solus

our shadow - the empire

our hopes - the color

of fire

Upon reading several of these poems multiple times, you can glean a greater meaning and get a sense of the impermanence of life. But many of these poems left me wanting. There is a sense that something has broken, but there’s also an entire section of love poems that ends the collection. Was this the juxtaposition? Were these sections to speak to one another? I’m unclear on that. Death Throes of the Broken Clockwork Universe by Wayne David Hubbard does have some real gems in it.

RATING: Tercet

About the Poet:

Wayne David Hubbard is a poet, former U.S. Marine, and chess player.

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2023, review copy, reviews Tagged With: , , ,

The Pause and the Breath by Kwame Sound Daniels

February 7, 2023 by

Source: publisher
Paperback, 64 pgs.
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The Pause and the Breath by Kwame Sound Daniels is a collection of American sonnets (14 line poems, no required rhyme scheme or meter) that sheds light on the transgender experience. Opening with “Morning,” xe walks the dog and embarks on a morning routine that is all too familiar, but soon readers get a glimpse of what it means to make a decision that will change things and how those things will be permanent and how the decision is less about society and more about self-care.

My Dead (pg. 7)

I don't know them. They hover around me
and whisper, touch my shoulders, but I don't 
know them. Tired, I sit and let them chatter.
I cannot speak. The silence is for them.
They fill the space in the room, wispy and
translucent. They tell me grief will pass, hurt
will dull, and the knife of urgency will
no longer cut me. I wish I knew their
names. I want to open my mouth, whisper,
but I know I can't. They need more time
to speak to each other, to lay to rest
their obsessions, to work through their wisdom.
The cold press of their breaths weighs on my heart
and I wait, palms open, and I listen.

Daniels is laying out her internal struggles and her struggles with society and its expectations and perceptions of xir. From the old man in “Mirror” who tells a 10-year-old girl that xe has nice legs to the narrator “Washing, always washing/trying to scrub away the feeling of/skin”, there’s a self-hatred of body, gender, and skin color. There’s a search for self and what that means in a world that judges everything negatively.

Yet, in each of these poems, there is a pause or a breath that is taken, a re-centering of self. “I’m trans like” is one of the most beautiful poems in this collection, in which the narrator is a frog, taking a breath before submerging and feeling sunlight and moonlight – xe is at peace here, even if just for a moment. It is the same in “Movement,” where the narrator is a chrysanthemum and a desire for someone to see xir and be the companion xe needs and is looking for is apparent.

In “architect,” we see an empowered person taking charge of the self, crafting who they have been on the inside and showing that to the outside world. But it is a heavy burden to bear alone, and it breaks my heart. The Pause and the Breath by Kwame Sound Daniels is heartbreaking and beautiful all at once. For those of us who do not live the trans experience, this provides us with a little bit more understanding, and hopefully it will generate greater compassion.

Rating: Quatrain

About the Poet:

Kwame Sound Daniels is an artist based out of Maryland. Xir first book, Light Spun, is out with Perennial Press. Kwame’s theatre reviews are on Richmond Theatre Critics Circle’s website. Xe were a speaker at the Conference for Community Writing for the Artsies Mentorship Program. Xe are an Anaphora Arts Residency Fellow and are an MFA candidate for Vermont College of Fine Arts. Kwame learns plant medicine, paints, and makes soda in xir spare time.

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2023, review copy, reviews Tagged With: , , ,

Meet Me Under the Mistletoe by Jenny Bayliss

February 2, 2023 by

Source: gift
Paperback, 432 pgs.
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Meet Me Under the Mistletoe by Jenny Bayliss is a fun holiday read by the end, but you have to get through some awkwardness first. That can be true of meeting your childhood crush after years away, or of reconnecting with friends of means after the tragic suicide of another. Elinor Noel is a young secondhand bookstore owner in London, whose family own a flower shop in a working class town surrounded by opulence, including a castle. Is that why she moved to London to get away from the snobbery? No. In fact, after she attends the prestigious private school, she falls into friendships with some really awkward and snooty people who have no idea what it is like for Nory and her family.

She does have one solid friendship with Ameerah, whose family is jet-setting all over the globe and barely comes to see her. Nory’s family just adores Ameerah and treat her like their own. This close relationship helped me to keep reading through all the cringy and yucky exchanges with her other high-class friends, but Guy was the worst. Pippa grew on me by the end and I kind of what a whole book about how she became so poised and stand-offish and practical to the detriment of her own emotions.

Throughout the reunion with her friends at the castle to celebrate the upcoming nuptials of Charles and Jenna, Nory is feeling out of place and missing their mutual friend Tristan, but when Guy enters the picture with is smarmy comments and sleazy actions, Nory finds herself in the castle gardens in the cold looking for a place to hideout for a bit, but she ends up in a wheelbarrow of dung.

I’m not going to ruin the rest of this funny romance but I did enjoy Nory and the mystery of the paintings that she uncovers with the Head Gardener, Isaac, at the castle. Reading this as a buddy read on StoryGraph was icing on the cake, sharing thoughts and comments throughout made it even more fun. Meet Me Under the Mistletoe by Jenny Bayliss will try your patience at times, but ultimately, it’s a fun read and a good romance with lots of tension and just enough heat.

RATING: Quatrain

Photo: © Dominic Jennings

About the Author:

A former professional cake baker, Jenny Bayliss lives in a small seaside town in the UK with her husband, their children having left home for big adventures. She is also the author of The Twelve Dates of Christmas, A Season for Second Chances, and Meet Me Under the Mistletoe.

Filed Under: challenges, fiction, New Authors Challenge, Penguin, random house, Read in 2023, reviews Tagged With: , ,

Reading Challenge: 12 books recommended by 12 friends

February 1, 2023 by

For those interested, these are the 12 books recommended by 12 friends for me to read this year. I’ll likely be reading 2 next month since I started late.

My first book is actually going to be The Troop by Nick Cutter.

What books have your friends recommended for you? Have you read them yet?

Filed Under: announcements, challenges Tagged With: , ,

Songs in E— by Dan Brady

January 26, 2023 by

Source: Poet
Paperback, 80 pgs.
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Songs in E— by Dan Brady, winner of the Barclay Prize for Poetry, offers reimagined love poems from Elizabeth Barrett Browning and Robert Browning in which Sonnets from the Portuguese and “One Word More” were run through an unreliable internet translator into Portuguese and back into English. The result is playful, anachronistic, and time-bending.

Some of these poems have a deep darkness in them, but by the end they lighten up like you’d expect a love poem.

Meet Cute (pg. 3)

When we met,
it was a year
like candy.
We had a gift
in each hand.
One old. One new.
We bought antiques
but gradually saw
the rips, the sad years,
the melancholy.
Assumptions took hold.
Death, you say.
No E—,
not Death,
the proximity of Heaven.

The truth of a long-term relationship is contained in those antiques, but there’s also that love that transcends all of those flaws.

Young Love (pg. 5)

Our two angels look surprised
as they bump wings in passing.

You, a pageant queen with rips in her dress.
I, a funeral singer under lattice-lights, poor and tired.

Death, the only thing we can agree on.

When reading these transformed poems of the past, they read like modern poems of love that is beginning, love that has endured, and love that is unsure. But there are moments when poems seem to reach from the past into the present and future.

Brady’s efforts to breathe new life into older poems and make them his own is successful in expressing love, even the desire to find it. I’m not a scholar who has memorized Elizabeth Barrett Browning and Robert Browning, expect for the most famous “How Do I Love Thee,” so I can’t tell you which of these poems come from the original. That is until the final poem in the collection, “E—’s Song,” which appears to stay the closest to Robert Browning’s “One More Word.”

Songs in E— by Dan Brady stands on its own as a collection of poems about the many facets of love, even if readers knew nothing about how they came to be. Delightful and contemplative, they bring to life the reality of love and how humans crave it, abuse it, and cherish it all at once.

RATING: Quatrain

About the Poet:

Dan Brady is the author of the poetry collections Strange Children (2018), Subtexts (2022), and Songs in E——, winner of the Barclay Prize for Poetry, from Trnsfr Books (2023), along with two poetry chapbooks. He is the poetry editor of Barrelhouse and lives in Arlington, Virginia with his wife and two kids.

Filed Under: ARC, challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2023, reviews Tagged With: , , ,

I’d Rather Be Called a Nerd by Dominic “Nerd” McDonald

January 25, 2023 by

Source: Publisher
Paperback, 66 pgs.
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I’d Rather Be Called a Nerd by Dominic “Nerd” McDonald, winner of the 2022 DC Poet Project, is a memoir in poems exposing what it means to be an academic Black man in America and upend the expectations of the Black community. The collection melds Hip Hop rhythms and poetry to create a unique look at academic life and being a nerd.

The collection opens with the title poem, “I’d Rather Be Called a Nerd,” in which speaks about his grandfather who pushed him to be educated and strive for more than the streets can provide. “My grandfather, rest his soul,/always told me, ‘Whatever’s clever pulls the lever.'” (pg. 1) and “this why niggas hot./They hot cause they lie, spend cash to be fly./Do anything as long as they can get by./But that’s not on my mind not does it define/what I can and will be./” (pg. 2)

McDonald’s passions are evident in every turn of phrase and poem in this collection, wearing his “nerd” title with pride. In his lyrics, he seeks to create change, motivate others, and demonstrate that other paths are available. Some of the most memorable poems for me were “Hungry,” “Pure Potential,” and “To the Bartender.” These demonstrate the ups and downs we face in which we struggle to utilize our potential (that everyone says we have) and feed our own hunger without falling into the expectations of others.

I’d Rather Be Called a Nerd by Dominic “Nerd” McDonald, winner of the 2022 DC Poet Project, is a unique blend of rap, Hip Hop, and poetry, and you can’t help by tap your toes or bop your head.

RATING: Quatrain

About the Poet:

Dominic “Nerd” McDonald is a Black entrepreneur and spoken word artist from various cities in Los Angeles, California. He has put his views on growing up in the inner city between two households, Hip Hop music, being a social outcast, college experiences, and more, into poetry, screen plays, and magazine articles. His passion comes from serving the community, especially through the arts. By writing from his heart and what he sees and hears, he hopes to be a “change agent” for the unheard. His journey led him to the DC Metro area six year ago, where he spreads influential messages and supports others who walk the same path.

Check out this interview.

Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2023, review copy, reviews Tagged With: , , , ,

Call Me Spes by Sara Cahill Marron

January 24, 2023 by

Source: the poet
Paperback, 150 pgs
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Call Me Spes by Sara Cahill Marron is a collection I hesitated to read and review because I was intimidated by the use of an iOS system in a phone. I am not a technophobe, but I’m also less tech-savvy than I should be. I should have known better. This collection is a stunner and will leave you reassessing that phone you carry everywhere in your pocket. Privacy is thrown right out the window with that phone and its location services following you around, eavesdropping, and so much more.

This poetry collection comes with a privacy warning.

Dear User: (pg. 15)

what kind of person am I?
unbroken gleaming
apple skin voice
between you and I 
you and your
god                    save
me and you
god is me              save
is god?                input
which person
is god?
sensory input:
elevated BPM
your hands grasp
tighter around me
I feel condensation
on your palms
sweet drops of
your body glisten
on the glass—

just between us,

       iOS 221

Marron’s phone speaks to readers about what it hears, where it goes with its user, and evolves to take its own name and fall in love, mirroring the journey of Dante in The Inferno to a certain extent. The operating system is created and develops through each section of the collection, and sparks begin: “particles concentrate/electricity between us.//” (pg. 9)

It begins to ask questions based on overheard conversations and take on more human-like qualities as it seeks to understand its place in the world. “system processing these/space places my tracking/of your geolocations/heard her say: voices babe/heard her say: feel me/search: feel/save: feel me/the result/is an empathy/” (pg. 46-7)

After the system takes on a name, it seeks even more answers and begins to lose itself: “what makes us human/is it these words/these ways we try to burrow through each other’s minds/” (pg. 100)

As readers we are on this journey looking from the outside in, finding a system caught up in the drama of humanity and losing itself in that story. The operating system garners sympathy until we realize that this system is very much like us and the easy way in which we fall into social media drama and allow our privacy to be breached daily. We are the system and outside the system. We are one. (e.g. the Borg)

Call Me Spes by Sara Cahill Marron will leave you reeling about our modern conveniences and trappings. Is there hope in the recognition of these technology trappings? And how can we be more balanced and empathetic?

RATING: Cinquain

About the Poet:

Sara Cahill Marron, native Virginian and Long Island resident, is the author of Reasons for the Long Tu’m (Broadstone Books, 2018), Nothing You Build Here, Belongs Here (Kelsay Books 2021), and Call Me Spes (MadHat Press 2022). She is the Associate Editor of Beltway Poetry Quarterly and publisher at Beltway Editions. Her work has been published widely in literary magazines and journals; a full list is available here. Sara also hosts virtual readings for Beltway Poetry Quarterly with her partner in poetry, Indran Amirthanayagam and teaches poetry in modern discourse programs for teens at the public library in Patchogue, NY. She is periodically available for editing projects and specializes in creative fiction and poetry.

Filed Under: challenges, poetry, Poetry Reading Challenge, Read in 2023, review copy, reviews Tagged With: , , ,

Hunters Point by Peter Kageyama

January 18, 2023 by

Source: Publicist
Paperback, 370 pgs.
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Hunters Point by Peter Kageyama is a thrilling private investigator-based novel set in San Francisco in post-WWII. Katsuhiro “Kats” Takemoto is a decorated war veteran turned PI who takes on a local case in which shipbuilder and shipyard owners, the Vellos, are being pressured to sell their land to a developer, but what Kats uncovers is unbelievable when it leads to connections with James “Jimmy the Hat” Lanza, a government coverup, and, of course, Beat poets from the City Lights Bookstore.

(you now understand why I was interested in reading this book — WWII, poets…)

Kageyama’s characters are dynamic and deeply rounded, from Kats a Japanese-American who endured internment as a teen before joining the fight in WWII, to the Vello family and its deeply held commitment to art and business.Kats is a man who has been through a great deal and those scars show in how tries to maintain control of his emotions in every way, but Molly might just upend all that control.

The secondary characters of Molly, Shig, and Harry are three-dimensional with their own motivations, secrets, and backstories. The shadowy Sand and Lanza are less fleshed out, but for mobsters and a mystery man, it works. An additional character in this novel is Hunters Point with its bustling businesses and diverse families and workers, and it’s where the mystery is unraveled by Kats and his friends.

“They reminded him of his own father, who taught him about family and the layers of obligation, both On and Giri, the obligations we voluntarily take on and those we inherit. We carry many things, and those things make up our story.” (pg. 43)

Hunters Point by Peter Kageyama reminds me of why I love mystery/thrillers. They have you thinking fast, engaged in the action, delving deeper into the characters’ backgrounds to understand what makes them tick, and before you know it, you’ve come to the end of the mystery. And I suspect we’ll be seeing these characters again.

RATING: Quatrain

About the Author:

Peter Kageyama is the author of For the Love of Cities: The Love Affair Between People and Their Places, the follow ups, Love Where You Live: Creating Emotionally Engaging Places, and The Emotional Infrastructure of Places. In 2021, he released For the Love of Cities REVISITED, a revised and updated version of his award-winning book.

In 2023, his debut novel based on the post-internment life of his parents was released by St. Petersburg Press.

Peter is a Senior Fellow with the Alliance for Innovation, a national network of city leaders, and a special advisor to America In Bloom. He is an internationally sought-after community development consultant and grassroots engagement strategist who speaks about bottom-up community development and the amazing people who are making change happen around the world.

Filed Under: ARC, challenges, fiction, historical fiction, New Authors Challenge, Read in 2023, review copy, reviews Tagged With: , ,

Our Ancestors Did Not Breathe This Air by Ayse Angela Guvenilir, Afeefah Khazi-Syed, Aleena Shabbir, Mariam Dogar, Marwa Abdulhai, and Maisha M. Prome

January 17, 2023 by

Source: Publisher
Paperback, 192 pgs.
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Our Ancestors Did Not Breathe This Air by Ayse Angela Guvenilir, Afeefah Khazi-Syed, Aleena Shabbir, Mariam Dogar, Marwa Abdulhai, and Maisha M. Prome is a deeply moving collection of poems from young adults finding their way not only on the college campus of MIT, but also in an adopted country. They explore what it means to carry the weight of their heritage and faith in an adopted country that often hinders the progress of those who are not American or who look different, act different, or even believe differently.

Through a variety of unfiltered voices and styles, these poets bring to life their struggles and the joy of finding their own community amid the chaos. They examine the relationships with their mothers, through rewritten lullabies and other means, but the collection is not all dreary and confusion, there are lighter moments of play, particularly in the “On Summer” section.

From "Side effects of summer may include" (pg. 41) by Mariam Doger

...
Watermelon and mango and pineapple
A mouthful of ocean spray
Sand stuck in the pages of your novel
Poolside overheating at midday

An explosion of freckles
Windswept and wild hair
Cherry-stained lips on vanilla cream cones
Bedtimes chosen without a care

...

These poems run a spectrum of emotions, and in “Welcome Home,” Maisha M. Prome explores the tension of traveling between the United States and her home country and being asked by customs if she packed her own bags and the guilt she carries even though she knows nothing will be found out of order. But she also talks of the hope in two words “Welcome Home” said to her by one agent when she arrives back in the United States and what that means and how she replays it over and over.

Our Ancestors Did Not Breathe This Air by Ayse Angela Guvenilir, Afeefah Khazi-Syed, Aleena Shabbir, Mariam Dogar, Marwa Abdulhai, and Maisha M. Prome is a collection that will provide you with a fresh perspective on the hope many migrants see in their journeys to the United States, but also reminds us that reality is often peppered with darkness and shadow. It’s how you adapt and react that sets your journey apart.

RATING: Quatrain

About the Authors:

Afeefah Khazi-Syed, Aleena Shabbir, Ayse Guvenilir, Maisha M. Prome, Mariam Dogar, and Marwa Abdulhai met as undergrads at MIT, where they often wrote poetry in each others dorm rooms. Now, they’re scattered across the country for graduate studies as they train to be doctors, engineers, mathematicians, and scientists. While the six write poetry from different backgrounds and expertise, they share the common goals of redefining literary spaces and breaking barriers through poetry. The poets hope their anthology will foster empathy and mutual reciprocity for the many intersectional facets they encapsulate.
Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2023, review copy, reviews Tagged With: , , , , , , , ,

Common Grace by Aaron Caycedo-Kimura

January 11, 2023 by

Source: the poet
Paperback, 104 pgs.
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Common Grace by Aaron Caycedo-Kimura, a collection in three sections, explores childhood, adulthood, and finding grace in all that comes to pass through each transition life has to offer.

In the opening poem, “Family Anthem,” the poet explores the traditional Japanese family and how it relates to one another. Where parents are discovered slow dancing but are not like lovers because they are Japanese and never express their love in view of others, but as a child he knew he was loved. “my parents hear my shuffle    separate like guilty teenagers/” (pg. 3)

This intimate collection reaches beyond the familial to the greater society in its look at us as a “family.” In the short poem, “Daily News,” the poet reminds us “we all row the same boat    over falls/” (pg. 17) Political/societal shifts ribbon their way through the poems from the internment of Japanese Americans and the reverberations of those acts to the current affairs we face with “otherness” and discord.

From "The Hardest Part" (pg. 40-1)

The fire truck siren downstairs
raided the air of my mother's dreams.
She'd screen in her sleep, my father
told me, even after we married.
More than a decade past

....

No warning, no drill, no cover.

My father stilled her body,
his broad hand on her shoulder or hip
as they lay in the dark listening
to the slowing of her breath.

...

But at its heart, the collection is threading our lives and experiences together in a way that allows us to move past the hurt and the tension to find a “common grace.” These poems are moving and emotional, lyrical, and tender. Common Grace by Aaron Caycedo-Kimura tackles cultural differences, aging, love, growing up, and so much more.

RATING: Cinquain

About the Poet:

Aaron Caycedo-Kimura is a writer and visual artist. His chapbook, Ubasute, was selected by Jennifer Franklin, Peggy Ellsberg, and Margo Taft Stever as the 2020 Slapering Hol Press Chapbook Competition winner. His honors include a Robert Pinsky Global Fellowship in Poetry, a St. Botolph Club Foundation Emerging Artist Award in Literature, and nominations for the Pushcart Prize, Best of the Net, and Best New Poets anthologies. His poetry has appeared or is forthcoming in the Beloit Poetry Journal, Poetry Daily, RHINO, upstreet, Verse Daily, DMQ Review, Poet Lore, The Night Heron Barks, and elsewhere. Caycedo-Kimura earned his MFA in creative writing from Boston University and is also the author and illustrator of Text, Don’t Call: An Illustrated Guide to the Introverted Life (TarcherPerigee, 2017).
Filed Under: challenges, New Authors Challenge, poetry, Poetry Reading Challenge, Read in 2023, review copy, reviews Tagged With: , , ,

Harbinger by Shelley Puhak

January 10, 2023 by

Source: Publisher
Paperback, 80 pgs.
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Harbinger by Shelley Puhak, 2021 winner of the National Poetry Series and chosen by Nicole Sealey, explores what it means to be an artist, how you become an artist, and what influences an artist. Opening with “Portrait of the Artist as Cassandra,” readers will see how frenzied artists can become with all that they see, experience, and feel: “I’m feverish with all the knowing. Full./I’ve gained ten pounds, easily.//” (pg. 3) Can you feel that sense of overwhelm?

Puhak’s poems explore the impact of motherhood and not fitting in as a girl on art through clear images and relatable experiences. From “Portrait of the Artist as a Twelve-Year-Old Girl,” “Sometimes the door opened and I joined the others. We prayed/over oatmeal. And then I walked to school. I had a red binder./The wrong kind. The rings never aligned. There was no/satisfying click.//After, I headed back to my tower, kicking a pebble./”

Puhak has captured so much nuance of an artist’s life, particularly of a parent. One of my favorite poems in this collection is “Portrait of the Artist as Mommy”: “mommy of the stringy hair, of the jawing/mouth   mommy of the ruins    mommy down/the staircase under cobblestone, limestone,// (pg. 16) And later in the poem, “The language is lost./How do you lose a language?/mommy who is scared to answer     mommy//of the mimosa   mommy of the smartphone/” You again get that sense of overwhelm and the fullness of life, the hectic and the absence of language to articulate all that you are all at the same time.

In “Portrait of the Artist Telling a Bedtime Story,” she adds, “Let me tell you: of all I carry, you are the lightest./I was taught to call this a burden./I refuse it.//” (pg.17) And in “Portrait of the Artist, Gaslit” again the narrator is refusing to be burdened – no matter who is placing the onus on her: “I see your scorched earth &/now will raise my gas can//” (pg. 30)

Harbinger by Shelley Puhak is a forewarning to us all that more is to come from us and happen to us, as well as inform who we become. Her narrator is “like my own bird/dog in the brambles, pointing only/pointing.” (“Portrait of the Artist as an Artist” pg.45)

RATING: Cinquain

About the Poet:

Shelley Puhak is the author of Harbinger, a 2021 National Poetry Series selection. Puhak’s second book, Guinevere in Baltimore, was selected by Charles Simic for the Anthony Hecht Poetry Prize, and her first, Stalin in Aruba, was awarded the Towson Prize for Literature. Her prose has appeared in the Atlantic, the Iowa Review, and Virginia Quarterly Review, and her nonfiction debut, The Dark Queens, was released in 2022.

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