Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Thank you to Velvet for stepping in when Mailbox Monday needed another host.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s What I Received:

Brave Like Mom by Monica Acker, illustrated by Paran Kim, for review from Media Masters Publicity.

Call Me Spes by Sara Cahill Marron for Gaithersburg Book Festival consideration.

An operating system falls for its user. It waits, a journey not unlike Dante’s Inferno, from factory to glass face. Strangers, friends, lovers, predators, kin, all translated through the operating system’s code. Each voice, a whole character the system struggles to make sense of, held by a human hand. This device logs your locations even when you don’t ask. Undeniably, these actions lack all conditions, a form of loving.

Call Me Spes lays bare these overheard voices— tenderly, voyeuristically, a perpetual ride-along. The device deepens its relationship with its user, learning and updating with the solitary goal of closeness. Pressed against a page, these poems are siren songs marching through Inferno to the promised Heaven we scroll to attain, some kind of progress.

Common Grace by Aaron Caycedo-Kimura for Gaithersburg Book Festival consideration.

In 65 lyric poems organized into a triptych, Common Grace offers an important new lens into Asian American life, art, and love.

Part 1, “Soul Sauce,” describes the poet’s life as a practicing visual artist, taking us from an early encounter with an inkwell at Roseland Elementary in 1969 to his professional outdoor easel perched on Long Island Sound.

Part 2, ‘Ubasute,” is named after the mythical Japanese practice wherein “a grown son lifts / his aged mother on his back, / delivers her to a mountain, / leaves her to die.” This concept frames a wrenching portrayal of his parents’ decline and death, reaching back to his father’s time in the American internment camps of WWII and his mother’s memories of the firebombing of Tokyo. It also anchors the 2 outer parts in the racial trauma and joys passed down from his parents.

Part 3, “Gutter Trees,” gives us affecting love poems to his wife and the creative lives they’ve built together.

Ranging in scope from private moments to the sweep of familial heritage, Caycedo-Kimura’s poems are artful, subtle, but never quiet.

Death Throes of the Broken Clockwork Universe by Wayne David Hubbard for Gaithersburg Book Festival consideration.

In his debut poetry collection, Death Throes of the Broken Clockwork Universe, Wayne David Hubbard illustrates journeys through physical space and abstract worlds of emotion.

Combining choreological precision with playfulness, readers enter the mind’s eye of a poet standing along the shoreline of powerful forces that shape all lives: time, place, and love.

Written over a ten-year period, the collection calls to mind the poetry of Lorine Niedecker, Rae Armantrout, Larry Eigner, and Carl Phillips. Importantly, these poems resist thick, impenetrable themes, instead celebrating ordinal wonders of life that are hidden in open view. This spare book offers strong, memorable imagery and questions that will delight thoughtful readers.

What did you receive?