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The Pause and the Breath by Kwame Sound Daniels

Source: publisher
Paperback, 64 pgs.
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The Pause and the Breath by Kwame Sound Daniels is a collection of American sonnets (14 line poems, no required rhyme scheme or meter) that sheds light on the transgender experience. Opening with “Morning,” xe walks the dog and embarks on a morning routine that is all too familiar, but soon readers get a glimpse of what it means to make a decision that will change things and how those things will be permanent and how the decision is less about society and more about self-care.

My Dead (pg. 7)

I don't know them. They hover around me
and whisper, touch my shoulders, but I don't 
know them. Tired, I sit and let them chatter.
I cannot speak. The silence is for them.
They fill the space in the room, wispy and
translucent. They tell me grief will pass, hurt
will dull, and the knife of urgency will
no longer cut me. I wish I knew their
names. I want to open my mouth, whisper,
but I know I can't. They need more time
to speak to each other, to lay to rest
their obsessions, to work through their wisdom.
The cold press of their breaths weighs on my heart
and I wait, palms open, and I listen.

Daniels is laying out her internal struggles and her struggles with society and its expectations and perceptions of xir. From the old man in “Mirror” who tells a 10-year-old girl that xe has nice legs to the narrator “Washing, always washing/trying to scrub away the feeling of/skin”, there’s a self-hatred of body, gender, and skin color. There’s a search for self and what that means in a world that judges everything negatively.

Yet, in each of these poems, there is a pause or a breath that is taken, a re-centering of self. “I’m trans like” is one of the most beautiful poems in this collection, in which the narrator is a frog, taking a breath before submerging and feeling sunlight and moonlight – xe is at peace here, even if just for a moment. It is the same in “Movement,” where the narrator is a chrysanthemum and a desire for someone to see xir and be the companion xe needs and is looking for is apparent.

In “architect,” we see an empowered person taking charge of the self, crafting who they have been on the inside and showing that to the outside world. But it is a heavy burden to bear alone, and it breaks my heart. The Pause and the Breath by Kwame Sound Daniels is heartbreaking and beautiful all at once. For those of us who do not live the trans experience, this provides us with a little bit more understanding, and hopefully it will generate greater compassion.

Rating: Quatrain

About the Poet:

Kwame Sound Daniels is an artist based out of Maryland. Xir first book, Light Spun, is out with Perennial Press. Kwame’s theatre reviews are on Richmond Theatre Critics Circle’s website. Xe were a speaker at the Conference for Community Writing for the Artsies Mentorship Program. Xe are an Anaphora Arts Residency Fellow and are an MFA candidate for Vermont College of Fine Arts. Kwame learns plant medicine, paints, and makes soda in xir spare time.

Mailbox Monday #709

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Thank you to Velvet for stepping in when Mailbox Monday needed another host.

Emma, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Above Ground by Clint Smith for the Gaithersburg Book Festival.

Clint Smith’s vibrant and compelling new collection traverses the vast emotional terrain of fatherhood, and explores how becoming a parent has recalibrated his sense of the world. There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew through the eyes of your children, as they discover it for the first time. There are poems that meditate on what it means to raise a family in a world filled with constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body. Smith’s lyrical, narrative poems bring the reader on a journey not only through the early years of his children’s lives, but through the changing world in which they are growing up—through the changing world of which we are all a part.

Disbound by Hajar Hussaini for Gaithersburg Book Festival.

Hajar Hussaini’s poems in Disbound scrutinize the social, political, and historical traces inherited from one’s language. The traces she finds—the flow of international commodities implied in a plosive consonant, an image of the world’s nations convening to reject the full stop—retrieve a personal history between countries (Afghanistan and the United States) and languages (Persian and English) that has been constantly disrupted and distorted by war, governments, and media. Hussaini sees the subjectivity emerging out of these traces as mirroring the governments to whom she has been subject, blurring the line between her identity and her legal identification. The poems of Disbound seek beauty and understanding in sadness and confusion, and find the chance for love in displacement, even as the space for reconciliation in politics and thought seems to get narrower.

Sound Fury by Mark Levine for Gaithersburg Book Festival.

The Pause and the Breath by Kwame Sound Daniels for Gaithersburg Book Festival.

Kisses at the Espresso Bar by Anita Nahal for Gaithersburg Book Festival.

Accomplished by Amanda Quain, purchased from Audible.

It is a truth universally acknowledged that Georgiana Darcy should have been expelled after The Incident with Wickham Foster last year—at least if you ask any of her Pemberley Academy classmates. She may have escaped expulsion because of her family name, but she didn’t escape the disappointment of her big brother Fitz, the scorn of the entire school, or, it turns out, Wickham’s influence.

But she’s back for her junior year, and she needs to prove to everyone—Fitz, Wickham, her former friends, and maybe even herself—that she’s more than just an embarrassment to the family name. How hard can it be to become the Perfect Darcy? All she has to do is:

  • Rebuild her reputation with the marching band (even if it kills her)
  • Forget about Wickham and his lies (no matter how tempting they still are), and
  • Distract Fitz Darcy—helicopter-sibling extraordinaire—by getting him to fall in love with his classmate, Lizzie Bennet (this one might be difficult…)

Sure, it’s a complicated plan, but so is being a Darcy. With the help of her fellow bandmate, Avery, matchmaking ideas lifted straight from her favorite fanfics, and a whole lot of pancakes, Georgie is going to see every one of her plans through. But when the weight of being the Perfect Darcy comes crashing down, Georgie will have to find her own way before she loses everything permanently—including the one guy who sees her for who she really is.

What did you receive?