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The Drowning House by John Sibley Williams

Source: the poet
Paperback, 102 pgs.
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The Drowning House by John Sibley Williams digs deep into masculinity’s myths and confronts its history of violence and of atrocities committed against people of different backgrounds. It is a look at America’s past that is coming into the light and begs us to reckon with it, acknowledge it, and move forward with forgiveness and compassion. For those in the current time who have not committed heinous acts, we still must face what we’ve inherited by the privilege of whiteness and maleness and seek the best path forward for the future or there may be little of it left for anyone.

In the “My American Ghost” section’s opening poem, “Pantomime,” the music of the wind is reviving the sheets into bodies as “We wait/for the well out back to//illuminate its drowned coins,/all the gods overrun by prayers//” (pg. 5) In this section, there are poems that try to tackle the issue of racism in this country with poems about Emmett Till//Edward Hopper, Prometheus//Trayvon Martin, Rosa Parks//Banksy, internment, and more. This section is a hard read as I think about whether we need another “white” man telling us about tragedy or civil rights, but these poems want us to question that and turn that questioning gaze unto ourselves as the privileged class of Americans who benefit the most from the systems of oppression. Hopper’s oil paintings of lone characters in dim settings mirror the shadows of Till’s murder and how “Skin can be its own//broken republic.” (pg. 7)

The Dead Just Need to Be Seen. Not Forgiven. (pg. 8)

That old man in the photo our family never talks about,
known best for tracking runaway slaves; tonight

we drag him from the basement up these loose
wood stairs & set out a plate of salted cabbage & rabbit--

so long since I've asked why the empty chair at our table.
With all the warmth a body has to give, we give up on

measuring the darkness between men. Dust & dusk enter
& are wiped from the room. The names we call each other

linger luminous & savage. Still. That tree I used to hang
tires from holds tight its dead centuries. The light

swinging from its branches we call rope-like,
which implies there's no longer rope. Tonight, we'll wash

the burnt out stars from his hair, all the crumbs from his beard.
The misfired bullet of his voice we let burn as it must.

It is clear that America’s past is part of who we are. In “Internment,” the narrator says, “This country goes/weak at the knees at the thought of you, how you nourish/the earth//” Further in this section, an abusive father appears in a story told to the narrator’s own children where the ending is changed to make it more palatable for kids’ ears. But we need to hear the full story, not just a rosy colored version, as the narrator reminds us in “My American Ghost,” “light strikes a coin/differently after a train/flattens its face:” … “our mouths, nestfuls of promises,/we shall open them almost/fully: swallow & speak for what/we’ve swallowed: a whole/new language of witness./” (pg. 30)

The Drowning House by John Sibley Williams is an America that fails to look its past in the eye, accept what has come before, and right that ship. “Is it true this ruin has been ours//the whole time?” (“Incendiary Device,” pg. 35) or can we be the narrator: “It turns out I was born with a matchbook/in my hands.” and “There’s a reason we refuse/to leave, even now.” (“Incendiary Device,” pg. 35). While exploring American darkness, Williams is reaching for the light with a hopeful hand for the next generation.

RATING: Cinquain

Other Reviews:

About the Poet:

John Sibley Williams is the author of seven poetry collections, including Scale Model of a Country at Dawn (Cider Press Review Poetry Award), THE DROWNING WORKS (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), and Summon (JuxtaProse Chapbook Prize). A twenty-six-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, Phyllis Smart-Young Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.

Mailbox Monday #683

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Mustique Island by Sarah McCoy, which I purchased.

It’s January 1972 but the sun is white hot when Willy May Michael’s boat first kisses the dock of Mustique Island. Tucked into the southernmost curve of the Caribbean, Mustique is a private island that has become a haven for the wealthy and privileged. Its owner is the eccentric British playboy Colin Tennant, who is determined to turn this speck of white sand into a luxurious neo-colonial retreat for his rich friends and into a royal court in exile for the Queen’s rebellious sister, Princess Margaret—one where Her Royal Highness can skinny dip, party, and entertain lovers away from the public eye.

Willy May, a former beauty queen from Texas—who is also no stranger to marital scandals—seeks out Mustique for its peaceful isolation. Determined to rebuild her life and her relationships with her two daughters, Hilly, a model, and Joanne, a musician, she constructs a fanciful white beach house across the island from Princess Margaret—and finds herself pulled into the island’s inner circle of aristocrats, rock stars, and hangers-on.

When Willy May’s daughters arrive, they discover that beneath its veneer of decadence, Mustique has a dark side, and like sand caught in the undertow, their mother-daughter story will shift and resettle in ways they never could have imagined.

What did you receive?

The No-Show by Beth O’Leary (audio)

Source: Purchased
Audiobook, 10+ hours
I am an Amazon Affiliate

The cover of The No-Show by Beth O’Leary, narrated by Evanna Lynch, Heather Long, Kathryn Drysdale, and Luke Thompson, is misleading. O’Leary’s latest is not a ron-com; it is far more serious. Each of these women — Siobhan, Miranda, and Jane — is stood up on Valentine’s Day by Joseph Carter. The narration shifts between the three women, which makes it very hard for listeners and readers to like Carter very much. Jane is a pushover, and Siobhan is a strong woman on the outside, but Miranda is too busy trying to be one of the guys.

***I would warn those who have been harassed at work or by a professional in a partnership-type situation that this book could have triggers for them.***

This book was a long and winding trail through Joseph Carter’s love life. These three woman all play a role in his life, with two of them helping him to heal. What I didn’t enjoy was the manipulative nature of this plot and the cover image. This was not comedic at all, and the relationships here are very off-kilter. It’s almost like the author wanted us to hate Joseph from the start, only to try and redeem him through the voices of these women. I felt icky about the whole book. I preferred the side characters more than the protagonists.

The No-Show by Beth O’Leary is not at all what I wanted or expected in this book. I feel manipulated by the plot and the timelines and that doesn’t leave me with much to like about the book. The peripheral characters are great, but they are not in it enough to make this much better. I did like when Miranda gets her happy ending, but I could have cared less about the others.

RATING: Couplet

About the Author:

Beth O’Leary is a Sunday Times bestselling author whose books have been translated into more than 30 languages. She wrote her debut novel, The Flatshare, on her train journey to and from her job at a children’s publisher. She now lives in the Hampshire countryside and writes full time.

Don’t You Forget About Me by Mhairi McFarlane (audio)

Source: Purchased
Audiobook, 10+ hrs
I am an Amazon Affiliate

Don’t You Forget About Me by Mhairi McFarlane, narrated by Madeline Gould, begins in school with Georgina, who is voted most likely to succeed, struggling to stay just popular enough and not as popular as other kids in her class. When her teacher realizes she is not trying as hard as she should, she pairs her with Lucas McCarthy, who sits in the front of class and is incredibly quiet. They soon fall in love over literature and Wuthering Heights. While they are clearly smitten and spend every moment together, neither makes an effort to be public with their love or share their relationship with their parents.

Fast forward to when they are adults, they meet again at a newly renovated pub where Georgina is the barmaid and Lucas is the owner. For 12 years, she’s moved from job to job and man to man since school; is it because she lost her father to an unexpected death or is there something more? Top it all off, Lucas doesn’t seem to remember her at all, which signals to her that their relationship was not that memorable.

Everything begins to unravel when her new employer offers space for writing competition about moments of shame. Georgina has been harboring a big secret from everyone and trying to blame all that is wrong in her life on the wrong thing. Unless she strives to deal with her past, her life will plummet even further.

This is the first book I’ve read written by McFarlane, and I wasn’t disappointed by the character development, pacing, or story. Georgina’s boyfriend at the start of the novel, Robin, will make you so angry and fed up with her, but clues throughout the book will have you cheering her on as she strives to put him off and keep him away. Her friends are quirky and definitely British, but they are loyal. Her roommate is a bit gruff, but her advice redeems her. Don’t You Forget About Me by Mhairi McFarlane, narrated by Madeline Gould, is not as fluffy a read as I expected, but it was certainly worth it.

RATING: Quatrain

About the Author:

Mhairi was born in Scotland in 1976 and her unnecessarily confusing name is pronounced Vah-Ree. After some efforts at journalism, she started writing novels. It’s Not Me, It’s You is her third book. She lives in Nottingham, with a man and a cat.

The Switch by Beth O’Leary (audio)

Source: Purchased
Audiobook, 10+ hrs.
I am an Amazon Affiliate

The Switch by Beth O’Leary, narrated by Alison Steadman and Daisy Edgar-Jones, finds Leena Cotton agreeing to swap lives, computers, and phones with her grandmother, Eileen Cotton, in Yorkshire. The swap has Leena stepping back from her cutting edge technology and fast-paced life, while Eileen is stepping into her first London adventure. The title and the swapping of lives seems like it would be comical and funny, but like other O’Leary books, there’s much more to the story. Leena and Eileen are just two of the people affected by the death of Leena’s sister. Both have been living their lives by rote, while Leena’s mother has fallen apart a number of times, struggling with the loss of her daughter and the absence of another. Eileen has been there for it all, trying to hold her daughter together, without interfering too much.

I loved Eileen’s story of navigating online dating long after her divorce from her cheating husband, and Leena’s time in her grandmother’s shoes reignites her passion for event planning and connecting with other people in the community. Leena has to learn that she can rely on others and feel the emotions she’s been bottling up, while Eileen needs to find her own life and passions. These two are more alike than they think. The narrators did a fantastic job of differentiating between the characters, bringing life to the emotions the two women feel, and navigating the interactions of O’Leary’s characters, making them feel real.

I love that O’Leary tackles heavy topics in her books, while still making them fun reads with some comic moments. The Switch by Beth O’Leary will not disappoint. I loved the older people in Yorkshire and their interactions from the busybody to the woman who is at her husband’s beck and call. The city people that Eileen meets run the gamut, including a cat fisher. There’s a lot to juggle, but O’Leary does well to keep every story line on track.

RATING: Quatrain

About the Author:

Beth O’Leary is a Sunday Times bestselling author whose books have been translated into more than 30 languages. She wrote her debut novel, The Flatshare, on her train journey to and from her job at a children’s publisher. She now lives in the Hampshire countryside and writes full time.

Mailbox Monday #682

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Finding Me: A Memoir by Viola Davis, purchased from Audible.

In my book, you will meet a little girl named Viola who ran from her past until she made a life-changing decision to stop running forever.

This is my story, from a crumbling apartment in Central Falls, Rhode Island, to the stage in New York City, and beyond. This is the path I took to finding my purpose but also my voice in a world that didn’t always see me.

As I wrote Finding Me, my eyes were open to the truth of how our stories are often not given close examination. We are forced to reinvent them to fit into a crazy, competitive, judgmental world. So I wrote this for anyone running through life untethered, desperate and clawing their way through murky memories, trying to get to some form of self-love. For anyone who needs reminding that a life worth living can only be born from radical honesty and the courage to shed facades and be . . . you.

Finding Me is a deep reflection, a promise, and a love letter of sorts to self. My hope is that my story will inspire you to light up your own life with creative expression and rediscover who you were before the world put a label on you.

What did you receive?

Bloomsbury Girls by Natalie Jenner

Source: Publisher
Hardcover, 368 pgs.
I am an Amazon Affiliate

Bloomsbury Girls by Natalie Jenner is set in post-war England when women are looking to hold onto the freedoms they’ve gained as the men became soldiers. Evie Stone, from her previous book The Jane Austen Society (check out my review), is one of the women working at the rare book store, Bloomsbury Books. She’s working in the background on her own project after a disappointment at Cambridge. Vivien Lowry, who works at the cash, has a list of grievances about the men who run the shop, particularly the Head of Fiction Alec McDonough, the golden boy of the manager Mr. Dutton, who has more than 50 rules that need to be followed without question by his employees. Meanwhile, Grace Perkins helps keep the ledgers for the bookstore and is a calming force. Her time at the bookstore is a source of solace from a turbulent home life where her husband has lost his job and she becomes the sole breadwinner and caregiver for her two sons and husband. These women appear to have little in common other than their jobs.

Jenner is fast becoming an automatic pre-order buy for me. Bloomsbury Girls is another historical fiction novel that takes real-life people like Samuel Beckett and others and breathes life back into them as they interact with Jenner’s own characters. Vivien has such a chip on her shoulder given how she was treated by her fiance’s family after his death in WWII, but she also sees the world of men in the shop as stifling. She wants everyone to see the world through her eyes, but Grace has her own ghosts to deal with and her approach is more conciliatory. Meanwhile, Evie prefers to fly under the radar as much as she can, although her work at Cambridge did gain recognition, though not the kind she wanted.

This little bookshop is a microcosm for the post-war world around them. Evie, Grace, and Vivien may be working women, but there is a little bit of distrust or hesitancy in trusting others on the part of all three women, until they realize that they need to come together to create the world they wish to see. I don’t want to giveaway anything in Bloomsbury Girls by Natalie Jenner. I absolutely loved the characters and their foibles, and I loved how these women came together with the help of some famous women who paved their way behind the scenes of other men. Don’t miss this gem of a novel.

RATING: Cinquain

Bloomsbury Girls is on sale on 5/17, check out this excerpt from the audiobook.

About the Author:

Natalie Jenner is the author of the instant international bestseller The Jane Austen Society and Bloomsbury Girls. A Goodreads Choice Award runner-up for historical fiction and finalist for best debut novel, The Jane Austen Society was a USA Today and #1 national bestseller and has been sold for translation in twenty countries. Born in England and raised in Canada, Natalie has been a corporate lawyer, career coach and, most recently, an independent bookstore owner in Oakville, Ontario, where she lives with her family and two rescue dogs.

A Message from Author Natalie Jenner:

Dear readers,

I am immensely grateful for the outpouring of affection that so many of you have expressed for my debut novel The Jane Austen Society and its eight main characters. When I wrote its epilogue (in one go and without ever changing a word), I wanted to give each of Adam, Mimi, Dr. Gray, Adeline, Yardley, Frances, Evie and Andrew the happy Austenesque ending they each deserved.

But I could not let go of servant girl Evie Stone, the youngest and only character inspired by real life (my mother, who had to leave school at age fourteen, and my daughter, who does eighteenth-century research for a university professor and his team).

Bloomsbury Girls continues Evie’s adventures into a 1950s London bookshop where there is a battle of the sexes raging between the male managers and the female staff, who decide to pull together their smarts, connections, and limited resources to take over the shop and make it their own. There are dozens of new characters in Bloomsbury Girls from several different countries, and audiobook narration was going to require a female voice of the highest training and caliber. When I learned that British stage and screen actress Juliet Stevenson, CBE, had agreed to narrate, I knew that my story could not be in better hands, and I so hope you enjoy reading or listening to it.

Warmest regards,

Natalie

Check out the Book Trailer:

The Flatshare by Beth O’Leary (audio)

Source: Purchased
Audible, 9+ hrs.
I am an Amazon Affiliate

The Flatshare by Beth O’Leary, narrated by Carrie Hope Fletcher and Kwaku Fortune, Tiffy Moore is a woman who has been chucked out of an apartment she shared with her boyfriend Justin. She’s got a small budget, so she has few options that don’t involve horrible conditions or strange alternatives. One alternative is to share a flat with Leon, a hospice nurse who works nights. They would need to share the one bed, but they would be in it at different times. Tiffy works day shift as a book editor, so she’d have the place on weekends and at night during week.

How can this be romantic or comical, if Tiffy and Leon never meet? They do start communicating about the mundane doings of apartment sharing through post-its notes on the fridge, tables, etc. Leon is a man of few words, and Tiffy is the opposite — she’s effusive and chaotic.

***Trigger warning for sufferers of abuse***

This is not a light-hearted comedy alone; there are deeper issues dealt with, and yes, in a quicker timeline than normally would happen. Tiffy’s ex-boyfriend may have left her for another woman he plans to marry, but she is more than gun-shy when it comes to other men. She’s so consumed by everything Justin ever said about her, she can no longer just be herself without second-guessing or putting herself down. It’s clear something about her relationship with Justin wasn’t right. You find out later in the book.

Leon, meanwhile, is not without his own troubles. He’s dating Kay who clearly doesn’t think he spends enough time with her, which is why she’s all for the flatshare and having him on weekends at her place. He is consumed with work, finding the long lost love of one of his patients, and freeing his wrongly accused brother from prison. Leon may be quiet and mild-mannered, but he has a busy schedule.

O’Leary really writes quirky characters so well. Tiffy is someone you can imaging bubbling up you life and bringing color to it, while Leon is that introspective friend who overthinks but always has great advice. Her plot enables Tiffy and Leon to lead separate lives, even as they fall into like with each other. The comic set of side characters also keeps things unpredictable. The Flatshare by Beth O’Leary, narrated by Carrie Hope Fletcher and Kwaku Fortune, is one to read if you don’t mind a little heavy stuff mixed with your romantic comedy.

RATING: Cinquain

About the Author:

Beth O’Leary is a Sunday Times bestselling author whose books have been translated into more than 30 languages. She wrote her debut novel, The Flatshare, on her train journey to and from her job at a children’s publisher. She now lives in the Hampshire countryside and writes full time.

The Road Trip by Beth O’Leary (audio)

Source: Purchased
Audible, 10+ hrs.
I am an Amazon Affiliate

The Road Trip by Beth O’Leary, narrated by Josh Dylan and Eleanor Tomlinson, has the makings of a light, fun romantic read, but there are dark edges of depression, alcoholism, and sexual assault that make this a more serious novel than expected. Dylan and Addie fall in love/lust over a summer in France where she works as a caretaker of her friend Cherry’s villa and Dylan, a poet, is a rich man’s son who is looking for himself abroad. Immediately, I was drawn to the character of Dylan because he’s a poet and lines of verse come to him out of no where and he struggles to remember them, all the while he’s falling for Addie. They have broken up because in the present, they haven’t spoken in a few years, but they are headed to Cherry’s wedding and end up carpooling.

Dylan and Marcus have been friends for ages, but it is clear that something happened in their relationship as well because Marcus is “trying” to be better. As the novel unravels, it is clear that the relationship between Addie and Dylan was colored by the presence of Marcus. I really enjoyed the dynamics at play between Addie and Dylan (working-class, family girl and upper crust boy trying to distance himself from his father even though he still relies on family wealth) and the interplay with Marcus who seemed so much like a puppet-master of Dylan at times.

While in the present, crammed in a Mini with Marcus, Addie’s sister Deb, and random acquaintance of Cherry’s Rodney, Addie and Dylan are forced to confront their past, why they broke up, and whether the love they both have for each other still is enough to move forward with. There’s some hilarity when traffic stalls their travels or their car breaks down, but overall, there are some deep issues afoot.

What bothered me was how glossed over Marcus’ role in their relationship was until the end. At no point did Dylan try to see things from Addie’s point of view, while she bent over backward to be understanding of his connection to Marcus, even though she wasn’t really privy to why they were so tight in the first place. The Road Trip by Beth O’Leary is a good novel, I just wish there had been a little more background earlier on about Marcus and Dylan’s relationship and a little more awareness on Dylan’s part that Marcus didn’t always have his best interests at heart.

RATING: Quatrain (really 3.5)

About the Author:

Beth O’Leary is a Sunday Times bestselling author whose books have been translated into more than 30 languages. She wrote her debut novel, The Flatshare, on her train journey to and from her job at a children’s publisher. She now lives in the Hampshire countryside and writes full time.

Mailbox Monday #681

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

The Fervor by Alma Katsu, which I pre-ordered because it combines my favorite things to read about.

1944: As World War II rages on, the threat has come to the home front. In a remote corner of Idaho, Meiko Briggs and her daughter, Aiko, are desperate to return home. Following Meiko’s husband’s enlistment as an air force pilot in the Pacific months prior, Meiko and Aiko were taken from their home in Seattle and sent to one of the internment camps in the Midwest. It didn’t matter that Aiko was American-born: They were Japanese, and therefore considered a threat by the American government.

Mother and daughter attempt to hold on to elements of their old life in the camp when a mysterious disease begins to spread among those interned. What starts as a minor cold quickly becomes spontaneous fits of violence and aggression, even death. And when a disconcerting team of doctors arrive, nearly more threatening than the illness itself, Meiko and her daughter team up with a newspaper reporter and widowed missionary to investigate, and it becomes clear to them that something more sinister is afoot, a demon from the stories of Meiko’s childhood, hell-bent on infiltrating their already strange world.

Inspired by the Japanese yokai and the jorogumo spider demon, The Fervor explores the horrors of the supernatural beyond just the threat of the occult. With a keen and prescient eye, Katsu crafts a terrifying story about the danger of demonization, a mysterious contagion, and the search to stop its spread before it’s too late. A sharp account of too-recent history, it’s a deep excavation of how we decide who gets to be human when being human matters most.

What did you receive?