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Sunday, May 1, 11-3 p.m. in Washington D.C.: Literary Hill BookFest

Even when National Poetry Month in April ends, there’s still more poetry to be had!

Literary Hill BookFest is on May 1 from 11 to 3 p.m. in Washington, D.C.’s Eastern Market. Address: 225 7th St. SE, Washington, D.C.

The Literary Hill BookFest is an annual celebration of books and authors held each spring on Capitol Hill.

I’ve only attended this festival online. You can see my video from 2021 on my Publication Credits page.

I hope to see some of you at Tunnicliff’s Tavern at 3 p.m. for the poetry open mic. It will be good to be around other poets at an in-person event! I’ll be reading with some fantastic poets:

Bring some cash or a venmo and you may be able to pick up some of their books at the reading.

In case you missed my recent online Zoom Reading: There’s a Poem in this Place, you can check it out here:

There's a Poem in This Place from Elizabeth Gauffreau on Vimeo.

Virtual Poetry Circle: Mary Oliver

Hello Everyone!

It’s National Poetry Month and in honor of April as National Canine Fitness Month, I’m going to share one of my favorite Mary Oliver Poems about dogs.

I’m sharing one of my favorite poems about dogs:

LITTLE DOG’S RHAPSODY IN THE NIGHT

He puts his cheek against mine
and makes small, expressive sounds.
And when I’m awake, or awake enough

he turns upside down, his four paws
in the air
and his eyes dark and fervent.

“Tell me you love me,” he says.

“Tell me again.”

Could there be a sweeter arrangement? Over and over
he gets to ask.
I get to tell.

Feel free to share your favorites in the comments.

Poetry Activity: Blackout Poems

Today, we’re going to try one of my favorite poetry activities: Blackout poetry.

This is one of the easiest forms to create because it really just requires you remove the text of an existing piece by blacking it out. The text can be from a book, newspaper, magazine, or poem. You’re going to redact it, much like the FBI or CIA would do when allowing the public to view government reports.

I’m going to use this poem from Robert Frost: Nothing Gold Can Stay.

Nothing Gold Can Stay

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Here’s my version:

Nothing Gold Can Stay

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

I’d love to hear about your experience with black out poetry. Feel free to take a photo and send it to me via email.

Guest Post: Clarity in Poetry by Shoushan Balian, author of Through the Soul Into Life

Today’s guest post is from poet Shoushan Balian, author of Through the Soul Into Life.

Check out the collection:

“This abrupt jolt
That rattled
The realms of my faith
Bent me, knocked me down
To the ineffability of my resilience”

A woman’s enigma and quest in search of herself and her power. Redefining her relationship with the world and the Divine with an earnest urge to pinpoint the cause of human suffering with an intent of alleviating it.

In Through The Soul Into Life by Shoushan B, we experience the complexities and the challenges of our inner world in relation to social norms, religion, politics, anguish, love, human rights and the hurdles that we have to face to recover our authenticity, spirituality and empathy.

Without further ado, please welcome Shoushan:

A time comes in our lives when we can no longer live life at face value, always distracted by everyday demands. Out of anxiety, frustration, and tiredness—and if we are curious enough—we stop… and start asking questions about our reality and the purpose of life. Questions without apparent answers, questions that keep us in limbo, or even questions that we avoid asking.

This journey started for me about twenty-five years ago. The more I examined my life, the more I realized the presence of pain, dissatisfaction, agony, disappointment, and so on… with a void almost impossible to fill. The more I scrutinized life in general, the more I perceived the wreckage caused by the human ego.

Eventually I began journaling my everyday inquiries and emotions. As I went along with my puzzling query, I came upon insights, as if some wiser part of me knew these all along. As I searched deeper and deeper, my understanding and explanations took a flight in such extensions, all the way to the distant beginning of our universe… tracing and understanding our journey, now as human beings, originating from the birth of our universe. A journey we are still continuing to unseen horizons. A journey worth living as long as our hearts are open to the presence of love. A journey to be ready to lose ourselves totally to redefine ourselves and to be ready to lose totally our misconception of life to reinvent ourselves from a place of self-acceptance, self-understanding, and respect for others and life.

This journey and introspection eventually, about seven years ago, led me to share my insights on my Facebook writer’s page, Shoushan B. This is how the process of writing poetry developed for me, combining my raw emotions and insights, distilling and condensing them in a distinctive style, in rhythmical lines and in rhyming words.

I owe my decision to publish my poetry collection, Through The Soul Into Life, to a very dear friend of mine, Hripsime. After reading my poems on my Facebook page, for four years she persistently pushed me to publish a book. Encouraged by her enthusiasm, I decided to polish some of my poems, write new ones, present them in a poetry collection, and actively search for a publisher until I found Atmosphere Press last February, who accepted for publication my first collection.

Life is a journey with its highlights and challenges, and it’s up to us how we navigate through it to grow and to discover our inborn gifts in order to share our experiences with others.

And I’m thankful for it!

About the Poet:

Shoushan Balian is of Armenian origin, born and raised in Beirut, Lebanon, later living in Paris, and now a resident of California. She is a writer, a poet, a visual artist and a visionary. She has published some of her poems on her Facebook and on Shoushan B writer’s page, and has read at poetry reading circles in the Bay Area. Through the Soul Into Life is Shoushan B’s first published poetry book.

Winter at a Summer House by Mary Beth Hines

Source: Purchased
Paperback, 98 pgs.
I am an Amazon Affiliate

Winter at a Summer House by Mary Beth Hines, which toured in Winter 2021-22 with Poetic Book Tours, explores the evolution of a self-made woman from birth through her later years, enhanced by the water imagery of the undulating waves that affect our lives. This is clear from the first poem, “First Born,” in which a child is born and “breathes blue/water for air,/dark whorl/of muscle, hair,/sea whistle/sways in wave/after wave/of shore/” (pg. 17) In the next poem, “A Cry So Close to Song,” the child’s cry becomes the cry of a gull. Hines takes a look at the simplicity of childhood, but she also notes those moments when you’re given a nickname that might not be so flattering. Alternating between her own childhood and that of her own children, she’s creating a family story that comes in waves across the pages.

“Scarborough Sail” sees a father become a tall ship, with sturdy rigging to hold his child upright in a turbulent sea. It is clear the poem is speaking to some rocky moments in the narrator’s life, but how her father ensured she had a stable home and structure around her. With every tumble, she rises up again, stronger. By the end of the poem, she’s swimming on her own through the ocean “beeline into surf swell,/under mayhem, into sparkle.” (pg. 29)

Ritual (pg. 30)

Sunday afternoon and my turn
to kneel on the creaky yellow
kitchen step stool and bow
over the sink, unspool my locks
into the clean pool, the white
enamel basin. Two rust eyes blink
from the bottom. I bend my neck
for Mother's blessing. I might be clay.
I might be dough. Her pulsing
soap-slicked fingers sink and knead.

Later the poems become more nostalgic for the childhood of the past, with memories of summer camp and lifeguarding. The 4th of July parties and the man all the girls giggle and blushed for. It was fun to read “Swim Meet” since my daughter is a swimmer and has a number of these competitions in all-year round. There’s that moment of realization in this poem that the narrator will not be the best on the team, but the beauty of the swim and the burn of the exercise is something that is seared into her memory: “streaks through blue, the kick-/stroke-surge through the wake/of the winter’s churn.//”

Winter at a Summer House by Mary Beth Hines is introspective in its look at a life that is evolving and moving forward, even as we hope to hold all of our memories close. The final poems may make you weep with sadness as the family faces the passing of loved ones and the closing of the summer house. Another chapter has closed, but the ghosts slip out into the swells of the sea on their next journey, just as the narrator will do.

RATING: Cinquain

Photo Credit: David Mullen

About the Poet:

Mary Beth Hines grew up in Massachusetts where she spent Saturday afternoons ditching ballet to pursue stories and poems deep in the stacks of the Waltham Public Library. She earned bachelor of arts in English from The College of the Holy Cross, and studied for a year at Durham University in England. She began a regular creative writing practice following a career in public service (Volpe Center, Cambridge, Massachusetts), leading award-winning national outreach, communications, and workforce programs. Her poetry, short fiction, and non-fiction appear in dozens of literary journals and anthologies both nationally and abroad. Winter at a Summer House is her first poetry collection. When not reading or writing, she swims, walks in the woods, plays with friends, travels with her husband, and enjoys life with their family, including their two beloved grandchildren. Visit her online.

Challenges While Photographing for Poetry: Himalayas by Jon Meyer, author of Clouds: love poems from above the fray

Today’s guest post is from Jon Meyer, author of Clouds: love poems from above the fray, which is a available digitally or as a coffee table book.

Here’s a little more about the book:

Clouds: love poems from above the fray features beautiful black and white photographs from around the world, paired with Jon’s reflective and inspirational poetry and stories behind the photographs. One such story explains the unforgettable experience behind Jon’s photo of a small plane surrounded by the snow-capped Himalayas in Nepal:

After sitting in the tiny airport in Pokara, Nepal for 5 hours, I started to get restless. We still had not taken off to fly up into the Himalayas.  So, I asked a man wearing a pilot’s uniform when we would board and take off. “When I can see blue sky,” he replied, “because in Nepal, the clouds have rocks in them.” (Jon Meyer, 2022) (#21)

Please give Jon Meyer a warm welcome:

Photography for use with poetry requires patience, sometimes requiring hours of waiting for the right light or having a cloud in the right place, or even the position of a cold midnight reflection.

Traveling to take a photograph can be a macro or micro adventure. The micro may be just walking around the corner or into a nearby forest. A macro adventure sometimes requires visiting a new country, learning about new (to me) cultures, or finding places that illustrate previous writing. Capturing the right image may require climbing mountains, flying to remote destinations, trudging through mud or snow, riding in a car on a steep mountain road without guard- rails and having the brakes fail, or even barely avoiding an avalanche.

The latter experience occurred when trekking in the high Himalaya and taking photos of their magnificent snow- covered peaks. The tiny villages along the Annapurna Circuit trek in Nepal are basic. The most prosperous of the small dwellings are made of carefully placed stone, and some are covered with whitewash. At the time that I was there, my guide and I stayed overnight in hut/ homes with minimal heating that consisted of a cooking fire inside, and most villages at altitude did not have electricity nor running water. The villagers were always welcoming and gracious with Namaste greetings to all strangers. We were happy to take shelter from the night’s wind and cold. The views of the ice- covered Himalayan peaks remain unsurpassed. Homes are now starting to acquire solar for lighting and essentials.

We passed by the prayer flags in the cover photo for Clouds on our trek up toward Thorong La, the world’s highest pass at 18,000 feet (over 5,400 meters). That morning, we had a good start before dawn, and by 10 AM we were well above the tree line at 16000 feet in a steep valley. Above us to the left was a peak with a sheer, high degree inclination, and on that smooth stone face was a thick ice field extending down from 26,000 feet to just above the rock- strewn trail we were scrambling on. The continuous ice was more than a mile wide.

By this time of morning, the strong sun was out with scattered clouds, similar to those in the photo. As we passed below the ice field, my guide and I both noticed the increase of water pouring down the smooth black mountain from below the ice field. It was really a rushing river. A shiver shook my body at the thought that in a moment the whole ice field could collapse, avalanche down, and cover the narrow valley we were in.

We looked for large boulders to crouch behind if the ice let go, but there were few with no guarantee that the ice wouldn’t roll them over us if we took cover there or back down the trail. So, we increased our pace but the altitude’s reduced oxygen made progress slower than necessary. With help from adrenaline, we pushed on and up. It was like a dream of running as fast as possible but still very slowly. When I was in High School, I ran sprints while on sports teams. The longest I could go was less than 30 seconds all out. This time, after 45 minutes of a maximum effort slow sprint and my repeating Love’s name with great intensity, we reached a point on the trail out of peril.

Just then I heard a loud crack, like a rifle shot too close to my ear. The ice field had let go, and cascaded down over the trail where we had just been. Since we were now ‘above the fray’ my stress and determination changed to gratitude. The Ancient One, Lord of the Mountains sent a lesson and a message, “Now that’s the way to remember Me always.”

Clouds: love poems from above the fray has been a project spanning more than four decades containing poems influenced by visiting many places, giving lectures, and witnessing beautiful vistas, in towns, cities, and above all, in nature. Over my career, I have been invited to speak at universities and cultural centers across the US and in a number of other countries, and I took photographs while in those places. Thousands of those photos are now in my archive. Hundreds of five- line quintain poems were written down, from which 64 were chosen for Clouds. These were then matched with photos in my archive.

Thank you, Jon, for sharing your poetry, photos, and stories.

About the Poet:

Jon Meyer has written for The Village voice, ARTnews, ARTS, New Art Examiner, Visions Quarterly, CRITS, Q, Dialog, Art New England, Fictional Café, and many more publications. As Department Chair, Meyer led a small team producing a film about one of his students, Dan Keplinger. This film, King Gimp, won the Oscar for best short documentary at the 2000 Academy Awards. Meyer’s work has been in 60 solo and group exhibitions (18 museum exhibitions) and 20 museum/public collections globally. He has received 12 grants, including a National Endowment for the Arts grant.

Mailbox Monday #680

Mailbox Monday has become a tradition in the blogging world, and many of us thank Marcia of The Printed Page for creating it.

It now has its own blog where book bloggers can link up their own mailbox posts and share which books they bought or which they received for review from publishers, authors, and more.

Velvet, Martha, and I also will share our picks from everyone’s links in the new feature Books that Caught Our Eye. We hope you’ll join us.

Here’s what I received:

Kill It with Fire: Manage Aging Computer Systems (and Future Proof Modern Ones) by Marianne Bellotti, narrated by Katie Koster, which I downloaded for work.

Kill It with Fire examines aging computer systems, the evolution of technology over time, and how organizations can modernize, maintain, and future-proof their current systems.

“Kill it with fire”, the typical first reaction to a legacy system falling into obsolescence, is a knee-jerk approach that often burns through tons of money and time only to result in a less efficient solution. This book offers a far more forgiving modernization framework, laying out smart value-add strategies and proven incremental techniques that work equally well for ancient systems and brand-new ones.

Internationally known for restoring some of the world’s oldest, messiest computer networks to operational excellence, software engineering expert Marianne Bellotti distills key lessons and insights from her experience into practical, research-backed guidance on topics from “chaos” testing solutions to building momentum-driven teams and effective communication structures. Using clear explanations and simple exercises, she’ll help you determine when to modernize, how to organize, what migrations will add the most value, and where to focus your maintenance efforts for maximum impact. With witty, engaging prose, Bellotti explains why new doesn’t always mean better, weaving in illuminating case studies and jaw-dropping anecdotes from her work in the field.

You’ll learn:

Tips and best practices for assessing architecture and testing assumptions
How to avoid trends and pick the right modernization solutions for your specific needs
How to determine whether your migrations will add value before you invest in them
Critical considerations every organization should weigh before moving data to the cloud
Team-based strategies and motivational tricks for keeping modernization plans on track
Key outcomes and checklists for determining when a project is finished

Packed with resources, exercises, and flexible frameworks for organizations of all ages and sizes, Kill It with Fire will give you a vested interest in your technology’s future.

The No-Show by Beth O’Leary, which I purchased.

Siobhan is a quick-tempered life coach with way too much on her plate. Miranda is a tree surgeon used to being treated as just one of the guys on the job. Jane is a soft-spoken volunteer for the local charity shop with zero sense of self-worth.

These three women are strangers who have only one thing in common: They’ve all been stood up on the same day, the very worst day to be stood up—Valentine’s Day. And, unbeknownst to them, they’ve all been stood up by the same man.

Once they’ve each forgiven him for standing them up, they are all in serious danger of falling in love with a man who may have not just one or two but three women on the go….

Is there more to him than meets the eye? Where was he on Valentine’s Day? And will they each untangle the truth before they all get their hearts broken?

Memory and Desire by Gregory Luce, which I purchased.

Memory and Desire is a collection of poetry exploring the themes articulated in the title, both individually and as they are woven together. Roaming from childhood recollections to captured moments from the natural and the urban environments, the book includes poems ranging from brief lyrics to longer narratives, some humorous, others wistful.

 

What did you receive?

April 24, 4-6 PM: Local D.C. Event: Poetry Reading with Photopoetry by Gordana Gerskovic, Serena Agusto-Cox, and More

What: Poetry Reading with Photopoetry
When: Sunday, April 24 at 4 p.m. to 6 p.m.
Where: Foundry Gallery at 2118 8th Street NW, Washington, D.C.

Two of my poems have been paired with Gordana Gerskovic‘s wonderful art. Come see the art and hear some great poems.

Also featured:

I hope that if you are in the area, you’ll drop by the poetry reading on April 24.

April 23, 4 p.m. EST: National Poetry Month Zoom Reading: Poets in the Blogosphere


I hope you’ll be available to register and listen in on Zoom on April 23 at 4 p.m. EST.

I’ll be reading with some fantastic poets from the blogosphere. I was honored to be invited.

Check out these wonderful poets:

The theme of this reading is There’s A Poem in This Place.

Two places to find contemporary poetry at its most vibrant are in the blogging community and at live readings. On April 23, 2022, from 4-5:30 PM ET, the two places come together when a select group of poets from the blogosphere present a live reading of their poetry at Poets in the Blogosphere.

Most poetry is meant to be read aloud, and hearing poets read their own work is a heightened experience.The event is moderated by Elizabeth Gauffreau. Please register in advance at https://tinyurl.com/Poets-in-the-Blogosphere #NationalPoetryMonth #blogpoetsread2022

Virtual Poetry Circle: Earth Day Poems

Hello everyone!

It’s National Poetry Month and in honor of April as Keep American Beautiful Month and Earth Day celebrations on April 22, I’m sharing one of my favorite poems about the beauty of our world. A little reminder to slow down and protect the only home we have.

The Thaw by Henry David Thoreau

I saw the civil sun drying earth’s tears —
Her tears of joy that only faster flowed,

Fain would I stretch me by the highway side,
To thaw and trickle with the melting snow,
That mingled soul and body with the tide,
I too may through the pores of nature flow.

But I alas nor tinkle can nor fume,
One jot to forward the great work of Time,
‘Tis mine to hearken while these ply the loom,
So shall my silence with their music chime.

There’s a sense of desire to be part of nature around him, a seeping of the human self into that seamless flow. But he can merely sit and marvel. Wouldn’t it be lovely to have that time to sit and marvel at it all.

Check out these other Earth Day poems:

Feel free to share your favorites in the comments.