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Over the River & Through the Wood by Linda Ashman, illustrated by Kim Smith

Source: Sterling Children’s Books
Hardcover, 32 pgs.
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Over the River & Through the Wood by Linda Ashman, illustrated by Kim Smith, is a modern story of the Thanksgiving trip to grandmother’s house over the river and through the woods.  Rather than merely travel by sleigh, these family members take cars that run out of gas, trains to cities to find rental cars are all gone, and other modes of transportation when grandmother invites them over for dinner.

The way is paved with snow and these families are eagerly picked up by a horse and sleigh. Even the families are updated from the traditional mother and father with two kids to include not only mixed race families, but also a gay couple with children.  It was a lovely, inclusive touch.  What was a little disappointing was the text, as it didn’t rhyme as well as younger readers would expect.  They are unaware of slant rhyme and for little readers it could be hard to modify a word to make the rhyme work.

Over the River & Through the Wood by Linda Ashman, illustrated by Kim Smith, is a cute book about what it means to spend time together as a family, even with your extended family.  It’s especially wonderful when you not only have memories to share over the holidays, but when you come from different places and backgrounds.

Water on the Moon by Jean P. Moore

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Source: TLC Book Tours
Paperback, 244 pgs.
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Water on the Moon by Jean P. Moore is a spiral of mystery in which Lidia Raven, the mother of teenage twin girls, has her life upended by a pane that crashes into her family home.  Raven’s life already had jolted off track when her husband left her for another man, and she chose to parent her children on her own, leaving a prosperous career for the suburbs.  Behind the home, the apple orchards stand guard, watching over the new generations as the previous generations’ secrets remain hidden in passages beneath the house and among the surviving generations.  With nods to Byron’s poetry and to the bravery and passion of Amelia Earhart, Moore’s prose is winding, meandering through Lidia’s concerns about her daughters, her obsessions with the flyer who crashed into her home, and her difficulty in letting go of her past life with her husband.  Her neighbor, Polly, takes the Raven family in as the house is restored and the FBI investigation wraps up, and this woman is a sage, offering sound advice to those willing to listen.

Since the breakup of her ideal family, Lidia has spent a lot of hours worrying about when the next shoe would drop and upend her world again.  She’s been in protectionist mode for far too long, and with help from Polly, she learns to be more open and more flexible, but she also has to face some of the ghosts in her family’s past.  While the intricacies of the family mystery are interesting and the pilot’s obsession with Earhart are engaging, the main story often gets lost in the references to Byron and to Earhart.  The story would have felt less distant if the reader could have connected closer with Lidia and her heartbreak.

Water on the Moon by Jean P. Moore offers tidbits of conflict that are resolved either too quickly or barely resolved.  Lidia is a character that seems underdeveloped emotionally, and while the daughters are on the periphery, they have greater depth.  Lidia’s character falls in love too quickly, is easily spooked, and has a stubborn streak when her heart is broken.  Without Polly, Lidia would have plugged along in her life without making any real changes, and in this way, she redeems the novel for this reader.  Polly’s life is fascinating, and her sage advice will remind readers of those grandmothers who carefully steer loved ones in the right direction.

About the Author:

Jean P. Moore began her professional life as an English teacher, later becoming a telecommunications executive. She and her husband, Steve, and Sly, their black Lab, divide their time between Greenwich, Connecticut and the Berkshires in Massachusetts, where Jean teaches yoga in the summers.

Her work has appeared in newspapers, magazines, and literary journals such as upstreet, SN Review, Adanna, Distillery, Skirt, Long Island Woman, the Hartford Courant, Greenwich Time, and the Philadelphia Inquirer. Water on the Moon was published in June of 2014 and won the 2015 Independent Publishers Book Award for Contemporary Fiction. Visit her on her website, on her blog, and Twitter.

Seriously, You Have to Eat by Adam Mansbach, illustrated by Owen Brozman

Source: LibraryThing Early Reviewers
Hardcover, 32 pgs.
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Seriously, You Have to Eat by Adam Mansbach, illustrated by Owen Brozman, is similar to his previous book about the struggles of parenting, though this one is a little more kid friendly.  Rather than rely on the outrageous language and profanity, this book focuses on the food asked for an not eaten, the animals that eat no matter what is given to them by their parents, and the astonishing amount of energy that kids seem to have even if they do not eat their meals throughout the day.  My daughter was not as tickled by this book as I would have thought.  The illustrations are fine and the rhymes are pretty good for the most part, but she may not have seen the sarcastic humor in this one.  It may still be a little more geared to those struggling parents, than their kids.

Beyond the struggles with getting kids to eat, this one also touches on the little battles over what kids want to wear versus what they should be wearing to school.  There is one moment in the book in which the child is given milk to drink and the “kitchen” is closed, but the parent grabs a drink that smells like “peat.”  As a parent of a young child — we glossed over this part — I’m leery of introducing the idea that alcohol is a way to “solve” or deal with problems.  Yes, parenting is stressful, and yes, parents may take a drink to unwind, I’m just not sure that’s a message kids should be learning.

Seriously, You Have to Eat by Adam Mansbach, illustrated by Owen Brozman, is a book more fore parents than children, even though the language is less profane.  Even if parents share this book with their kids, they may want to gloss over certain things or change them up a bit.

Other Reviews:

Go the F**k to Sleep

I Want to Eat Your Books by Karin Lefranc and Tyler Parker

Source: Sky Pony Press
Hardcover, 32 pgs.
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I Want to Eat Your Books by Karin Lefranc and Tyler Parker was a fun read to get us in the mood for Halloween.  Eric is followed by a zombie to school, but rather than a brain-sucking zombie, he’s chased by a book eating zombie.  Halloween allows the dark and scary to surface in town, and Eric is scared when the zombie approaches.  When the zombie eats his book, the kids and teachers are running scared and trying to save their books.  From fiction to nonfiction, this zombie does not discriminate.  However, teachers would prefer if this zombie kid would read the books, rather than eat them.

Once in the library, the zombie is enlightened to the power of reading.  Eric hands him a book that changes his outlook.  While he is a zombie, he has manners and asks that Eric read to him.  This change is magical, and soon he’s devouring books in a completely new way.  Someone on the paranormal wire must have heard about the goodies in the library and passed along the news, because soon the school library is attracting mummies and zombies.

I Want to Eat Your Books by Karin Lefranc and Tyler Parkeris a fun book about the power of reading, and the knowledge that books can provide.  My daughter and I took to shouting, “I want to eat your books!” as the zombie made his way through the school, and by the end we were giggling.  This book is sure to create bookaholics like me.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mind Your Monsters by Catherine Bailey, illustrated by Oriol Vidal

Source: Sterling Children’s Books
Hardcover, 32 pgs.
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Mind Your Monsters by Catherine Bailey, illustrated by Oriol Vidal, has a modern style of illustration that brings neighborhoods to life, even as the monsters surface from behind buildings.  These monsters are wreaking havoc in town, terrorizing parents and children.  From zombies and vampire bats to one-eyed and furry monsters, people are unsure how to handle these monsters and their destruction.  Turned over cars, chewed up mailboxes, and more.  Parents are scared for themselves and their children, and without a solution in sight, they are prepared to leave town.

Wally decides that he’s going to take a different approach.  He’s going to talk to them.  When that doesn’t work, he throws his sister at the monsters because he considers her evil enough to fight them — or so it is implied.  He employs other tactics, using tricks and treats, lollipops, and more.  When the parents make the decision to leave, their escape is blocked by a giant ogre.  Everyone is fearful and wants to run, but there is no escape and no where to run to.  Wally, in a desperate plea, asks them to please stop terrorizing the town.  Through the use of his manners, he’s able to get through to the monsters.  The monsters stop making messes and begin to cleanup.

Mind Your Monsters by Catherine Bailey, illustrated by Oriol Vidal, is a colorful and fun way to introduce the idea of using manners to children.  There’s the promise of more fun when the monsters agree to return again.  Most little kids know that “Please” is considered the magic word, and this book plays with that knowledge.  It demonstrates that manners are important in communicating with adults, monsters, and others.  The one thing missing from this story is the use of “Thank You.”

 

 

 

 

 

 

 

 

 

 

 

 

 

Secondhand Souls by Christopher Moore

Source: LibraryThing Early Reviewers
Hardcover, 352 pgs.
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Secondhand Souls by Christopher Moore is a long-awaited follow-up to A Dirty Job, which I loved.  Readers should start with the first book before reading this one.

Charlie Asher, a death merchant, has taken on a new form, and his daughter is living with his sister even as his situation becomes more hopeless.  Minty Fresh reprises his role as comic relief, but there really is much more of that going around in this novel.  San Francisco is one again under threat from dark forces.  The Big Book of the Dead has sensed the change, and as things happen magically, the instructions in the book morph into dire warnings — most of which are ignored, at least until the banshee shows up.  Through a mix of characters from the previous book, Moore is at his best with these sarcastic, wise-cracking misfits who riff off one another like guitarists in a large band.  Their tune is haphazard but effective in this hunt for balance in the world of the dead.

“‘Sure, you could say talked. Ghosts mostly communicate by odor. Gotta tell you, you got a house that smells like farts, you got a haunted house.'” (pg. 75)

“With that, great clouds of fire burst out the twin tailpipes of the Buick and it lowered its stance like a crouching leopard before bolting out of the turnout.” (pg. 122)

Moore is a talented writer, who can write a funny quip and hilarious dialogue in one stroke and a gorgeous set of literary images in another. This duo of books combines the best of those talents, along with some great supernatural elements that are based not only on Egyptian mythology but also Buddhist teachings. This mash-up is unique and engaging, and his characters bring it to life easily. From Minty Fresh who wears all lime green clothes and owns a secondhand music store to Lemon who wears all yellow and has a calm demeanor that covers his dark motives, Moore’s characters will have readers laughing and questioning every turn of plot.

Secondhand Souls by Christopher Moore is a wonderful follow-up that will have readers wondering about where their soul is headed, who will guide it where it needs to go, and whether they will one day find themselves with a super-ability they never wanted.  It’s another winner from this author.

About the Author:

Christopher Moore is an American writer of comic fantasy. He was born in Toledo, Ohio. He grew up in Mansfield, Ohio, and attended Ohio State University and Brooks Institute of Photography in Santa Barbara, California.

 

 

 

 

 

 

 

The Runaway Pumpkin: A Halloween Adventure Story by Anne Margaret Lewis, illustrated by Aaron Zenz

Source: Sky Pony Press
Hardcover, 40 pgs.
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The Runaway Pumpkin: A Halloween Adventure Story by Anne Margaret Lewis, illustrated by Aaron Zenz, features adorable pumpkins.  The single-toothed pumpkin boy is dreaming big in this story, and while he talks of running off to play mummy or fly on brooms with witches, his mother is supportive.  Although she wants to protect him from the things that go bump in the night, his mother is aware that kids want independence and want to grow up faster than their parents are ready for.  She knows that without his blanket he’ll be scared at night, so she offers to pack it for him.  Her support does not go unnoticed by the little pumpkin.

We’ve probably read this more than a few times since it’s come into the house, but she loves the adventures of the little pumpkin.  Her favorite parts are when we see his mother watching over him from under the straw on the hayride or in the distance behind some bushes.  It’s like a little game of hide-and-seek.  By the end of the book, we’re both ready to enjoy the adventures of both mother and son pumpkin.

The Runaway Pumpkin: A Halloween Adventure Story by Anne Margaret Lewis, illustrated by Aaron Zenz, is cute and has a great message about giving children some independence to think and do on their own, but it also cautions that parents need to be ready in the wings to step in when they are needed.  My daughter’s favorite parts are when the little pumpkin dresses like a pirate and wears a fake mustache.

 

 

 

 

 

 

 

 

 

 

 

 

 

Underdays: Poems by Martin Ott

Source: Bostick Communications
Paperback, 72 pgs.
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Underdays: Poems by Martin Ott is a collection that seeks to dissect human motivations to love, to hate, to soldier on, and more.  His poems express this search through a dialogue within their lines and between one another, almost like people in deep conversation.  Readers may see this technique as an extension of his days as a U.S. Army interrogator, as Ott continues to dig deeper to find kernels of truth and fact.  He opens with a poem that examines the undercarriage of retirement, what does it mean to retire, how does it feel.  In the poem, it’s clear that there is an expectation about retirement that does not come to pass:

From "The Interrogator in Retirement" (pg. 3)

He wants to love recklessly
but his eyes remain desert
dry, unable to view clear skies
without seeing the curtains,

He examines this new found freedom with a critical eye. How do you move beyond what came before, even if you have no further obligations and you’re beholden to only yourself and your desires?  Ott creates tales that unfold and fold unto themselves, taking readers on winding journeys — much like those in real life that are never a straight line from point A to point B.  His images are fresh and nuanced, and will force readers to rethink their own perceptions of retirement, work, and death.

From "Survivor's Manual to Love and War" (pg. 6)

Death is a loving dog
with no children or chew toys
to occupy its attention.
It will lick you into submission,
this inevitable pack instinct,
to join the vast departed.

He examines what it means to face death and how alluring it can be when things are hopeless, but he also counters these examinations with a look at how much we do to stave off death and avoid it altogether just so we can eek out just a little bit more time with loved ones. Ott’s images will stay with readers long after poems are read, like a man who turns into “a dragon … sucking fumes in motor pools” or the clacking of Salinger’s typewriter on the battlefield sounding “like gold fillings against wet pavement.”

Some poems seem to be about the mundane, like why he doesn’t set the clock in his car or why he doesn’t carry an umbrella, but these poems, too, become something more — a time travel journey with kids or the hidden dangers of the umbrella and how it can die just from being opened.  Underdays: Poems by Martin Ott, winner of the , turns over the rocks in our lives to find the darkness, the humor, and the introspective nature we hide as we trudge through daily activities.

About the Poet:

Born in Alaska and raised in Michigan, Martin Ott served as an interrogator in U.S. Army military intelligence. He moved to Los Angeles to attend the Masters of Professional Writing Program at USC, and often writes about his adopted city, including in the novel The Interrogator’s Notebook (currently being pitched by Paradigm as a TV pilot) and poetry books Captive, De Novo Prize Winner, C&R Press and Underdays, Sandeen Prize Winner, University of Notre Dame Press (Fall 2015).

Social and political themes are prevalent in all of his books, particularly Poets’ Guide to America and Yankee Broadcast Network, coauthored with John F. Buckley, Brooklyn Arts Press and his short story collection, Interrogations, Fomite Press (Spring 2016).

 

 

 

 

 

 

Ava the Monster Slayer by Lisa Maggiore, illustrated by Ross Felten

Source: Sky Pony Press
Hardcover, 32 pgs.
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Ava the Monster Slayer by Lisa Maggiore, illustrated by Ross Felten, is another hit with my daughter with its comic book style illustrations.  It’s like a beginner’s comic book.  She is hooked.  Ava is a young girl with a favorite stuffed animal and an active imagination, which is fueled by the stories of her older brother.

When her mother tells her that her stuffed animal is in the dryer, she is determined to save him from the monsters in the basement.  She transforms herself into a monster slayer with a cape, a crown, and pink rain boots when she realizes that she’s on her own in her quest.  There are action sequences, moments of tension in which Ava’s confidence is shaken, and large old-school “Pow” and “Wham”-type exclamations.  She is on a mission to save her friend, Piggy, despite the dangers.

Ava the Monster Slayer by Lisa Maggiore, illustrated by Ross Felten, is an origin story, and it seems as though there are more adventures to come for Ava.  My daughter adores these adventure stories, and this one has great illustrations.

 

 

 

 

 

 

 

 

 

Monster Trouble! by Lane Fredrickson, illustrated by Michael Robertson

Source: Sterling Children’s Books
Hardcover, 26 pgs.
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Monster Trouble! by Lane Fredrickson, illustrated by Michael Robertson, was a big hit.  Winifred Schnitzel has an active imagination and is fearless, even when monsters arrive in her bedroom.  Like my daughter, she loves Halloween, monsters, and ghouls, but what she doesn’t like is interrupted sleep.  She tries to ignore their noises and their distractions, but it’s of no use.  The more the monsters come and visit, the sleepier she is during the day.  She can’t even have fun.

While the immediate subtext for adults is that this child who loves monsters is having dreams that keep her from achieving full rest — they might be nightmares.  Parents can use this story to teach little ones about being strong and taking care of their nightmares with their imaginations.  Winifred uses a Monsters Beware book to lay traps, use smelly cheeses, and more to get the monsters to leave.  But the biggest weapon she has is her love for all that’s ghoulish.

Monster Trouble! by Lane Fredrickson, illustrated by Michael Robertson, has been read more than once, and my daughter adores the colorful “scary” monsters and the traps Winifred sets for them.  We were giggling as the monsters get trapped and outwit her, until finally she turns on the love.

 

 

 

 

 

 

 

 

 

 

 

 

All the Words Are Yours: Haiku on Love by Tyler Knott Gregson

Source: Penguin Random House
Hardcover, 144 pgs.
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All the Words Are Yours: Haiku on Love by Tyler Knott Gregson is a collection of haiku poems — though not all of them include references to nature — about love and all of its manifestations. This small collection, however, is just a taste of what love can mean, bring, and be to many of us. These verse reveal a poet who is romantic and optimistic, as these poems espouse not only how passionate love can be but also how transformative and consuming it is.

I am broken down
and shattered into pieces
You are still barefoot
Your soul knew my soul
long before we needed skin
to spend a life in.
Lay down your roots now, 
let them wrap tight around mine,
sink deep in the soil.

In each of these short haiku, readers will get a glimpse of the form and its power to punctuate a feeling or a moment, so that they can stop and listen to their own feelings and thoughts, compare their own past and present loves, and be more introspective. Gregson lays his heart out and is unafraid of those who would poke fun at his cheesy lines or his unabashed love expressed in intimate ways. It’s like peering into his life, watching how he forms attachments, reveres them, and carries them forward.

All the Words Are Yours: Haiku on Love by Tyler Knott Gregson could be a romantic gift for your spouse, boyfriend, girlfriend on an anniversary, as an every day gift, or something special for Valentine’s Day, that most commercial of holidays.  However, Gregson’s haiku also challenges the traditional use of the form, driven by nature imagery, to consider more abstract things as natural because we are aware of them — such as love or the soul.  Some of these haiku also leave you breathless.

The Color Monster: A Pop-Up Book of Feelings by Anna Llenas

Source: Sterling Children’s Books
Hardcover, 20 pgs.
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The Color Monster: A Pop-Up Book of Feelings by Anna Llenas is a wonderful use of paper art and color.  Imagine a gray scale world in which the monster is the only one in color, and his rainbow of color signifies that his emotions are out of control.  This young lady has the patience of a saint as she kindly explains the situation to the monster and they set off together to sort out his emotions.

The young lady and her monster go through the book sorting out the emotions by color into jars from the sunshine of happiness to the blue rain clouds of sadness.  In addition to using paper art, these pop-out images also utilize other materials, including string.  And by the end, she and her monster uncover another emotion, one that they haven’t even labeled, which is accompanied by pink hearts.  The Color Monster: A Pop-Up Book of Feelings by Anna Llenas is delightful to look at and read, but it also is a great tool for helping young kids sort out their emotions.